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Gamblin Artists Oil - Flake White Replacement, 32oz CanSave Up to25%Off listWhite Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Jack Richeson Shiva Signature Rectified Turpentine, 32oz CanSave Up to35%Off list…speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Gamblin Oil Painting Ground 32oz CanSave Up to25%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Citrus Essence Brush Cleaner 32 oz BottleSave Up to50%Off list…the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes)… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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CitraSolv Concentrated Cleaner & Degreaser, 32oz BottleSave Up to43%Off list…renewable resources and naturally-derived products, Citra Solv is both eco-friendly and less hazardous than petroleum-based solvents. Using orange peel oil and coconut-derived biodegradable surfactant makes this cleanser cruelty-free and vegan — and the sweet citrus fragrance is refreshing… Natural, healthier substitute for traditional turpentines, mineral spirits and solvents! Citra Solv Concentrated Natural Cleaner and Degreaser is the natural, healthier substitute for traditional turpentines, mineral spirits and solvents! Made from renewable resources and naturally-derived products, Citra Solv is both eco-friendly and less hazardous than petroleum-based solvents. Using orange peel oil and coconut-derived biodegradable surfactant makes this cleanser cruelty-free and vegan — and the sweet citrus fragrance is refreshing and clean! Use Citra Solv for all your cleaning needs! Perfect for cleaning paint brushes, carpets and clothing after a messy art session, or for more mundane uses around the house and studio. Citra Solv is safe on almost any surface, from wood and metal to concrete and brick (avoid use on Plexiglas and some plastics as it may cause damage.) You can dilute Citra Solv for easier jobs, or use it in concentrated full-strength formula for heavy cleaning. But perhaps the most exciting use for Citra Solv is in the creation of art itself! Use with toner-based copies or prints to create stunning image transfers onto paper or fabric, or coat magazine pages to create altered papers for collage and mixed media! Far safer than using xylene-based transfer products, Citra Solv transfers are perfect for cloth art, scrapbooking, artist trading cards, altered book art, mixed media, painting backgrounds, collage and more! The ideal art studio multi-purpose product, from creating art to cleaning up after it, Citra Solv Cleaner is sure to become a favorite in your collection! * Natural, biodegradable, and eco-friendly cleaner* Replaces hazardous turpentine and mineral spirits* Cruelty-free and vegan* FDA rated as GRAS (Generally Recognized as Safe)* Cleans virtually anything from paintbrushes to carpets!* Dilute with water or use full-strength* Far safer than using xylene-based transfer products* Perfect for creating image transfers for collage, mixed media, cloth art and more! What is Citra Solv Made Of? Ingredients: Limonene (the clear liquid from the peel of the orange, food grade), C10-16 Pareth-1 (plant derived surfactant), Citrus Aurantium Dulcis (Orange) Peel Oil. CitraSolv Concentrate is a natural cleaner and degreaser. See More
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Weber Turpenoid Natural 1 Quart, 32ozSave Up to43%Off list…Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Williamsburg Stand Oil, 32oz BottleSave Up to30%Off list…offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss.… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Gamblin Oil Painting Ground 32oz CanSave Up to25%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Chelsea Classical Studio Medium Clarified Extra Pale Cold Pressed Linseed Oil 32ozSave Up to50%Off list…Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More
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R&F Blending Medium with Drier, 32ozSave Up to20%Off list…and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil… Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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Bob Ross Odorless Thinner, 32ozSave Up to26%Off list…Bucket has a tight lid and convenient handle* Makes the whole brush cleaning process a pleasure Perfect For:* The Bob Ross Wet-on-Wet Technique®* Brush cleaning* Transportation and storage unit for brush bath* Oil brush cleaning* Quick and easy clean up* Artists and teachers Keep your brushes clean with the Bob Ross cleaning system! Spend more time painting and less time cleaning