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Ampersand Museum Series Pastelbord Single 8" x 10" 1/8" flat wood

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White Pastelbord - The Solid Choice for Pastels and More! Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper except more durable and more versatile. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface. Available in 1/8" flat Gray, Green, Sand, and White for hand-tinting. Conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel Key Features:* 1/8" flat wood panels* More durable and more versatile than paper* The coating is pH neutral and non-yellowing* Truly permanent museum quality surface* Marble-dust tooth holds more layers than pastel paper* Holds artwork still eliminating excessive pastel dust collecting inside the frame* Available in white, gray, sand, and green tones* Archival, Handcrafted in the USA Perfect For:* Soft or oil pastels and pastel pencils* Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more* Exquisite Sanded Surface* More durable and more versatile surface Ampersand™ Pastelbord wood panels are Archival, Handcrafted in the USA, made from FSC certified sustainable US forest products. We use completely green manufacturing processes that protect the natural environment. No harmful chemicals used, no dangerous emissions for artists. A smart choice. Made with conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel. Unmatched Techniques - Perfect for soft or oil pastels and pastel pencils. Pastels go on smooth, blend beautifully, and colors stay rich and vibrant. Exceptional for both wet and dry pastel painting. Not Just for Pastels - Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more Exquisite Sanded Surface - Ampersand Museum Series Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Available in Gray, Green, Sand, and White for hand-tinting. Video - See Video on Colored pencil on Ampersand Pastelbord, blending with solvents in our "Video Tab" See More

New York Central Professional Control Oil Color Brush Hog Bristle Short Almond Filbert (117) sz 8

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The Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced… The Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced wood handles, silver nickel-plated seamless ferrules, and superior crimping for long-term use without wear! Available in three types of brush hair: Proprietary SP Mix, Kolinsky Red Sable, and Hog Bristle. Choose the brush that’s right for you, or purchase one of our carefully curated brush sets! Key Features:* Available in 3 types of brush hair: SP Mix, Kolinsky Red Sable and Hog Bristle* Well-balanced, handmade wood handles* The very best silver nickel-plated seamless ferrules* Quality crimping assures long use* Handmade in Germany* Legendary New York Central® Quality* All Brushes Specifications Chart - Click Here > Perfect For:* Artists Who Want The Very Best* Superior control* The feeling of quality and luxury in your hand   SP MIX CONTROL ALMOND FILBERTS (115) Stiffness Watercolors Acrylics Oils SP MIX is a proprietary blend of soft hairs that feels like Fitch but holds more color. SP MIX is great for glazing, painting exact strokes, and adding fine details to small areas. The hair has a semi-coarse feel. These almond filberts will surely be the workhorse for much of your painting. The hair mix provides an excellent controlled feel with the proper heft and tapered shape to work even in the smallest areas. The hair holds an abundance of color, so you will find it more often than not to be your go-to brush. They are wonderful for building loose details. SP Mix Control Almond Filberts (115) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 4, sz 6, sz 12 and sz 18—plus a Brush Easel Case   KOLINSKY SABLE ALMOND FILBERTS (116) Stiffness Watercolors Acrylics Oils KOLINSKY SABLE ALMOND FILBERTS are made of only the finest Kolinsky hair. Natural sable hair is not as full and springy as it used to be because of climate change. New York Central® used Kolinsky hair from the vault to make these brushes so that you can experience what it is like to paint with real sable. You will immediately notice that hair is very absorbent, super soft, and ideal for detailed areas. They have the wonderful springy character of Kolinsky and a thick and bushy construction so that you can use them for expressive painting and classical techniques. Kolinsky Sable Almond Filberts (116) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 2, sz 4, sz 6 and sz 12—plus a Brush Easel Case   HOG BRISTLE SHORT ALMOND FILBERTS (117) Stiffness Watercolors Acrylics Oils Not all bristle hair is created equal. This hair is the very finest available on earth. It is treated to be soft to stop hairs from breaking while painting and provide the most control possible. The bristles have a coarse feel. Short, subtle, and resilient, these bristle brushes are impeccably fashioned, with natural flagged ends to grip color. They provide fantastic control and allow you to draw an underpainting and block in elements with precision. Hog Bristle Short Almond Filberts (117) Set of 6 with Brush Easel Case Includes: One each of sz 1, sz 2, sz 4, sz 6, sz 8 and sz 12—plus a Brush Easel Case Hog Bristle Super Short Flats (118) Set of 5 with Brush Easel Case Includes: One each of sz 2, sz 6, sz 12, sz 18 and sz 24—plus a Brush Easel Case   NEW YORK CENTRAL® ULTIMATE 19 CONTROL BRUSH COLLECTION - This set is a complete collection of this quality range of brushes in a handmade leather brush case. The set includes 19 total brushes, including SP Mix sizes 6, 12, 18, and 22, Kolinsky sizes 0, 2, 4, and 12, Short Filberts sizes 1, 2, 4, 6, 8, and twelve and Extra Short Flats sizes 2, 8, 12, 20 and 28. See More

Pastelmat Pad Palette No. 5 - Assorted Colors, 30x40cm (12-Sheets)

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Assorted Colors A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers.   Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey.   Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering &nbsp Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More

Awagami Editioning Papers Sampler Pack of 20, 8" x 10"

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Assorted Colors Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals   Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Sennelier Abstract Acrylic Tips Pack of 8, Assorted

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…paint * 34 single pigment colors; 60 total shades * Paint is better preserved * Abstract nozzle tips: 8 Paint tips - Create new effects with different nozzles * Perfect For: * Acrylic painters of all levels * Muralists, street artists, and students * Selecting colors quickly * Artists and students… Abstract Heavy-Bodied Acrylic with High Pigment Concentration Sennelier has been on the cutting edge for generations, always working and listening to artists to design better products around their needs. Now they've taken the world of Heavy-Body Acrylics by storm with their innovative acrylic pouches, ideal for both large work and "street art." Three years of research were put into these paints, resulting in a strong pouch that is so strong you can step on it. The squeezable pouch has a transparent window for color reference and level check, so there are no surprises when you start to paint! They are so easy to use! You can squeeze paint directly onto your canvas or palette. Ultimately the airtight pouches save paint by keeping air out. Every last drop is usable, and no paint is wasted. Sennelier's acrylic paint is highly pigmented and has a creamy, heavy-body consistency. Of the 60 shades in the line, 34 are made with single pigments. Sennelier's traditional pigment history, combined with innovative packaging that promotes easy application, is quickly grabbing the attention of professional acrylic painters, students, muralists, and street artists alike. 36 SATIN FINISH COLOURS, 12 HIGH GLOSS COLOURS, 6 IRIDESCENT COLOURS, 6 FLUORESCENT COLOURS. AVAILABLE IN 120 ML AND 500 ML PACKS Key Features: * Heavy-bodied acrylic with high pigment concentration * Ultra-transparent, strong pouch * Waste-free pouch squeezes out every last bit of paint * 34 single pigment colors; 60 total shades * Paint is better preserved * Abstract nozzle tips: 8 Paint tips - Create new effects with different nozzles * Perfect For: * Acrylic painters of all levels * Muralists, street artists, and students * Selecting colors quickly * Artists and students on the go   Click Here to learn more about Sennelier Abstract Acrylic Paints! See More