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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Chelsea Classical Studio Medium Clarified Extra Pale Cold Pressed Linseed Oil 32ozSave Up to50%Off list…Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More
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New York Central Acrylic White Gesso, 32oz BottleSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Daniel Smith Acrylic Gesso - White, 32 ozSave Up to40%Off listWhite Professional quality gesso for oil and acrylic painters Daniel Smith Acrylic Gesso allows you to create an archival, lightfast painting surface. Thick yet brush-able, it spreads smoothly, and a little goes a long way. Only two coats of the heavily pigmented gesso are needed to coat a canvas or panel. The professional-grade gesso is available in Titanium White, Transparent, or Iridescent Gold. Titanium White Gesso is opaque and made with the same pigment that Daniel Smith uses in its Original Oils. Transparent Gesso is excellent for mixed media work because it allows the color or pattern of your substrate to show through. Iridescent Gold Gesso is made with Mica and iron oxides. It has a gorgeous metallic sheen that gives transparent paints a golden glow. Imagine a painting with metallic gold in the background! Key Features: * Easy to open and close jar * Thick yet spreads smoothly, a little goes a long way * Quick-drying and self-leveling * Archival and lightfast * Professional acrylic emulsion is flexible and durable * Free of the oil acids that deteriorate cotton and linen * Cleans up easily with soap and water Perfect For: * Absorbent surfaces like canvas, paper, wood, or plaster * Painting with oils, alkyds, and acrylics * Creating a solid background * Professional artists * Providing a sealed, stabilized surface If desired, you can thin the gesso with a little bit of water (no more than 10%). It's important to clean your brushes and palette knives with soap and water immediately after use. Over time the heavy Mica particles in this ground will sink to the bottom of the container. Before application, you should mix the gesso with a palette knife to reincorporate the Mica back into the gesso. See More
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Williamsburg Stand Oil, 32oz BottleSave Up to30%Off list…offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss.… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Da Vinci Safflower Oil 1 Quart BottleSave Up to50%Off list…to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More
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R&F Handmade Paints - Encaustic Gesso, QuartSave Up to20%Off list…paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Weber Turpenoid Natural 1 Quart, 32ozSave Up to43%Off list…Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Citrus Essence Brush Cleaner 32 oz BottleSave Up to50%Off list…the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes)… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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M. Graham Walnut/Alkyd Oil Medium 32oz. CanSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Winsor Newton Brush Cleaner 32oz BottleSave Up to32%Off list…softens and removes dried paint from brushes, palette knives, and more. The gentle, non-hazardous soap-based cleaner works within minutes for oil colors and hours for dried acrylics. Winsor & Newton Brush Cleaner leaves natural and synthetic brushes soft and clean while removing all paint… Non-Hazardous, Low Vapour, Brush Cleaner Winsor & Newton Brush Cleaner efficiently softens and removes dried paint from brushes, palette knives, and more. The gentle, non-hazardous soap-based cleaner works within minutes for oil colors and hours for dried acrylics. Winsor & Newton Brush Cleaner leaves natural and synthetic brushes soft and clean while removing all paint residue. Key Features: * Gentle, effective brush cleaner * Soap-based formula * Non-hazardous and low-vapor * Foams a little when scrubbed Perfect For: * Natural and synthetic brushes * Oil, alkyd, and acrylic paint * Removing wet and dried paint * Cleaning palette knives and more The new soap-based Brush Cleaner is better than the old formulation. Winsor & Newton changed the product name from 'Brush Cleaner and Restorer' to 'Brush Cleaner' to clarify the differences. The new cleaner has a soap base that foams a little when scrubbed. Tip: Avoid contact with varnished or lacquered surfaces, such as brush handles, as the cleaner will soften any paint or stain on the handle. It's also best to use this cleaner at the end of your painting session and use a different rinse aid while painting. Instructions: Dip the brush into the liquid and scrub a little if necessary. The resulting foam will help rinse the pigments and binders out of the brush. Then, wipe the brush with a cloth and rinse with water. If the brush is very clogged, it may be necessary to soak it for longer, possibly overnight. You can use a rubber band or clamp to suspend the brush in the liquid. See More
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Bristle Magic Artist Brush Cleaner and Conditioner 32oz BottleSave Up to20%Off list…cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable,… Eco-friendly, non-toxic cleaner restores brushes — like magic! Now painters no longer have to worry about hazardous fumes and toxic cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable, petroleum free, and has low VOC. Simply wipe wet paint from brushes and gently swish in a container of Bristle Magic, then reshape the bristles — or allow dried acrylic to soak until loosened. For cleaner, more conditioned brushes and a safer studio environment, Bristle Magic is the ideal choice! Key Features: * Environmentally friendly * Non-toxic, biodegradable * Made from recycled materials * No fumes, low VOC, petroleum-free Perfect For: * Cleaning wet or dry oils & acrylics * Conditioning brushes * Creating a safer studio * Any health-conscious painter! Artist Endorsements: * Lisa Bell, Professional Artist, Art by Lisabelle * Diane Clapp Bartz, Professional Artist See More