with this brush cleaning system designed by Bob Ross. Bob Ross’ three-part system includes a 32 oz. container of odorless thinner for cleaning brushes and tools, a cleaning screen so you can keep your brushes in the best shape possible, and the Bob Ross brush beater drying rack to ensure rapid drying of your brushes. Both the cleaning screen and drying rack are made of soft vinyl coated metal. All items are made in the USA and are available separately. Bucket and Screen Set - This ample size bucket fits the included brush screen and has a convenient handle and tight lid that prevents spilling between painting sessions. Key Features:* Brush Beater Rack: 10-3/4;" long x 5-1/4;" wide x 5-3/4;" high* Vinyl-coated to protect bristles* Cleaning Screen: 4-3/4" in diameter and 1-1/2" high* Screen fits into cleaning bucket* Bucket has a tight lid and convenient handle* Makes the whole brush cleaning process a pleasure Perfect For:* The Bob Ross Wet-on-Wet Technique®* Brush cleaning* Transportation and storage unit for brush bath* Oil brush cleaning* Quick and easy clean up* Artists and teachers See More
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Williamsburg Titanium Oil Ground, 32oz CanSave Up to30%Off list…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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Mona Lisa Odorless Thinner, 32oz BottleSave Up to26%Off list…include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Chelsea Classical Studio Lavender Brush Cleaner 32ozSave Up to50%Off list…It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences of fruits, flowers, and… A Safer natural alternative to turpentine that actually smells like lavender! Cleans Better and More Thoroughly Than Almost All Other Brush Cleaners and Solvents. Conditions Brushes Making The Hair Subtle Maintaining Maximum Working Quality. CCS Lavender Brush Cleaner™ is a safer, natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Made from 100% natural distilled fruits and flowers, featuring lavender, Chelsea Classical Studio's Lavender Brush Cleaner is a safer natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Lavender not only is more natural than harsh chemicals such as turpentine, but it also has a nice aroma that is often used in aromatherapy and other therapeutic holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences of fruits, flowers, and lavender. Why: Naturally safe, Safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent! * Less abrasive to brushes than turpentine or mineral spirits * Pleasant scented, safe, natural alternative Key Features: * Safer natural alternative to turpentine * Pleasant aroma * Less abrasive to brushes than turpentine / mineral spirits * Made from natural oil essences of fruit, flowers and lavender * Made in the USA from Old World Master Techniques * Available in: 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint or varnish should be thoroughly rinsed out with the appropriate solvent..." -Ralph Mayer, the Artist's Handbook How To Use Lavender Brush Cleaner CCS Lavender Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil based soap and warm water afterwards to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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Bob Ross Odorless Thinner, 32ozSave Up to24%Off list…oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil… A pleasurable painting experience without the strong odor from turpentine Highly effective, this top quality thinner cleans oil paint from brushes quickly and thoroughly yet is still gentle on bristles. When used in a brush bath, it can be reused indefinitely. It can also be used to thin Ross oil paints and it is compatible with all Ross painting mediums. Painting is also a more pleasurable experience without the strong odor from turpentine. Key Features:* High-quality, odor-free thinner for oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil paints NOTE: 1 quart container with child safety cap. 31.64 oz. Flammable: ships ground only. See More
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Eco-House Extra Mild Citrus Thinner, 32oz CanSave Up to15%Off list…thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but… This thinner does not make ridiculous claims of non-toxicity. In essence, since any solvent will dissolve fat, all solvents are toxic to humans. This thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but faster than water. * For optimal health compatibility. All products in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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M. Graham Walnut/Alkyd Oil Medium 32oz. CanSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Da Vinci Safflower Oil 1 Quart BottleSave Up to50%Off list…to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More
