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Williamsburg Lead Oil GroundSave Up to30%Off list
Starting At: 57.04
…painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More -
Winsor & Newton Oil Color Drying OilsSave Up to43%Off list
Starting At: 5.12
…Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Chelsea Classical Studio Clarified Lean Medium LavenderSave Up to50%Off list
Starting At: 13.63
…of painting Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender… Handcrafted from the finest materials, this oil medium thins paint and decreases dry time! The Clarified Lean Medium, by Chelsea Classical Studios, is a handmade oil medium that uses lavender spike oil essence, which is a safer alternative to ones made with turpentine for the oil painter. Also, it decreases drying time and thins the paint It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The oil in the Clarified Lean Medium is cold-pressed, purified and de-yellowed by traditional, natural processes that strives to make the palest, cleanest pure linseed oil for artists’ to use. A "Lean" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, improves paint drying time and gloss. Where: Made in the USA from Old World Master Techniques * Decreases drying time * For use in earlier painting stages Key Features:* For the oil painter* Handmade from the highest quality ingredients* Safer alternative to Turpentine* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* Thins paint consistency* Decreases drying time* Palest, cleanest pure linseed oil for artists’ to use* Crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time* Thinning oil paints* Use in studios or professional classrooms* Use in early layers of painting Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More -
Williamsburg Titanium Oil GroundSave Up to30%Off list
Starting At: 33.66
…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More -
M. Graham Oil Painting MediumsSave Up to40%Off list
Starting At: 12.65
Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More -
Cobra Water-Mixable Oil Painting MediumsSave Up to40%Off list
Starting At: 7.79
…the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. A convenient bar of Brush and Hand Soap is also available to ensure your brushes are thoroughly clean. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Oil paint mediums * Cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! Brush and Hand Soap - Crafted from 100% vegetable-based ingredients. Whether you're working with oils or acrylics, Cobra Soap is the ideal solution for keeping your hands and brushes clean throughout your creative process. See More -
Bob Ross Oil PaintsSave Up to30%Off list
Starting At: 5.76
…Painting method. The Bob Ross line of oil paints was developed to meet the demand for his wet-on-wet technique, which is a process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Colors are a unique firm oil paint which is a bit thicker than… Use paint created by Bob Ross, the Landscape Collection! The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the fun and excitement of painting. Bob Ross has been on over 250 channels and lectured throughout the world on his Joy of Painting method. The Bob Ross line of oil paints was developed to meet the demand for his wet-on-wet technique, which is a process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Colors are a unique firm oil paint which is a bit thicker than conventional artists' colors due to the needs of Bob's famous wet-on-wet technique. Highlight colors such as yellow are a bit thinner to facilitate easier mixing and application. Key Features: * 37ml, 200ml tubes, 473ml jars * Pure refined linseed oil * Firm oil paint * Superb handling properties * Great color for true mixes without surprises Perfect For: * The Bob Ross wet-on-wet technique * Use with brushes or palette knives * Artists on a budget * Alla Prima painting * Plein Air painting See More -
Maimeri Classico Oil PaintsSave Up to22%Off list
Starting At: 8.84
