DANIEL SMITH Extra Fine Watercolors

Daniel Smith Extra Fine Watercolors 66 Color Dot Card

This dot card contains 66 dots of Daniel Smith Extra Fine Watercolor so that you can try out almost any color in the line without buying a whole tube of paint! With a wet brush, the dried dots of Daniel Smith Watercolor become brilliant, brushable watercolor. This card will introduce you to the Extra Fine collection, including PrimaTek and Luminescent Watercolors. Each watercolor dot is labeled with essential color info (name, series, lightfastness, etc.) for easy reference.

Daniel Smith Extra Fine Watercolors 238 Color Dot Card

You will receive four sheets of watercolor paper with 238 dots of Daniel Smith Extra Fine Watercolor. With this dot card, you will be able to try out almost any color in the line without buying a whole tube of paint! With a wet brush, the dried dots of Daniel Smith Watercolor become brilliant, brushable watercolor. Each watercolor dot is labeled with essential color info (name, series, lightfastness, etc.) for easy reference.

Alizarin Crimson (PR83)

A beautiful bluish-red pigment from the transparent staining family, Alizarin Crimson is listed on the basic palette of a vast majority of artists. Intense and dark in value, Alizarin Crimson mixes cleanly with most pigments to create dark mixtures and warm neutrals. A combination of Aureolin (Cobalt Yellow) and French Ultramarine with Alizarin renders a surprising range of other colors resembling everything from Burnt Sienna and Umber to Payne's Gray, while Alizarin Crimson with French Ultramarine creates an intense purple.

• ASTM Lightfastness Rating: Fugitive - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.
• Transparency: Transparent
• Granulating: No
• Staining: Medium

Alizarin Crimson (PR83)

A beautiful bluish-red pigment from the transparent staining family, Alizarin Crimson is listed on the basic palette of a vast majority of artists. Intense and dark in value, Alizarin Crimson mixes cleanly with most pigments to create dark mixtures and warm neutrals. A combination of Aureolin (Cobalt Yellow) and French Ultramarine with Alizarin renders a surprising range of other colors resembling everything from Burnt Sienna and Umber to Payne's Gray, while Alizarin Crimson with French Ultramarine creates an intense purple.

• ASTM Lightfastness Rating: Fugitive - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.
• Transparency: Transparent
• Granulating: No
• Staining: Medium

Amazonite Genuine

Daniel Smith has acquired a unique supply of the precious mineral Amazonite from Brazil. It's a strong pure color that is completely transparent, non-staining and lifts easily for mazimum versatility. Natural Amazonite Genuine provides all the magic of the hills and forests of Brazil. This lovely teal shade of feldspar microcline, a precious mineral, was named for the Amazon River and was used in ancient times as war paint by fierce female warriors.

In addition, legends state that when you wear a piece of Amazonite you will harmonize your soul and be attuned to the spiritual dimension. Small carvings of Amazonite were tucked into a baby's bunting to sooth and pacify. A shared piece of this lovely teal mineral was believed to enhance and further unite the union of soul mates.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: No
• Staining: No

Amazonite Genuine

Daniel Smith has acquired a unique supply of the precious mineral Amazonite from Brazil. It's a strong pure color that is completely transparent, non-staining and lifts easily for mazimum versatility. Natural Amazonite Genuine provides all the magic of the hills and forests of Brazil. This lovely teal shade of feldspar microcline, a precious mineral, was named for the Amazon River and was used in ancient times as war paint by fierce female warriors.

In addition, legends state that when you wear a piece of Amazonite you will harmonize your soul and be attuned to the spiritual dimension. Small carvings of Amazonite were tucked into a baby's bunting to sooth and pacify. A shared piece of this lovely teal mineral was believed to enhance and further unite the union of soul mates.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: No
• Staining: No

Amethyst Genuine

"Oh my goodness-it's beautiful!" exclaimed one of our testers. And it is. Amethyst Genuine is a rich, true purple-it's almost black in masstone and capable of infinite gradation. Although it is a granulating color, it can also make lovely clear washes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-transparent
• Granulating: Yes
• Staining: Low

Amethyst Genuine

"Oh my goodness-it's beautiful!" exclaimed one of our testers. And it is. Amethyst Genuine is a rich, true purple-it's almost black in masstone and capable of infinite gradation. Although it is a granulating color, it can also make lovely clear washes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-transparent
• Granulating: Yes
• Staining: Low

Anthraquinoid Red (PR177)

Warm violet-red, this slightly granular, super-staining vat pigment is one of Daniel Smith's greatest creations. Anthraquinoid Red offers artists a vibrant, luminous pigment that retains its excellent permanency rating even in thin washes. Indanthrone Blue, Indian Yellow and Anthraquinoid Red comprise a transparent, super-staining triad.

• ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.
• Transparency: Transparent
• Granulating: No
• Staining: Medium

Anthraquinoid Scarlet (PR168)

A deep, transparent orange. In a wash, it's a light peach tint—at full strength, it moves to a deep, red-orange lipstick color with all the pigment strength, DANIEL SMITH paints are famous for. It’s absolutely beautiful!

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: No
• Staining: Low

Aureolin - Cobalt Yellow (PY40)

The transparent non-staining properties of this cool yellow can effectively warm darker hues without affecting their transparency. Landscape artists rely on Aureolin to successfully glaze their watercolors. This pigment quality, along with the ability to lift and to create soft edges, makes Aureolin especially useful to portrait and floral painters as well.

• ASTM Lightfastness Rating: Very Good
• Transparency: Transparent
• Granulating: No
• Staining: Non-staining

Aureolin - Cobalt Yellow (PY40)

The transparent non-staining properties of this cool yellow can effectively warm darker hues without affecting their transparency. Landscape artists rely on Aureolin to successfully glaze their watercolors. This pigment quality, along with the ability to lift and to create soft edges, makes Aureolin especially useful to portrait and floral painters as well.

• ASTM Lightfastness Rating: Very Good
• Transparency: Transparent
• Granulating: No
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors - Aussie Red Gold 15Ml Tube

DANIEL SMITH Aussie Red Gold is the rich, golden color of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light to Autumn leaves, late summer flowers, and landscapes. Australian Red Gold is transparent, non-granulating, low staining and performs wonderfully, you will love it on your palette!

Pigment: PY 83, PR 101, PV 19 | Series: 2
Lightfastness: I – Excellent
Transparency: Transparent
Staining: 2-Low Staining
Granulation: Non-Granulating

Azo Yellow (PY 151)

DANIEL SMITH Azo Yellow Watercolor almost jumps off the paper, it's so brilliant, sunny and bright. The very essence of yellow, it's clear, powerful, vivid, semi-transparent, smooth and staining. Use this organic pigment to add light and sparkle to your paintings. It's also a versatile mixing color.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Medium

Bismuth Vanadate Yellow (PY184)

This semi-transparent Yellow Green appears opaque in mass, yet lifts cleanly. It is low staining, making it excellent in portrait mixtures for dark flesh tones. Use concentrated to diluted mixtures in florals and field flowers. This lemon yellow hue works well with purples and all the greens.

• ASTM Lightfastness Rating: Excellent
• Transparency: Opaque
• Granulating: No
• Staining: Low

Bismuth Vanadate Yellow (PY184)

This semi-transparent Yellow Green appears opaque in mass, yet lifts cleanly. It is low staining, making it excellent in portrait mixtures for dark flesh tones. Use concentrated to diluted mixtures in florals and field flowers. This lemon yellow hue works well with purples and all the greens.

• ASTM Lightfastness Rating: Excellent
• Transparency: Opaque
• Granulating: No
• Staining: Low

Black Tourmaline Genuine

This intriguing PrimaTek® color is made from a semi-precious stone thought to bring luck, dispel negativity and promote clarity of purpose. In washes, especially on rough paper, it displays exciting granulation with delicate settling and a tracery of spidery runs. Intensely black in mass tone, it lets down to a beautiful pearl gray.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Bloodstone Genuine

Bloodstone is legendary for its mystical, magical and medicinal properties. Sacred to Christians, who believe the dark red drops in this green jasper represent the blood of Christ, Bloodstone comes from our line of superb PrimaTek® naturally pigmented watercolors. Its intense and velvety aubergine mass tone develops into a warm gray wash that lifts beautifully and provides immediate gratification when it comes to granulation, be it on hot- or cold-pressed paper. Bloodstone mixes very well with each of our more than 200 watercolors and is especially wonderful with transparent Rhodonite Genuine and Quinacridone Burnt Orange.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Bloodstone Genuine

Bloodstone is legendary for its mystical, magical and medicinal properties. Sacred to Christians, who believe the dark red drops in this green jasper represent the blood of Christ, Bloodstone comes from our line of superb PrimaTek® naturally pigmented watercolors.

Its intense and velvety aubergine mass tone develops into a warm gray wash that lifts beautifully and provides immediate gratification when it comes to granulation, be it on hot- or cold-pressed paper. Bloodstone mixes very well with each of our more than 200 watercolors and is especially wonderful with transparent Rhodonite Genuine and Quinacridone Burnt Orange.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors 15 Ml Blue Apatite Genuine

Gorgeous in color, Blue Apatite is a striking mineral that is rarely used in jewelry due to its relative softness. As an artist's pigment, though, it's fantastic - a dense, rich midnight blue that granulates magnificently on cold- or hot-press papers. Within a wash, nuances of color are revealed, from inky near-black to rich Prussian-like blue. Create a stormy sky in one juicy stroke!