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R&F Blending Medium, 32ozSave Up to20%Off list…body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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GOLDEN MSA Varnish w/ UVLS, Matte 32ozSave Up to30%Off listVarnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Williamsburg Lead Oil Ground, 32oz CanSave Up to30%Off list…painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Winsor Newton Brush Cleaner 32oz BottleSave Up to32%Off list…softens and removes dried paint from brushes, palette knives, and more. The gentle, non-hazardous soap-based cleaner works within minutes for oil colors and hours for dried acrylics. Winsor & Newton Brush Cleaner leaves natural and synthetic brushes soft and clean while removing all paint… Non-Hazardous, Low Vapour, Brush Cleaner Winsor & Newton Brush Cleaner efficiently softens and removes dried paint from brushes, palette knives, and more. The gentle, non-hazardous soap-based cleaner works within minutes for oil colors and hours for dried acrylics. Winsor & Newton Brush Cleaner leaves natural and synthetic brushes soft and clean while removing all paint residue. Key Features: * Gentle, effective brush cleaner * Soap-based formula * Non-hazardous and low-vapor * Foams a little when scrubbed Perfect For: * Natural and synthetic brushes * Oil, alkyd, and acrylic paint * Removing wet and dried paint * Cleaning palette knives and more The new soap-based Brush Cleaner is better than the old formulation. Winsor & Newton changed the product name from 'Brush Cleaner and Restorer' to 'Brush Cleaner' to clarify the differences. The new cleaner has a soap base that foams a little when scrubbed. Tip: Avoid contact with varnished or lacquered surfaces, such as brush handles, as the cleaner will soften any paint or stain on the handle. It's also best to use this cleaner at the end of your painting session and use a different rinse aid while painting. Instructions: Dip the brush into the liquid and scrub a little if necessary. The resulting foam will help rinse the pigments and binders out of the brush. Then, wipe the brush with a cloth and rinse with water. If the brush is very clogged, it may be necessary to soak it for longer, possibly overnight. You can use a rubber band or clamp to suspend the brush in the liquid. See More
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Liquitex Acrylic Soluvar Gloss Varnish, 32oz BottleSave Up to40%Off listProtect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More
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Bristle Magic Artist Brush Cleaner and Conditioner 32oz BottleSave Up to20%Off list…cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable,… Eco-friendly, non-toxic cleaner restores brushes — like magic! Now painters no longer have to worry about hazardous fumes and toxic cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable, petroleum free, and has low VOC. Simply wipe wet paint from brushes and gently swish in a container of Bristle Magic, then reshape the bristles — or allow dried acrylic to soak until loosened. For cleaner, more conditioned brushes and a safer studio environment, Bristle Magic is the ideal choice! Key Features: * Environmentally friendly * Non-toxic, biodegradable * Made from recycled materials * No fumes, low VOC, petroleum-free Perfect For: * Cleaning wet or dry oils & acrylics * Conditioning brushes * Creating a safer studio * Any health-conscious painter! Artist Endorsements: * Lisa Bell, Professional Artist, Art by Lisabelle * Diane Clapp Bartz, Professional Artist See More
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Stonehenge Oil Aluminum Artist Panel 320gsm - 6" x 6" WhiteSave Up to20%Off listWhite Support Will Not Bend or Buckle, No Matter What! Jump straight into your next painting with Stonehenge's ready-to-paint sturdy aluminum oil panels. The lightweight yet rigid 1/8" thick panels are pre-mounted with an archival sheet of oil paper, perfect for creating rich layers of texture. The durable 100% cotton paper welcomes layers and layers of brushwork and retains every detail without the threat of ghosting or bleed-through. These ready-to-frame art panels are virtually unbreakable and provide an unyielding foundation for working with oils, acrylics, and oil pastels. Key Features: * 100% cotton oil paper * 140lb (320gsm) weight * Mounted on 1/8" thick aluminum panel * Acid-free and pH-neutral * Rounded corners * Rigid, will not bend or bow * Brushed aluminum on the reverse side * Additional painting surface on the back * Made in the USA Perfect For: * Oil paint, oil pastel, and acrylic * Gouache and oil paint sticks * Plein Air and travel * Layers and layers of brushwork * Smooth color gradations and transitions * Building layers of texture See More