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Mona Lisa Odorless Thinner, 32oz BottleSave Up to26%Off list…include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Chelsea Classical Studio Lavender Brush Cleaner 32ozSave Up to50%Off list…natural oil based soap and warm water afterwards to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should… A Safer natural alternative to turpentine that actually smells like lavender! Cleans Better and More Thoroughly Than Almost All Other Brush Cleaners and Solvents. Conditions Brushes Making The Hair Subtle Maintaining Maximum Working Quality. CCS Lavender Brush Cleaner™ is a safer, natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Made from 100% natural distilled fruits and flowers, featuring lavender, Chelsea Classical Studio's Lavender Brush Cleaner is a safer natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Lavender not only is more natural than harsh chemicals such as turpentine, but it also has a nice aroma that is often used in aromatherapy and other therapeutic holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences of fruits, flowers, and lavender. Why: Naturally safe, Safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent! * Less abrasive to brushes than turpentine or mineral spirits * Pleasant scented, safe, natural alternative Key Features: * Safer natural alternative to turpentine * Pleasant aroma * Less abrasive to brushes than turpentine / mineral spirits * Made from natural oil essences of fruit, flowers and lavender * Made in the USA from Old World Master Techniques * Available in: 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint or varnish should be thoroughly rinsed out with the appropriate solvent..." -Ralph Mayer, the Artist's Handbook How To Use Lavender Brush Cleaner CCS Lavender Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil based soap and warm water afterwards to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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R&F Handmade Paints - Encaustic Gesso, QuartSave Up to20%Off list…paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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New York Central Acrylic Gloss Medium, 32oz BottleSave Up to55%Off listProfessional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More
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SoHo Urban Artist Oils Value Set of 24, 12ml TubesSave Up to76%Off listAssorted Colors Artist Quality Oil Sets at Affordable Prices SoHo Urban Artist Oil Colors provide lasting and predictable results to artists of all skill levels. Painters that use lots of color love SoHo because the paints perform at a high level while still being affordable. The pigments are slowly ground on a triple roller mill and completely coated in pure refined linseed oil to give the oil paint its luminosity. SoHo oils provide first-time artists and professionals on a tight budget with buttery oil paints that are pigmented and lightfast. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what true oils can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. Key Features: * Slowly ground, triple-milled oils * Pure refined linseed oil * High-quality artist pigments * Excellent pigment load * Buttery consistency for smooth application of color * Maximum luminosity and superb handling properties * Does not blotch when thinned for staining or glazing Perfect For: * Painters of all skill levels * Use with a brush or palette knife * True color mixes without surprises * Working professionals on a budget * Artists who enjoy painting on a large scale SoHo Oil Paint Sets Include Exclusive Extras! Click on the item number to view the contents of each set. See More
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Gamblin Artists Oil - Flake White Replacement, 32oz CanSave Up to40%Off listWhite Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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World's Greatest Acrylic White Gesso Primer - 1 Quart Pail (32oz)Save Up to56%Off listWhite Ultra-smooth, concentrated, ultra-white gesso for fine art in acrylics and oils! To produce a true masterpiece, begin at the base — with Jerry's World's Greatest Gesso! Our highly pigmented, bright white acrylic gesso has a thick, creamy consistency and smooth, even tooth, ideal for surface preparation. How to use: Add water until the concentrated gesso reaches your preferred consistency. Coat your canvas, panel, or board with steady, even strokes, and allow it to dry. Make sure to sand to the desired finish in between coats. For the best coverage, apply multiple thin, even coats in this manner, altering the brushstroke direction each time, and you'll achieve the perfect gessoed surface! Jerry's World's Greatest Gesso is the ideal choice for any artist, from student to professional. Our new 200ml Try Me Tube is perfect for anyone who wants to try out the gesso before buying it in a larger size. Key Features: * Bright white acrylic gesso primer * Thick, creamy consistency * Smooth, even-toothed finish * Available in 3 convenient sizes * Non-yellowing Perfect For: * A uniform painting surface * Artwork in acrylics, oils & alkyds * Beginner & professional artists * The basis of a masterpiece! Safety Tip: Always wear a mask when sanding gesso. See More
