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Gamblin Artists Oil - Cadmium Yellow Medium, 16oz CanSave Up to25%Off listYellow Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Shiva Signature Permanent Artist Oil Color 1 Pint - Titanium-Zinc WhiteSave Up to73%Off listWhite The Most Affordable Professional Oils On The Market! Richeson's Shiva Series Oils are formulated to please even the most discerning artists. The professional quality oils are made by grinding each pigment to its correct degree of fineness under exacting laboratory controls. Not only that, but The Shiva Series Oils are guaranteed not to darken, yellow, fade, or crack. Key Features: * Professional quality oils * Brilliant, rich colors * Buttery, reliable consistency * High level of permanency * Resistant to fading, darkening, yellowing, and cracking * Made in small batches in Wisconsin * Each pure pigment is ground to its own degree of fineness Perfect For: * Professional oil painters * Painting vibrant portraits * Accurately reflecting the hues of nature * Artists wanting the best experience Professionally formulated to satisfy the most discerning master painter! Each pure Richeson pigment is ground to its own correct degree of fineness and formulated under exacting laboratory controls. . During the manufacturing process, great care is taken to avoid overworking the pigment. The amount of time required for the milling process varies for each color – anywhere from six hours to three days. The amount of oil required for each pigment varies because each pigment absorbs at a different rate. Richeson uses only pure, artist-grade, dry pigments. The finest grade of alkali-refined linseed oil is used to make non-yellowing colors. This type of oil is well-known for its excellent color stability. “Straw" in color, the oil has a minimal effect on pigment colorization and will not darken with age. Certain colors, such as whites, flesh colors, ice blue, and brilliant yellow light, use safflower oil. With these sensitive pigments that yellow easily, safflower oil produces a much better non-yellowing color. Where appropriate, we use a blend of linseed and safflower oil, producing the best possible finished product. Click on the item number to view the contents of each set. See More
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Gamblin Cold Wax Medium 16ozSave Up to25%Off list…It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Gamblin Cold Wax Medium 16ozSave Up to25%Off list…hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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Williamsburg Titanium Oil Ground, 16oz CanSave Up to30%Off list…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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Williamsburg Lead Oil Ground, 16oz CanSave Up to30%Off list…painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Creative Mark Pro White Soft Filament Hair Acrylic Brush Filbert #3Save Up to79%Off listStiffness Watercolors Acrylics Oils An Excellent Choice for Professional Acrylic Artists! Pro White Professional Acrylic Brushes and Sets are created from a remarkably fine, soft white filament hair. This hair holds color wonderfully, bristles shape beautifully, and delivers an excellent brush… Stiffness Watercolors Acrylics Oils An Excellent Choice for Professional Acrylic Artists! Pro White Professional Acrylic Brushes and Sets are created from a remarkably fine, soft white filament hair. This hair holds color wonderfully, bristles shape beautifully, and delivers an excellent brush response. Perfect for most acrylic painting techniques and glazing, but can also be easily used for caseins, acrylic gouache, and water mixable oils. Nickel-plated, seamless ferrules are attached to long, double red lacquered wooden handles. Available in Rounds, Flats, Brights, and Filberts, they are an excellent choice for the serious acrylic artist! Made by Creative Mark. Key Features:* Remarkably fine, soft white filament hair* Pure nickel plated seamless type A ferrules* Double lacquered red primed wood handles* Delivers an excellent brush response* Holds a lot of color with a lot of control Perfect For:* Serious acrylic artists* Glazing and soft brush strokes* Acrylics, acrylic gouache, oils, caseins* Complete Set includes all 27 Pro-White™ brushes are made out of a remarkably fine, soft white filament hair. Sizing of brushes is similar to bristle hair brushes where as 12 = 1" wide. An excellent choice for the serious artist! See More
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Mimik Hog Professional Synthetic Bristle Brush, Round Size #3Save Up to72%Off list…often you paint! That's why Mimik Hog Synthetic Hog Bristle Brushes are perfect for painting with oils, acrylics, inks, dyes, gouache, watercolor, casein, egg tempera, and more! Mimik Professional Synthetic Hog Brushes are the only brush you need for acrylic painting. You may use them to paint with… Professional Synthetic Hog Brushes - Nature, Improved! Mimik Hog Synthetic Hog Bristle Brushes from Creative Mark provide better brush performance than natural hog bristle brushes. The synthetic bristles are animal friendly, easy to clean, and provide consistent brush response, time after time. The long-lasting synthetic bristles are responsive and do not lose their shape or integrity no matter how often you paint! That's why Mimik Hog Synthetic Hog Bristle