Oil Varnish at Jerry's Artarama

Winsor & Newton Oil Color Varnishes - Artists' Matte Varnish, 250ml Bottle

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…Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease   Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Michael Harding Refined Gum Turpentine, 250ml

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…lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists' Oils Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding's oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self-level, impart elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See the description tab for information on each individual medium. Refined Linseed Oil - increases the gloss and transparency of oil paints. Use it to thin the paint for easier flow, and reduce visible brush marks. Refined Linseed Stand Oil - Refined Linseed Stand Oil is a viscous, pale oil medium extracted from linseed. It will level out brushstrokes in oil paint and slow the drying process. Refined Safflower Oil - a pale, clean, slow-drying oil that can be used to brighten and thin oil paints. Refined Walnut Oil - Walnut oil dries at the same rate as linseed oil, but it doesn't yellow as much. The film cures clean and bright. Refined Poppyseed Oil - Refined Poppyseed Oil tempers the consistency of oil paints while increasing their gloss and transparency. Poppyseed oil is often incorporated with whites and light blues because of its non-yellowing nature. Gum Turpentine - Gum Turpentine is a colourless solvent distilled from pine sap. It is used to thin oil paint and generally speeds the drying time and thus is especially useful for underpainting. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents the yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste derived from pure bleached beeswax mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light-colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish, which is especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful-smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long-lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dry oil paint (6 months minimum- up to 18 months if the paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double-rectified Portuguese maritime Turpentine, and then carefully filtered. Apply as a final picture varnish to thoroughly dry oil paint (6 months minimum- up to 18 months if the paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists' Oils See More

GOLDEN MSA Varnish w/ UVLS, Matte 32oz

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Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant.   GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent.   MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics   For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes.   Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More

M. Graham Walnut/Alkyd Oil Medium 32oz. Can

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Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More

Winsor & Newton Linseed Stand Oil Medium, 250ml Bottle

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…refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil… The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Artisan Water-Mixable Oil Medium - Satin Varnish, 250ml Bottle

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…transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss     Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More

Gamblin Oil Painting Ground 32oz Can

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White Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More

Liquitex Acrylic Soluvar Gloss Varnish, 32oz Bottle

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…Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt   How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More

Citrus Essence Brush Cleaner 32 oz Bottle

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…and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly*   How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More

Maimeri Oil Painting Mediums - Walnut Oil, 250ml Bottle

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…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More

Williamsburg Stand Oil, 32oz Bottle

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…offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss.… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More

Williamsburg Titanium Oil Ground, 32oz Can

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…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More

Williamsburg Lead Oil Ground, 32oz Can

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…painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More

Winsor & Newton Artists' Painting Medium 250ml Bottle

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Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details   Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More

Bob Ross Odorless Thinner, 32oz

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…oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil… A pleasurable painting experience without the strong odor from turpentine Highly effective, this top quality thinner cleans oil paint from brushes quickly and thoroughly yet is still gentle on bristles. When used in a brush bath, it can be reused indefinitely. It can also be used to thin Ross oil paints and it is compatible with all Ross painting mediums. Painting is also a more pleasurable experience without the strong odor from turpentine. Key Features:* High-quality, odor-free thinner for oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil paints NOTE: 1 quart container with child safety cap. 31.64 oz. Flammable: ships ground only. See More

Winsor & Newton Oil Color Solvents - Sansodor, 250ml Bottle

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…For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish   Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made speciﬁcally for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish   Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Color Varnishes - Artists' Gloss Varnish, 250ml Bottle

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Winsor & Newton Oil Color Varnishes - Artists' Gloss Varnish, 250ml Bottle Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. How to Use Let oil paintings dry for six… Winsor & Newton Oil Color Varnishes - Artists' Gloss Varnish, 250ml Bottle Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Artists' Gloss Varnish, 250ml Bottle* Adds a strong UV resistant layer * Glossy finish * Enhances colour intensity with a brilliant shine * Removable See More

Winsor & Newton Oil Color Varnishes - Artists' Matte Varnish, 250ml Bottle

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Winsor & Newton Oil Color Varnishes - Artists' Matte Varnish, 250ml Bottle Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. How to Use Let oil paintings dry for six… Winsor & Newton Oil Color Varnishes - Artists' Matte Varnish, 250ml Bottle Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Artists' Matte Varnish, 250ml Bottle* Adds a strong UV resistant layer * Matte finish * Creates an even, non non-reflective surface * Removable See More

