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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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New York Central Double-Primed Alumacomp Panel - White - 14X18"Save Up to47%Off listWhite New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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Creative Mark English Glazed Porcelain Slant PaletteSave Up to49%Off list…* English glazed porcelain Perfect For: * Watercolor and gouache * Color mixing * Everyday studio use The 20 Well Palette: has 20 deep paint wells and a matching cover that doubles as a mixing tray. Use the paint wells to hold watercolor, gouache, or oil paints. The palette wells are… Easy to clean and store! Creative Mark English Glazed Porcelain Palettes are an excellent surface for color mixing. Many watercolorists depend on porcelain palettes because they are easy to clean and are weighty enough that they don't move around while in use. Choose from a variety of palette shapes and sizes that can easily fit into your daily studio routine! Key Features: * Easy to clean * Sturdy construction * English glazed porcelain Perfect For: * Watercolor and gouache * Color mixing * Everyday studio use The 20 Well Palette: has 20 deep paint wells and a matching cover that doubles as a mixing tray. Use the paint wells to hold watercolor, gouache, or oil paints. The palette wells are big enough to hold most half-pans and are also excellent for storing tiny beads or small craft items. Flower Palette - Measures 4 ¾" in diameter and features six petal-shaped wells and a center section. Giant Covered Watercolor Dish - Measures 7" in diameter and 2 1⁄16" high with cover. The mixing tray has six, 1" deep perimeter wells and a 3 ¾" diameter center well. The cover doubles as a huge mixing tray. Slant Palette - The palette measures 4 ¼" × 7 ½" in size and features five circle-well and five slants mixing areas. Stacking Style Palette - Features five 3" diameter and ½" high nesting trays with a matching cover. See More
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Strathmore Hardbound Art Journal 400 Series Recycled Watercolor Paper (140 lb.) 8.5x5.5" - 48 PagesSave Up to40%Off list…matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! Luxury hardbound art books with professional papers for any artist! For over 100 years, the name Strathmore has been synonymous with some of the finest art papers in the world. Strathmore 400 Series & 500 Series Hardbound Art Journals in Toned Tan, Toned Gray and Mixed Media, created their highest quality and most unique papers to offer them in deluxe hardbound books perfect for any artist in virtually any media. These luxury hardbound art journals feature hard covers with a lightly textured, matte surface in a dark chocolate brown for an elegant and sophisticated look. The acid-free pages are bound using a Smyth-sewn binding that lays open flatter than most other bound books, and ensures durability. Available in 80 lb. Recycled Drawing paper, 80 lb. Toned Sketch paper in Gray or Tan, 90 lb. Mixed Media paper, or 140 lb. Watercolor Paper, Strathmore Hardbound Art Journals offer the ideal surface for any multitude of artistic techniques! Key Features:* Luxurious, acid free hardbound art books* Smyth-sewn binding lays flat* Textured matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! See More
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Ampersand Museum Series Aquabord 1/8" Flat Panel 14" x 18"Save Up to42%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabord™ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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Mount Vision Soft Pastels Set of 25 - Flesh TonesSave Up to38%Off listPortrait Colors Beautiful, hand-made soft pastels! Mount Vision Handmade Soft Pastels consist of the highest quality pigments with the addition of chalk, talc, or clay and binders. Various combinations, depending on pigment, create different handling properties. The Mount Vision Pastel Company was founded in 2000, by artist Karl Kelly (a former paint maker for a small oil paint company). Handmade in small batches in Mount Vision, New York, the pastels possess a wonderfully soft and buttery feel. The pigment easily releases to the pastel surface with little resistance, allowing layers to build without becoming slick. Mount Vision Handmade Soft Pastels are consistently tested to achieve the best feel and color intensity for each pastel color. Mount Vision utilizes both traditional and synthetic pigments, which make great substitutes for traditional painting pigments that are health hazards to use in pastels (such as cadmiums, cobalts, etc.) Mount Vision's manufacturing process is simple and straightforward, creating a truly handmade product with great love and care by dedicated craftsmen. First, the pigments and chalks(or other binder) are weighed out on a scale, and then placed in an industrial sized mixing bowl. The mixture is fully mixed to the consistency of cookie dough, and then put through a sausage stuffer, where it is extruded onto wood boards. The boards are placed outside to dry the long pastel lines a little, to firm them slightly before handling. Once ready, the pastel lines are cut to size and then carefully rolled by hand to create a more uniform shape. The finished pastels are then placed on a drying rack to cure before hand labeling. Key Features:* Created from the finest traditional and synthetic pigments* Handmade by craftsmen in small batches in the U.S.