Oil Varnish at Jerry's Artarama

Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter

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…Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease   Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Sennelier Rectified Turpentine Spirits, 1 Liter Bottle

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…to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums.… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More

LUKAS Oil Painting Medium - Fast Dry Glazing Medium #3, 1 Liter Can

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The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs     Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More

Michael Harding V1 Dammar Varnish Medium, 1 Liter

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…lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists' Oils Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding's oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self-level, impart elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See the description tab for information on each individual medium. Refined Linseed Oil - increases the gloss and transparency of oil paints. Use it to thin the paint for easier flow, and reduce visible brush marks. Refined Linseed Stand Oil - Refined Linseed Stand Oil is a viscous, pale oil medium extracted from linseed. It will level out brushstrokes in oil paint and slow the drying process. Refined Safflower Oil - a pale, clean, slow-drying oil that can be used to brighten and thin oil paints. Refined Walnut Oil - Walnut oil dries at the same rate as linseed oil, but it doesn't yellow as much. The film cures clean and bright. Refined Poppyseed Oil - Refined Poppyseed Oil tempers the consistency of oil paints while increasing their gloss and transparency. Poppyseed oil is often incorporated with whites and light blues because of its non-yellowing nature. Gum Turpentine - Gum Turpentine is a colourless solvent distilled from pine sap. It is used to thin oil paint and generally speeds the drying time and thus is especially useful for underpainting. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents the yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste derived from pure bleached beeswax mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light-colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish, which is especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful-smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long-lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dry oil paint (6 months minimum- up to 18 months if the paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double-rectified Portuguese maritime Turpentine, and then carefully filtered. Apply as a final picture varnish to thoroughly dry oil paint (6 months minimum- up to 18 months if the paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists' Oils See More

GOLDEN MSA Varnish w/ UVLS, Matte 32oz

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Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant.   GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent.   MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics   For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes.   Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More

M. Graham Walnut/Alkyd Oil Medium 32oz. Can

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Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More

Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle

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…refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil… The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter Can

LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter Can

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…Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More

Michael Harding Non-Absorbent Acrylic Primer - Dark Raw Sienna, 1 Liter

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Brown Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use   Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More

Gamblin Oil Painting Ground 32oz Can

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White Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More

Liquitex Acrylic Soluvar Gloss Varnish, 32oz Bottle

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…Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt   How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More

Citrus Essence Brush Cleaner 32 oz Bottle

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…and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly*   How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More

Williamsburg Stand Oil, 32oz Bottle

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…offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss.… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More

Williamsburg Titanium Oil Ground, 32oz Can

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…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More

Williamsburg Lead Oil Ground, 32oz Can

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…painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More

Bob Ross Odorless Thinner, 32oz

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…oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil… A pleasurable painting experience without the strong odor from turpentine Highly effective, this top quality thinner cleans oil paint from brushes quickly and thoroughly yet is still gentle on bristles. When used in a brush bath, it can be reused indefinitely. It can also be used to thin Ross oil paints and it is compatible with all Ross painting mediums. Painting is also a more pleasurable experience without the strong odor from turpentine. Key Features:* High-quality, odor-free thinner for oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil paints NOTE: 1 quart container with child safety cap. 31.64 oz. Flammable: ships ground only. See More

Winsor & Newton Oil Color Solvents - Sansodor, 1Liter

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…For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish   Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made speciﬁcally for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish   Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter

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…Newton Oil Color Varnishes - Dammar Varnish, 1 Liter Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil paintings… Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Dammar Varnish, 1 Liter* Adds a strong UV resistant layer* High-gloss finish* Enhances colour intensity with a brilliant shine* Removable with Distilled Turpentine See More

LUKAS Oil Painting Medium - Picture Varnish (Glossy), 1 Liter Can

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…To LUKAS Oil Paints! Picture Varnish Modern is water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. It protects artwork from environmental damage. It is also, non-yellowing and removable with turpentine or mineral spirits. * Modern Picture Varnish - Gloss -… The Perfect Accompaniment To LUKAS Oil Paints! Picture Varnish Modern is water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. It protects artwork from environmental damage. It is also, non-yellowing and removable with turpentine or mineral spirits. * Modern Picture Varnish - Gloss - 1 Liter Can * Protects your painting * Unifies surface quality * Professional Quality See More