Winsor & Newton Oil Color Varnishes - Artists' Retouching Varnish, 250ml Bottle

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…& Newton Oil Color Varnishes - Artists' Retouching Varnish, 250ml Bottle Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for it's final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. How to Use Let oil… Winsor & Newton Oil Color Varnishes - Artists' Retouching Varnish, 250ml Bottle Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for it's final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Artists' Retouching Varnish, 250ml Bottle* Adds a temporary protection to oil paintings * Use prior to an Artists' or Dammar Varnish * Can be applied as soon as the paint film is touch dry See More

Winsor & Newton Oil Color Varnishes - Dammar Varnish, 250ml Bottle

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…Newton Oil Color Varnishes - Dammar Varnish, 250ml Bottle Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil paintings… Winsor & Newton Oil Color Varnishes - Dammar Varnish, 250ml Bottle Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Dammar Varnish, 250ml Bottle* Adds a strong UV resistant layer* High High-gloss finish* Enhances colour intensity with a brilliant shine* Removable with Distilled Turpentine See More

Winsor & Newton Oil Color Varnishes - Satin Varnish, 250ml Bottle

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Winsor & Newton Oil Color Varnishes - Satin Varnish, 250ml Bottle Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. How to Use Let oil paintings… Winsor & Newton Oil Color Varnishes - Satin Varnish, 250ml Bottle Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Satin Varnish, 250ml Bottle* Adds a strong UV resistant layer * Satin finish * Keeps colour intensity with a fine, slight, shine * Most natural looking finish for paintings * Removable See More

Winsor & Newton Artisan Water-Mixable Oil Medium - Gloss Varnish, 250ml Bottle

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…Better With Help From Artisan Painting Mediums! This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. * 250 ml Bottle * Accelerates drying time * Increases gloss… Everythings Better With Help From Artisan Painting Mediums! This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. * 250 ml Bottle * Accelerates drying time * Increases gloss and translucency of colors See More

Winsor & Newton Artisan Water-Mixable Oil Medium - Matte Varnish, 250ml Bottle

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…With Help From Artisan Painting Mediums! This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. * 250 ml Bottle * Accelerates drying time * Increases… Everythings Better With Help From Artisan Painting Mediums! This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. * 250 ml Bottle * Accelerates drying time * Increases gloss and translucency of colors See More

Winsor & Newton Artisan Water-Mixable Oil Medium - Satin Varnish, 250ml Bottle

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…With Help From Artisan Painting Mediums! This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. * 250 ml Bottle * Accelerates drying time * Increases… Everythings Better With Help From Artisan Painting Mediums! This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. * 250 ml Bottle * Accelerates drying time * Increases gloss and translucency of colors See More

Michael Harding V2 Matt Varnish Medium, 250ml Jar

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…this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Matt Varnish * 250ml Jar * Beeswax / Double Rectified Turpentine   V2 250ml Matt Varnish is used as a final picture varnish to… V2 - Matt Varnish, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! V2 250ml Matt Varnish creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Matt Varnish * 250ml Jar * Beeswax / Double Rectified Turpentine   V2 250ml Matt Varnish is used as a final picture varnish to thoroughly dried oil paint See More

Michael Harding V1 Dammar Varnish Medium, 250ml Jar

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…varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Dammar Varnish * 250ml Jar * DammarResin / Double Rectified Turpentine   V1 250ml Dammar Varnish is used as a final picture varnish to thoroughly dried oil paint V1 - Dammar Varnish, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! V1 250ml Dammar Varnish is a versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Dammar Varnish * 250ml Jar * DammarResin / Double Rectified Turpentine   V1 250ml Dammar Varnish is used as a final picture varnish to thoroughly dried oil paint See More

Sennelier Safflower Oil, 250ml Bottle

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…the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity   Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More

Maimeri Oil Painting Mediums - Walnut Oil, 250ml Bottle

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Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 250 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases… Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 250 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases the brightness of colors See More

Sennelier #Green for Oil Mediums - Solvent-Free Brush Cleaner, 250ml

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…Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints.… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More

Cobra Water-Mixable Oil Glazing Medium, 250ml Bottle

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…the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Water-mixable oil paint mediums * Water-mixable cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time   Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! See More