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Raphael Premium Archival Raphael Oil Primed Linen Panel 6x6"Save Up to80%Off listWhite A Surface The Paint Can Caress - Modern, master quality oil-primed linen created in Italy Holding the finished canvas in your hand, the primed surface feels almost buttery, and the linen underneath is smooth and incredibly uniform hence providing the underlying cause for such an excellent master-quality product. Handmade in Italy, Raphael Premium Archival Oil Primed Linen Panel surface is non-absorbent, allowing the color to sit up on the surface. The depth is created by the refractive qualities of the oil, which enhance the natural tendencies of the pigment. Raphael has just enough tooth to keep the surface receptive to hold initial layers of paint while they dry and bond with the oil surface. Raphael Premium Archival Oil Primed Linen is expertly mounted on multi-ply board made with poplar wood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Key Features: * 3/8" Thickness * Fine weave, 100% linen canvas * Oil-primed linen canvas, mounted to panel * Hand primed, four coats of priming * Natural glue sealer * Expertly mounted onto warp-resistant plywood * Primed with a luxurious, acid-free, non-absorbent ground * Handmade in Italy * Reliability of the material and consistency of the finished product Perfect For: * The perfect archival surface for any painting in oils * Make oil painting a real pleasure * Fine weave and texture * Lasts hundreds of years * Create depth and beauty that only oil colors can achieve * Foundation allows for virtually any technique from abstract to the most intricate portrait and super realistic technique Raphael Premium Archival Oil Primed Linen Panels are expertly mounted on warp-resistant Poplar plywood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Years ago, we worked with an excellent Italian company in creating a linen canvas that would make oil painting a real pleasure and produce results that were more brilliant than before possible with commercial products. This linen canvas has a fine weave and texture and is created with one coat of natural glue sealer and four coats of oil priming. The Italian priming method was developed over five centuries. The difference is the reliability of the material and the consistency of the finished product. Although processed entirely by hand, the modern assembly line and super clean workplace allow the finished product to be amazingly consistent and beautiful. See More
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Centurion Deluxe Oil Primed 6"x6" Linen Canvas .67" Deep (Box of 6)Save Up to64%Off listWhite Master Quality Archival Deluxe Stretched Canvas! Superb Performance And Color Retention! Exclusive OP Enhanced Oil Priming! As an oil painter, it is important to work on oil primed surfaces. First, oil on oil will provide the best chemical bond for the paint layers that go on, afterwards. Secondly, gesso are acrylic based, and either repel oil if they have too high of a resin base, or absorb the oil too much if it is too matte, making color sink and look dull and lifeless. Oil priming allows the color to sit cleanly and brightly on the surface, with refraction of the white from below. Centurion’s affordable (OP DLX) oil primed canvas is a great way to start painting with not only an oil primer, but the luxurious texture and archival tradition of linen! Exclusive OP enhanced oil priming! Oil Primed Linen, Deluxe Professional Stretched Canvas (OP DLX) Back stapled to allow for easy re-keying or re-stretching, Centurion Canvases have 4 paintable edges for frameless or floater frame presentation. The stretchers are kiln-dried, all pine bars for strength and durability. Centurion Linen is a master-quality, 11oz. weight linen with a lovely medium texture and weave, that’s archival nature will last hundreds of years. Centurion Deluxe Oil Primed Linen Canvases come in convenient 0.67" and 0.87" depths for ease of specific framing needs. Centurion Deluxe Oil Primed Linen also comes in rolls for custom stretching onto custom sizes or deeper gallery stretchers, and is also sold in Panels for studies, plein air, or to take up less space for traveling. Key Features:* Exclusive OP enhanced oil priming* Master quality 11oz. weight linen canvas for archival longevity* Deluxe Oil-primed linen* Medium weight and texture* Kiln-dried Pine Stretchers* Back stapled for clean edges* Easy re-keying or re-stretching* Convenient 0.67" and 0.87" depths for ease of specific framing needs* Superb performance and color retention* Non-absorbent, enhanced oil primer allows for brilliant results* Perfect For:* Oil and Alkyd Painting* Archival Longevity* Students to Professional Artists* Commissions and Final Paintings* Superb receptive surface There is no canvas like this canvas! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Stretched Canvas, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today! See More
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SoHo Acrylic Canvas Paper Pad, 6"x6" - 20 Sheets, 110lbSave Up to60%Off listWhite Create art wherever you are on canvas textured paper! The SoHo Acrylic Canvas Paper Pads are the perfect companion for any acrylic painter. The coated paper has an imprinted texture that mimics canvas. You don't need to worry about surface prep or gesso because the canvas paper is ready for acrylic paint! The lightweight pad format enables you to create spontaneous pieces wherever you are. Each glue-bound pad contains twenty sheets of 110 lb. (180gsm) canvas textured paper ready for practice sketches or finished paintings. A very beefy sheet with a beautiful surface texture that mimics the texture of the finest linen canvas perfect for any acrylic artist! Key Features: * 110 lb. (180gsm) canvas paper * Acid-free * 20 sheets per pad, glue-bound * Cover: 128gsm cardstock * Backing: 1.5mm grey board with matte lamination * Available in sizes 6x6", 6x12", 8x8", 9x12", 12x16", and 16x20" * Perfect For: * Acrylic paint * Acrylic mixed media work * Finished paintings * Spontaneous creativity * Travel * Plein air painting * Urban sketching See More
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Strathmore 300 Series Canvas Paper Pads 6" x 6" Glue Bound Square 115 lbs (10 Sheets)Save Up to33%Off listWhite 300 Series Canvas Textured Paper Acid Free 10 sheets of canvas-textured paper for practicing techniques with oils, caseins, acrylics, egg tempera or alkyds. A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. This heavyweight paper is sized for wet media applications and has a surface that replicates the surface of a traditional canvas. It is ideal for practicing techniques with oils, acrylics, tempera and casein. Key Features:* Weight: 115lb 187 gsm* 10 sheets of textured Canvas* Glue bound pads with flip-over covers Perfect For:* Use with oils, acrylics, tempera and casein* Sketching and practicing techniques See More
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Strathmore 400 Series Acrylic Pads 6" x 6" Square 246 lb (10 Sheets)Save Up to33%Off listWhite Heavyweight, versatile Strathmore acid-free papers This paper painting pad features 246lb (400 g/m2) paper which is ideal for acrylic painting. The heavyweight linen finish is perfect for acrylic painting. Tape bound, 10 sheets per pad. Made with the acrylic artist in mind, but it is also well suited for a variety of other painting, drawing, pastel or charcoal applications where a heavy paper with a toothy surface is desirable. The paper has a cream-colored linen finish. 246lb (400 gsm). Key Features:* Weight is 246lb (24" x 36" x 500 sheets) or 400 g/m2 (gsm)* Cream Linen Surface* Tape bound pads with flip-over covers Perfect For:* Painting, drawing, pastel or charcoal applications* Heavyweight linen finish for acrylic painting* Painting in the studio or on the go! See More
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Wilson Bickford Signature Series-Painting Knife Small 1-3/4” x 5/8”Save Up to50%Off listA versatile assortment of brushes and painting tools hand-selected by master artist Wilson Bickford! Choosing the perfect paint brush for a specific task can be somewhat daunting, but now professional artist and art instructor Wilson Bickford has taken the uncertainty out of the equation! This new… A versatile assortment of brushes and painting tools hand-selected by master artist Wilson Bickford! Choosing the perfect paint brush for a specific task can be somewhat daunting, but now professional artist and art instructor Wilson Bickford has taken the uncertainty out of the equation! This new line of Signature Series brushes has been hand-selected and developed by Wilson to perfectly complement his wet-on-wet painting techniques, with each specially-designed tool serving a