Brushes are perfect for painting with oils, acrylics, inks, dyes, gouache, watercolor, casein, egg tempera, and more! Mimik Professional Synthetic Hog Brushes are the only brush you need for acrylic painting. You may use them to paint with the heaviest acrylic paint and the thinnest watercolor or ink! Key Features: * Synthetic multi-filament hair * Professional bristles hold a lot of paint * Hold and release paint with controlled strokes * Seamless, reinforced dual-crimp nickel-plated brass ferrules * Ferrules are electroplated in a stain-resistant black finish * Beautifully balanced, long lacquered wood handles * Easier to clean than natural hair bristles Perfect For:* Oils, acrylics, inks, dyes, gouache, watercolor, casein and egg tempera* Consistent brush response and control of color release* Artists looking for an animal-friendly alternative without sacrificing quality* Artists looking for a quality brush for the price See More
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New York Central Professional Control Oil Color Brush Hog Bristle Short Almond Filbert (117) sz 3Save Up to82%Off listThe Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced… The Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced wood handles, silver nickel-plated seamless ferrules, and superior crimping for long-term use without wear! Available in three types of brush hair: Proprietary SP Mix, Kolinsky Red Sable, and Hog Bristle. Choose the brush that’s right for you, or purchase one of our carefully curated brush sets! Key Features:* Available in 3 types of brush hair: SP Mix, Kolinsky Red Sable and Hog Bristle* Well-balanced, handmade wood handles* The very best silver nickel-plated seamless ferrules* Quality crimping assures long use* Handmade in Germany* Legendary New York Central® Quality* All Brushes Specifications Chart - Click Here > Perfect For:* Artists Who Want The Very Best* Superior control* The feeling of quality and luxury in your hand SP MIX CONTROL ALMOND FILBERTS (115) Stiffness Watercolors Acrylics Oils SP MIX is a proprietary blend of soft hairs that feels like Fitch but holds more color. SP MIX is great for glazing, painting exact strokes, and adding fine details to small areas. The hair has a semi-coarse feel. These almond filberts will surely be the workhorse for much of your painting. The hair mix provides an excellent controlled feel with the proper heft and tapered shape to work even in the smallest areas. The hair holds an abundance of color, so you will find it more often than not to be your go-to brush. They are wonderful for building loose details. SP Mix Control Almond Filberts (115) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 4, sz 6, sz 12 and sz 18—plus a Brush Easel Case KOLINSKY SABLE ALMOND FILBERTS (116) Stiffness Watercolors Acrylics Oils KOLINSKY SABLE ALMOND FILBERTS are made of only the finest Kolinsky hair. Natural sable hair is not as full and springy as it used to be because of climate change. New York Central® used Kolinsky hair from the vault to make these brushes so that you can experience what it is like to paint with real sable. You will immediately notice that hair is very absorbent, super soft, and ideal for detailed areas. They have the wonderful springy character of Kolinsky and a thick and bushy construction so that you can use them for expressive painting and classical techniques. Kolinsky Sable Almond Filberts (116) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 2, sz 4, sz 6 and sz 12—plus a Brush Easel Case HOG BRISTLE SHORT ALMOND FILBERTS (117) Stiffness Watercolors Acrylics Oils Not all bristle hair is created equal. This hair is the very finest available on earth. It is treated to be soft to stop hairs from breaking while painting and provide the most control possible. The bristles have a coarse feel. Short, subtle, and resilient, these bristle brushes are impeccably fashioned, with natural flagged ends to grip color. They provide fantastic control and allow you to draw an underpainting and block in elements with precision. Hog Bristle Short Almond Filberts (117) Set of 6 with Brush Easel Case Includes: One each of sz 1, sz 2, sz 4, sz 6, sz 8 and sz 12—plus a Brush Easel Case Hog Bristle Super Short Flats (118) Set of 5 with Brush Easel Case Includes: One each of sz 2, sz 6, sz 12, sz 18 and sz 24—plus a Brush Easel Case NEW YORK CENTRAL® ULTIMATE 19 CONTROL BRUSH COLLECTION - This set is a complete collection of this quality range of brushes in a handmade leather brush case. The set includes 19 total brushes, including SP Mix sizes 6, 12, 18, and 22, Kolinsky sizes 0, 2, 4, and 12, Short Filberts sizes 1, 2, 4, 6, 8, and twelve and Extra Short Flats sizes 2, 8, 12, 20 and 28. See More