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Bordeaux

A durable, staining azo pigment, Bordeaux is a velvety wine color. Its slightly granular, semi-transparent properties work well with blotting, misting and salt application techniques. Replace lifeless, muddy mixtures with this pigment! Explore the Variety of Red! Try painting a scattering of cranberries with Bordeaux mixed with small touches of Anthraquinoid Red or French Ultramarine. Blot highlights and when dry, add details such as blossoms or stem ends of berries. Then add a connective shadow.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Medium

Daniel Smith Extra Fine Watercolors 15 Ml Bronzite Genuine

A warm honey-bronze color with lustrous sparkle provided by very fine films of iron oxide. The fibrous, fairly fragile Bronzite stone from Brazil is occasionally used in jewelry but excels as a watercolor pigment. It's a warm golden-brown in masstone - somewhere between ochre and sienna, but distinctly different - that lets down into pale washes of soft, always warm, sandy beige. In a wash on cold press or rough paper, the brown settles out of this intriguing special-effect color.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Enviro-Friendy Brown Iron Oxide (PBr 6)

DANIEL SMITH Enviro-Friendly Watercolors-the colors aren't green, but the process is! To make these paints, we use pigments from the earth's crust, obtained through a process known as Iron Oxide Recovery (IOR). This method removes colored iron oxides that pollute mine water, cleaning the water so it can re-enter a receiving stream-and resulting in a cleaner natural environment. The recovered iron oxide is thoroughly washed, then used to create a trio of rich colors ranging in tone from a warm golden yellow to a deep red earth to a beautiful saturated dark brown with a bluish undertone. At full strength this deep umber is useful for warm shadows and dark values. Mixed with water, a brilliant granulating wash displays warm cinnamon tones with a darker pattern of granulation. Enviro-Friendly pigments are reclaimed and refined, giving you an earth-friendly option without sacrificing color quality.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Buff Titanium

Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement. Unique to Daniel Smith, Buff Titanium resembles the ecru shades of sand and antique lace and simulates the porous texture of an eggshell. It is a most welcome neutral, with semi-transparent to opaque non-staining properties. Pre-mix Buff Titanium with Quinacridone Rose or Perinone Orange for subtle hues and matte surfaces ideal for the velvety petals of your favorite flowers. Mix with Indigo or Van Dyke Brown to create slate-colored shadows and soft feathers. Glaze a dried landscape with a misty, atmospheric mood.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: No

Buff Titanium (PW6:1)

Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement. Unique to Daniel Smith, Buff Titanium resembles the ecru shades of sand and antique lace and simulates the porous texture of an eggshell. It is a most welcome neutral, with semi-transparent to opaque non-staining properties.

Pre-mix Buff Titanium with Quinacridone Rose or Perinone Orange for subtle hues and matte surfaces ideal for the velvety petals of your favorite flowers. Mix with Indigo or Van Dyke Brown to create slate-colored shadows and soft feathers. Glaze a dried landscape with a misty, atmospheric mood.

• ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.
• Transparency: Semi-transparent
• Granulating: Yes
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors 15 Ml Burgundy Red Ochre

Prehistoric man used this strong, reddish-brown earth pigment to capture the earliest known images of deer, bison and human forms on cave walls. Mix with white for beautiful antique-rose tones.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Burgundy Yellow Ochre

A warm, glowing earth color, surprisingly smooth in washes. In a light wash, the yellow is very clean, as sunny and subtle as morning light in a French vineyard. This natural ochre was mined from a deep vein that runs near the Loire River in western Burgundy. since the mines were closed in 1970, we feel lucky to have found a supply of this unique pigment.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Burnt Bronzite Genuine

Gorgeous Burnt Bronzite Genuine pushes the honey tone of Bronzite Genuine to a more coppery hue. Both deeper brown and more orange, it's ideal for portrait work as it easily produces a wide range of flesh tones. Like Bronzite Genuine, it gets a subtle lustrous sparkle from iron oxide.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors - Burnt Sienna Light 15ml Tube

A beautiful earthy color, DANIEL SMITH Burnt Sienna Light is redder than our Burnt Sienna, more transparent and slightly less granulating. In very light washes, it makes a good, light flesh tone for portraits, and in darker washes, it is a rich red-brown.

