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LUKAS Oil Painting Medium - Stand Linseed Oil, 1 Liter Can

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…quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming   Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More

LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter Can

LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter Can

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…the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More

Michael Harding V1 Dammar Varnish Medium, 1 Liter

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…with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See the description tab for information on each individual medium. Refined Linseed Oil - increases the gloss and transparency of oil paints. Use it to thin the paint for easier flow, and reduce visible brush… Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding's oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self-level, impart elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See the description tab for information on each individual medium. Refined Linseed Oil - increases the gloss and transparency of oil paints. Use it to thin the paint for easier flow, and reduce visible brush marks. Refined Linseed Stand Oil - Refined Linseed Stand Oil is a viscous, pale oil medium extracted from linseed. It will level out brushstrokes in oil paint and slow the drying process. Refined Safflower Oil - a pale, clean, slow-drying oil that can be used to brighten and thin oil paints. Refined Walnut Oil - Walnut oil dries at the same rate as linseed oil, but it doesn't yellow as much. The film cures clean and bright. Refined Poppyseed Oil - Refined Poppyseed Oil tempers the consistency of oil paints while increasing their gloss and transparency. Poppyseed oil is often incorporated with whites and light blues because of its non-yellowing nature. Gum Turpentine - Gum Turpentine is a colourless solvent distilled from pine sap. It is used to thin oil paint and generally speeds the drying time and thus is especially useful for underpainting. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents the yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste derived from pure bleached beeswax mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light-colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish, which is especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful-smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long-lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dry oil paint (6 months minimum- up to 18 months if the paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double-rectified Portuguese maritime Turpentine, and then carefully filtered. Apply as a final picture varnish to thoroughly dry oil paint (6 months minimum- up to 18 months if the paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists' Oils See More

LUKAS Oil Painting Medium - Fast Dry Glazing Medium #3, 1 Liter Can

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…translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss*… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs     Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More

LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter Can

LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter Can

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…thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More

LUKAS Oil Painting Medium - Picture Varnish (Glossy), 1 Liter Can

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…To LUKAS Oil Paints! Picture Varnish Modern is water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. It protects artwork from environmental damage. It is also, non-yellowing and removable with turpentine or mineral spirits. * Modern Picture Varnish - Gloss - 1 Liter… The Perfect Accompaniment To LUKAS Oil Paints! Picture Varnish Modern is water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. It protects artwork from environmental damage. It is also, non-yellowing and removable with turpentine or mineral spirits. * Modern Picture Varnish - Gloss - 1 Liter Can * Protects your painting * Unifies surface quality * Professional Quality See More

LUKAS Oil Painting Medium - Dammar Varnish (Classical), 1 Liter Can

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…Oil Paints! Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time. * Dammar Varnish… The Perfect Accompaniment To LUKAS Oil Paints! Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time. * Dammar Varnish (Classical) - 1 Liter can * Protects your painting * Unifies surface quality * Professional Quality See More

LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter Can

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…Accompaniment To LUKAS Oil Paints! Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. * Retouching Varnish - 1 Liter can * Protects your painting * Unifies surface quality *… The Perfect Accompaniment To LUKAS Oil Paints! Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. * Retouching Varnish - 1 Liter can * Protects your painting * Unifies surface quality * Professional Quality See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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…absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium * Can be applied directly to metal or porous surfaces * Used to prepare a surface before painting * A small amount of oil color can be mixed into the Oil Painting Primer for tinted… Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium * Can be applied directly to metal or porous surfaces * Used to prepare a surface before painting * A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming See More

LUKAS Oil Painting Medium - Citrus Turpentine, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Citrus Turpentine is a pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. * Citrus Turpentine - 1 Liter Can The Perfect Accompaniment To LUKAS Oil Paints! Citrus Turpentine is a pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. * Citrus Turpentine - 1 Liter Can See More

LUKAS Oil Painting Medium - Odorless Thinner, 1 Liter Can

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LUKAS Oil Painting Medium - Odorless Thinner 1 Liter Can LUKAS Oil Painting Medium - Odorless Thinner 1 Liter Can See More

LUKAS Oil Painting Medium - Bleached Linseed Oil, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. *… The Perfect Accompaniment To LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. * Bleached Linseed Oil - 1 Liter Can See More

LUKAS Oil Painting Medium - Alkyd Oil Medium #4, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Alkyd Oil Medium #4 is a resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. * Alkyd Oil Medium #4 - 1 Liter Can * Accelerates the drying time * Increases gloss and… The Perfect Accompaniment To LUKAS Oil Paints! Alkyd Oil Medium #4 is a resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. * Alkyd Oil Medium #4 - 1 Liter Can * Accelerates the drying time * Increases gloss and translucency of colors * Alkyd resin-based medium shortens drying time See More

