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Awagami Japanese Handmade PapersSave Up to10% - 20%Off listVideos…has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Aitoh Sumi-e Sketch Paper Pads and RollSave Up to12% - 20%Off listVideosAuthentic Japanese Washi & Kozo Papers for Sumi-E Ink and Painting Aitoh’s traditional Japanese Sumi-E, Washi, and Kozo papers deliver the ideal surface for sumi-ink, brush painting, calligraphy, charcoal, pastel, and light watercolor washes. Handmade in Japan from authentic mulberry (Kozo) and… Authentic Japanese Washi & Kozo Papers for Sumi-E Ink and Painting Aitoh’s traditional Japanese Sumi-E, Washi, and Kozo papers deliver the ideal surface for sumi-ink, brush painting, calligraphy, charcoal, pastel, and light watercolor washes. Handmade in Japan from authentic mulberry (Kozo) and Washi fibers, these papers offer natural absorbency, crisp ink response, and the organic texture artists expect from true Japanese paper. The lightly textured Washi sheets let brushstrokes bloom and feather beautifully, enhancing expressive sumi-e techniques, while Kozo fibers add strength for heavy ink loads and detailed mark-making. Each pad includes 48 sheets bound with a loose-thread edge for easy removal, mounting, or framing. The roll of Kozo paper is made of strong mulberry bark fibers that prevent the paper from tearing while printing. The translucent quality of the roll makes it ideal for transfer work and layering techniques in printmaking. Both the Sumi-E sketch and Kozo paper respond well to brayer work, water-based inks, and sumi ink. Tip: Mount sheet on a board for heavy washes, and let ink dry flat to avoid warping. Best Uses of Kozo and Washi PaperL: Kozo paper is best for professional sumi-e, calligraphy, and printmaking due to its strength and crisp ink response, while Washi paper is ideal for daily practice, light watercolor, sketching, and traditional Japanese craft. Key Features: * Made in Japan using Washi and Kozo fibers * Soft, absorbent paper surface * Sketch pads in 9" × 12", 12" × 18", and 18" × 24" * 48-sheet paper pads with loose-thread binding * 11" × 60 ft Kozo roll for calligraphy and printmaking * Beautiful natural fiber texture with excellent ink hold Perfect For: * Sumi-E and Asian brush painting * Inks, charcoal, pastels, and watercolor studies * Calligraphy and lettering practice * Woodblock printing and monoprinting * Exploring texture, absorbency, and expressive surfaces See More
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Yasutomo Washi and Washi Hosho PapersSave Up to18% - 25%Off listVideos…Washi & Hosho Papers for Sumi-E Painting Traditional Japanese paper, also known as Washi, is popular for experimenting with inks, charcoal, and pastel. The paper is designed for use in Sumi-E, calligraphy, and paper crafts. Washi Hosho paper is a thick and strong paper typically used for… Authentic Washi & Hosho Papers for Sumi-E Painting Traditional Japanese paper, also known as Washi, is popular for experimenting with inks, charcoal, and pastel. The paper is designed for use in Sumi-E, calligraphy, and paper crafts. Washi Hosho paper is a thick and strong paper typically used for sketching, painting, and printmaking. One side has a smooth finish, and the other side is rough. The paper is not sized. Key Features: * Strong absorbent paper surface * Sketch pads in 9" × 12" and 12" × 18" * 48-sheets per pads * Hosho paper is not sized Perfect For: * Sumi-E and Asian brush painting * Inks, charcoal, pastels, and watercolor studies * Calligraphy and lettering practice * Woodblock printing and monoprinting * Exploring texture, absorbency, and expressive surfaces See More
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Yasutomo Suminagashi - Japanese Water Marbling SetSave Up to20%Off listVideosExperience the Serenity of Japanese Water Marbling Step into the calming world of suminagashi, the ancient Japanese art of water marbling. With water, ink, and washi paper, you can create mesmerizing one-of-a-kind prints. Perfect for artists or anyone looking to slow down and create mindfully, the… Experience the Serenity of Japanese Water Marbling Step into the calming world of suminagashi, the ancient Japanese art of water marbling. With water, ink, and washi paper, you can create mesmerizing one-of-a-kind prints. Perfect for artists or anyone looking to slow down and create mindfully, the Yasutomo Suminagashi Kit includes everything you need to begin printing. Simply add water to the tray, sprinkle a few drops of ink on the surface, and watch as your marbled pattern unfolds. The kit features fully illustrated instructions along with a QR code that links to video instructions. Key Features: * 1 bottle of liquid sumi ink * 2 small dishes (for ink and water) * 2 brushes and 1 water tray * 10 sheets of Hosho washi paper * Illustrated instructions + video tutorial * Made in Japan Perfect For: * Creating calming, meditative art * Making unique prints, cards, or book covers * Exploring traditional Japanese art techniques * A rainy day creative activity * Artists, teachers, and students See More
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