number of purposes. From large bristle brushes for blocking in backgrounds, to the most delicate liners for detail work, Wilson has a brush or painting tool certain to overcome any artistic obstacle. Now you too can learn alongside master artist Wilson Bickford — with his very own line of Signature Series Brushes! * Scenery Brushes – These 1" or 2" wide, angled brushes are made from flag-tipped, stiff natural hog bristle and are specifically designed to hold a lot of color. Their split-hair nature makes Scenery brushes ideal for applying basecoats, rendering foliage techniques, and blending large areas of a painting. The beveled bristles offer a comfortable hand angle and yield unique application possibilities.');" onmouseout="tooltip.hide();">Scenery - Large, angled bristle brushes. * Texture Brushes – Made from coarse, stiff natural bristle, 1" or 1 1/2" wide, these flat brushes are excellent for adding texture and depth to large painting areas, as well as creating foliage effects such as grass, trees, and bushes.');" onmouseout="tooltip.hide();">Texture - Large flat bristle brushes. * Fan Brushes – Available in 2 sizes, these long-handled fan brushes feature premium white hog bristle ideal for blending or creating delicate foliage, water, and cloud effects. The most versatile tool in the Bickford Signature line!');" onmouseout="tooltip.hide();">Fans - Great for blending and nature effects. * Mop Brush – This soft, natural hair brush is the perfect choice for delicate blending and can also be used for unique foliage effects.');" onmouseout="tooltip.hide();">Mop - For soft blends and foliage. * Long Handle Brushes – Traditional shapes of #10 Large Flat, #4 Filbert, and #6 Round long-handled brushes in smooth synthetic hair, great for expressive strokes. These brushes are excellent for rendering florals, buildings, trees, and more, and are perfect for "cutting in" areas of a canvas.');" onmouseout="tooltip.hide();">Long Handle - Traditional brush shapes and length for multiple uses. * Small Flat Brush – Soft, natural hair Flat brush with a short handle ideal for delicate, detailed blending. A great choice for blocking in smaller areas of work where precise control is needed.');" onmouseout="tooltip.hide();">Small Flat - Soft brush for detail blending. * Rake Brush – This short-handled, synthetic hair brush is indispensible for creating textures in grass, hair, barn board, or fur. One of Wilson’s personal favorites for detail work!');" onmouseout="tooltip.hide();">Rake - Perfect for texture in hair, grass, fur and more. * Specialty Liner Brushes – Designed specifically for detail and lining work, these brushes are available in a soft natural hair in a #2 Detail Liner or a #2 Long Script Liner, as well as a #2 smooth Synthetic Liner. Different areas of detail require different tools for the job. No single Liner can do it all, so Wilson developed this grouping to meet all his demands.');" onmouseout="tooltip.hide();">Specialty Liners - Ideal for detail and lining work. * Painting Knives – Excellent for both mixing paint and applying it to the canvas, these diamond-shaped, offset painting knives come in either Small (1 3/4" long x 5/8" wide blade) or Large (3 1/8" long x 7/8" wide blade.) These tools will give you complete control, whether you’re simply adding accents, or creating an entire impasto knife painting.');" onmouseout="tooltip.hide();">Painting Knives - For both mixing and applying paint. * Wipe-Off Tool – This versatile tool is an absolute necessity! Made from smooth, flexible silicone rubber, this double-ended tool features both a chisel tip and a pointed round tip, perfect for scraping, scoring, and lifting paint in a controlled and detailed manner. It’s a wonderful "mistake remover" and is great for reclaiming previously painted areas where you wish to make changes.');" onmouseout="tooltip.hide();">Wipe-Off Tool - Texturizer and paint "eraser." * "I am very pleased to present my Signature Line of brushes and tools. Much thought went into the final designs, as I have literally tried every brush imaginable over the past 20-plus years. Sorting out what 'worked' and what 'didn't,' I sought to obtain the best possible array, which will meet every painting situation I encounter. Each brush and tool has a primary purpose, but as you'll see in my video lessons, several are multi-functional and can be used for many tasks. "From the comfortable bevel of my Scenery Brushes, to the coarseness of my unique Texture Brushes and my trio of Specialty Script Liner Brushes, every aspect of each item's performance has been considered. These brushes inspire me to greater artistic heights and I'm confident they will bring out the artist in YOU!" —Wilson Bickford, Professional Artist and Art Instructor See More Wilson Bickford Signature Series Art Supplies See More
