Painting Varnish at Jerry's Artarama

Gamblin Oil Painting Ground 32oz Can

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White Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More

Citrus Essence Brush Cleaner 32 oz Bottle

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…clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:*… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly*   How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More

Weber Turpenoid Natural 1 Quart, 32oz

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…making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More

GOLDEN MSA Varnish w/ UVLS, Matte 32oz

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…commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat.… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant.   GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent.   MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics   For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes.   Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More

GOLDEN Acrylic Isolation Coat 32oz (Gloss)

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…acrylic paint surface from the removable varnish. The isolation coat serves two purposes: (1) Seals any absorbent areas in order to create an even surface on which to apply the varnish. (2) Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from… Ready-To-Use Sealing Coat For Acrylic Paintings Golden Isolation Coat is a ready-to-use sealing coat for acrylic paintings and can be applied to acrylic paintings to unify and protect the surface between acrylic and varnish. Sealing with an isolation coat prior to varnishing ensures an even application of varnish and provides a layer of protection if/when the varnish is removed. Golden Isolation Coat is a permanent clear, non-removable coating that physically separates (isolates) the acrylic paint surface from the removable varnish. The isolation coat serves two purposes: (1) Seals any absorbent areas in order to create an even surface on which to apply the varnish. (2) Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. Golden Isolation Coat can be very beneficial to the preservation of a piece of artwork, but it is not for every painting. (Should not be used on oil paintings or any painting done with water-soluble media.) Key Features:* Ready-to-use sealing coat for acrylic paintings* Protects against dirt and dust* Increasing flow and leveling* Permanent acrylic mediums* Seals surface absorbency to create an even surface* Allows for improved varnish application & easier removal* Permanent clear, non-removable coating* Allow to dry for 2-3 days before varnishing See More

Liquitex Gloss Acrylic Pouring Mediums 32oz

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…Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques   Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects  Click Here for the Liquitex Pouring Medium Tips & Projects See More

Liquitex Acrylic High Gloss Varnish, 32oz Bottle

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…clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in… Liquitex offers a variety of varnishes that have been specifically designed to achieve optimal clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in several different sheens, which can all be intermixed for a customized sheen. Our varnishes are permanent and can be applied to both flexible and rigid supports. Gloss Varnish - This water-resistant varnish delivers permanent, highly durable protection that is flexible and no-yellowing when dry. A 100% acrylic polymer varnish that is water soluble and can be thinned. High Gloss Varnish - This permanent water-based varnish produces a high gloss finish that is clear, sandable, and non-tacky. It increases depth and color intensity; AP non-toxic. Matte Varnish - Enhances color while adding a non-glare, low-sheen finish. Satin Varnish - Apply over dry paint to protect the surface and add a satin finish. A non-yellowing varnish medium with excellent leveling properties. Translucent when wet, dries clear. Key Features: * Non-Yellowing* Water-based varnishes* Non-removable* Permanent and durable* Excellent leveling properties* Low odor Perfect For: * Interior and exterior use* Use with spray paint* Use with a heavy body and soft body paints* Multimedia use See More

Liquitex Acrylic Soluvar Gloss Varnish, 32oz Bottle

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…brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration,… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt   How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More

Gamblin Oil Painting Ground 32oz Can

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White True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark-making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "Galkyd Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd-based resin painting medium that thins oil paints and maintains a strong, flexible paint film. Galkyd speeds the drying rate and is excellent for glazing, providing an enamel-like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. 3-in-1 Oil MediumGamblin 3-in-1 Oil Medium is an all-around lean and thin painting medium that you can think of as a thinner version of Galkyd Lite. 3-in-1 Oil Medium can be used to seal panels and is great for oiling out before varnishing. First, it's a terrific all-around lean and thin painting medium. Second, It's ideal for oiling out a painting before deciding if the painting is ready to varnished or if there's more painting to be done. And finally, it's the perfect tool for preparing wood panels for painting and before priming them with Gamblin Ground. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted, you may want to purchase the larger size. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide, and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% volume of poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases the flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture, and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Medium gives oil colors more flow and transparency. It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum-bodied heavy oil, which can be used in painting and glazing mediums. Dries to an enamel-like finish. See More

Liquitex Acrylic Gesso Surface Prep Super Heavy Gesso 32 oz

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White Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More

M. Graham Walnut/Alkyd Oil Medium 32oz. Can

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Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More

