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Wilson Bickford Background Color 500ml Bottle - Shaded WoodSave Up to51%Off listBrown Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
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Da Vinci Pro Ultra Smooth Panel 24"x36", 2" Deep (Box of 4)Save Up to75%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Da Vinci Pro Resist-Grip Panel 24"x36", 2" Deep (Box of 4)Save Up to79%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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LUKAS Studio Oil Color - Titanium White, 500ml TinSave Up to74%Off listWhite High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
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Sennelier Artists' Oil Paints-Extra-Fine 500 ml Can - Titanium WhiteSave Up to45%Off listWhite A New Generation of Oils! Only the finest natural and inorganic pigments . Sennelier Artist's Oil Paints have been the standard of quality for over 100 years. Sennelier's passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Non-Yellowing Safflower Oil - highest possible tinting strength and a lustrous satin finish Sennelier's meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world's most prestigious museums. Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists. Key Features: * 40ml & 200ml Tubes (500ml Titanium White) * 21ml and 40ml set sizes * Improved 'buttery' consistency * 145 luminous colors / Sets * Uses non-yellowing Safflower Oil Perfect For: * Better value at a lower cost * Canvas, panels, boards * Working with texture effects * Artists of all levels Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists.Utilizing the time-honoured, exacting methods perfected for over one hundred years, the new paints are produced under the watchful eye of Dominique Sennelier. At Sennelier, tradition meets the needs of today's artists and the innovations of modern chemistry. Sennelier proudly introduces the next generation of oils, a collection of professional, extra-fine colours that reinvents your palette and redefines quality Landscape Plein Air Set - A color palette selected by award-winning Plein Air artists! Set includes eight 40 ml tubes of Sennelier Oil Color, Isabey # 6 Bristle Brush, a plein air field guide to color mixing, and 10 tips for better plein air painting! Wood Box 40ml Tube Set of 12- This set includes a luxury quality wood box with twelve 40 ml tubes of Sennelier Oil colors, 2 empty glass jars ideal for storing your favorite oil mediums, one painting knife, one artists quality brush, one double metal palette cup, one deluxe wooden palette and assorted charcoal. Artist Oil Set with Black Wooden Box- This black wooden box contains a beautiful set of 10, 21ml oil tubes. The box also includes an assortment of accessories used to aid your artist's adventures. Including a sennelier cloth, charcoals, a green for oil medium, along with Precision brushes 8504 size 4, and 8534 size 12, as well as honey soap. Oil Color Set of 10 - This Artist Oils set features 10 tubes of 21ml extra-fine artist quality oil paint. Made using pigments of the highest quality, this set provides maximum pigment load and color intensity. The pure safflower oil carrier creates resistance to yellowing and provides a unique satin sheen. Colors in the set include #116 Titanium White, #511 Bright Yellow, #675 Red Vermillion, #619 Permanent Intense Red, #315 Ultramarine Deep, #326 Phthalocyanine Blue, #805 Chromium Green Light, #252 Yellow Ochre, #211 Burnt Sienna, #755 Ivory Black. *Actual colors will vary due to Manufacturer availability See More
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Centurion Deluxe Oil Primed 10"x20" Linen Canvas .67" Deep (Box of 6)Save Up to79%Off listWhite Master Quality Archival Deluxe Stretched Canvas! Superb Performance And Color Retention! Exclusive OP Enhanced Oil Priming! As an oil painter, it is important to work on oil-primed surfaces. First, oil on oil will provide the best chemical bond for the paint layers that go on afterward. Secondly, acrylic-based gesso repels oil if it has too high of a resin base or absorbs the oil if it is too matte, making oil colors sink and look dull and lifeless. Oil priming allows the color to sit cleanly and brightly on the surface, with the refraction of the white from below. Centurion’s affordable (OP DLX) oil-primed canvas is a great way to start painting with not only an oil primer but also the luxurious texture of linen! Exclusive OP enhanced oil priming! Oil Primed Linen, Deluxe Professional Stretched Canvas (OP DLX) Centurion Canvases are back stapled to allow for easy re-keying or re-stretching. They have four paintable edges for frameless or floater frame presentation. The 1-3/8" wide pine stretcher bars are kiln-dried, for strength and durability. Centurion Linen is a master-quality, 11oz. weight linen with a lovely medium texture and weave. Its archival nature will last hundreds of years. Centurion Deluxe Oil Primed Linen Canvases come in convenient 0.67" and 0.87" depths for ease of specific framing needs. Centurion Deluxe Oil Primed Linen also comes in rolls for custom stretching onto custom sizes or deeper gallery stretchers and is also sold in Panels for studies, plein air, or to take up less space for traveling. Key Features:* Exclusive OP enhanced oil priming* Master quality 11oz. weight linen canvas for archival longevity* Deluxe Oil-primed linen* Medium weight and texture* Kiln-dried Pine Stretchers* Back stapled for clean edges* Easy re-keying or re-stretching* Convenient 0.67" and 0.87" depths for ease of specific framing needs* Strong 1-3/8" stretcher bar width* Superb performance and color retention* Non-absorbent, enhanced oil primer allows for brilliant results* Perfect For:* Oil and Alkyd Painting* Archival Longevity* Students to Professional Artists* Commissions and Final Paintings* Superb receptive surface There is no canvas like this canvas! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Stretched Canvas, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface. Oil colors adhere better to it than any other oil-primed canvas on the market today! See More
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Centurion Deluxe Oil Primed Archival Linen Panel - 24" x 36" (Pack of 3)Save Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist, it is important to work on oil-primed surfaces and not universally primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted, it is not highly absorbent, but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas, but this is very time-consuming and expensive. Our primer does not contain zinc or lead. The main ingredients used in the coating of these panels are acrylic emulsion, titanium pigment, calcium carbonate, and alkyd resin. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color, we urge you to use an oil-primed surface, and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features: * Acid-free, Archival Linen Panels * 11oz. Oil Primed * Made of medium weight linen * Exclusive OP enhanced oil priming * Mounted on 3mm (1/8") MDF wood board * Medium weight and texture * Non warping Perfect For: * Artists of all skill levels * Oil and Alkyd Painting * Archival Longevity * Linen Lovers expecting the best! * Professional Artists, Commissioned work * Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. Teachers and famous artists asked us to try to come up with an affordable oil-primed linen canvas. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas, and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Paris Oil Primed Artists' 24x36" Linen Canvas, Box of 3Save Up to77%Off listWhite Premium Heavy Duty European Style and Quality Linen - The ultimate stretched linen canvas for oil color artists! Beginning with only the finest quality long-yarn linen fibers, Paris canvas is woven into a medium weight fabric with a 42 TPI warp and 40 TPI weft. The linen is hand washed and pumiced to a lovely even surface, then coated with a layer of glue sizing and three coats of archival, non-yellowing, off-white oil primer, and is hand-sanded between coats for ideal adhesion. This oil primer is specially formulated to produce beautiful results with oil paints: as it is non-absorbent, the oils in the paint are allowed to sit up on the surface, making for luminous, refractive effects only possible with oil paints used on the proper ground. Once primed and dried, the canvas is stretched onto an innovative designed solid pine stretcher bars — instead of the standard tongue-and-groove join of regular stretcher bars, these bars feature slot-lap joins that are far less likely to go out of square. In addition, the 1" deep by 2-1/4" wide stretchers offer more support to the canvas, as the bulk of the size is in the width. Larger size canvases also feature 3/4" deep by 2-1/4" wide cross braces for added support. * Premium, classic European-style stretched linen canvas * Texture of the surface is in the medium range * Linen is hand-washed and pumiced for a fine surface * Luxurious non-absorbent, non-yellowing, off white oil primer * Bars feature slot-lap joins that are far less likely to go out of square * 1" deep by 2-1/4" wide stretchers offer more support to the canvas * Larger size canvases also feature 3/4" deep by 2-1/4" wide cross braces for added support * Hand-sanded between coats for excellent adhesion * Innovative stretcher and cross bar system stays square * Meticulously inspected at each stage of manufacture * The finest painting support for oil colors, crafted without compromise! The canvas is wrapped onto the stretchers and tacked along the sides with traditional copper tacks, a method that distributes the stress of the canvas more securely and ensures the strength of the stretching over time. The overlapping canvas corners are not cut, but folded carefully, and excess canvas is stapled onto the back of the stretcher frame, making for easy re-stretching if ever necessary. Once finished, each canvas is individually inspected and only once inspection is passed is it stamped with the Paris logo on the back of the product. Finally, cardboard corner protectors are added to prevent damage in shipping or storage, so the canvas that arrives to you is perfect in every way. Key Features:* Finest medium weight long yarn linen canvas* Weight: 10.3 oz - Really Strong Linen* Heavy duty 1" D x 2-1/4" W pine stretchers* Interlocked stretcher joint keeps canvas square* Copper tacks along outer edge, stapled on back* 1 layer of glue sizing and 3 coats of fine oil primer* Includes 8 wood tightening pegs* Corrugated corners for protection during transport Perfect For:* Brilliant results with oil colors* Archival works designed to last* Excellent adhesion of oils in thick or thin layers* Easy re-stretching if ever necessary* Adding a charming, classic, hand-made quality* The finest old world, European style* Achieving a luminous, refractive effect in oils If you are an oil color artist looking for the highest quality linen surface for your paintings, look no further than new Paris Oil Primed Artists' Linen Canvas. In our opinion, you cannot find or make a better stretched linen canvas at any price that is as good as Paris. It is truly the ultimate canvas for the most discerning of oil painters, and we are sure you'll be impressed! See More