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Artfinity Black T-Shirt SmallSave Up to82%Off listBlack Vibrant, Professional, Dye-Based Alcohol Markers! Artfinity® Alcohol Ink Markers are versatile, professional-quality artist’s markers perfect for design and illustration. One side of the marker has a flexible nylon brush tip perfect for sweeping gestural strokes, and the other end has a chisel nib for controlled lines. Depending on how you hold the marker, you can create a thin, medium, or bold line. Each marker cap is color-coded and labeled on both ends for easy identification. The brush side of the marker has a solid grey line, so you always know which side of the marker to uncap first. The fast-drying ink is also transparent, so you can overlay and build up layers of highly saturated color. Artfinity® Markers work well on SoHo Marker Paper and non-porous surfaces like metal, glass, and plastic. Because of their outstanding performance, Artfinity® Markers are ideal for lettering, illustration, fashion design, and more. Key Features: * Double-ended permanent markers * Range of 300 vibrant colors * Refillable up to 3x with Artfinity® Alcohol Inks * Sets of 24, 48, 72, 150, and 300 * Flexible brush tip and chisel tip in one * 1-6mm line width range * Reversible brush tip * Non-toxic, alcohol dye-based ink * Long-lasting durability * Anti-roll, easy to hold design * Color-coded, snap-on caps Perfect For: * Fine art and illustration * Comic book and manga art * Drawing on SoHo Marker Paper * Gestural, sweeping brush strokes * Detailed line work, lettering, and calligraphy * Architects, students, and fashion designers * Everyday studio use Refill with Artfinity® Alcohol Inks! Refill Guide One Artfinity® Alcohol Ink Bottle has enough ink to refill your marker approximately 3 times. Create your own marker set with one of our Empty Storage Boxes! The empty marker boxes are designed to hold, store and display your Artfinity® sketch markers or other markers and pens. The lid has a strong magnetic closure to keep your markers secure during travel. A removable rigid grid helps to keep your markers organized within the box. When you’re ready to draw, you can prop up the pens by folding the lid into a triangle kickstand for easy access. The boxes can hold up to 24 or 48 Artfinity® markers. Swatch All of the Colors! The charts print out perfectly on marker paper: Blank Printable Color Charts See More
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Silver Brush Black Velvet® Watercolor Brush Series 3025 Jumbo Round, SmallSave Up to35%Off list… Watercolors Acrylics Oils Great with watercolor, gouache, liquid acrylics, inks and dye! These deluxe Silver Brush… Stiffness Watercolors Acrylics Oils Great with watercolor, gouache, liquid acrylics, inks and dye! These deluxe Silver Brush Black Velvet® brushes feature a specially designed combination of pure natural squirrel hair and black synthetic hair. This combination of natural and synthetic hair can hold vast amounts of color and release it with perfect control. These distinctive black-lacquer handle brushes with a signature silver band are a water-based artist’s dream! The Black Velvet® series is made with a blend of natural squirrel hair and black synthetics that allows the brush to hold a huge amount of color and release it with perfect control for watercolors, gouache, liquid acrylics, inks and dyes. The soft hair blend allows for delicate techniques like glazing and painting multiple layers yet is firm enough to lift color with a light and gentle scrub of the brush. A treat for any multi-media artist! Key Features:* Available in sets and individual brushes* Absorbent hair works beautifully with all fluid media!* Balanced blend of natural squirrel and synthetic fibers* Releases color in a slow, controlled manner* Distinctive black-lacquer handle* 3008S Series features scraper handles on ends Perfect For:* All Water Media and Multimedia Artists* Glazing and laying down multiple layers* Silk Painting and working with Dyes* Inks, gouaches, acrylics, watercolors, and dyes* Artists of all levels! See More