…Italian paint maker Maimeri designed Classico Oil Paints to provide all painters the highest quality, most pigmented oils, even going as far to use real cadmiums and cobalts. Manufactured using the finest linseed oil, the superior line of Classico Oils are produced without waxes, fillers, or… Exceptional quality and pigment concentration, at a single price point! Known for their exceptional professional paints, Italian paint maker Maimeri designed Classico Oil Paints to provide all painters the highest quality, most pigmented oils, even going as far to use real cadmiums and cobalts. Manufactured using the finest linseed oil, the superior line of Classico Oils are produced without waxes, fillers, or adulterants that even lower end, popular “professional” oil brands are full of! The finely ground, heavily loaded colors have a fantastic thick body and short tack for the ultimate painting experience. Like Their Puro counterparts, Classico whites are blended with non-yellowing oils (safflower oil) to retain their brightness and purity. Unlike other manufacturers that boast “real” cadmiums and cobalts (which can be as low as only a few percent), Classico’s authentic cadmium pigments are in a concentration between 20% and 25%. This perfect combination of modern and traditional pigments excels with color mixing and learning color theory, rather than using cheap, poor quality student brands full of fillers and little pigment. Perfect for discriminating students and amateur painters, Classico also has remarkable appeal for the professional oil painter, especially those working large scale that go through large amounts of paint. Classico’s high pigment load extends further than other comparably priced brands, making it a great value for painters needing larger tube sizes. With a range of 77 colors, Classico comes in large 60ml and 200ml tubes at a single price point for each size. Of the 77 colors, an amazing 73 have the highest degree of light stability, allowing you to paint with confidence, knowing the archival nature of your painting materials. Key Features: * Made in Italy * Highest quality to price ratio oil * Superior performance, high pigment concentration * Consistent and buttery texture * No waxes or fillers * Real cadmiums and cobalts * 77 colors, 60ml and 200ml tubes * 73 colors have the highest degree of light stability Perfect For: * Loving to paint with beautiful oil colors * Student to Professional Painters * Professionals painting large scale * Affording real Cadmiums and Cobalts * Color mixing and color theory * Classrooms, workshops, plein air See More -
Gamblin Artists' Oil Painting MediumsSave Up to40%Off list
Starting At: 4.50
…of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue -… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Schmincke Oil Painting MediumsSave Up to10%Off list
Starting At: 13.85
Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More -
Grumbacher MAX Water-Mixable Oil MediumsSave Up to45%Off list
Starting At: 8.51
…Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely… Mediums with Maximum Performance with Water! Grumbacher MAX Oil Mediums aid in producing brilliant, lustrous transparent colors and glazes. Improves flow and water-mixability of oils. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA. * QuickDry and Linseed Oil Mediums* Improves flow and water-mixability of oils* No solvents needed may be thinned with water* Non-yellowing* Made in the USA. See More -
Daler-Rowney Georgian Oil Colors & SetsSave Up to40%Off list
Starting At: 4.19
…Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content… Artist quality oil colors at a much better value! "Buttery and vivid... These paints come alive!"-Thumper, Artist & Customer (Auburn, WA) Daler-Rowney’s Georgian Oil Colors are the product of over 200 years of fine craftsmanship from the company’s color factory in Bracknell, England. Named for the company’s founder, George Rowney, his passion for traditional milling techniques in the pursuit of classical and modern colors has translated into the satisfying experience for both brush and palette knife painting today. Georgian Oil Colors provide a high quality oil color at a uniform and economical price. They use lightfast and permanent pigments that are triple-milled for easy mixing and consistent brilliance across all colors. The precise measurements used for individual colors requires the perfect balance of oil content and high quality pigment, finely ground to release the full intensity of the color and to ensure complete dispersion. Their new and improved formula provides enhanced single pigment color brightness, which remain consistent from first application to final finish. The Georgian Oil Colors generally require very limited quantities of added mediums, which is perfect for using freely straight from the tubes. Students and professional artists alike will feel they have found a workhorse, both for their studios and for plein air painting. Key Features:* 54 brilliant colors available* High lightfast ratings and highly permanent* 24 single pigments, 31 opaque or semi-opaque colors* Improved color strength (color reduction 5:1; mix of 5 part of white and 1 part of the color to show the effect/ result)* Improved consistency of drying from 4-5 days to 2-5 days* All colors are rated as Permanent**** or Normally Permanent*** Perfect For:* Student to professional works * Classrooms and workshops * Large scale projects * Artists in search of an unbeatable value * Daler-Rowney Georgian Oil Color Selection Set of 10 - The Perfect Set For The New Oil Artist! This set includes ten popular colors in generous 38ml tubes Ten 38ml Colors include: Titanium White, Lemon Yellow, Cadmium Red Hue, Alizarin Crismon, French Ultramarine, Viridian Hue, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black See More -