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New York Central Quadruple-Primed Alumacomp Panel - White - 10X20"Save Up to47%Off listWhite New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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Raphael Premium Archival Raphael Oil Primed Linen Panel 10x20"Save Up to72%Off listWhite A Surface The Paint Can Caress - Modern, master quality oil-primed linen created in Italy Holding the finished canvas in your hand, the primed surface feels almost buttery, and the linen underneath is smooth and incredibly uniform hence providing the underlying cause for such an excellent master-quality product. Handmade in Italy, Raphael Premium Archival Oil Primed Linen Panel surface is non-absorbent, allowing the color to sit up on the surface. The depth is created by the refractive qualities of the oil, which enhance the natural tendencies of the pigment. Raphael has just enough tooth to keep the surface receptive to hold initial layers of paint while they dry and bond with the oil surface. Raphael Premium Archival Oil Primed Linen is expertly mounted on multi-ply board made with poplar wood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Key Features: * 3/8" Thickness * Fine weave, 100% linen canvas * Oil-primed linen canvas, mounted to panel * Hand primed, four coats of priming * Natural glue sealer * Expertly mounted onto warp-resistant plywood * Primed with a luxurious, acid-free, non-absorbent ground * Handmade in Italy * Reliability of the material and consistency of the finished product Perfect For: * The perfect archival surface for any painting in oils * Make oil painting a real pleasure * Fine weave and texture * Lasts hundreds of years * Create depth and beauty that only oil colors can achieve * Foundation allows for virtually any technique from abstract to the most intricate portrait and super realistic technique Raphael Premium Archival Oil Primed Linen Panels are expertly mounted on warp-resistant Poplar plywood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Years ago, we worked with an excellent Italian company in creating a linen canvas that would make oil painting a real pleasure and produce results that were more brilliant than before possible with commercial products. This linen canvas has a fine weave and texture and is created with one coat of natural glue sealer and four coats of oil priming. The Italian priming method was developed over five centuries. The difference is the reliability of the material and the consistency of the finished product. Although processed entirely by hand, the modern assembly line and super clean workplace allow the finished product to be amazingly consistent and beautiful. See More
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Creative Inspirations Acrylic White Gesso 500Ml JarSave Up to50%Off list…to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More
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Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off listWhite High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Winsor & Newton Oil Painting Primer, 500ml CanSave Up to40%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Maimeri Oil Painting Mediums - Walnut Oil, 500ml BottleSave Up to22%Off list…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Schmincke Oil Mediums 500ml Schmincke Primer 1 JarSave Up to10%Off listMagnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Old Holland Bleached Linseed Oil 500 ml BottleSave Up to40%Off list…With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
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Old Holland Oil Painting Varnishes - Mastic Picture Varnish, 500ml BottleSave Up to40%Off listHigh Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More
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Winsor & Newton Linseed Stand Oil Medium, 500ml BottleSave Up to40%Off list…refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil… The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Solvents - White Spirit, 500ml BottleSave Up to40%Off list…varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Varnishes - Artists' Gloss Varnish, 500ml BottleSave Up to40%Off list…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Liquitex Bio-Based Acrylic Medium, Matte Gel 500ml JarSave Up to40%Off listBio-Based Acrylic Mediums in Pro-grade Gels and Fluids Liquitex Bio-Based Acrylic Mediums allow you to reduce your carbon footprint as an artist without compromising on quality. Traditional acrylic mediums are made from 100% petrol-derived ingredients and other non-renewable substances. Liquitex