Pigment: PR 101, PO 48 | Series: 1
Lightfastness: I – Excellent
Transparency: Transparent
Staining: 1-Non-Staining
Granulation: Non-Granulating

Daniel Smith Extra Fine Watercolors 15 Ml Burnt Sienna (PBr7)

This transparent to semi-transparent earth pigment, a grayed orange, combines with other hues without a loss of intensity or transparency. Subsequent layers (or glazes) do not sully or stain the other pigments these glazes contact.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: No

Burnt Sienna (PBr7)

This transparent to semi-transparent earth pigment, a grayed orange, combines with other hues without a loss of intensity or transparency. Subsequent layers (or glazes) do not sully or stain the other pigments these glazes contact.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors 15 Ml Burnt Tiger

This beautiful stone has been calcinated to change the iron oxide from cool to warm in hue. The result is striking and the granulating effect enhanced. While the Tiger's Eye Genuine is cool olive drab, Burnt Tiger's Eye Genuine is warm reddish-brown. In landscapes, it's an excellent, natural-looking complement to greens. It's also great for creating rich, warm flesh tones.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Burnt Umber (PBr7)

This rich dark brown earth pigment is popular with artists due to its semi-transparent or semi-opaque qualities. It is lightfast, low-staining, and can readily be lifted to vary its value in otherwise dark passages. Warm Burnt Umber with a little Alizarin Crimson or cool it with blue as your subject dictates.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Burnt Umber (PBr7)

This rich dark brown earth pigment is popular with artists due to its semi-transparent or semi-opaque qualities. It is lightfast, low-staining, and can readily be lifted to vary its value in otherwise dark passages. Warm Burnt Umber with a little Alizarin Crimson or cool it with blue as your subject dictates.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Burnt Yellow Ochre (PY 43)

Burnt Yellow Ochre is a beautiful, versatile earth color with the ruddy warmth of redwood, ancient pottery or a sunset-lit peublo. Falling between yellow ochre and burnt sienna, it is a wonderful portrait color. Light, transparent washes create a range of glowing skin tones. On cold pressed or rough paper, it settles and granulates nicely.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors Cadmium Orange Hue (PY 53, PO 73, PY 83) 15ml Tube

We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints—you’ll find a little goes a long way. Working properties—staining power, semi-transparency and excellent light fastness—are also nearly identical to those of the low-soluble cadmium colors we previously offered. Cadmium Orange Hue - A deep, radiant orange that leans slightly towards red.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cadmium Red Medium Hue (PY 53, PR 254)

We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints—you’ll find a little goes a long way. Working properties—staining power, opacity and excellent light fastness—are also nearly identical to those of the low-soluble cadmium colors we previously offered. Explore the Variety of Red! Cadmium Red Medium Hue - A true stop sign red, an essential color for any palette

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Low

Cadmium Red Medium Hue (PY 53, PR 254)

We’ve done it! Safe, Vibrant Cadmium Hue Watercolors!

Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints—you’ll find a little goes a long way. Working properties—staining power, opacity and excellent light fastness—are also nearly identical to those of the low-soluble cadmium colors we previously offered.

Cadmium Red Medium Hue - A true stop sign red, an essential color for any palette.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Opaque
• Granulating: No
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cadmium Red Scarlet Hue (PY 53, PR 254, PY 83) n

We've done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints—you’ll find a little goes a long way. Working properties—staining power, semi-opacity and excellent light fastness—are also nearly identical to those of the low-soluble cadmium colors we previously offered. Cadmium Red Scarlet Hue - A festive, versatile red with an orange cast.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cadmium Yellow Deep Hue (PY 53, PY 83)

We've done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints—you’ll find a little goes a long way. Working properties—staining power, semi-transparency and excellent light fastness—are also nearly identical to those of the low-soluble cadmium colors we previously offered. Cadmium Yellow Deep Hue - A rich, warm yellow with a golden glow.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Cadmium Yellow Light Hue (PY53 PY138 PY3)

Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints—you'll find a little goes a long way. Working properties—staining power, semi-transparency and excellent light fastness—are also nearly identical to those of the low-soluble cadmium colors we previously offered. Cadmium Yellow Light Hue - A clean lemon yellow.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Low

Cadmium Yellow Light Hue (PY53, PY138, PY3)

Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints—you'll find a little goes a long way. Working properties—staining power, semi-transparency and excellent light fastness—are also nearly identical to those of the low-soluble cadmium colors we previously offered. Cadmium Yellow Light Hue - A clean lemon yellow.

• ASTM Lightfastness Rating: Very Good
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cadmium Yellow Medium Hue (PY53 PY151 PY83)

Cadmium Yellow Medium Hue is a rich, bright and intense alternative to Cadmium Yellow. Using a blend of pigments, our chemist has duplicated the brilliance and opacity of Cadmium Yellow with unsurpassed opacity, color strength, durability and lightfastness. It disperses beautifully in water for smooth, rich washes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Low

Cadmium Yellow Medium Hue (PY53, PY151, PY83)

Cadmium Yellow Medium Hue is a rich, bright and intense alternative to Cadmium Yellow. Using a blend of pigments, our chemist has duplicated the brilliance and opacity of Cadmium Yellow with unsurpassed opacity, color strength, durability and lightfastness. It disperses beautifully in water for smooth, rich washes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Carbazole Violet (PV23 RS)

This slightly granular blue-violet is an intense, vibrant color with high-staining properties. A brushstroke of concentrated Carbazole Violet onto dry paper moves the pigment from black-violet to clear purple, and can invent an iris petal with each stroke.