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Mimik High Performance Synthetic Squirrel Brush, Jumbo Wash SmallSave Up to83%Off listStiffness Watercolors Acrylics Oils Animal-Friendly, Synthetic Hair Brushes Finding a quality synthetic watercolor brush has been tough for a long time. That's why we partnered with a leading brush maker to craft a brush with all the benefits of natural hair and none of the drawbacks! Our… Stiffness Watercolors Acrylics Oils Animal-Friendly, Synthetic Hair Brushes Finding a quality synthetic watercolor brush has been tough for a long time. That's why we partnered with a leading brush maker to craft a brush with all the benefits of natural hair and none of the drawbacks! Our animal-friendly Mimik Squirrel brushes make a great substitute for natural squirrel and sable. The innovative synthetic blend imitates squirrel hair in its ability to hold copious amounts of color for large washes while also offering the control, response, and sharp edge of a Kolinsky sable brush. Each brush has a short blue-grey stained wood handle and a matte nickel-plated brass ferrule. Best of all, no animals are harmed or endangered to make Mimik Squirrel brushes. Finally, a watercolor brush that mimics natural squirrel and sable without endangering animals! Key Features: * Innovative high quality synthetic hair * Mimics squirrel and Kolinsky sable * Holds copious amounts of color for large washes and color lay down * Superb control, response, and sharp edge so loved in Kolinsky sable brushes * Short blue-grey wooden handles * Nickel-plated brass ferrules * Popular shapes and sizes * Perfect For: * Watercolors, gouache, and acrylics * Superb brush response * Animal-friendly artists * High color load * Superb control, response, and sharp edge See More
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New York Central Claessens 166 Universal on AlumaComp Panels 6X6In - Box of 4Save Up to58%Off list…made to order. * Raphael Oil Primed Fine Textured Linen * Raphael Zinc-Free Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen… Archival, museum quality professional canvas panels! AlumaComp Aluminum Panels Hand Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe's finest Linens and Poly Cottons, and professionally mounted them on AlumaComp Aluminum Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own composite core aluminum panels. This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Hand Mounted By Our Our Skilled Craftsman To: 100% Archival 4mm (3/16") Thick Acid-Free Aluminum Boards AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. * Raphael Oil Primed Fine Textured Linen * Raphael Zinc-Free Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco PolyCotton Rough Texture Key Features: * Hand mounted using Lineco Neutral pH Adhesive * Available in 8 professional quality linens and poly-cotton canvases * Archival and acid-free * Museum-quality formula designed specifically for preservation materials * Exceptional panel strength and rigidity * Panel foundation is warp-resistant Aluminum composite-core panels * Archival canvas panels crafted by skilled artisans Perfect For: * Oils, alkyds, acrylics, egg tempera, and caseins! * Artists of all skill levels * Artists seeking a museum-quality, archival surface * Artists looking to save time Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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Professional Canvas Panel Courbet Ultra Fine, 7/8" Deep 6x6"Save Up to57%Off listWhite Archival, museum quality professional canvas panels! 2 Panel Depths Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe’s finest Linens and Poly Cottons, and professionally mounted them on Da Vinci Pro Birch Wood Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own cradled birch panels (formerly known as Jerry’s Pro Art Canvas Panels). This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. Expertly flawless, museum-quality painting panels unlike anything on the market * Raphael Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco Poly Cotton Rough Texture --> Click Here to See More Details in a PDF Key Features:* 2 Depths: 7/8" and 1-5/8" cradled depths for dramatic presentation* Exceptional panel strength and rigidity* Available in 8 professional quality linens and poly-cotton canvases* Using Lineco Neutral pH Adhesive* Panel foundation is warp-resistant Birch with kiln-dried New Zealand Pine cradles* Archival canvas panels crafted by skilled artisans* Panels are made to order* Perfect For:* Artists of all skill levels* Artists seeking a museum-quality, archival surface* Artists looking to save time & money* Flawless, museum-quality painting panels* Designed specifically for preservation materials* Oils, alkyds, acrylics, egg tempera, and caseins! Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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