* Pastels possess a soft, “buttery” feel in use* No hazardous pigments used Perfect For:* Serious Pastel Artists* Artists supporting U.S. Made manufacturers* Pastelists desiring softer pastels* Handmade pastel aficionados The beauty of Mount Vision’s color selection and color values is by other manufacturers that make a handmade product. Drawing on his extensive painting and printmaking background, Karl Kelly carefully designed the color palettes and selections to create every color imaginable a pastelist could imagine, from the palest color values to the most vibrant brights and darkest darks. Sold in both open stock individually and as sets. Health and Safety Statement from Mount Vision Pastel Company: If you have any Health and Safety questions please do not hesitate to Call 888 413-2009. Your health is our biggest concern. At Mount Vision Pastels we use no heavy metal pigments such as Cobalt or Cadmium. Because of the nature of pastels, i.e.. drawing directly with the pigment with very little binder, I question the use of these pigments. With the advances in the manufacture of synthetic pigments I feel that there are alternatives available for use that will serve the artist as well without the possible side effects. That said probably the biggest concern for pastelists is the pigment dust created by them. Whenever possible it is better to clean dust with a wet rag, sponge, or paper towel than to sweep it up (which causes more dust). Care should be taken if using a vacuum as often the pigment is finer than the bag and can blow through causing quite a dust storm. See More
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Sennelier Oil Pastels Cardboard Box Set Seascape (Set of 6)Save Up to45%Off listAssorted Colors The world's finest oil pastels, made with high-quality pigments The world's finest oil pastels were originally created in 1949 by Henri Sennelier for Pablo Picasso. Picasso, a frequent patron of Henri's art supply shop across from the Louvre, was looking for a vibrant colored pastel he could use to paint on anything, giving examples of wood, metals, paper, canvas, etc. Picasso enjoyed the immediacy of children's crayons and soft pastels but wanted to be able to use their freer, gestural qualities on all surfaces and wanted them to be professional quality and lightfast. Sennelier's first oil pastels have since been the hallmark and long-time standard of the medium. Creamy, lightfast, and vibrant, Sennelier Oil Pastels use the same high-quality pigments and high pigment loads as their other lines, combined with a pure, synthetic binding medium and mineral wax. As the binding medium does not oxidize, it will not jeopardize the artwork's film stability or surface. They are acid-free, so there is no need to prime any surface as a preventative barrier for protection against deterioration from acid. The neutral pH mineral wax provides a remarkably creamy texture that will never harden or yellow, thus providing excellent adhesion to any support without ever fearing cracking. They may be thinned with spike lavender oil, turpentine, or mineral spirits to make washes or soften drawing strokes or blended with the Transparent Blending Medium stick for a wide array of effects. They are the ideal medium for artists on the go, as sets can be taken on airplanes without any restrictions since they contain no solvents or liquids like tubed paints. The traditional and La Grande sticks come in over 120 vibrant colors, including iridescent, metallic, and fluorescent colors. Sennelier's sets offer assorted colors dedicated to drawing landscapes, still lifes, and portraits, both in sturdy Cardboard and Wood Boxes, perfect for gift-giving or extensive travel. Sennelier Oil Pastels are available in both Standard (2 9/16" long x 3/8" diameter) and La Grande (5" long x 3/4" diameter) sizes. Sets can easily be replenished with individual pastels as you finish a stick! Key Features: * Cardboard box & Wood box sets * Compatible with all media * Can be applied to most surfaces such as paper, canvas, wood, or metal * Great for mixed media works * Highly pigmented, outstanding opacity and lightfastness * Draw on virtually any surface! * Unlike oil paint, substrates do not require priming * Soft, creamy application of color * Available in open stock of 120 vibrant colors (including iridescent, metallic, and fluorescent colors) Perfect For: * Sketching in color * Mixed Media Artists * Professional Artists * Plein Air - no need to lug brushes, solvents, palette, etc.! * Beautiful wood box sets make perfect gifts! See More
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