Add Indigo to Carbazole Violet, along with Quinacridone Rose or Anthraquinoid Red. Blot, squeegee and incise damp passages to created veins, variegated passages and highlights.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Medium

Carbazole Violet (PV23 RS)

This slightly granular blue-violet is an intense, vibrant color with high-staining properties. A brushstroke of concentrated Carbazole Violet onto dry paper moves the pigment from black-violet to clear purple, and can invent an iris petal with each stroke.

Add Indigo to Carbazole Violet, along with Quinacridone Rose or Anthraquinoid Red. Blot, squeegee and incise damp passages to created veins, variegated passages and highlights.

• ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Medium

Daniel Smith Extra Fine Watercolors 15 Ml Carmine (PR176)

This semi-transparent staining pigment, rich and intense, will retain its luminosity in dark passages, but will dilute to produce subtle tones without reducing its permanence. Explore the Variety of Red! Darkest of the reds, carmine will help you achieve clear neutrals when mixed with its complement, Phthalo Green.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: High

Daniel Smith Extra Fine Watercolors 15 Ml Cascade Green (PBr7 PB15)

The craggy peaks of the Cascade Mountains divide lush, damp western Washington from the dry high plains of the east. Conifer forests, rushing streams and alpine meadows showcase a million shades of green and inspired this versatile addition to our artist-preferred greens. As you brush it on, subtle variation from dark to light adds the illusion of depth. Straight from the tube, this rich, mid-range green is cool, dark and mossy. In washes, it has a stunning clarity. In any application, it has excellent lightfastness.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Medium

Cascade Green (PBr7, PB15)

The craggy peaks of the Cascade Mountains divide lush, damp western Washington from the dry high plains of the east. Conifer forests, rushing streams and alpine meadows showcase a million shades of green and inspired this versatile addition to our artist-preferred greens.

As you brush it on, subtle variation from dark to light adds the illusion of depth. Straight from the tube, this rich, mid-range green is cool, dark and mossy. In washes, it has a stunning clarity. In any application, it has excellent lightfastness.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Medium

Daniel Smith Extra Fine Watercolors Cerulean Blue Chromium (PB36)

Best when mixed with a transparent pigment, this sky blue inorganic pigment is granular and medium-light in value. Highly permanent and extremely low-staining, Cerulean Blue creates exciting granulation and settling washes. A drop of Cerulean Blue into a damp wash such as Burnt Sienna creates a halo effect around the more dense Cerulean. This is especially effective when Quinacridone Gold or Quinacridone Burnt Orange are used in the moist underpainting. This technique is great for rendering lichen and Spanish Moss. Add Buff Titanium, Undersea Green and touches of Lunar Black - each a Daniel Smith exclusive - and the creative fun truly begins! For a misty landscape or that dusky quality on eggplant, grapes and plums, think Cerulean.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Cerulean Blue Chromium (PB36)

Best when mixed with a transparent pigment, this sky blue inorganic pigment is granular and medium-light in value. Highly permanent and extremely low-staining, Cerulean Blue creates exciting granulation and settling washes.

A drop of Cerulean Blue into a damp wash such as Burnt Sienna creates a halo effect around the more dense Cerulean. This is especially effective when Quinacridone Gold or Quinacridone Burnt Orange are used in the moist underpainting. This technique is great for rendering lichen and Spanish Moss. Add Buff Titanium, Undersea Green and touches of Lunar Black - each a Daniel Smith exclusive - and the creative fun truly begins! For a misty landscape or that dusky quality on eggplant, grapes and plums, think Cerulean.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cerulean Blue (PB35)

A superb mixing color. Think of it as a cleaner, brighter and slightly warmer alternative to the Cerulean Blue Chromium we've always sold. A bit less green, it's a truer blue that will be a versatile component of any palette. When you think of blue summer skies, this is that color!

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: No

Cerulean Blue (PB35)

A superb mixing color. Think of it as a cleaner, brighter and slightly warmer alternative to the Cerulean Blue Chromium we've always sold. A bit less green, it's a truer blue that will be a versatile component of any palette. When you think of blue summer skies, this is that color!