Chelsea Classical Studio Clarified Fat Medium LavenderSave Up to50%Off list
Starting At: 13.63
…for oil paintings* Use in studios or professional classrooms Oil Painting Cube Sample Set -This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified… A handcrafted oil medium that improves glossiness & dry time! A "Fat" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. The Clarified Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The Clarified Fat Medium is made with linseed oil that is purified and de-yellowed by traditional, natural processes that strive to make the palest, cleanest, pure linseed oil for artists’ to use. The damar resin is dissolved in distilled Oil of Spike Lavender Solvent for the varnish that is mixed with the oil. This fine-art quality medium has a large oil content mixed with a varnish so is considered fairly fat, rich and glossy. There are no carcinogenic fumes since neither turpentine nor petroleum is used. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:* Handmade from the highest quality ingredients* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* No carcinogenic fumes since neither turpentine nor petroleum is used* Improves glossiness of paint when dried* Quick drying time* Recommended for use in later stages of painting Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time for oil paintings* Use in studios or professional classrooms Oil Painting Cube Sample Set -This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean See More -
Chelsea Classical Studio Clarified Extra Pale Cold Pressed Linseed OilSave Up to50%Off list
Starting At: 10.48
…used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More -
Old Holland Oil Painting MediumsSave Up to25%Off list
Starting At: 14.70
…With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More -
Maimeri Oil Painting MediumsSave Up to22%Off list
Starting At: 12.43
…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More -
Gamblin Fastmatte Alkyd Oil ColorsSave Up to40%Off list
Starting At: 7.80
…to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished… Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More -
Gamblin Oil Painting GroundSave Up to40%Off list
Starting At: 15.00
Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More -
Grumbacher Professional Oil MediumsSave Up to42%Off list
Starting At: 7.27
…Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More -
Williamsburg Oil Painting Drying Oils and MediumsSave Up to30%Off list
Starting At: 8.53
…offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss.… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More -
Sennelier Oil Turpentine SpiritsSave Up to31%Off list
Starting At: 15.30
…for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More -
Williamsburg Handmade Oil PaintsSave Up to30%Off list
Starting At: 11.12
…Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Extensive Cobalt & Cadmium Colors* Large assortment of Earth Colors* Oil color line of 178 colors!* 37ml & 150ml Tubes* 237ml & 473ml Cans* Perfect For:* Professional Oil Painters* Discerning… Handmade Master Quality Oil Paints - Manufactured In The U.S.A! Getting the proper pigment is just the beginning! So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors by nature will feel slightly gritty, others extremely smooth. For instance, Cerulean Blue will have a beautiful velvet, light-absorbing surface with an extremely strong covering power; Siennas, by comparison, are often chunky or gritty to allow light to travel through the vehicle, exposing rich golden or mahogany undertow instead of just heavy, dull browns. Pigments are ground in pure alkali-refined, ph balanced linseed oil, and made in batches no larger than 5 gallons at a time. This gives total control over the paint, much like late 19th-century French color makers. All materials are hand measured, and every ounce of paint is scrutinized. Williamsburg Handmade Oil Colors are then packaged in 37ml and 150ml non-reactive aluminum tubes. Williamsburg Handmade Oil Colors are used by the world’s finest artists, whose works can be found at the Metropolitan Museum of Art and MOMA in New York City, the National Gallery of Art in Washington, D.C., and the Beaubourg in Paris. Key Features:* Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Extensive Cobalt & Cadmium Colors* Large assortment of Earth Colors* Oil color line of 178 colors!* 37ml & 150ml Tubes* 237ml & 473ml Cans* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists favoring Old Masters materials* Enthusiasts of handmade oil paints* Producing museum-quality artworks See More -