New York Central Acrylic Gloss Medium, 32oz Bottle

New York Central Acrylic Gloss Medium, 32oz Bottle

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…thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use   Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. Learn More About New York Central See More

Gamblin Oil Painting Ground 32oz Can

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True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can See More

Williamsburg Stand Oil, 32oz Bottle

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…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More

Liquitex Acrylic Gloss Varnish, 32oz Bottle

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…Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Gloss Varnish is water resistant varnish delivers permanent, high durable protection that is flexible and no-yellowing when dry. A 100 percent acrylic polymer varnish that is water soluble and can be thinned. This varnish… Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Gloss Varnish is water resistant varnish delivers permanent, high durable protection that is flexible and no-yellowing when dry. A 100 percent acrylic polymer varnish that is water soluble and can be thinned. This varnish is either permanent or removable and can be applied to both flexible and rigid supports. * Gloss Varnish - 32 oz bottle See More

Liquitex Acrylic High Gloss Varnish, 32oz Bottle

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…A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. High Gloss Varnish is a permanent water-based varnish produces a finish that is high gloss, clear, sandable and non-tacky. It increases depth and color intensity; AP non-toxic. * High Gloss Varnish - 32 oz bottle Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. High Gloss Varnish is a permanent water-based varnish produces a finish that is high gloss, clear, sandable and non-tacky. It increases depth and color intensity; AP non-toxic. * High Gloss Varnish - 32 oz bottle See More

Liquitex Acrylic Matte Varnish, 32oz Bottle

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Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Matte Varnish enhances color while adding a non-glare, low sheen finish. * Matte Varnish - 32 oz bottle Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Matte Varnish enhances color while adding a non-glare, low sheen finish. * Matte Varnish - 32 oz bottle See More

Liquitex Acrylic Satin Varnish, 32oz Bottle

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…Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Satin Varnish can be applied over dry paint to protect surface and add a sheen finish. It is a non-yellowing medium with excellent leveling properties. Translucent when wet and dries clear. * Satin Varnish - 32 oz… Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Satin Varnish can be applied over dry paint to protect surface and add a sheen finish. It is a non-yellowing medium with excellent leveling properties. Translucent when wet and dries clear. * Satin Varnish - 32 oz bottle See More

Liquitex Acrylic Soluvar Gloss Varnish, 32oz Bottle

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Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Soluvar Varnish is ideal for acrylic and oil colors. This medium is solvent based, durable and non-yellowing. Maybe removed with mineral spirits or turpentine. * Gloss - 32 oz bottle Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Soluvar Varnish is ideal for acrylic and oil colors. This medium is solvent based, durable and non-yellowing. Maybe removed with mineral spirits or turpentine. * Gloss - 32 oz bottle See More

Liquitex Acrylic Soluvar Matte Varnish, 32oz Bottle

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Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Soluvar Varnish is ideal for acrylic and oil colors. This medium is solvent based, durable and non-yellowing. Maybe removed with mineral spirits or turpentine. It enhances color while adding a… Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Soluvar Varnish is ideal for acrylic and oil colors. This medium is solvent based, durable and non-yellowing. Maybe removed with mineral spirits or turpentine. It enhances color while adding a non-glare, low sheen finish. * Matte - 32 oz bottle See More

GOLDEN MSA Solvent Varnish, 32oz Can

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…even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * MSA Varnish Solvent - 32 oz* Protects against dirt and dust * Provides moisture resistance * MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor,… GOLDEN MSA Solvent Varnish, 32oz Can Archival Acrylic Varnishes For All Varnishing Applications! MSA Varnish Solvent is the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * MSA Varnish Solvent - 32 oz* Protects against dirt and dust * Provides moisture resistance * MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein * As a topcoat for acrylics See More

Jack Richeson Shiva Signature Damar Varnish, 32oz Can

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Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 quart Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 quart See More

GOLDEN Gesso Black 32 oz

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…Variety Of Ways To Prepare Materials For Acrylic Paintings. Black Gesso are ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of… A Variety Of Ways To Prepare Materials For Acrylic Paintings. Black Gesso are ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds * Black Gesso 32 oz Jar See More

GOLDEN Gesso White 32 oz

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…Variety Of Ways To Prepare Materials For Acrylic Paintings. White Gesso is ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of… A Variety Of Ways To Prepare Materials For Acrylic Paintings. White Gesso is ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds * White Gesso - 32 oz jar See More