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Creative Mark Pro-Stroke Premium White Hog Brush, Bright #3Save Up to73%Off listStiffness Watercolors Acrylics Oils The Finest Quality Pure White Chungking Hog Bristle Hair! Pro Stroke Premium White Bristle Brushes are superbly hand crafted from the finest Chungking Hog Bristle. The natural inwardly curving bristles provide springy response, and the flagged tips hold loads of… Stiffness Watercolors Acrylics Oils The Finest Quality Pure White Chungking Hog Bristle Hair! Pro Stroke Premium White Bristle Brushes are superbly hand crafted from the finest Chungking Hog Bristle. The natural inwardly curving bristles provide springy response, and the flagged tips hold loads of color for a long, full paint stroke. Specially processed to a unique softness, the hairs work in unison for sure strokes whether using Rounds, Brights, Flats, or Filberts. Hair is hand tied and set in seamless nickel plated brass ferrules, glued and crimped onto balanced matte wooden handles with dipped silver ends. Excellent for traditional and water mixable oils, they can be used with acrylics, caseins, and alkyds. Pro Stroke Premium White Bristle Brushes are sold in sizes up to an impressive size 24, which in a flat, bright, or filbert spans 2 1/2" width, and is capable of laying down a 3" wide brush stroke. They are among the very best brushes produced for serious painters, of all skill levels. Key Features: * Holds a lot of color with great control * Hand tied bristles * Natural flagged tips * Chungking Hog Bristle * Nickel plated brass ferrules * Glued and crimped onto balanced matte wooden handles * Dipped silver ends * Brushes up to size 24! * Available in: Rounds, Flats, Brights, Filberts, Long Filberts * Filbert spans 2 1/2" width - Capable of laying down a 3" wide brush stroke Perfect For: * Holding large amounts of color * Oil and Acrylic Painters * Impasto Style Painting * The very best brushes produced for serious painters, of all skill levels * Excellent quality at great value * See More
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Chelsea Classical Studio Nuovo Professional Brush Magnetic Counterweight ExtensionSave Up to61%Off list…mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or… Stiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction represents a new birth of superior painting brushes. Nuovo Long Handle Professional Brushes have three patented changes that make them feel lighter, not front heavy, so holding at their farthest end will be comfortable, allowing for a controlled stroke and smooth transitioning long stroke. The handles do not taper, and the diameter of the handle is consistent throughout, which makes the most comfortable area to hold the brush more towards the back. These patented changes apply to the standard 300mm brush handle and the handle extensions, making them 400mm long. The exclusively patented brush ferrules have both side support and a domed cut-out so that the brushes with long hair put the force of your stroke at the tip. The bristles will hold more paint and ensure no bristle hairs will splay. A little past the center of the handle is the fulcrum balance point. The Nuovo brush is balanced, so you can easily hold it with one finger. Painting at or just past the fulcrum point feels natural, allowing for perfect control of the brush with or without the handle extension. Holding the handle at the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses. Another benefit of hanging your brushes when not in use is it forces the paint and solvent towards the front of the bristles. Any excess will gather at the tip, and you can quickly wipe it away. Now your brushes will always be in the ready position! Key Features:* 5 sizes (click the paper icon for more details)* Long filbert natural hog bristle hairs* They hold more color than any other brush* Maximum controlled strokes without splaying* Flattened, non-staining, non-rusting ferrule* Patented side supports plus domed cut-out to retain brush shape* Balanced non-tapered handle* Brushes are light and comfortable to handle at their end* Less strain on your wrist, zero fatigue, more working time* Each handle is 13 inches long with a magnetic end* Removable 3-inch counterweight magnetic extensions sold separately* Total 16-inch handle when using counterweight magnetic extension* Brushes can attach with metal mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or any flat surface (magnetic ends, medallions)* Precise painting, blending, and expressive movement* Artists wanting the best experience* Working at an easel with controlled, even strokes* Superior control* Long smooth transitional strokes and line control* Ultimate tools of the trade for any oil color painter!* Limited storage space* No-hassle, everyday studio use Why Nuovo Brushes - Multiple Patents, Tremendous Control! * The breakthrough in brush design in 300 years* Longer hair holds more color than any other brush today* Greater precision and defined points* Tremendous controlled lines and long smooth transitional strokes* Held from their farthest end comfortably* Better weight distribution, zero hand fatigue* Maximum controlled strokes without splaying* Non rusting, non-staining ferrule Jerry's Exclusive - Best Seller! Bristles hold more color than ANY other brush, plus greater precision with ZERO hand fatigue! A brush that is so unique that its introduction represents a new birth of superior painting brushes! The current modern easel brush has a long 12-inch tapered handle and a seamless, flattened ferrule that allows artists to stand away from the easel. This design has remained unchanged for 300 years because it was the universally accepted way to make a brush. However, this design has several problems. The first problem is balance. A balanced brush experience is when a brush is gripped a few inches from the ferrule, defeating the purpose of an easel brush. Instead of finding yourself taking advantage of the handle length, you find yourself holding the handle near the ferrule, where it is comfortable and at its widest diameter. When clasping at the tip of the handle, the brush tends to flop, which leads to loss of control, plus the squeezing causes hand fatigue.