Blockx Artist Oil ColorsSave Up to65%Off list
Starting At: 13.77
…Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery… Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More -
Chelsea Classical Studio Clarified Pale Cold Pressed Walnut OilSave Up to50%Off list
Starting At: 10.48
…classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender… Thoroughly hand cleaned and purified walnut oil that improves the richness and brightness of white and light oil colors! The Chelsea Classical Medium, Clarified Pale Cold-Pressed Walnut Oil, is cleaned by hand and made with only natural ingredients. This walnut oil is washed by traditional, natural processes that strive to make the palest, cleanest, and most pure walnut oil for artists’ to use. The mucilage and fat is removed, which greatly improves the acidity and drying of the oil. It is then further cleaned by multiple processes that filter out the remaining impurities and unnecessary coloration. This professional-quality walnut oil will not darken, and provides brighter and richer tones and hues in oil colors. Walnut oil is naturally less yellow and dries slower than Linseed oil. For best results, we recommend using it for whites and light colors! What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil. Where: Made in the USA from Old World Master Techniques * Free of fats and impurities * Use with whites & light colors Key Features:* Handmade from the highest quality ingredients* Increases brightness and richness in tones and hues* For best results, use with whites and light colors* Created through reproducing the methods of the Old Masters* Free of impurities* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques Perfect For:* Improving light colors to be richer* Increasing the brightness of whites* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More -
Holbein Vernet Oil ColorsSave Up to20%Off list
Starting At: 24.00
…finest pigments and oils, and in doing so produced an oil color of incomparable concentration, beauty, and stability: Vernét Superior Oil Color. Vernét Oils use only single pigments for greater vibrancy and clean mixes and are ground almost 50% finer than traditional oils. These super-fine pigment… Ultra-concentrated artists' oils based on modern technology and the finest pigments! Holbein Artists' Oils have long been a standard on painting palettes the world over. For ten years, the color chemists at Holbein worked to improve this traditional medium by combining modern technology with the finest pigments and oils, and in doing so produced an oil color of incomparable concentration, beauty, and stability: Vernét Superior Oil Color. Vernét Oils use only single pigments for greater vibrancy and clean mixes and are ground almost 50% finer than traditional oils. These super-fine pigment particles distribute more evenly, allowing for greater color coverage and a higher quality of luster, meaning that a 20ml tube of Vernét provides as much coverage and brilliance as a larger tube of standard oil color. It takes ten times as long to produce a tube of Vernét Oil Color as it does for other oils, and this increased effort is apparent in the finished product. Try new Vernét Superior Oil Color from Holbein and bring your oil paintings into the 21st century! Key Features: * Single pigments, ground twice as fine * Quality refined linseed oil 10 years in development * 40 brilliant colors in 20ml tubes * For pigment information click on the yellow circle technote icon * Allows for glazing and multi-tonal techniques Perfect For: * Greater coverage with even distribution * Vibrant colors & clean mixes * Creating different effects * Smooth dispersion with high luster * Oil painters demanding the best! * Discerning students & amateurs See More -
Schmincke Oil BronzesSave Up to20%Off list
Starting At: 36.49