GOLDEN Gesso Sandable Hard 32 oz

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A Variety Of Ways To Prepare Materials For Acrylic Paintings. GOLDEN Sandable Hard Gesso is formulated with 100 percent acrylic dispersion polymer and can be sanded to provide surfaces that are smooth. GOLDEN Sandable Hard Gesso is formulated with 100 percent acrylic polymer emulsion. It contains… A Variety Of Ways To Prepare Materials For Acrylic Paintings. GOLDEN Sandable Hard Gesso is formulated with 100 percent acrylic dispersion polymer and can be sanded to provide surfaces that are smooth. GOLDEN Sandable Hard Gesso is formulated with 100 percent acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. * Sandable Hard Gesso - 32 oz Jar See More

World's Greatest Acrylic White Gesso Primer - 1 Quart Pail (32oz)

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Ultra-Smooth, Ultra-White Gesso Primer For Fine Art In Acrylics And Oils! How to use gesso-coat your chosen canvas, panel or board with steady, even strokes, allow to dry, and sand to the desired finish. For the best coverage, apply a few coats in this manner, altering the brushstroke direction each… Ultra-Smooth, Ultra-White Gesso Primer For Fine Art In Acrylics And Oils! How to use gesso-coat your chosen canvas, panel or board with steady, even strokes, allow to dry, and sand to the desired finish. For the best coverage, apply a few coats in this manner, altering the brushstroke direction each time, and you'll achieve the perfect surface for any artwork in acrylics, oils and alkyds! * 1 Quart (32oz.) * Bright white acrylic gesso primer * Thick, creamy consistency * Smooth, even-toothed finish * Non-yellowing See More

World's Greatest Acrylic White Gesso Primer - Carton of 12, 1 Quart Pails (32oz)

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Ultra-Smooth, Ultra-White Gesso Primer For Fine Art In Acrylics And Oils! How to use gesso-coat your chosen canvas, panel or board with steady, even strokes, allow to dry, and sand to the desired finish. For the best coverage, apply a few coats in this manner, altering the brushstroke direction each… Ultra-Smooth, Ultra-White Gesso Primer For Fine Art In Acrylics And Oils! How to use gesso-coat your chosen canvas, panel or board with steady, even strokes, allow to dry, and sand to the desired finish. For the best coverage, apply a few coats in this manner, altering the brushstroke direction each time, and you'll achieve the perfect surface for any artwork in acrylics, oils and alkyds! * Set of 12 - 1 quart pails (12 x 32oz) * Bright white acrylic gesso primer * Thick, creamy consistency * Smooth, even-toothed finish * Non-yellowing See More

Liquitex Acrylic Gesso Surface Prep Clear Gesso 32 oz

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Create The Perfect Absorbency, Texture And Archival Ground. Clear Gesso can be use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite and charcoal. It is flexible and non-yellowing when dry. This professional… Create The Perfect Absorbency, Texture And Archival Ground. Clear Gesso can be use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite and charcoal. It is flexible and non-yellowing when dry. This professional gesso usually takes just 1 coat. * Clear Gesso - 32 oz bottle See More

Liquitex Acrylic Gesso Surface Prep Super Heavy Gesso 32 oz

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Premium Acrylic Gesso Used To Prepare Painting Surfaces. Super Heavy Gesso is an innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. * Super Heavy Gesso - 32 oz… Premium Acrylic Gesso Used To Prepare Painting Surfaces. Super Heavy Gesso is an innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. * Super Heavy Gesso - 32 oz bottle * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gesso Surface Prep White Gesso 32 oz

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Premium Acrylic Gesso Used To Prepare Painting Surfaces. White Gesso is a white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before… Premium Acrylic Gesso Used To Prepare Painting Surfaces. White Gesso is a white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. * White Gesso - 32 oz bottle * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Daler-Rowney Gesso Primers 32 oz

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Gesso Primer That Dries Quickly Leaving A White Matt Surface. This product is highly adhesive and is ideal for directly sealing all semi-absorbent surfaces before applying color – both acrylics and oils. Daler Rowney’s Gesso is suitable for both interior and exterior applications. It dries quickly… Gesso Primer That Dries Quickly Leaving A White Matt Surface. This product is highly adhesive and is ideal for directly sealing all semi-absorbent surfaces before applying color – both acrylics and oils. Daler Rowney’s Gesso is suitable for both interior and exterior applications. It dries quickly to produce a matte white surface, with a slight tooth, which is easily sanded for highly detailed work. * 32 oz * May be applied with a brush or a roller without diluting * Can be used on any non-oily surface * Dries quickly leaving a white matte surface * Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors) See More