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors 15 Ml Chinese White (PW4)

Forbidden by purists, Chinese White is much more than a repair patch. This semi-opaque pure white offers excellent permanency and a medium-high tinting strength. It's great for lightening other colors. Drop and spatter Chinese White into a damp gray wash to describe the moist, mushy snowfalls of the Pacific Northwest's coastal lowlands. I also employ a brushload of Chinese White where water's edge meets snowbanks to indicate melting. For field flowers in spring meadows, a touch of Chinese White into Carbazole Violet helps create clover and other wildflowers. And, of course, you can always use it to paint details and highlights! If the paint works, use it.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: No

Chinese White (PW4)

Forbidden by purists, Chinese White is much more than a repair patch. This semi-opaque pure white offers excellent permanency and a medium-high tinting strength. It's great for lightening other colors.

Drop and spatter Chinese White into a damp gray wash to describe the moist, mushy snowfalls of the Pacific Northwest's coastal lowlands. I also employ a brushload of Chinese White where water's edge meets snowbanks to indicate melting. For field flowers in spring meadows, a touch of Chinese White into Carbazole Violet helps create clover and other wildflowers. And, of course, you can always use it to paint details and highlights! If the paint works, use it.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors 15 Ml Chromium Green Oxide (PG17)

This natural green provides landscape artists rest in a summer painting saturated with vibrant greens. Opaque and low-staining, Chromium Green Oxide mixes well to soften other colors.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Blue Violet (PV19 PB28)

A brilliant purple with remarkable blue undertones and a granulating texture. Try mixing this bold color with Prussian Green for surprisingly soft blue hues. At full strength, this violet is dark enough for deep twilight shadows. Mix with water and a range of tones are revealed. A graceful addition to the watercolorists’ palette, this is the perfect purple for dynamic floral paintings.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Blue (PB28)

This neutral, non-staining primary blue will subtly modify most pigments. Considered a "mixing pigment", its transparent nature can cast a giant reticulating shadow. An inorganic pigment, it is considered transparent, non-staining (or low-tinting) and ideal for glazing methods. Its ability to create soft edges, to lift and to mix readily makes Cobalt Blue a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Cobalt Blue (PB28)

This neutral, non-staining primary blue will subtly modify most pigments. Considered a "mixing pigment", its transparent nature can cast a giant reticulating shadow. An inorganic pigment, it is considered transparent, non-staining (or low-tinting) and ideal for glazing methods. Its ability to create soft edges, to lift and to mix readily makes Cobalt Blue a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Green Pale (PG19)

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Green (PG50)

A mid-range green-yellow, useful for mixing middle value grays. Introduce non-staining complementary colors to warm or cool the mix. An inorganic pigment, it is considered transparent, non-staining (or low-tinting) and ideal for glazing methods. Its ability to create soft edges, to lift and to mix readily makes Cobalt Green a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Teal Blue (PG50)

Extraordinarily beautiful color for painting turquoise blue skies, a must have for sunny Mediterranean skies and Tropical seas! Mixing with this pigment helps make bright shadows, also use it to render the desired patina on a copper pot. An inorganic pigment, it is considered semi-transparent, non-staining (or low-tinting) and ideal for glazing methods. Cobalt Teal Blue's ability to create soft edges, to lift and to mix readily make it a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: No

Cobalt Teal Blue (PG50)

Extraordinarily beautiful color for painting turquoise blue skies, a must have for sunny Mediterranean skies and Tropical seas! Mixing with this pigment helps make bright shadows, also use it to render the desired patina on a copper pot.

An inorganic pigment, it is considered semi-transparent, non-staining (or low-tinting) and ideal for glazing methods. Cobalt Teal Blue's ability to create soft edges, to lift and to mix readily make it a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Turquoise (PB36)

A predictable non-staining teal blue with muscle and the presence to stand alone but when used in a glaze or wash it blends with incredible ease. Because of it's slight granulation you can achieve multi-layers and tone on tone effects to delight and surprise with each addition or stroke.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Violet Deep (PV14)

This pigment creates glowing shadows with interesting granulation. Cobalt Violet Deep is intense. This inorganic, transparent and low staining pigment is ideal for glazing methods. Its ability to create soft edges, to lift and to mix readily makes Cobalt Violet Deep a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Cobalt Violet (PV49)

This pigment creates glowing shadows with interesting granulation. An inorganic pigment, it is considered transparent, non-staining (or low-tinting) and ideal for glazing methods. Cobalt Violet's ability to create soft edges, to lift and to mix readily makes it a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Cobalt Violet (PV49)

This pigment creates glowing shadows with interesting granulation.

An inorganic pigment, it is considered transparent, non-staining (or low-tinting) and ideal for glazing methods. Cobalt Violet's ability to create soft edges, to lift and to mix readily makes it a valuable contribution to watercolor palettes.

• ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.
• Transparency: Transparent
• Granulating: Yes
• Staining: Non-staining

Daniel Smith Extra Fine Watercolors 15 Ml Deep Sap Green (PO48 PY3 PB27)

Deserves a place on every palette. A gorgeous forest green that is almost black in mass tone, it has great transparency, makes smooth, clean washes and lifts surprisingly well for a staining color. Made with a blend of three pigments, it joins our DANIEL SMITH family of impressively strong dark greens such as Jadeite Genuine and Perylene Green. Mix it with Pyrrol Orange to make a stellar redwood brown and Rhodonite Genuine for an interesting neutral blend.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: No
• Staining: Medium

Deep Sap Green (PO48, PY3, PB27)

Deserves a place on every palette. A gorgeous forest green that is almost black in mass tone, it has great transparency, makes smooth, clean washes and lifts surprisingly well for a staining color. Made with a blend of three pigments, it joins our DANIEL SMITH family of impressively strong dark greens such as Jadeite Genuine and Perylene Green. Mix it with Pyrrol Orange to make a stellar redwood brown and Rhodonite Genuine for an interesting neutral blend.

• ASTM Lightfastness Rating: Very Good
• Transparency: Transparent
• Granulating: No
• Staining: Medium

Daniel Smith Extra Fine Watercolors 15 Ml Deep Scarlet (PR175)

At long last there exists a deep reddish-brown that reacts wonderfully to salt! Explore the Variety of Red! The color of red velvet and rose petals. This non-granulating russet is perfect for smooth and rich washes. An earthy undertone gives Deep Scarlet a natural look with a cherry red color perfect for dappling garden or autumn landscapes. This single pigment watercolor stays clean in mixtures and looks wonderfully complex used alone.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: No
• Staining: Medium

Daniel Smith Extra Fine Watercolors 15 Ml Diopside Genuine

Diopside Genuine is a rich gemstone green you'll reach for time and again. Also known as the Russian Emerald, he mineral is usually seen in fine jewelery. We are proud to be the first to offer it as a watercolor. Exquisite in hue, it brushes out evenly from deep bottle green through clear Kelly green to palest mint. The chromium rich stone from which it's ground is green with brownish inclusions. In washes hints of the brown mineral settle out, adding an earthy nuance perfect for landscape work.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Adobe

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Adobe shifts between saturated copper and a brilliant red metallic.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Aquamarine

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Aquamarine shifts between a soft blue-green and a shimmering iridescent blue.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Arctic Fire

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Arctic Fire shows its colors best over black paper or darker watercolor; it shifts from reflective green to violet.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Autumn Mystery

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Autumn Mystery is an earthy russet that shifts to a vibrant copper metallic.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Blue Pearl

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Blue Pearl shifts between a shimmering sky blue and a reflective cool silver.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

aniel Smith Extra Fine Watercolors 15 Ml Duochrome Cabo Blue

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Cabo Blue adds a third reflective color shifting from blue to metallic gold, then finishing with a shimmering metallic blue.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Cactus Flower

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Cactus Flower shifts between an earthy sienna and a sparkling metallic violet.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Desert Bronze

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Desert Bronze shifts between an earthy terra cotta and a brilliant metallic jade.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Emerald

Our Duochrome Emerald is the slightly reflective green of tender new shoots or buds in the Spring. Many living things have a slightly luminous quality to them that cannot quite be painted in regular watercolors. DANIEL SMITH Luminescent watercolors, unlike anything ever seen in watercolor, simulate the luster of a bird's feather, the iridescence a butterfly or insect, the luminous quality of flowers and leaves. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome Emerald shifts between two different shades of green—a lovely emerald and a very slightly reflective green-gold. All the DANIEL SMITH Luminous watercolors mix well with other colors and lend their luminosity in proportion to the mix. Mixing our Luminous watercolors with other colors is an ideal way to use them!

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Green Pearl

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Green Pearl shifts between shimmering sea green and reflective metallic sliver.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Hibiscus

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Hibiscus shifts between red violet and a shimmering iridescent blue violet.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Lapis Sunlight

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Lapis Sunlight shows its colors best over black paper or darker watercolor; it shifts from reflective green to blue.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Mauve

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Mauve shifts between pale pinkish-purple and brilliant sparkling sapphire.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Oceanic

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Oceanic shifts between a subtle green gold and a brilliant metallic gold sparkle.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Saguaro Green

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Saguaro Green shifts between rich copper and brilliant metallic green-gold.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Tropic Sunrise

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Tropic Sunrise shows its colors best over black paper or darker watercolor; it shifts from reflective green to red

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Turquoise

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Turquoise shifts between a vibrant Caribbean blue and a sparkling sea green.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Violet Fantasy

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Violet Fantasy shows its colors best over black paper or darker watercolor; it shifts from reflective violet to green.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml Duochrome Violet Pearl