Gamblin Oil Painting Ground 32oz Can

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White True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark-making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "Galkyd Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd-based resin painting medium that thins oil paints and maintains a strong, flexible paint film. Galkyd speeds the drying rate and is excellent for glazing, providing an enamel-like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. 3-in-1 Oil MediumGamblin 3-in-1 Oil Medium is an all-around lean and thin painting medium that you can think of as a thinner version of Galkyd Lite. 3-in-1 Oil Medium can be used to seal panels and is great for oiling out before varnishing. First, it's a terrific all-around lean and thin painting medium. Second, It's ideal for oiling out a painting before deciding if the painting is ready to varnished or if there's more painting to be done. And finally, it's the perfect tool for preparing wood panels for painting and before priming them with Gamblin Ground. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted, you may want to purchase the larger size. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide, and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% volume of poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases the flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture, and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Medium gives oil colors more flow and transparency. It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum-bodied heavy oil, which can be used in painting and glazing mediums. Dries to an enamel-like finish. See More

Gamblin Oil Painting Ground 32oz Can

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True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can See More

Williamsburg Lead Oil Ground, 32oz Can

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…alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 32 oz * Made with basic lead carbonate and marble dust *… Prepare Your Surface Before Painting. This contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 32 oz * Made with basic lead carbonate and marble dust * Titanium White is added to improve opacity and brightness * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned mineral spirits or turpentine * Can be used on canvas or linen See More

Williamsburg Titanium Oil Ground, 32oz Can

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Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency… Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency before using. * 32 oz * Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly * Non toxic * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned with mineral spirits or turpentine * Can be used on canvas or linen See More

Cobra Water-Mixable Oil Glazing Medium, 250ml Bottle

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Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of… Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. * No. 92 - Oil Glazing Medium * 250 ml Bottle See More

M. Graham Walnut/Alkyd Oil Medium 32oz. Can

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…increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 32 oz can * Non-toxic * Safe to use on… Non-Toxic And Environmentally Responsible Medium. Walnut/Alkyd Medium can thin the color, enhance adhesion between layers, increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 32 oz can * Non-toxic * Safe to use on brushes See More

Cobra Water-Mixable Oil Painting Medium, 250ml Bottle

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Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of… Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. * No. 91 - Oil Glazing Medium * 75 ml Bottle See More

M. Graham Walnut Oil Medium 32oz. Can

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…Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 32 oz… Non-Toxic And Environmentally Responsible Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 32 oz can * Non-toxic * Safe to use on brushes See More

Jack Richeson Shiva Signature Rectified Turpentine, 32oz Can

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…speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More

Michael Harding Miracle Oil Painting Medium, 250ml

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…mediums * Enhance oil paints * Speed up or extend drying time * Create unique textures * Available in 100ml, 250ml, and 1-litre options Perfect For: * Creating a safer artist studio * Professional oil painters * Discerning amateurs and instructors * Use with Michael Harding Artists’ Oils  … Safer, Eco-Friendly Alternatives To Traditional Solvents Introducing Michael Harding Solvent-Free Miracle Mediums —crafted for artists seeking safer, eco-friendly alternatives to traditional solvents. Derived from renewable vegetable sources, Miracle Medium™ offers an odourless formula, eliminating the need for solvents in your studio. With MH Miracle Medium™, artists can enjoy a studio environment free from harmful effects associated with solvents. The Miracle Medium™ plant-based range not only ensures environmental sustainability but also creates a safer space for artists and their loved ones. This meticulously curated range comprises five distinctive products, MM0, MM1, MM2, MM3, and MM4. Each medium is meticulously tailored to meet a range of diverse requirements. Click the item number to learn more about specific mediums. Key Features: * Solvent-free, odourless mediums * Enhance oil paints * Speed up or extend drying time * Create unique textures * Available in 100ml, 250ml, and 1-litre options Perfect For: * Creating a safer artist studio * Professional oil painters * Discerning amateurs and instructors * Use with Michael Harding Artists’ Oils   Miracle Medium™ (MM0): The foundation of the collection, delivering unparalleled versatility and performance. A solvent-free, odourless medium. Can extend drying time. Add 5-10% to oil colour as needed. Miracle Medium™ Oil Paint Medium (MM1): Enhances the handling and fluidity of oil paints. Miracle Medium™ Quick Dry Dammar Glaze (MM2): Speeds up drying time while adding a captivating glaze to creations. Miracle Medium™ Resin-Oil Wax (MM3): Provides a unique texture and finish, ideal for adding depth to masterpieces. Miracle Medium™ Beeswax Paste (MM4): Perfect for achieving striking impasto effects and infusing texture into artwork. *Miracle Medium™ is trademarked in ENGLAND and pending trademark in the rest of the world. See More