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GOLDEN Gesso White 32 ozSave Up to30%Off listWhite A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Daler-Rowney Gesso Primers 32 ozSave Up to34%Off listWhite Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More
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Liquitex Acrylic Gesso Surface Prep Super Heavy Gesso 32 ozSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Williamsburg Lead Oil Ground, 32oz CanSave Up to30%Off list…painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil Ground, 32oz CanSave Up to30%Off list…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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Raphaël Oleo Oil Colour Flat Wash Brush #30Save Up to45%Off list…their finesse. Key Features: * Treated hog bristle brushes * Finer and more precise brushstrokes than traditional hog's bristle * Excellent longevity and elasticity Perfect For: * Use with oil, gouache, gesso and varnishes * Heavy-handed artists Washes and broad strokes * Artists of any skill level The perfect brush for applying large amounts of oil colour! Raphaël Oleo brushes feature carefully selected hog bristles. Oleo brush bristles are of high quality, more elastic and more resistant than traditional hog's bristles, thus providing better control in use. These bristles are whitened, heat treated for two hours and specially conditioned. They are renowned for their finesse. Key Features: * Treated hog bristle brushes * Finer and more precise brushstrokes than traditional hog's bristle * Excellent longevity and elasticity Perfect For: * Use with oil, gouache, gesso and varnishes * Heavy-handed artists Washes and broad strokes * Artists of any skill level See More
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Marie's Extra-Fine Artists' Oil Colour Set of 18Save Up to48%Off listAssorted Colors Certain to dazzle you with overall value! This superb quality oil color is made only of the finest pigments in high concentration to yield rich, brilliant, and permanent results. All colors are lightfast and conform to ASTM D-4236 standards. All colors have a rich and creamy consistency and handle extremely well. Key Features:* 18 color set of 12ml tubes* Brilliant rich oils* Lightfast pigments* Permanent when dry Perfect For:* Professional artists* Introduction into oil painting* Student and amateur oil painters* Painters on a tight budget Set of 18 - Includes eighteen 12 ml tubes that are arranged in a lovely cardboard presentation box suitable for gift giving. Colors include: Zinc-Titanium Mixing White, Chinese (opaque) White, Lemon Yellow, Raw Umber, Yellow Ochre, Orange Yellow, Burnt Sienna, Vermilion, Scarlet, Purple Red, Cerulean Blue, Ultramarine Blue, Phthalo Blue, Emerald Green, Viridian, Raw Sienna, Burnt Umber, and Black.As one of our best sellers, this set is certain to dazzle you with overall value. Colors may be substituted based on availability. See More
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Soho Artists Oil Paint Value Set of 24 (12ml Tubes) & Aluminum Table EaselSave Up to68%Off listAssorted Colors Deluxe oil painting art sets for beginning oil painters! Just starting out? Oil paints are a classic medium, popular for centuries. Some artists may be intimidated to take up this luminous paint, so we've put together sets to help get started or to continue the journey into oils. These lavish oil painting sets encompass everything from basics for beginners to the ultimate complete oil painting studio and everything in between! No matter your skill level or experience, you are sure to find the perfect art painting set to get you started or expand your knowledge in oil paints right here. Key Features: * Oil paint sets perfect for beginners* Kits range from basic to all-inclusive* Some sets also include mediums, canvas, and more* Learn oil painting easily or step up to professional-grade!* It makes a great gift! Perfect For:* Ideal for working professionals on a budget* First-time artists* Oil painting* Gift giving! See each set's contents by clicking on the paper icon in Item Notes next to the product listing. See More
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Jack Richeson Shiva Signature Rectified Turpentine, 32oz CanSave Up to35%Off list…speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Raphaël Mixacryl Oil/Acrylic Brush Flat Wash #30Save Up to45%Off list…heavy body acrylics and gives an excellent response on the canvas. Key Features:* Synthetic and natural fibers * Nickel plated ferrules* Spring and durability* Excellent paint load Perfect For:* Acrylic, oil and gesso* Artists of all skill levels* Easy to cleaning* Excellent response on the canvas Versatile Paint Brushes For Discerning Artists! Combining the strength and retention of a natural bristle with the spring and durability of synthetic fibers. The inclusion of synthetic fibers is perfect for impastos and relief effects with the color retention you expect from natural bristles. The interlocked assembly is perfect for heavy body acrylics and gives an excellent response on the canvas. Key Features:* Synthetic and natural fibers * Nickel plated ferrules* Spring and durability* Excellent paint load Perfect For:* Acrylic, oil and gesso* Artists of all skill levels* Easy to cleaning* Excellent response on the canvas See More
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Sennelier Mini Oil Stick Set of 6 Landscape ColorsSave Up to35%Off listEarth Tones Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