* Chelsea Nuovo brushes have a balanced feel even when held from their farthest end. They have better weight distribution and zero hand fatigue. The second problem is the flat metal ferrule, which holds the bristle hair. Most brush shapes we used today have a flattened ferrule, with which the force of your stroke causes an outward pushing of the brush hairs. This push can make them less supple and often takes the paint off the canvas when painting. Brights get stiff as dried paint builds up where the hair and ferrule meet. Short bright brushes need constant cleaning, and full-size flats encourage shorter strokes as you paint. With longer hair brushes, such as extra-long filberts, stroke control is an issue, and the brush head cannot hold much color. If you paint with any long hair brush, from flats to filberts, the horizontal force across the entire ferrule causes hair to splay, leading to distorted shapes and loss of control.* Chelsea Nuovo brushes have a patented brush ferrule with side support and domed cut-out so that the force of your stroke is at the tip. The bristles will hold more paint and keep their shape. The third problem is well known to any artist using multiple brushes. You have to deal with the issue of brush storage when switching between them. Color transference between the brush heads can happen if you hold them in your hand. Putting them down on a flat surface can get paint not only on the handles but the surface, and the brush heads can touch, rendering them useless. Some artists use a brush vase to stand the brushes up, but ultimately some will contact. * Chelsea Nuovo brush handles feature a magnetic end, which can be attached to any easel or surface using the metal mounting discs. Perfect for hanging and storing brushes between uses. See More
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Mimik Kolinsky Synthetic Sable Short Handle Brush, Mottler Size 3"Save Up to84%Off listStiffness Watercolors Acrylics Oils Elite Professional Brushes - State of the art synthetic for oil & acrylic media The perfect imitation of natural Kolinsky hair, this state of the art synthetic fiber performs just like the very finest Kolinsky while still being animal… Stiffness Watercolors Acrylics Oils Elite Professional Brushes - State of the art synthetic for oil & acrylic media The perfect imitation of natural Kolinsky hair, this state of the art synthetic fiber performs just like the very finest Kolinsky while still being animal friendly! Three coats of durable lacquer protect the beautiful wood handles, and nickel-plated brass ferrules hold the Mimik bristles in place. Available in both long and short handles, you have the freedom to pick the brush style that works best for you. These elite brushes are handmade in Germany! The state-of-the-art synthetic hair makes painting a pleasure! Key Features: * Superb professional brushes handmade in Germany * The Synthetic hair looks and performs like Kolinsky hair * Best quality brush ferrules made of nickel-plated silver with protective varnish * The wood handle has a beautiful mahogany finish that is protected by three coats of lacquer * Shape perfectly to a fine edge or split-proof-point * Soft feel, incredible resiliency, and excellent color holding ability * Animal friendly * Perfect For: * All oil color and acrylic media * Easel painting * Fine detail and precision lay down of color * Professionals, art enthusiasts, and students Synthetic Kolinsky Sable Sets * For brush sizes and technical details: Click on the Yellow Icon for each brush. Best Kolinsky Substitute Synthetic Brush Guaranteed to be the best Kolinsky hair substitute you have ever used or your money back! Mimik Kolinsky brushes are considered the best in the world today, and now Oil and Acrylic artists can enjoy the wonderful working characteristics, soft feel, and resiliency. See More
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Princeton Dakota 6300 Series Synthetic Brush Fan #3Save Up to40%Off list…of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto media. Oil painters are catching on to 6300, realizing that it wears much better than natural… Princeton Dakota 6300 Series Synthetic Brushes- The last thing you need with a thick paint, such as acrylics, is a limp brush. These long handled brushes feature the very first synthetic interlocking, inward curved hair that perfectly matches the stiffness of bristle, but with the resiliency and shape only a synthetic can give you. Easily power through the heaviest acrylics and make the most delicate line strokes with thinned colors too! These unbelievably versatile brushes contain no oils like natural bristle so they are perfect, not only for acrylics, but for water mixable oil colors such as Max and Artisan. All with gold-tone nickel plated seamless ferrules attached to long, green wood grain lacquered handles. A better, longer lasting bristle brush that performs better than natural bristle across a broad range of media. A key advantage of 6300 is that it won’t go limp even in water! Try that with natural bristle! Modeled on the look and feel of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto media. Oil painters are catching on to 6300, realizing that it wears much better than natural bristle. See More
