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Jacquard Cyanotype Sun Printing Supplies

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…for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: *… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More

Jacquard Basic Dyes

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…poor light and wash-fastness on fabric. Basic Dyes offer some of the most vibrant and intense colors available for any fiber and are easy to use. The set includes eight 0.50 oz jars of Basic Dye powder in the following colors: Red, Orange, Yellow, Green, Blue, Purple, Brown, and Black. Key Features:… The perfect solution for hard-to-dye materials! Jacquard Basic Dyes are bright, vivid, easy to use dye powders perfect for dyeing hard-to-dye substrates. Initially developed for acrylic fibers like faux fur, wigs, and yarn Jacquard Basic Dyes are also great for dyeing wood, reeds, straw, paper, leather, and hemp! You can use the dye to color potpourri, wigs, buttons, furniture, and more. You can even create your own custom alcohol ink colors by adding some of the dye powder to Piñata Claro Extender. Basic Dyes can be used to dye fibers such as silk and wool; however, they tend to have poor light and wash-fastness on fabric. Basic Dyes offer some of the most vibrant and intense colors available for any fiber and are easy to use. The set includes eight 0.50 oz jars of Basic Dye powder in the following colors: Red, Orange, Yellow, Green, Blue, Purple, Brown, and Black. Key Features: * Bright vivid dye * Developed for dyeing acrylic fibers * Eight 0.50 oz jars of dye * Easy to use Perfect For: * Dip-dye or brush on application * Acrylic fibers, wood, reeds, straw, hemp, paper, and leather * Faux fur, wigs, and yarn * Cosplay artists * Making custom alcohol ink colors See More

Jacquard Procion MX Fiber Reactive Dyes & Sets

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Ideal for dyeing plant-based fibers such as cotton, linen, and rayon! Jacquard Procion MX Fiber Reactive Dyes are vibrant "cold water dyes" that you can fix chemically to plant-based fibers with soda ash. Procion MX powder dye does not require electricity and is ideal for batik, tie-dye, shibori,… Ideal for dyeing plant-based fibers such as cotton, linen, and rayon! Jacquard Procion MX Fiber Reactive Dyes are vibrant "cold water dyes" that you can fix chemically to plant-based fibers with soda ash. Procion MX powder dye does not require electricity and is ideal for batik, tie-dye, shibori, ice dyeing, low water immersion dyeing, printing, and direct painting. This fiber-reactive dye is known for the permanent wash-fast bond it creates with cellulosic fibers like cotton, linen, canvas, hemp, jute, ramie, sisal, paper, and rayon. Procion dyes are permanent, colorfast, and very washable. Generally, one 2/3 oz jar will dye more than one pound of fabric. As a fiber-reactive dye, Procion MX forms a strong covalent bond with cellulosic fibers, making it the most permanent and washfast of all dyestuffs: FABRIC/FIBER/SURFACES: cellulose fibers: cotton, linen, canvas, hemp, jute, ramie, sisal, paper, rayon and more Key Features: * Powdered cold water dye * Concentrated powder * Extremely brilliant and wash-fast colors * Will not bleed or fade with washing * Vibrant, permanent color * Use Soda Ash (to make colors permanent) * Use Urea to enhance dye color Perfect For: * Dyeing cellulose fibers * Cotton, linen, canvas, hemp, jute, ramie, sisal, paper, and rayon * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Fabric dyeing * Direct painting or printing applications * Surface design   Instructions and Color Mixing Chart! See More