LUKAS Oil Painting Medium - Dammar Varnish (Classical), 1 Liter Can

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…Oil Paints! Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time. * Dammar Varnish… The Perfect Accompaniment To LUKAS Oil Paints! Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time. * Dammar Varnish (Classical) - 1 Liter can * Protects your painting * Unifies surface quality * Professional Quality See More

LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. * Retouching Varnish - 1 Liter can * Protects your painting * Unifies surface… The Perfect Accompaniment To LUKAS Oil Paints! Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. * Retouching Varnish - 1 Liter can * Protects your painting * Unifies surface quality * Professional Quality See More

Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle

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…Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to… Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. How to use: Mix just enough medium with paint to get the smoother texture you want. To keep light colours clean, use linseed oil sparingly for whites in particular, we recommend using Safflower Oil or Poppy Oil. Wipe the neck of the bottle after use, to ensure the safety cap remains secure.* Winsor & Newton Oil Drying Refined Linseed Oil Medium * 1L Bottle * Slows down the drying process * Reduces viscosity for better flow * Adds transparency and gloss * Low tendency to yellow PLEASE NOTE: this product is hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Gamblin Oil Painting Ground 32oz Can

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White True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark-making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "Galkyd Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd-based resin painting medium that thins oil paints and maintains a strong, flexible paint film. Galkyd speeds the drying rate and is excellent for glazing, providing an enamel-like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. 3-in-1 Oil MediumGamblin 3-in-1 Oil Medium is an all-around lean and thin painting medium that you can think of as a thinner version of Galkyd Lite. 3-in-1 Oil Medium can be used to seal panels and is great for oiling out before varnishing. First, it's a terrific all-around lean and thin painting medium. Second, It's ideal for oiling out a painting before deciding if the painting is ready to varnished or if there's more painting to be done. And finally, it's the perfect tool for preparing wood panels for painting and before priming them with Gamblin Ground. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted, you may want to purchase the larger size. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide, and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% volume of poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases the flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture, and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Medium gives oil colors more flow and transparency. It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum-bodied heavy oil, which can be used in painting and glazing mediums. Dries to an enamel-like finish. See More

Gamblin Oil Painting Ground 32oz Can

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True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can See More

Williamsburg Lead Oil Ground, 32oz Can

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…alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 32 oz * Made with basic lead carbonate and marble dust *… Prepare Your Surface Before Painting. This contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 32 oz * Made with basic lead carbonate and marble dust * Titanium White is added to improve opacity and brightness * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned mineral spirits or turpentine * Can be used on canvas or linen See More

Williamsburg Titanium Oil Ground, 32oz Can

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Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency… Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency before using. * 32 oz * Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly * Non toxic * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned with mineral spirits or turpentine * Can be used on canvas or linen See More

M. Graham Walnut/Alkyd Oil Medium 32oz. Can

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…increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 32 oz can * Non-toxic * Safe to use on… Non-Toxic And Environmentally Responsible Medium. Walnut/Alkyd Medium can thin the color, enhance adhesion between layers, increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 32 oz can * Non-toxic * Safe to use on brushes See More

M. Graham Walnut Oil Medium 32oz. Can

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…Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 32 oz… Non-Toxic And Environmentally Responsible Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 32 oz can * Non-toxic * Safe to use on brushes See More

Jack Richeson Shiva Signature Rectified Turpentine, 32oz Can

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…speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming   Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More

