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Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle

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The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability.… The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming   Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More

Winsor & Newton Liquin Original, 1 Liter (33.8oz)

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Accelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin… Accelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin Original - halves the drying time of oil color and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Light Gel - Liquin Original halves the drying time of oil color and reduces brush stroke retention (touch dry in 1-6 days depending on color & film thickness). Creates a smooth, gel-like paint film that is easier to work with. Allows the paint to dry faster and aids working with multiple layers. Resists yellowing. Not suitable as a varnish or final coat. Liquin Fine Detail - The most fluid medium within the Liquin family. Add to color to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Oleopasto - A paste-like, semi-matte version of Liquin that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on color paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Liquin Impasto - A paste-like, semi-gloss version of Liquin that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Key Features: * Speeds up the drying process* Adds transparency and gloss* Non-yellowing Perfect For:* Oils and alkyds* Reducing brush strokes* Glazing and blending techniques   PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Artists Acrylic Mediums And Additives Matt UV Varnish 225ml

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Protect your finished paintings from damage by dirt, grease and airborne pollutants! After all your hard work in creating your Artists' Acrylic paintings, you want them to last for generations! Professional artists know that varnishing your finished artwork is an indispensible final step in the… Protect your finished paintings from damage by dirt, grease and airborne pollutants! After all your hard work in creating your Artists' Acrylic paintings, you want them to last for generations! Professional artists know that varnishing your finished artwork is an indispensible final step in the creation process. Varnish serves to protect paintings from damage inflicted by dirt, grease, and airborne pollutants, and the UV protective agents in Artists' Acrylic Varnish also safeguard against color fading and improve lightfastness. In addition to being an excellent varnish for acrylic paintings, this UV protection means it is also a beneficial final varnish for non-lightfast works such as digital or giclée prints. Varnish is available in Gloss, Satin and Matt finishes, all of which can be intermixed for limitless customized variations on final sheen. A Varnish Remover is also available, to safely remove Artists' Acrylic varnish without damaging your painting, allowing you to clean any trapped pollutants before re-varnishing your work for maximum protection. Don't let time ravage the brilliance of your art: protect your paintings with Artists' Acrylic UV Varnishes!* Guards against dirt, oil and airborne pollutants * UV protection improves lightfastness and hinders color fading * Excellent for acrylic paintings and even digital or giclée prints! * Available in Gloss, Satin and Matt; which can be mixed for customized finishes * Varnish Remover is easy to use for conservation purposes * Preserve your paintings for generations! You might also be interested in:* Winsor & Newton Artists' Acrylic Gessos * Winsor & Newton Artists' Acrylic Mediums and Additives See More

Winsor & Newton Oil Color Solvents - Sansodor, 1Liter

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Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made speciﬁcally for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made speciﬁcally for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish   Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter

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Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease   Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 Liter

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White Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More

Winsor & Newton Artists Acrylic Mediums And Additives Clear Gesso 225 ml

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White Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface   You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes   See More

Winsor & Newton Artists Acrylic Mediums And Additives White 225 Ml

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Seals And Stabilizes Your Surface Prior To Painting, Also Adds Tooth For Good Adhesion! White Gesso has superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for… Seals And Stabilizes Your Surface Prior To Painting, Also Adds Tooth For Good Adhesion! White Gesso has superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! * 225 Ml See More

Winsor & Newton Artists Acrylic Mediums And Additives Clear Gesso 225 ml

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Seals And Stabilizes Your Surface Prior To Painting, Also Adds Tooth For Good Adhesion! Clear Gesso has all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries… Seals And Stabilizes Your Surface Prior To Painting, Also Adds Tooth For Good Adhesion! Clear Gesso has all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils and alkyds, it also makes an excellent ground for charcoals or pastels. * Clear - 225 ml See More

Winsor & Newton Artists Acrylic Mediums And Additives Matt UV Varnish 225ml

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Protect Your Finished Paintings From Damage By Dirt, Grease And Airborne Pollutants! This varnish can be intermixed for limitless customized variations on final sheen. In addition to being an excellent varnish for acrylic paintings, the UV protection means it is also a beneficial final varnish for… Protect Your Finished Paintings From Damage By Dirt, Grease And Airborne Pollutants! This varnish can be intermixed for limitless customized variations on final sheen. In addition to being an excellent varnish for acrylic paintings, the UV protection means it is also a beneficial final varnish for non-lightfast works such as digital or giclée prints. * Matte UV Varnish - 225 ml See More

Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle

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Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying… Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. How to use: Mix just enough medium with paint to get the smoother texture you want. To keep light colours clean, use linseed oil sparingly for whites in particular, we recommend using Safflower Oil or Poppy Oil. Wipe the neck of the bottle after use, to ensure the safety cap remains secure.* Winsor & Newton Oil Drying Refined Linseed Oil Medium * 1L Bottle * Slows down the drying process * Reduces viscosity for better flow * Adds transparency and gloss * Low tendency to yellow PLEASE NOTE: this product is hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Liquin Original, 1 Liter (33.8oz)

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Winsor & Newton Liquin Original 1 Liter (33.8oz) Liquin™ Original 1 Liter (33.8oz / 1000ml)- halves the drying time of oil color and reduces brush stroke retention. Popular with oil painters, Winsor & Newton Liquin Original creates a smooth, gel-like paint film that is easier to… Winsor & Newton Liquin Original 1 Liter (33.8oz) Liquin™ Original 1 Liter (33.8oz / 1000ml)- halves the drying time of oil color and reduces brush stroke retention. Popular with oil painters, Winsor & Newton Liquin Original creates a smooth, gel-like paint film that is easier to work with and allows oil paint to dry faster and makes working with multiple layers easier. How to Use: Just add a small amount of Liquin Original to make your oil color slightly self self-levelling. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. * Liquin Original (Oil Medium) * 1 Liter (33.8oz / 1000ml) * Halves the drying time of oil color and reduces brush stroke retention * Speeds up the drying process * Touch dry in 1-6 days depending on color & film thickness * Adds transparency and gloss * Improves flow * Non-yellowing* Not suitable as a varnish or final coat PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Color Solvents - Sansodor, 1Liter

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Winsor & Newton Oil Color Solvents - Sansodor, 1L Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but it's low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also… Winsor & Newton Oil Color Solvents - Sansodor, 1L Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but it's low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - Sansodor, 1L* Least hazardous solvent in our product range * Evaporates slowly * Low level of aromatics See More

Winsor & Newton Artists Acrylic Varnishes Gloss UV Varnish 225ml

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Protect Your Finished Paintings From Damage By Dirt, Grease And Airborne Pollutants! This varnish can be intermixed for limitless customized variations on final sheen. In addition to being an excellent varnish for acrylic paintings, the UV protection means it is also a beneficial final varnish for… Protect Your Finished Paintings From Damage By Dirt, Grease And Airborne Pollutants! This varnish can be intermixed for limitless customized variations on final sheen. In addition to being an excellent varnish for acrylic paintings, the UV protection means it is also a beneficial final varnish for non-lightfast works such as digital or giclée prints. * Gloss UV Varnish - 225 ml See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use… Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium * Can be applied directly to metal or porous surfaces * Used to prepare a surface before painting * A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming See More

Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 Liter

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Push The Performance Of Galeria Acrylics Further With This Galeria Acrylic Gel Medium! Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and… Push The Performance Of Galeria Acrylics Further With This Galeria Acrylic Gel Medium! Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. * 1 Liter See More

Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1Liter

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Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. How to Use: Mix just enough… Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L * Most efficient thinner and cleaning agent * Even removes dried paints * Can remove varnishes, including Dammar Varnish See More

Winsor & Newton Oil Color Solvents - White Spirit, 1 Liter

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Winsor & Newton Oil Color Solvents - White Spirit, 1L White Spirit - Can be used to create your own painting mediums. Artists? White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. How to Use: Mix just enough… Winsor & Newton Oil Color Solvents - White Spirit, 1L White Spirit - Can be used to create your own painting mediums. Artists? White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - White Spirit, 1L * Efficient thinner and cleaning agent * Slower drying than turpentine * Can remove varnishes, except Dammar Varnish See More

Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter

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Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil… Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Dammar Varnish, 1 Liter* Adds a strong UV resistant layer* High-gloss finish* Enhances colour intensity with a brilliant shine* Removable with Distilled Turpentine See More

Winsor & Newton Artists Acrylic Varnishes Satin UV Varnish 225 ml

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Protect Your Paintings! Satin Varnish is a superior quality UV resistant artists’ satin varnish removable with Artists’ White Spirit or Distilled Turpentine.Quick-drying.Non-yellowing. It does not bloom or crack. Do not use until painting is completely dry (6-12 months). Shake well before use. Do… Protect Your Paintings! Satin Varnish is a superior quality UV resistant artists’ satin varnish removable with Artists’ White Spirit or Distilled Turpentine.Quick-drying.Non-yellowing. It does not bloom or crack. Do not use until painting is completely dry (6-12 months). Shake well before use. Do not use as a medium. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. * 225 ml See More