Lian Quan Zhen Rice Paper & Chinese Painting Accessories

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…the artwork * Sumi-e Ink: Deep black, waterproof, permanent finish * Chop Set: Carvable soapstone and traditional red ink * Recommended brush set of 4: Round sizes #00, #8, #10, and #12 Perfect For: * Watercolorists, printmakers, and mixed-media artists * Artists looking for high-quality traditional… Explore the Rich Heritage of Chinese Art Delve into the artistry of Lian Quan Zhen, a master watercolorist whose work bridges the rich traditions of Eastern art with contemporary techniques. This exclusive collection features the essential tools Lian Quan Zhen uses in his work, offering watercolorists, printmakers, and mixed-media artists the opportunity to explore their creativity with high-quality, authentic materials. Traditional Rice Paper: Perfect for watercolor and printmaking, this acid-free rice paper offers a delicate off-white surface that beautifully absorbs color. The paper is sold in a rolled package of 5 sheets, each measuring 27-1/4" x 54-1/2". Sparkle Rice Paper: Add a touch of magic to your art with this unique rice paper featuring micro mica sparkles. The subtle shimmer enhances the depth and texture of your work, making it ideal for projects that require a little sparkle. The paper is sold in a rolled package of 5 sheets, each measuring 27-1/4" x 54-1/2". Black Sumi-e Ink: This permanent black ink, used by master painters across China, is a staple in Lian Quan Zhen's studio. Its rich, deep tones are perfect for creating bold outlines and intricate details in his eastern-inspired paintings. Chop and Red Paste Ink Signature Box Set: Use this beautifully crafted set to sign your artwork with a traditional Chinese chop mark. The carvable soapstone chop, paired with lightfast red ink paste, ensures that your signature remains bold and lasting, adding an authentic touch to any piece. Traditional Chinese Painting Brushes: This set of 4 brushes features various hair types, perfect for creating everything from delicate lines to bold strokes. They are ideal for Chinese painting, Sumi-e, watercolor, and calligraphy. The set includes Round sizes #00, #8, #10, and #12. Whether you are working on delicate watercolor pieces or bold printmaking projects, Lian Quan Zhen's products offer superior performance and connect you to the rich heritage of Chinese art. Key Features: * Rice Paper: Acid-free, off-white, perfect for watercolor * Sparkle Paper: Shimmering mica enhances the artwork * Sumi-e Ink: Deep black, waterproof, permanent finish * Chop Set: Carvable soapstone and traditional red ink * Recommended brush set of 4: Round sizes #00, #8, #10, and #12 Perfect For: * Watercolorists, printmakers, and mixed-media artists * Artists looking for high-quality traditional materials * Sumi-e Ink painting and calligraphy * Personalizing your artwork with a signature * Artists of all skill levels seeking quality tools   Lian Quan Zhen Lian Quan Zhen is a sought-after watercolorist and teacher in the US and abroad. After immigrating to the US in 1985, he obtained a Bachelor of Arts from the University of California at Berkeley in 1992 and a Master of Architecture Degree from MIT in 1996. Lian Quan Zhen's work has an international following and has been shown in the US, Hong Kong, and China. His paintings hang in numerous institutional and private collections. See More

Awagami Japanese Handmade Papers

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…30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals   Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Jacquard Pearl-Ex Powdered Pigments & Sets

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…Color set - 32, 0.1 oz (3 g) bottles - 3 gram jars of each color of Pearl Ex Pigments Series 1 Set of 12 - Micro Pearl, Macro Pearl, Super Russet, Super Copper, Brilliant Gold, Sparkle Gold, Silver, Super Bronze, Sunset Gold, Interference Violet, Interference Gold, and Duo Red-Blue. Series 2 Set of… Use with oils, acrylics, watercolors, fabric paint and more! Pearl-Ex pigment colors can be mixed into any media and applied to any surface! And the variety of finishes Pearl Ex can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. Pearl Ex creates a metallic look without being a metal. The particles are flat platelets with two surfaces, therefore it lays down beautifully like a thin coating of metal. The different particle sizes produce different looks from a fine, smooth, pearly luster to a highly metallic sheen. It is a safe, non-toxic, inert powdered pigment with a neutral pH. It is extremely color fast and stable. These colors will not tarnish or fade and is therefore ideal for archival applications. Add Pearl-Ex pigments to any viscous medium such as acrylic, gouache, oils, varnish, wax, paper pulp and clay. Great for faux finishing, mixed media art and more. Pearl Ex powdered pigment colors can be mixed into any media and applied to any surface Key Features:* Can be mixed into any media* Applied to any surface* Creates a metallic look without being a metal* Lays down beautifully like a thin coating of metal* Produce different looks from a fine, smooth, pearly luster to a highly metallic sheen* Safe, non-toxic, inert powdered pigment with a neutral pH* Extremely color fast and stable* Archival, colors will not tarnish or fade* Available in: .75oz/22ml jars 32 Color set - 32, 0.1 oz (3 g) bottles - 3 gram jars of each color of Pearl Ex Pigments Series 1 Set of 12 - Micro Pearl, Macro Pearl, Super Russet, Super Copper, Brilliant Gold, Sparkle Gold, Silver, Super Bronze, Sunset Gold, Interference Violet, Interference Gold, and Duo Red-Blue. Series 2 Set of 12 - Includes: Aztec Gold Antique Copper Antique Silver Duo Green-Yellow, Bright Yellow, Flamingo Pink, Spring Green, Turquoise, True Blue, Misty Lavender, Blue Russet, and Sparkling Copper. Series 3 Set of 12 - Includes: Carbon Black, Pumpkin Orange, Salmon Pink, Pink Gold, Reflex Violet, Grey Lavender, Mink, Sky Blue, Pearl White, Antique Bronze, and Duo Blue-Green. NOTE: Click on Yellow Icon Next To Products For Full Color Contents Pearl-Ex Powdered Pigment Details: Pearl Ex Powdered Pigments may be used any time a metallic or pearlescent effect is desired: mix them into acrylics, oils, printing inks, encaustics, alcohol inks, epoxy, glues, casting resins, clay, varnishes...the list goes on! Try it mixed with Gum Arabic for a DIY metallic calligraphy ink or watercolor, in the Pearl Ex Varnish for working on non-porous surfaces Fabric/Fiber/Surfaces polymer clay, encaustics, paper, shrink plastic, leather, glass, canvas, wood, and more! Mix with a binder to use on natural and synthetic fibers See More