Michael Harding Miracle Medium Quick Dry Dammar Glaze, 1 Liter

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…mediums * Enhance oil paints * Speed up or extend drying time * Create unique textures * Available in 100ml, 250ml, and 1-litre options Perfect For: * Creating a safer artist studio * Professional oil painters * Discerning amateurs and instructors * Use with Michael Harding Artists’ Oils  … Safer, Eco-Friendly Alternatives To Traditional Solvents Introducing Michael Harding Solvent-Free Miracle Mediums —crafted for artists seeking safer, eco-friendly alternatives to traditional solvents. Derived from renewable vegetable sources, Miracle Medium™ offers an odourless formula, eliminating the need for solvents in your studio. With MH Miracle Medium™, artists can enjoy a studio environment free from harmful effects associated with solvents. The Miracle Medium™ plant-based range not only ensures environmental sustainability but also creates a safer space for artists and their loved ones. This meticulously curated range comprises five distinctive products, MM0, MM1, MM2, MM3, and MM4. Each medium is meticulously tailored to meet a range of diverse requirements. Click the item number to learn more about specific mediums. Key Features: * Solvent-free, odourless mediums * Enhance oil paints * Speed up or extend drying time * Create unique textures * Available in 100ml, 250ml, and 1-litre options Perfect For: * Creating a safer artist studio * Professional oil painters * Discerning amateurs and instructors * Use with Michael Harding Artists’ Oils   Miracle Medium™ (MM0): The foundation of the collection, delivering unparalleled versatility and performance. A solvent-free, odourless medium. Can extend drying time. Add 5-10% to oil colour as needed. Miracle Medium™ Oil Paint Medium (MM1): Enhances the handling and fluidity of oil paints. Miracle Medium™ Quick Dry Dammar Glaze (MM2): Speeds up drying time while adding a captivating glaze to creations. Miracle Medium™ Resin-Oil Wax (MM3): Provides a unique texture and finish, ideal for adding depth to masterpieces. Miracle Medium™ Beeswax Paste (MM4): Perfect for achieving striking impasto effects and infusing texture into artwork. *Miracle Medium™ is trademarked in ENGLAND and pending trademark in the rest of the world. See More

LUKAS Oil Painting Medium - Bleached Linseed Oil, 1 Liter Can

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…LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. * Bleached Linseed Oil - 1… The Perfect Accompaniment To LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. * Bleached Linseed Oil - 1 Liter Can See More

LUKAS Oil Painting Medium - Alkyd Oil Medium #4, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Alkyd Oil Medium #4 is a resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. * Alkyd Oil Medium #4 - 1 Liter Can * Accelerates the drying time * Increases gloss and… The Perfect Accompaniment To LUKAS Oil Paints! Alkyd Oil Medium #4 is a resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. * Alkyd Oil Medium #4 - 1 Liter Can * Accelerates the drying time * Increases gloss and translucency of colors * Alkyd resin-based medium shortens drying time See More

LUKAS Oil Painting Medium - Stand Linseed Oil, 1 Liter Can

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…To LUKAS Oil Paints! Stand Linseed Oil is viscous, yellowish medium made thicker then standard linseed oil through application of heat. It increases gloss and translucence of oil colors and can be used as a binder or for making resin-based mediums. Slow-drying. * Stand Linseed Oil - 1 Liter… The Perfect Accompaniment To LUKAS Oil Paints! Stand Linseed Oil is viscous, yellowish medium made thicker then standard linseed oil through application of heat. It increases gloss and translucence of oil colors and can be used as a binder or for making resin-based mediums. Slow-drying. * Stand Linseed Oil - 1 Liter Can See More

Winsor & Newton Oil Color Solvents - Sansodor, 1Liter

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Winsor & Newton Oil Color Solvents - Sansodor, 1L Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but it's low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also… Winsor & Newton Oil Color Solvents - Sansodor, 1L Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but it's low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - Sansodor, 1L* Least hazardous solvent in our product range * Evaporates slowly * Low level of aromatics See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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…Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing… Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium * Can be applied directly to metal or porous surfaces * Used to prepare a surface before painting * A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming See More

LUKAS Oil Painting Medium - Citrus Turpentine, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Citrus Turpentine is a pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. * Citrus Turpentine - 1 Liter Can The Perfect Accompaniment To LUKAS Oil Paints! Citrus Turpentine is a pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. * Citrus Turpentine - 1 Liter Can See More

LUKAS Oil Painting Medium - Odorless Thinner, 1 Liter Can

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LUKAS Oil Painting Medium - Odorless Thinner 1 Liter Can LUKAS Oil Painting Medium - Odorless Thinner 1 Liter Can See More

LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter Can

LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter Can

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…for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More

Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1Liter

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…to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L * Most efficient thinner and cleaning agent * Even removes dried paints * Can remove varnishes, including Dammar Varnish Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L * Most efficient thinner and cleaning agent * Even removes dried paints * Can remove varnishes, including Dammar Varnish See More