Our Luminescent watercolors, unlike anything ever seen in watercolor, simulate the glitter of a watery surface or the luster of mother-of-pearl. They're made from mica pigment, thin transparent particles coated with highly reflective metal oxides. Duochrome watercolors alternate between two distinct colors depending on the reflective light. Duochrome Violet Pearl shifts between shimmering soft lavender and reflective cool sliver.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml English Red Earth (PR101)

Rich color and opacity make English Red Earth a versatile pigment that offers a range of effects. At full strength this color is similar to Burnt Sienna although it provides more coverage and dries with a slightly matte finish. Add water to create a warm pink-brown with soft granulation. Excellent light fastness makes for a reliable watercolor.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml English Red Ochre (PR101)

A transparent sun-baked brick red has a rose-blush undertone. This favorite among our earth pigments granulates for surprising texture and is non-staining so you can lift and move this color around your painting. A beautiful highlight for your deep crimson roses.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Fired Gold Ochre (PR 102)

A wonderful brick red, the rich, ruddy color of an Irish Setter. Transparent, granulating and non-staining, it is beautiful in any strength and makes an exquisite range of skin tones.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 MI French Ochre (PY43)

Extremely lightfast and non-staining French Ochre is a delightfully warm color that embodies the feeling of autumn. Paint fields of wheat or add a soft glow to your evening sky. Mix French Ochre with Red Scarlet to achieve a melon hue. This is a superb watercolor when your painting requires subtle highlights.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml French Ultramarine (PB29)

This medium-to-dark warm reddish-blue is highly lightfast and of medium tinting strength. Its sedimentary quality increases its versatility. Mixed with various portions of other blues, French Ultramarine is a wonderful sky pigment. Modify it with Quinacridone Gold for delightful greens that remain color-coordinated. Mix French Ultramarine with Quinacridone Burnt Orange and be rewarded with an amazing range of blue to brown grays. Mixed with either Quinacridone Rose or Pink, a range of purples result. For another important mix, see Hooker's and Sap Green.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Medium

French Ultramarine (PB29)

This medium-to-dark warm reddish-blue is highly lightfast and of medium tinting strength. Its sedimentary quality increases its versatility.

Mixed with various portions of other blues, French Ultramarine is a wonderful sky pigment. Modify it with Quinacridone Gold for delightful greens that remain color-coordinated. Mix French Ultramarine with Quinacridone Burnt Orange and be rewarded with an amazing range of blue to brown grays. Mixed with either Quinacridone Rose or Pink, a range of purples result. For another important mix, see Hooker's and Sap Green.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Medium

Daniel Smith Extra Fine Watercolors 15 Ml Fuchsite Genuine

Made from pure Fuchsite, a mineral with mica-like characteristics, this color creates a luminous pearly green shimmer. Soft, subtle with a pearly green shimmer, Fuchsite PrimaTek® watercolor is luminous and elegant. Made from pure Fuchsite, a Russian mineral with mica-like characteristics, this transparent mineral color is great for layering delicate green to add luster and dimension to your paintings. Try glazing this over a stronger green to soften and enhance foliage or add it one subtle layer at a time to cool your study with a unique glow and non-traditional hue.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: No
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Garnet Genuine

Garnet Genuine Watercolor has all the warmth and allure of the January birthstone. Explore the Variety of Red! This PrimaTek® color is a gorgeous, warm reddish-orange with similar hue but more texture than Quinacridone Burnt Scarlet. Try mixing it with Cerulean Blue for beautiful mauves and grays. It reticulates wonderfully and creates unexpected surprises in washes.

• ASTM Lightfastness Rating: Excellent
• Transparency: Transparent
• Granulating: Yes
• Staining: Low

Daniel Smith Extra Fine Watercolors 15 Ml German Greenish Raw Umber (PBr7)

A cool, earthy neutral brown with a hint of green, German Greenish Raw Umber is a natural for landscapes of all kinds. Raw Umber with Greenish Tint from Germany is used to create this color.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: No

Daniel Smith Extra Fine Watercolors 15 Ml Goethite - Brown Ochre (PY43)

Found in iron deposits nearly worldwide, Goethite (Brown Ochre) is named after Johann Wolfgang Goethe, the German philosopher, poet and mineralogist. Our unusually pure pigment is mined in Russia, south of Moscow. Rich and warm, DANIEL SMITH Goethite is a dark tea color in masstone and washes out to a rich, warm tan. In washes, it displays intriguing granulation, with pools of light and dark in every brushstroke. Like all colors derived from the earth, it is lightfast and permanent; a lasting connection to the planet and the creative forces of nature.

• ASTM Lightfastness Rating: Excellent
• Transparency: Semi-Transparent
• Granulating: Yes
• Staining: Low