Perfect for decorative oil finishes! Schmincke Oil Bronzes produce an iridescent metal effect on oil paintings or other pre-primed surfaces, like wood, metal or even gypsum. It is highly lightfast and available in five different, brilliant metallic colors. Additional pre-treatment is needed for use… Perfect for decorative oil finishes! Schmincke Oil Bronzes produce an iridescent metal effect on oil paintings or other pre-primed surfaces, like wood, metal or even gypsum. It is highly lightfast and available in five different, brilliant metallic colors. Additional pre-treatment is needed for use on more absorbent surfaces, and can be accomplished with thinned Schmincke Bronze Medium. Key Features:* Formulated with real metal pigments * Extremely lightfast* Creates rich and brilliant metallic effects in your artwork Perfect For:* Enhancing your oil paintings* Use on wood, metal, gypsum or other pre-primed surfaces* Professionals, artists or those gettign started See More -
Sennelier Oil Color MediumsSave Up to37%Off list
Starting At: 11.23
…finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More -
Holbein Artists' Foundation Oil ColorsSave Up to35%Off list
Starting At: 35.91
Oil that is used as an underpaint Foundation colors are used as an underpaint, forming a barrier between the oil painting and the primed surface. You can even build-up your paint surface for a textured look. All colors are quick drying. Holbein Extra-Fine Artists' Oil Colors are one of the world’s… Oil that is used as an underpaint Foundation colors are used as an underpaint, forming a barrier between the oil painting and the primed surface. You can even build-up your paint surface for a textured look. All colors are quick drying. Holbein Extra-Fine Artists' Oil Colors are one of the world’s most exquisite colors. It is by far the best technically manufactured paint—ground 3 to 5 times to achieve a universally consistent viscosity! Each Holbein Oil Color is modified to compensate for the inherent differences in the working characteristics of the pigment. The entire manufacturing process is monitored to insure optimum quality, as it relates to pigment purity, color tone, applicability and adhesion, physical stability, light stability, thermostability and antibacterial stability. By using Holbein Oils you can be sure that the time you put into your art will never be wasted, that the color you want in a custom blend is reliably achieved and the working qualities that you depend upon to accomplish your techniques remain consistent. Imported from Japan. See More -
DANIEL SMITH Original Oil MediumsSave Up toOff list
Starting At: 8.59
…Linseed Oil- The simplest form of natural oil, cold-pressed linseed oil, is lighter in color and yellows less than hot pressed or solvent extracted oils. DANIEL SMITH Cold-pressed Linseed Oil also creates a stronger film. Stand Oil– Stand oil, thicker than Linseed oil, prompts oil colors to… Improve transparency and gloss! Painting with buttery oils requires a medium that helps alter paint consistency for color mixing, blending, and glazing. DANIEL SMITH Oil mediums improve transparency and gloss and, depending on the formula, can decrease drying time. DANIEL SMITH Oil Mediums allow artists to extend their oil paints and waste less paint; this is especially true with DANIEL SMITH Original Oils, which are highly pigmented. With DANIEL SMITH Oil Mediums, you can expand the value of your highly pigmented paint event farther! Key Features: * Accelerate or slow drying time * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Available in 3 different sizes Perfect For: * Traditional oil paints * Blending and glazing * Maintaining consistency * Preserving gloss * Speeding up drying time * Increasing the flow of oil paint Refined Linseed Oil- Its capacity to add gloss and transparency and yield a tough, strong paint film has made linseed oil the most conventional binder in oil paint for centuries. It may cause some yellowing with age. Cold-Pressed Linseed Oil- The simplest form of natural oil, cold-pressed linseed oil, is lighter in color and yellows less than hot pressed or solvent extracted oils. DANIEL SMITH Cold-pressed Linseed Oil also creates a stronger film. Stand Oil– Stand oil, thicker than Linseed oil, prompts oil colors to gradually self-level as they dry, leaving minimal brush strokes. Stand oil is an inappropriate vehicle for making oil paint, but it makes an outstanding painting and glazing medium when diluted with turpentine and damar varnish. It yields a tough paint film without the yellowing tendencies of refined linseed oil. Available in 8oz. See More -
Maimeri Artisti Oil Paint SetsSave Up to36%Off list
Starting At: 1833.99