Winsor & Newton Oil Color Solvents - White Spirit, 1 Liter

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…vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - White Spirit, 1L * Efficient thinner and cleaning agent * Slower drying than turpentine * Can remove varnishes, except Dammar Varnish Winsor & Newton Oil Color Solvents - White Spirit, 1L White Spirit - Can be used to create your own painting mediums. Artists? White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - White Spirit, 1L * Efficient thinner and cleaning agent * Slower drying than turpentine * Can remove varnishes, except Dammar Varnish See More

LUKAS Oil Painting Medium - Fast Dry Glazing Medium #3, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Fast Dry Glazing Medium #3 is a clear, quick-dry medium accelerates the drying time of oils. It increases gloss and translucency of colors; dried layers remain soluble in turpentine. * Fast Dry Glazing Medium #3 - 1 Liter can * Accelerates the drying… The Perfect Accompaniment To LUKAS Oil Paints! Fast Dry Glazing Medium #3 is a clear, quick-dry medium accelerates the drying time of oils. It increases gloss and translucency of colors; dried layers remain soluble in turpentine. * Fast Dry Glazing Medium #3 - 1 Liter can * Accelerates the drying time * Increases gloss and translucency of colors * Alkyd resin-based medium shortens drying time See More

LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter Can

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The Perfect Accompaniment To LUKAS Oil Paints! Balsam Turpentine is a pure, water-clear thinner for oils made from cleaned balsam resin. It is excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. * Balsam Turpentine - 1 Liter Can The Perfect Accompaniment To LUKAS Oil Paints! Balsam Turpentine is a pure, water-clear thinner for oils made from cleaned balsam resin. It is excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. * Balsam Turpentine - 1 Liter Can See More

LUKAS Oil Painting Medium - Stand Linseed Oil, 1 Liter Can

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Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More

Jack Richeson Shiva Signature Damar Varnish, 32oz Can

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Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 quart Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 quart See More

Williamsburg Linseed Oil, 32oz Bottle

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…Handmade Oil Paints - Williamsburg Painting Drying Oils! Linseed Oil is a genuine alkali-refined linseed oil. It increases flow, transparency and gloss and is useful as an ingredient in painting mediums. * 32 oz * Professional, handmade oil medium * Quality cold-pressed drying oil * Medium to… The Perfect Accompaniment To Williamsburg Handmade Oil Paints - Williamsburg Painting Drying Oils! Linseed Oil is a genuine alkali-refined linseed oil. It increases flow, transparency and gloss and is useful as an ingredient in painting mediums. * 32 oz * Professional, handmade oil medium * Quality cold-pressed drying oil * Medium to thicken paint See More

Williamsburg Stand Oil, 32oz Bottle

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…Handmade Oil Paints - Williamsburg Painting Drying Oils! Stand Oil is a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates… The Perfect Accompaniment To Williamsburg Handmade Oil Paints - Williamsburg Painting Drying Oils! Stand Oil is a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. * 32 oz * Professional, handmade oil medium * Quality cold-pressed drying oil * Medium to thicken paint See More

Williamsburg Cold Pressed Linseed Oil, 32oz Bottle

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…Perfect Accompaniment To Williamsburg Handmade Oil Paints - Williamsburg Cold Pressed Linseed Oil! Cold Pressed Linseed Oil is a genuine, cold-pressed linseed oil. It is extracted through pressure alone and is less processed than alkali-refined oil. It is closer to what was traditionally used in the… The Perfect Accompaniment To Williamsburg Handmade Oil Paints - Williamsburg Cold Pressed Linseed Oil! Cold Pressed Linseed Oil is a genuine, cold-pressed linseed oil. It is extracted through pressure alone and is less processed than alkali-refined oil. It is closer to what was traditionally used in the past. * 32 oz See More

Jack Richeson Shiva Signature Linseed Oil, 32oz Can

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Improve Brushability Without Altering Any Characteristics. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. * Linseed Oil - 1 quart Improve Brushability Without Altering Any Characteristics. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. * Linseed Oil - 1 quart See More

Jack Richeson Shiva Signature Rectified Turpentine, 32oz Can

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Improve Brushability Without Altering Any Characteristics. This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. * Rectified Turpentine - 1 quart can Improve Brushability Without Altering Any Characteristics. This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. * Rectified Turpentine - 1 quart can See More