Winsor & Newton Artisan Water-Mixable Oil Medium - Safflower Oil, 250ml Bottle

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Everythings Better With Help From Artisan Painting Mediums! This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. * 250 ml Bottle * Accelerates drying time * Increases gloss and translucency of colors Everythings Better With Help From Artisan Painting Mediums! This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. * 250 ml Bottle * Accelerates drying time * Increases gloss and translucency of colors See More

Winsor & Newton Oil Drying Refined Linseed Oil Medium, 250ml Bottle

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…Oil Drying Refined Linseed Oil Medium, 250ml Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils… Winsor & Newton Oil Drying Refined Linseed Oil Medium, 250ml Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. How to use: Mix just enough medium with paint to get the smoother texture you want. To keep light colours clean, use linseed oil sparingly for whites in particular, we recommend using Safflower Oil or Poppy Oil. Wipe the neck of the bottle after use, to ensure the safety cap remains secure.* Winsor & Newton Oil Drying Refined Linseed Oil Medium * 250ml Bottle * 8.4 oz * Slows down the drying process * Reduces viscosity for better flow * Adds transparency and gloss * Low tendency to yellow PLEASE NOTE: this product is hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Color Solvents - Sansodor, 250ml Bottle

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Winsor & Newton Oil Color Solvents - Sansodor, 250ml Bottle Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios.… Winsor & Newton Oil Color Solvents - Sansodor, 250ml Bottle Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - Sansodor, 250ml Bottle* Least hazardous solvent in our product range * Evaporates slowly * Low level of aromatics See More

Winsor & Newton Linseed Stand Oil Medium, 250ml Bottle

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…Newton Linseed Stand Oil Medium, 250ml Bottle Winsor & Newton Linseed Stand Oil Medium can be used for glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying… Winsor & Newton Linseed Stand Oil Medium, 250ml Bottle Winsor & Newton Linseed Stand Oil Medium can be used for glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. How to use: Mix just enough medium with paint to get the smoother texture you want. Also suitable for glazing when mixed with a solvent. After use, wipe the neck of the bottle to ensure the safety cap remains secure. * Winsor & Newton Linseed Stand Oil Medium * Size: 250ml Bottle * 8.4 oz * Provides a very flexible film * Syrup like viscosity * Adds transparency and high gloss * Low tendency to yellow See More

Michael Harding PM1 Oil Paint Medium, 250ml Jar

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…stand oil and turpentine formulation that helps prevent the yellowing of paint film. * Brand: Michael Harding * PM1 - Oil Paint Medium * 250ml Jar * Linseed Stand Oil / Double Rectified Turpentine   PM1 250ml is a basic paint medium designed to increase the flow of your oil paints. Oil… PM1 - Oil Painting Medium, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! PM1 Oil Paint Medium, 250ml will also increase the gloss and transparency of your colours, adding to the depth and beauty of your painting. This medium is a linseed stand oil and turpentine formulation that helps prevent the yellowing of paint film. * Brand: Michael Harding * PM1 - Oil Paint Medium * 250ml Jar * Linseed Stand Oil / Double Rectified Turpentine   PM1 250ml is a basic paint medium designed to increase the flow of your oil paints. Oil Painting Medium is a basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. See More

Michael Harding PM2 Dammar Glaze Oil Medium, 250ml Jar

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…combining it with stand oil. * Brand: Michael Harding * PM2 - Dammar Glaze Oil Medium * 250ml Jar * Mastic Resin / Linseed Stand Oil / Double Rectified Turpentine / Cobalt Siccative 2%   PM2 250ml Dammar Glaze Oil Medium is known for its speedy drying time of oil colours. Use it with… PM2 - Dammar Glaze Oil Medium, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! PM2 250ml Dammar Glaze Medium is a traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Designed to create gloss and depth within your oil paint layers, this glaze is made by dissolving dammar crystals in the finest Portuguese maritime turpentine and combining it with stand oil. * Brand: Michael Harding * PM2 - Dammar Glaze Oil Medium * 250ml Jar * Mastic Resin / Linseed Stand Oil / Double Rectified Turpentine / Cobalt Siccative 2%   PM2 250ml Dammar Glaze Oil Medium is known for its speedy drying time of oil colours. Use it with slower-drying colours. See More