…else Oil painters the world over adore Maimeri Puro paints for their intensity, luminosity, and superb creamy feel. Puro Oil Colors are known for excellent chromatic results, guaranteed by highly concentrated, lightfast pigments and a blend of non-yellowing safflower and poppy seed oils. Maimeri… Oil + pigment and nothing else Oil painters the world over adore Maimeri Puro paints for their intensity, luminosity, and superb creamy feel. Puro Oil Colors are known for excellent chromatic results, guaranteed by highly concentrated, lightfast pigments and a blend of non-yellowing safflower and poppy seed oils. Maimeri does not mix Puro colors with fillers or foreign substances like other manufacturers. The high pigment content and buttery consistency mean that you can use the Puro oils for both the most delicate of glazes and the thickest impasto effects with relative ease. Now, these world-renowned fine artists' oil paints are available in beautiful limited edition sets! Key Features: * Made in Italy * Maximum degree of lightfastness * 30% more concentrated than other artists’ oils * Colors are a single pigment, so they blend cleanly * Buttery smooth, with uniform clarity * Unbelievable brilliance * Oil + pigment and nothing else * Rich and transparent Perfect For: * Impasto effects * Professional oil painters * Pigment aficionados * Making paint go further * Upgrading to professional oils * Excellent chromatic results Italian Walnut Wood Box Set: Contains: thirty-two assorted 40 ml tubes, one Titanium White 80ml tube, one Zinc White 80 ml tube, one Puro Clear Oil 40ml tube, one Puro Coarse Clear Oil 40ml tube, one Puro Drying Medium 250ml bottle, one Puro Glazing Medium 250ml bottle, one Puro Safflower Oil 250ml bottle, one Puro Gloss Picture Varnish 250ml bottle, one charcoal box, one double metal bowl, eight synthetic brushes with gold handles, two knife spatulas, two trowel knives, and one walnut wood palette. All of the supplies come in a beautiful Italian Walnut wood box. Vintage Luxury Box Set: Entirely handmade by an Italian craftsman. This wood box is covered by padding and lined with printed sky material. The handle and the edge of the corners are in leather. The nuts and bolts of the box are made of antique-style brass. The set contains forty-six assorted 40 ml tubes; one Titanium White 80ml tube, one Zinc White 80 ml tube; one Puro Clear Oil 40ml tube, one Puro Coarse Clear Oil 40ml tube, one Puro Drying Medium 250ml bottle, one Puro Gloss Picture Varnish 250ml bottle, one Puro Glazing Medium 250ml bottle, one Puro Safflower oil 250ml bottle, two charcoals boxes, eight synthetic brushes with gold handles, one metal bowl, one double metal bowl, one universal canvas carrier, three knife spatulas, three trowel knives, one red microfibre cloth for cleaning brushes, one Maimeri Puro handmade color chart, and one Treatise of Painting written by Gianni Maimeri. See More -
Maimeri Classico Oil Color SetsSave Up to40%Off list
Starting At: 70.13
…the most refined linseed oil and have a thick buttery consistency and short tack for the ultimate painting experience. Whites are blended with non-yellowing safflower oil to retain their brightness. Key Features: * Sets of 60ml tubes * Highest quality to price ratio oil * Superior performance * No… An exquisite treat for professional or student artists! Maimeri Classico oil colors contain no waxes or fillers and dry with a beautiful uniform rich satin glow. The finely ground, heavily loaded pigments are suspended in the most refined linseed oil and have a thick buttery consistency and short tack for the ultimate painting experience. Whites are blended with non-yellowing safflower oil to retain their brightness. Key Features: * Sets of 60ml tubes * Highest quality to price ratio oil * Superior performance * No waxes or fillers * Real cadmium and cobalt Perfect For: * Students and beginners * Large scale oil paintings * Amateur and experienced artists * Color mixing and color theory * Classrooms and workshops * Artists in search of an unbeatable value Introductory Set of Nine 60 ml Tubes: The perfect introduction to Classico Oils! Includes one 60 ml tube each of Titanium White, Permanent Yellow Lemon, Yellow Ochre, Cadmium Red Medium, Burnt Sienna, Phthalo Green, Ultramarine Blue, Sky Blue, and Burnt Umber. Maimeri Classico Colossal 60ml Set of 40 Tubes: Colors include Titanium White, Zinc White, Brilliant Yellow Light, Cadmium Yellow Orange, Cadmium Yellow Light, Cadmium Yellow Lemon, Naples Yellow Deep, Primary Yellow, Yellow Ochre, Raw Sienna, Permanent Carmine, Permanent Madder Deep, Quinacridone Red, Cadmium Red Light, Cadmium Red Medium, Cadmium Red Deep, Permanent Red Orange, Permanent Red Light, Primary Red, Venetian Red, Burnt Sienna, Green Lake, Green Earth, Cadmium Green, Phthalo Green, Permanent Green Light, Sap Green, Cerulean Blue, Ultramarine Light, Ultramarine Deep, Primary Blue Cyan, Prussian Blue, Turquoise Blue, Phthalo Blue Green, Sky Blue, Cobalt Violet Hue, Vandyke Brown, Burnt Umber, Raw Umber, and Ivory Black. Please note contents of the set may be substituted without warning See More -