LUKAS Oil Painting Medium - Fast Dry Glazing Medium #3, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Fast Dry Glazing Medium #3 is a clear, quick-dry medium accelerates the drying time of oils. It increases gloss and translucency of colors; dried layers remain soluble in turpentine. * Fast Dry Glazing Medium #3 - 1 Liter can * Accelerates the drying… The Perfect Accompaniment To LUKAS Oil Paints! Fast Dry Glazing Medium #3 is a clear, quick-dry medium accelerates the drying time of oils. It increases gloss and translucency of colors; dried layers remain soluble in turpentine. * Fast Dry Glazing Medium #3 - 1 Liter can * Accelerates the drying time * Increases gloss and translucency of colors * Alkyd resin-based medium shortens drying time See More

LUKAS Oil Painting Medium - Stand Linseed Oil, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Stand Linseed Oil is viscous, yellowish medium made thicker then standard linseed oil through application of heat. It increases gloss and translucence of oil colors and can be used as a binder or for making resin-based mediums. Slow-drying. * Stand… The Perfect Accompaniment To LUKAS Oil Paints! Stand Linseed Oil is viscous, yellowish medium made thicker then standard linseed oil through application of heat. It increases gloss and translucence of oil colors and can be used as a binder or for making resin-based mediums. Slow-drying. * Stand Linseed Oil - 1 Liter Can See More

LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Balsam Turpentine is a pure, water-clear thinner for oils made from cleaned balsam resin. It is excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. * Balsam Turpentine - 1 Liter Can The Perfect Accompaniment To LUKAS Oil Paints! Balsam Turpentine is a pure, water-clear thinner for oils made from cleaned balsam resin. It is excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. * Balsam Turpentine - 1 Liter Can See More

Winsor & Newton Oil Color Solvents - Sansodor, 1Liter

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…permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate… Winsor & Newton Oil Color Solvents - Sansodor, 1L Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but it's low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - Sansodor, 1L* Least hazardous solvent in our product range * Evaporates slowly * Low level of aromatics See More

Michael Harding Non-Absorbent Acrylic Primer - White, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Primer White 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* White - PW * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Black, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Michael Harding Non-Absorbent Acrylic Primer - Black, 1 Liter Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Black - PBk9 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Burnt Sienna, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Burnt Sienna 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Burnt Sienna - PR101 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Clear, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Clear 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Clear * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Neutral Grey N7, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Neutral Grey N7 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Neutral Grey N7 - PW6 and PBk6 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Olive Green, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Olive Green 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Olive Green - PG17 and PR101 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Pozzuoli Red Earth, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Pozzuoli Red Earth 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Pozzuoli Red Earth - PR101 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Raw Sienna (Transparent), 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Raw Sienna (Transparent) 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Raw Sienna (Transparent)- PBR7 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Dark Raw Sienna, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Dark Raw Sienna 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Dark Raw Sienna - PBR7 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Michael Harding Non-Absorbent Acrylic Primer - Titanium Buff, 1 Liter

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…oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface.… Non-Absorbent Acrylic Primer Titanium Buff 1L, Michael Harding Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. * Brand: Michael Harding* Titanium Buff - PW6:1 * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish See More

Old Holland Gumwater Arabic 1000ml Bottle B1125

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Gives The Paint Greater Transparency And Brilliance. Old Holland Gum Arabic is a medium for watercolor system, binds to paper, board, canvas and wood, gives the paint greater transparency and brilliance, and made of pure gum dissolved in lukewarm water with glycerine. * Gumwater Arabic 1000 ml -… Gives The Paint Greater Transparency And Brilliance. Old Holland Gum Arabic is a medium for watercolor system, binds to paper, board, canvas and wood, gives the paint greater transparency and brilliance, and made of pure gum dissolved in lukewarm water with glycerine. * Gumwater Arabic 1000 ml - B1125 * Medium for watercolors * Binds to paper, board, canvas and woods * Greater transparency and brilliance * Made of pure gum * Dissolved in lukewarm water with glycerine See More

Old Holland Gumwater Arabic 1000ml Bottle B1125

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gives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the… gives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for watercolors* Binds to paper, board, canvas and woods* Greater transparency and brilliance* Made of pure gum* Dissolved in lukewarm water with glycerine See More

Black Mountain Clear Gloss Acrylic Medium 1 Liter, Bottle

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Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More

Michael Harding Non-Absorbent Acrylic Primer - Dark Raw Sienna, 1 Liter

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Brown Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use   Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More