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Maries Water-Mixable Oil Color Set of 18, 12ml Tubes Solvent-FreeSave Up to48%Off listAssorted Colors Solvent-free water-mixable oils colors! Truly Solvent Free Have you given up on traditional oil painting because of the toxic solvents? Are you tired of experiencing frustrating color shifts with your acrylic paints as they dry? Are you tired of wasting paint because it dries too quickly on your palette to use? Do you want to learn oil painting, but all the medium and solvent costs are overwhelming your pocketbook? If you answered a resounding YES to any of these questions, you will be happy to learn that Marie's has formulated water mixable oil colors that are truly solvent-free, providing an affordable alternative to painting in traditional oils. These water mixable oil colors look and feel like traditional oil colors, and even have the aroma of traditional linseed oil but thin with simply water. Wash brushes easily with soap and water when your painting session is finished! This eighteen color set of 12ml sized tubes is a smart value and the perfect entry into the medium of water mixable oil paints. Permanent when fully dry, the beautiful rich oil colors are created from lightfast pigments. Formulated water mixable oil colors that are truly solvent free! Key Features:* 18 color set of 12ml tubes* Solvent-free oil painting* Beautifully rich, water mixable oils* No solvents needed, thins with water!* Lightfast pigments* Permanent when dry* Easy clean up with water!* The aroma of traditional linseed oil Perfect For:* Student and amateur oil painters* Painters sensitive to solvents* Most oil painting techniques* Painters on a tight budget* Introduction into oil painting* Wash brushes easily with soap and water when your painting session is finished The Marie's Water Mixable Oil Color 18 Color Studio Set includes the following 12ml colors: Zinc White, Zinc-Titanium White, Lemon Yellow, Orange Yellow, Yellow Ochre, Vermillion, Scarlet, Purple Red, Burnt Sienna, Burnt Umber, Raw Sienna, Raw Umber, Emerald Green, Phthalo Green, Ultramarine, Phthalo Blue Red Shade, Cerulean Blue, and Black. See More
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W & N Artisan Water Mixable Oil Introduction Set of 20, 12ml TubesSave Up to40%Off listAssorted Colors Who Says Oil and Water Don't Mix! Designed to look and work just like traditional oil paint Just because oil and water don't mix in your kitchen doesn't mean there aren't other methods to make them happy in each other's company. A most effective route is through the addition of a chemical emulsifier that has an attraction on one side of the molecule for water and, on the other, for oil. The result? A happy match made, if not in heaven, at least in the laboratory. Mix with Water - Artisan provides all the characteristics expected from conventional oil color: High pigment strength, a high proportion of single pigments, and variable opacity. The key difference is their ability to be mixed with water even though they are made with traditional oil binders. Chemical analysis has indicated that any added water fully leaves the paint film within a short time; no water remains "trapped" to weaken or loosen the color on the canvas. Drying Time- The water evaporates out of the paint film fairly rapidly leaving behind a conventional oil color that dries by oxidation, as normal. Adhesion and drying time have been shown to be comparable to conventional oil color. Research has also shown that the dried Artisan film is similar to a conventional oil film in solvent resistance, yet remains slightly softer than conventional colors, offering increased flexibility, which is a very good thing. Your canvas can flex with changes in temperature and humidity; a paint film that will go along with it will better resist cracking or lifting. Key Features: * 40 vibrant tones * Designed to look and work just like traditional oil paint * Thick, buttery consistency * All colors are touch dry in 2-12 days * Clean up is easy with just soap and water! * High pigment strength and variable opacity * Mix with water and avoid hazardous solvents * Made from modified linseed and safflower oils * Winsor & Newton Artisan Water Mixable Oil Colors - These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home. For Water Mixable Mediums Click here -> Winsor & Newton Artisan Water Mixable Oil Painting Mediums See More
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Winton Oil Color Introduction Set of 10, 12ml TubesSave Up to34%Off listAssorted Colors Winton Oil Paints, The world's most popular oil color! One of the best values in oil color Winton Oil Paints represent one of the best values in oil color. For the price, these colors exhibit a good creamy consistency and provide permanent and remarkably light fast results. Recommended for mural artists and students. Synthetic pigments have been substituted for true pigments in traditionally more expensive colors, to keep the cost low. These colors are identified with the word Hue after the color name. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. Features:* Available in: 37ml tubes, 200ml tubes* Traditional range of oil color* Spectrum of 55 colours* Permanent and lightfast results* Recommended for mural artists and students* Synthetic pigments substituted for true pigments* Pigments are bright and offer gorgeous sheen* See More
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GOLDEN Gesso Pastel Ground 32 ozSave Up to30%Off list…Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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Jacquard Water Based Resist - Clear, 1 QuartSave Up to30%Off listClear Transparent Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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