Golden Gloss Glazing Liquid, 32oz Bottle

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…artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an… Golden Gloss Glazing Liquid, 32oz Bottle The slow slow-drying acrylic medium formula provides sufficient working time for a wide variety of glaze and decorative finishes normally accomplished with oils. Golden Gloss Glazing Liquid, 32oz bottle is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. * Brand: GOLDEN * Gloss Glazing Liquid, 32oz (946ml) Bottle * Gloss * Great for glazing in fine art painting * 100% acrylic, water-based emulsion * Dries slowly * Improves brushability Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including: * Mural and easel paintingr* Wood Graining* Marbling* Trompe L'Oeil* Additive and Subtractive Techniques* Glazing See More

Liquitex Acrylic Fluid Mediums - Glazing, 32oz

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…Viscosity Of Heavier Body Paints! Glazing Medium increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. * 32 oz * Thin viscosity of heavier body paints, giving increased flow *… Lower The Viscosity Of Heavier Body Paints! Glazing Medium increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. * 32 oz * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent See More

Liquitex Acrylic Fluid Mediums - Gloss, 32oz

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…Body Paints! Gloss Medium is an all-purpose medium for imparting gloss. * Gloss Medium - 32 oz * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion,… Lower The Viscosity Of Heavier Body Paints! Gloss Medium is an all-purpose medium for imparting gloss. * Gloss Medium - 32 oz * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent See More

Liquitex Acrylic Fluid Mediums - Matte, 32oz

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Lower The Viscosity Of Heavier Body Paints Matte Medium can be mixed into colors. They dry uniformly matte. * Matte Medium - 32 oz * Thin viscosity of heavier body paints * Increases the color depth and transparency * Maintain paint adhesion, durability, and archival quality Lower The Viscosity Of Heavier Body Paints Matte Medium can be mixed into colors. They dry uniformly matte. * Matte Medium - 32 oz * Thin viscosity of heavier body paints * Increases the color depth and transparency * Maintain paint adhesion, durability, and archival quality See More

Liquitex Acrylic Medium - Flexible Modeling Paste, 32 oz

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Add Texture, Enhance Color, Increase Transparency! Flexible Modeling Paste is an opaque preparation of marble dust and polymer emulsion. Use it on a flexible surface for heavy textures and 3D forms. * 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase… Add Texture, Enhance Color, Increase Transparency! Flexible Modeling Paste is an opaque preparation of marble dust and polymer emulsion. Use it on a flexible surface for heavy textures and 3D forms. * 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects See More

Liquitex Acrylic Gel Medium - Gloss, 32 oz

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Add Texture, Enhance Color, Increase Transparency! This heavy body gloss gel medium and extender makes acrylic colors more transparent. * 32oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency Add Texture, Enhance Color, Increase Transparency! This heavy body gloss gel medium and extender makes acrylic colors more transparent. * 32oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Light Modeling Paste, 32 oz

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Add Texture, Enhance Color, Increase Transparency! Light Modeling Paste is a putty-like compound that can be shaped while wet or carved when dry. It will not crack or chip. It is non-toxic. * Light Modeling Paste - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color *… Add Texture, Enhance Color, Increase Transparency! Light Modeling Paste is a putty-like compound that can be shaped while wet or carved when dry. It will not crack or chip. It is non-toxic. * Light Modeling Paste - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Matte, 32 oz

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Add Texture, Enhance Color, Increase Transparency! Matte Gel reduces gloss of acrylic colors. It also can be used as a matte collage adhesive. * Matte Gel - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency Add Texture, Enhance Color, Increase Transparency! Matte Gel reduces gloss of acrylic colors. It also can be used as a matte collage adhesive. * Matte Gel - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Medium - Modeling Paste, 32 oz

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Add Texture, Enhance Color, Increase Transparency! Modeling Paste is a Putty-like compound that can be shaped while wet and carved when dry. * Modeling Paste - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency Add Texture, Enhance Color, Increase Transparency! Modeling Paste is a Putty-like compound that can be shaped while wet and carved when dry. * Modeling Paste - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Super Heavy Gloss, 32 oz

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Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Gloss) can be added to acrylic colors to form a sculptural, high-peak consistency. It dries clear with very low shrinkage. It is also, great for collage and mixed media. * Super Heavy Gel - Gloss - 32 oz jar * 100 percent acrylic… Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Gloss) can be added to acrylic colors to form a sculptural, high-peak consistency. It dries clear with very low shrinkage. It is also, great for collage and mixed media. * Super Heavy Gel - Gloss - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Super Heavy Matte, 32 oz