Sennelier #Green for Oil MediumsSave Up to35%Off list
Starting At: 7.64
…Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100%… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More -
Old Holland Oil Painting VarnishesSave Up to25%Off list
Starting At: 14.70
High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More -
Grumbacher Oil Mediums & VarnishesSave Up to37%Off list
Starting At: 16.71
…oil paints. Grumbacher Oil Painting Mediums are wonderful for extending oil paints, stimulating drying time, building transparency, or producing a range of oil painting effects. Key Features: * Extending oil paints * Accelerating drying time * Increasing transparency Perfect For: * Oil paint *… Grumbacher Mediums enhance and heighten oil colors Since 1853, Grumbacher has been providing artists with excellent quality artist materials and good old fashioned value. The oldest and one of the biggest producers of art supplies in the United States, Grumbacher contributes a variety of mediums for use with professional-quality oil paints. Grumbacher Oil Painting Mediums are wonderful for extending oil paints, stimulating drying time, building transparency, or producing a range of oil painting effects. Key Features: * Extending oil paints * Accelerating drying time * Increasing transparency Perfect For: * Oil paint * Grumbacher Permalba Oil Colors * Creating a variety of oil painting effects. LiquiGlaze - is a resin-based glazing and mixing medium similar to Liquin. Matvar 53® - A matte finish varnish for oil color, watercolor, and tempera painting. This colorless, acrylic resin varnish provides the artist with a non-yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through handling. Resists cracking, peeling, blush and bloom. Thin and clean up with turpentine. Res-n-Gel® - This colorless mixing medium provides a buttery consistency. Res-n-Gel prevents colors from running, retains brush stroke and holds sharply defined lines. Adds luminosity and brilliance and accelerates drying. Synvar® Varnish - is an acrylic gloss varnish for use with oils or acrylics. "Oil Mediums and Their Uses" DVD - This DVD features fine artist Johnnie Liliedahl. She demos each of Grumbacher's Oil Mediums; discusses what The Masters used and why; how to mix your own mediums; what cannot be mixed; plus the uses and results of all and more! Some items in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Bob Ross Oil Painting MediumsSave Up to25%Off list
Starting At: 5.99
…achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited… Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More -
Williamsburg Handmade Safflower Oil PaintsSave Up to30%Off list
Starting At: 11.12
…Safflower Oil Colors are painstakingly made by hand. They are available from Jerry’s in 37ml and 150ml tubes. Key Features:* Handmade Safflower Oil Colors* Longer dry times than linseed colors* Non-yellowing white & transparent colors* Safflower oil line of 13 colors* Perfect For:* Professional Oil… Long Lasting Brilliance and Clarity in a Handmade Safflower Oil Paint - Reduces Yellowing! Going back to the earliest traditions of oil painting, Williamsburg offers 13 whites, blues, and other delicate transparent colors made with a far less yellowing safflower binder. Artists will find these invaluable for holding onto maximum clarity and brightness in the upper layers of their paintings. These colors are not recommended for underpainting or foundational layers within a painting, as safflower oil binder takes longer to dry and produces a slightly weaker film. Milled with the highest quality, expeller-pressed Safflower Oil, the line features Porcelain White as the only color of the line not offered in their Linseed-based oils. Porcelain White is a less brittle, semi-transparent alternative to Zinc White. As with all of Williamsburg’s products, their Safflower Oil Colors are painstakingly made by hand. They are available from Jerry’s in 37ml and 150ml tubes. Key Features:* Handmade Safflower Oil Colors* Longer dry times than linseed colors* Non-yellowing white & transparent colors* Safflower oil line of 13 colors* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists concerned about yellowing* Enthusiasts of handmade oil paints See More
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