Eco-House Extra Mild Citrus Thinner, 32oz Can

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…thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * 1 Quart Can * Dries slower than… This Thinner Has Low-toxicity. This thinner does not make ridiculous claims of non-toxicity. In essence, since any solvent will dissolve fat, all solvents are toxic to humans. This thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * 1 Quart Can * Dries slower than turpentine, but faster than water * For optimal health compatibility See More

Sennelier Rectified Turpentine Spirits, 1 Liter Bottle

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…for oil paint * Mixed with colors, it produces a very agreeable paste * This oil medium allows you to change the texture of your oil paints while also uniting your composition with uniform effects. Add Rectified Turpentine as a plasticizer and gloss enhancing agent to oil colors, varnishes ad… Sennelier Rectified Turpentine Spirits, 1 Liter Bottle Rectified Turpentine is a pure natural balsam with the consistency of honey. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. It creates jewel-like quality with a tough enamel-like surface. Avoid using excess. Indispensable thinner: 1 liter; Composed of natural resins, beeswax, dammar gum and other solvents; Pure natural balsam with the consistency of honey; Avoid excess when applying. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. * 1 Liter Bottle * Oil Color Solvent * A traditional thinner, recommended for oil paint * Mixed with colors, it produces a very agreeable paste * This oil medium allows you to change the texture of your oil paints while also uniting your composition with uniform effects. Add Rectified Turpentine as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. * Very useful during the abbozzo or sketch phase. It is completely possible to produce a painting only using Rectified Turpentine Spirits. See More

Bob Ross Odorless Thinner, 32oz

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Bob Ross 32oz Odorless Thinner Paint and Brush Medium Bob Ross 32oz Odorless Thinner Paint and Brush Medium See More

Winsor & Newton Liquin Original, 1 Liter (33.8oz)

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…(Oil Medium) * 1 Liter (33.8oz / 1000ml) * Halves the drying time of oil color and reduces brush stroke retention * Speeds up the drying process * Touch dry in 1-6 days depending on color & film thickness * Adds transparency and gloss * Improves flow * Non-yellowing* Not suitable as a varnish or… Winsor & Newton Liquin Original 1 Liter (33.8oz) Liquin™ Original 1 Liter (33.8oz / 1000ml)- halves the drying time of oil color and reduces brush stroke retention. Popular with oil painters, Winsor & Newton Liquin Original creates a smooth, gel-like paint film that is easier to work with and allows oil paint to dry faster and makes working with multiple layers easier. How to Use: Just add a small amount of Liquin Original to make your oil color slightly self self-levelling. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. * Liquin Original (Oil Medium) * 1 Liter (33.8oz / 1000ml) * Halves the drying time of oil color and reduces brush stroke retention * Speeds up the drying process * Touch dry in 1-6 days depending on color & film thickness * Adds transparency and gloss * Improves flow * Non-yellowing* Not suitable as a varnish or final coat PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More

Weber Odorless Turpenoid 1 Quart Jug

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Odorless Turpenoid 1 Quart, Weber Odorless Turpenoid works well for thinning oil or alkyd colors and cleaning brushes. Should be used in a well-ventilated area. Perfect for those who are affected by the strong odor of conventional turpentines and solvents. * 1 Quart * Should not aggravate allergies… Odorless Turpenoid 1 Quart, Weber Odorless Turpenoid works well for thinning oil or alkyd colors and cleaning brushes. Should be used in a well-ventilated area. Perfect for those who are affected by the strong odor of conventional turpentines and solvents. * 1 Quart * Should not aggravate allergies * Excellent paint thinner and cleaner * Flammable-store carefully See More

Weber Turpenoid Natural 1 Quart, 32oz

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Turpenoid Natural 1 Quart Can, Weber Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting. * 1 Quart, 32oz * Natural, non-toxic and eco-friendly * Safe for artists of all ages * Excellent brush cleaner… Turpenoid Natural 1 Quart Can, Weber Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting. * 1 Quart, 32oz * Natural, non-toxic and eco-friendly * Safe for artists of all ages * Excellent brush cleaner and conditioner See More