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Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Matte) is a super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. * Super Heavy Gel - Matte - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase… Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Matte) is a super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. * Super Heavy Gel - Matte - 32 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Jack Richeson Shiva Signature Linseed Oil, 32oz Can

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Improve Brushability Without Altering Any Characteristics. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. * Linseed Oil - 1 quart Improve Brushability Without Altering Any Characteristics. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. * Linseed Oil - 1 quart See More

Jack Richeson Shiva Signature Rectified Turpentine, 32oz Can

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Improve Brushability Without Altering Any Characteristics. This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. * Rectified Turpentine - 1 quart can Improve Brushability Without Altering Any Characteristics. This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. * Rectified Turpentine - 1 quart can See More

Golden Acrylic Additives Retarder 32 oz

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Add Texture, Enhance Color, Increase Transparency! Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. * Retarder - 32 oz Jar * Increase open time * Reduce the surface tension of acrylic emulsion *… Add Texture, Enhance Color, Increase Transparency! Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. * Retarder - 32 oz Jar * Increase open time * Reduce the surface tension of acrylic emulsion * No acrylic binders, Use them in correct proportions See More

Golden Satin Glazing Liquid, 32oz Bottle

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…artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an… Golden Satin Glazing Liquid, 32oz Bottle The slow slow-drying acrylic medium formula provides sufficient working time for a wide variety of glaze and decorative finishes normally accomplished with oils. Golden Satin Glazing Liquid, 32oz bottle is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. * Brand: GOLDEN * Satin Glazing Liquid, 32oz (946ml) Bottle * Satin * Great for glazing in fine art painting * 100% acrylic, water-based emulsion * Dries slowly * Improves brushability Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including: * Mural and easel paintingr* Wood Graining* Marbling* Trompe L'Oeil* Additive and Subtractive Techniques* Glazing See More

GOLDEN GAC 100 Medium, 32oz Bottle

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…more readily than other polymers * Useful for artists making their own paints * Reduces dry film tack * Provides basic protection from Support Induced Discoloration (SID) GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency,… GOLDEN GAC 100 Medium, 32oz Bottle (946ml) GAC 100 Medium: is a universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID)* Brand: GOLDEN * GAC 100 Medium, 32oz Bottle (946ml) * 100% Specialty Acrylic Polymer * Dilute and extend colors * Increase flexibility and film integrity * Wets out solids more readily than other polymers * Useful for artists making their own paints * Reduces dry film tack * Provides basic protection from Support Induced Discoloration (SID) GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. See More

GOLDEN GAC 200 Medium, 32oz Bottle

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…when flexed. Under certain conditions, the medium alone may crack upon drying. Ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. GAC 2OO produces cleaner edges with hard-edge techniques. The GAC 200 paint film has less "pull" when masking tape is removed. GOLDEN GAC 200 Medium, 32oz Bottle (946ml) GAC 200 Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack, and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports.* Brand: GOLDEN * GAC 200 Medium, 32oz Bottle (946ml) * 100% Specialty Acrylic Polymer * Dries with high gloss and excellent film clarity. * Promotes adhesion and film hardness * Hardest and least flexible polymer * Increase adhesion to many non-porous surfaces * Reduce dry film tack * Not recommended for flexible supports The hardest and least flexible of any Golden Acrylic product. Caution is advised when using this product alone. Used in its pure form, it is limited to applications on rigid supports, as its lack of flexibility may lead to cracking when flexed. Under certain conditions, the medium alone may crack upon drying. Ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. GAC 2OO produces cleaner edges with hard-edge techniques. The GAC 200 paint film has less "pull" when masking tape is removed. See More