Michael Harding PM6 Balsam Resin Glaze Oil Medium, 250ml Jar

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…Glaze Oil Medium, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! PM6 250ml Balsam Resin Glaze Oil Medium is a historical glaze medium made from light-coloured Canada balsam fused with dammar resin and linseed stand oil. It is… PM6 - Balsam Resin Glaze Oil Medium, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! PM6 250ml Balsam Resin Glaze Oil Medium is a historical glaze medium made from light-coloured Canada balsam fused with dammar resin and linseed stand oil. It is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. * Brand: Michael Harding * PM6 - Balsam Resin Glaze Oil Medium * 250ml Jar * Dammar Resin / Austrian Larch Turpentine / Linseed Stand Oil / Double Rectified Turpentine   PM6 250ml Balsam Resin Glaze Oil Medium is a light sensitive product that should be stored in a cool, dark place. See More

Michael Harding PM5 Oleo-Resin Oil Medium, 250ml Jar

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…- Oleo-Resin Oil Medium, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! PM5 250ml Oleo-Resin Medium is a historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile… PM5 - Oleo-Resin Oil Medium, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! PM5 250ml Oleo-Resin Medium is a historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. * Brand: Michael Harding * PM5 - Oleo-Resin Oil Medium * 250ml Jar * Dammar Resin / Canada Balsam / Linseed Stand Oil / Double Rectified Turpentine   PM5 250ml Oleo-Resin Medium is light-sensitive product, so store it in a cool, dark place. See More

Sennelier #Green for Oil Mediums - Solvent-Free Universal Medium, 250ml

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Sennelier 250ml Green for Oil Solvent-Free Universal Medium Sennelier 250ml Green for Oil Solvent-Free Universal Medium See More

Sennelier #Green for Oil Mediums - Solvent-Free Brush Cleaner, 250ml

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Sennelier 250ml Green for Oil Solvent-Free Brush Cleaner Sennelier 250ml Green for Oil Solvent-Free Brush Cleaner See More

Sennelier #Green for Oil Mediums - Solvent-Free Thinner, 250ml

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Sennelier 250ml Green for Oil Solvent-Free Thinner Sennelier 250ml Green for Oil Solvent-Free Thinner See More

Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 250ml Bottle

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…avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 250ml Bottle* Most efficient thinner and cleaning agent * Even removes dried paints * Can remove varnishes, including Dammar Varnish Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 250ml Bottle English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 250ml Bottle* Most efficient thinner and cleaning agent * Even removes dried paints * Can remove varnishes, including Dammar Varnish See More

Winsor & Newton Artisan Water-Mixable Oil Medium - Thinner, 250ml Bottle

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…Painting Mediums! Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. * 250 ml Bottle * Accelerates drying time * Increases gloss and translucency of colors Everythings Better With Help From Artisan Painting Mediums! Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. * 250 ml Bottle * Accelerates drying time * Increases gloss and translucency of colors See More

Jack Richeson Shiva Signature Damar Varnish, 32oz Can

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Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 quart Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 quart See More

Sennelier Safflower Oil, 250ml Bottle

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Sennelier Safflower Oil, 250ml Bottle Safflower Oil is clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's… Sennelier Safflower Oil, 250ml Bottle Safflower Oil is clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Sennelier offers the finest first-pressed safflower oil, purified to lower acidity while increasing clarity. Mix with oil colors to accentuate their fluidity and transparency without altering the hue's brilliance during drying * Safflower Oil, Medium * 250ml Bottle * Purified to lower acidity while increasing clarity * Mix with oil colors to accentuate their fluidity and transparency See More

Williamsburg Linseed Oil, 32oz Bottle

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…Handmade Oil Paints - Williamsburg Painting Drying Oils! Linseed Oil is a genuine alkali-refined linseed oil. It increases flow, transparency and gloss and is useful as an ingredient in painting mediums. * 32 oz * Professional, handmade oil medium * Quality cold-pressed drying oil * Medium to… The Perfect Accompaniment To Williamsburg Handmade Oil Paints - Williamsburg Painting Drying Oils! Linseed Oil is a genuine alkali-refined linseed oil. It increases flow, transparency and gloss and is useful as an ingredient in painting mediums. * 32 oz * Professional, handmade oil medium * Quality cold-pressed drying oil * Medium to thicken paint See More