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Princeton Aqua-Elite Series 4850 Synthetic Kolinsky Sable Brush #3 RoundSave Up to51%Off list…for discerning artists. (Formerly known as Princeton Elite™) Key Features:* Maximum color holding capacity* Finest point and tapered edge* Comfortable handle* Perfect For:* Watercolor application* Professional artists* Distributing incredible amounts of controlled watercolor in a single stroke Princeton Aqua-Elite™ - Short Handle Synthetic Kolinsky Sable, 4850 Series Kolinsky Sable brushes have long been recognized as the standard of excellence, a comparative benchmark of how other natural and synthetic watercolor brushes perform. Aqua-Elite™ is a new synthetic-hair brush that is almost indistinguishable from natural Kolinsky. It is a challenge to see the difference. Aside from the more affordable price, it is the performance of this new synthetic hair technology that makes Princeton Aqua-Elite™ the new standard for discerning artists. (Formerly known as Princeton Elite™) Key Features:* Maximum color holding capacity* Finest point and tapered edge* Comfortable handle* Perfect For:* Watercolor application* Professional artists* Distributing incredible amounts of controlled watercolor in a single stroke See More
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Centurion Deluxe Oil Primed 8"x16" Linen Panel, 3 PackSave Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted it is not highly absorbent but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas but this is very time consuming and expensive. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color we urge you to use an oil primed surface and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features:* Acid-free, Archival Linen Panels* 11oz. Oil Primed* Made of medium weight linen* Exclusive OP enhanced oil priming* Mounted on 3mm (1/8") MDF wood board* Medium weight and texture* Non warping Perfect For:* Artists of all skill levels* Oil and Alkyd Painting* Archival Longevity* Linen Lovers expecting the best!* Professional Artists, Commissioned work* Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. It is the teachers and famous artists that asked us to try to come up with an oil primed linen canvas that if affordable. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Professional Canvas Panel Box of 5 - Claessens 15DP Oil Primed, 7/8" Deep 18x18"Save Up to57%Off listWhite Archival, museum quality professional canvas panels! 2 Panel Depths Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe’s finest Linens and Poly Cottons, and professionally mounted them on Da Vinci Pro Birch Wood Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own cradled birch panels (formerly known as Jerry’s Pro Art Canvas Panels). This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. Expertly flawless, museum-quality painting panels unlike anything on the market * Raphael Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco Poly Cotton Rough Texture --> Click Here to See More Details in a PDF Key Features:* 2 Depths: 7/8" and 1-5/8" cradled depths for dramatic presentation* Exceptional panel strength and rigidity* Available in 8 professional quality linens and poly-cotton canvases* Using Lineco Neutral pH Adhesive* Panel foundation is warp-resistant Birch with kiln-dried New Zealand Pine cradles* Archival canvas panels crafted by skilled artisans* Panels are made to order* Perfect For:* Artists of all skill levels* Artists seeking a museum-quality, archival surface* Artists looking to save time & money* Flawless, museum-quality painting panels* Designed specifically for preservation materials* Oils, alkyds, acrylics, egg tempera, and caseins! Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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Silver Brush Grand Prix® Superior Bristle Series 1027 Extra Long Filbert #3Save Up to35%Off listStiffness Watercolors Acrylics Oils The Finest Quality Chungking Bristle Brushes For Oil and Acrylic Painters Silver Brush Grand Prix® Bristle Brushes are superior natural white hog bristle brushes for oil and acrylic painters who accept no compromises. Made exclusively for Silver Brush Limited by… Stiffness Watercolors Acrylics Oils The Finest Quality Chungking Bristle Brushes For Oil and Acrylic Painters Silver Brush Grand Prix® Bristle Brushes are superior natural white hog bristle brushes for oil and acrylic painters who accept no compromises. Made exclusively for Silver Brush Limited by master brushmakers using 100% naturally curved and interlocked Chungking White Bristle. This selected bristle has deeply flagged tips for maximum color carrying capacity. Pure seamless copper ferrules are expertly crimped to long matte green lacquered handles. Handles are doubly sealed in the ferrules to protect these fine brushes from loose ferrules or moisture soaked handles. Grand Prix—simply the world's finest hog bristle brush! Curated Grand Prix— Brush Sets - available in sets of Long Filberts & Extra Long Filberts Extra Long Filbert Brushes - These brushes carry more paint to the surface of your painting without reloading. Get a longer draw down of color than ever before with the flexibility and ability to get to those hard to reach areas! Full shaped for excellent brush response. See More
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