GOLDEN GAC 400 Medium, 32oz Bottle

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…and back for maximum stiffness* Use of GAC 100 over GAC 400 is recommended for oil painters GAC 400 is brittle, canvas or fabrics treated with GAC 400 should not be rolled tightly or bent backward. This will cause cracking of the polymer film and may transfer cracks into additional paint layers GOLDEN GAC 400 Medium, 32oz Bottle (946ml) GAC 400 Medium Fabric Stiffener: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. Fabric Stiffener is an acrylic polymer and doesn?t remain water-soluble after it?s dry, so humidity won?t make it soften, swell, or crack.* Brand: GOLDEN * GAC 400 Medium, 32oz Bottle (946ml) * 100% Specialty Acrylic Polymer * Stiffens textile fibers * An alternative to rabbit skin glue * Useful for stiffening unprimed canvas or sculpting and shaping fabric * Can be used to prime and reduce the flexibility of canvas, cotton, linen, and more * Doesn?t remain water-soluble after it?s dry * Apply one or two coats directly onto raw canvas, coating both the front and back for maximum stiffness* Use of GAC 100 over GAC 400 is recommended for oil painters GAC 400 is brittle, canvas or fabrics treated with GAC 400 should not be rolled tightly or bent backward. This will cause cracking of the polymer film and may transfer cracks into additional paint layers See More

GOLDEN GAC 500 Medium, 32oz Bottle

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…decreasing dry film tack * Useful for extending Fluid Acrylic Colors with minimal property change GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and… GOLDEN GAC 500 Medium, 32oz Bottle (946ml) GOLDEN GAC 500 Medium Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat.* Brand: GOLDEN * GAC 500 Medium, 32oz Bottle (946ml) * 100% Specialty Acrylic Polymer * Adds a self-leveling working quality * Dries to a high gloss finish * Good transparency * Increases mar resistance, and decreasing dry film tack * Useful for extending Fluid Acrylic Colors with minimal property change GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. See More

GOLDEN GAC 900 Medium, 32oz Bottle

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GOLDEN GAC 900 Medium, 32oz Bottle (946ml) GAC 900 Fabric Medium: Fabric painting medium. Heatset fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or… GOLDEN GAC 900 Medium, 32oz Bottle (946ml) GAC 900 Fabric Medium: Fabric painting medium. Heatset fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* Brand: GOLDEN * GAC 900 Medium, 32oz Bottle (946ml) * 100% Specialty Acrylic Polymer * Ideal for clothing artists * Blend it with acrylic colors to create fabric paints * When heat-set properly, this medium offers a very soft hand and laundering stability * Mix with High Flow Acrylics to produce "tie-dye" effects * Modify paints for pouring * Blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application NOTE: Provide adequate ventilation when using GAC 900 as the heat-setting releases low levels of formaldehyde GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. See More

GOLDEN Acrylic Gel Mediums Clear Granular 32oz

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…with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. * Clear Granular - 32oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency Acrylic Gel Medium Clear Granular 32oz, GOLDEN Clear Granular Gel is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. * Clear Granular - 32oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

GOLDEN Acrylic Gel Mediums Clear Tar Gel 32oz

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…stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. * Clear Tar Resin Gel - 32oz *… Acrylic Gel Medium Clear Tar Resin Gel 32oz, GOLDEN Clear Tar Resin Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. * Clear Tar Resin Gel - 32oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

GOLDEN Acrylic Gel Mediums Extra Heavy Matte 32oz

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…Extra Heavy Matte 32oz, GOLDEN Extra Heavy Gel has the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. * Extra Heavy Matte - 32oz * 100% acrylic polymer emulsion… Acrylic Gel Medium Extra Heavy Matte 32oz, GOLDEN Extra Heavy Gel has the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. * Extra Heavy Matte - 32oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

GOLDEN Acrylic Gel Mediums Extra Heavy Semi-Gloss 32oz

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…Extra Heavy Semi-Gloss 32oz, GOLDEN Extra Heavy Gel has the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. * Extra Heavy Semi-Gloss - 32oz * 100% acrylic polymer… Acrylic Gel Medium Extra Heavy Semi-Gloss 32oz, GOLDEN Extra Heavy Gel has the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. * Extra Heavy Semi-Gloss - 32oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

GOLDEN Acrylic Gel Mediums Extra Heavy MoldIng Paste 32oz

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Acrylic Gel Medium Extra Heavy MoldIng Paste 32oz, GOLDEN Extra Heavy Molding Paste is a blend of Extra Heavy Gel Gloss and Molding Paste. Dries to a satin, semi-opaque finish. It is excellent for increasing viscosity and building surfaces. * Extra Heavy MoldIng Paste - 32oz * 100% acrylic polymer… Acrylic Gel Medium Extra Heavy MoldIng Paste 32oz, GOLDEN Extra Heavy Molding Paste is a blend of Extra Heavy Gel Gloss and Molding Paste. Dries to a satin, semi-opaque finish. It is excellent for increasing viscosity and building surfaces. * Extra Heavy MoldIng Paste - 32oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More