has… Bio-Based Acrylic Mediums in Pro-grade Gels and Fluids Liquitex Bio-Based Acrylic Mediums allow you to reduce your carbon footprint as an artist without compromising on quality. Traditional acrylic mediums are made from 100% petrol-derived ingredients and other non-renewable substances. Liquitex has halved this number by incorporating renewable, biological ingredients like corn, soy, sugarcane, and algae, which can be regrown. Bio-Based Acrylic Mediums come in 4 popular mediums - Gloss Medium, Matte Medium, Gloss Gel, and Matte Gel. Make a positive change for the earth and experience what it means to paint without compromise with Liquitex Bio-Based products. Liquitex Bio-Based acrylic mediums in gloss or matte pro-grade gels and fluids that let you create freely and positively. Extend color further without affecting acrylic stability. Key Features: * 50% bio-based formula on average * Matte and Gloss fluids and gels * Lightfast and archival * Add flow with fluid medium * Thicken paint with gel medium * Fully compatible with other acrylics * Two sizes - 250ml and 500ml * 100% recycled pot and recyclable packaging Perfect For: * Pro-grade gels and fluids that let you create freely and positively * Manipulating surface sheen * Increasing color depth and transparency * Extending paint without affecting stability * Maintaining paint adhesion, durability, and archival quality * Gel slows drying time and enhances brush marks See More
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Pissarro Lightweight Oil Primed Plein Air Linen Panels 10" x 20" (Pack of 2)Save Up to63%Off listWhite Sturdy, Lightweight Oil Primed Linen Panels For Plein Air Painting! Pissarro Lightweight Oil Primed Linen Panels - 1/8" Deep are innovative Plein air painting panels that are the product of a collaboration between Creative Mark and Multimedia Artboard. Designed to be a lightweight alternative to cardboard and wood-mounted canvas panels, these unique boards are archival, acid-free, and of the highest quality! Made from a base of 1/8" thick Sintra™ foam core, they will not dent, warp or bend while painting. Mounted with the finest professional grade Pissarro oil primed linen, it is easy to pack a dozen in your supply bag, so no running out while in the field! Perfect for anything from quick oil color studies and sketches to complete finished works in oils, Plein air painting, and travel, Pissarro Oil Primed Plein Air Linen Panels are the ideal marriage of convenience and elegance! Key Features:* Lightweight alternative to cardboard and wood-mounted canvas panels* Archival and Acid-free* 1/8" thick Sintra™ foam core base* Will not dent, warp or bend while painting Perfect For:* Finished work in Oils* Plein Air painting* Lightweight for Travel* Quick oil studies, sketches to completed works See More
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Old Holland 24x36" Oil Primed Stretched Belgian Linen CanvasSave Up to40%Off listWhite The perfect stretched linen when only the very best will do! Old Holland canvases are made exclusively from Claessens Linen, crafted from woven natural flax from Belgium. They grow, sort, and process the materials needed with the greatest care. These are truly natural products, with small differences in their color, composition, and non-mechanical surface feel, leading to a beautifully unique end product. Old Holland Claessens Oil Primed Belgian Linen Canvas features 100% Belgian linen prepared with two coats of oil primer and then stretched around robust 13/16" stretcher bars and back-stapled to the frame for optimum strength. Both Old Holland and Claessens have over a century of craftsmanship behind their names, and are both considered leaders in their specific fields. The production of an canvas for Old Holland using Claessens linen is still inspired today by the proven techniques and methods from the times of the great Flemish and Dutch Masters. Experts and internationally renowned artists alike appreciate the qualities of an Old Holland Claessens canvas. First the canvas is double sized and then carefully primed by knife with Zinc White bound in linseed oil. The canvas is then naturally air-dried for three days. It is then sanded with the utmost care and a final coating based on Titanium White is applied with knife and roller to achieve the typical surface expected from Claessens oil-primed canvas. Key Features: * 13/16" deep * 100% Belgian linen, Medium Texture * Linen manufactured from natural flax * Highly revered Claessens oil priming * Prepared with two coats of oil primer * Primed weight of 11 oz per square yard * Available in both stretched linen and roll * Back stapled for frameless presentation * 60In X 5.5 Yard Oil Primed Linen Roll Perfect For: * Archival, museum-quality pieces * Traditional oil painting * Conservation studies * Gallery ready presentation * Expertly folded corners make it easy to re-stretch the canvas if desired. Roll is 60In X 5.5 Yard. It is now even easier for every oil painter to have a roll on hand! Please note: This type of canvas is ONLY for OIL PAINTING. See More
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Liquitex Bio-Based Heavy Acrylic - Cadmium-Free Orange, 500ml JarSave Up to40%Off listOrange Bio-Based. Experience What it Means to Paint Without Compromise Liquitex Bio-Based Heavy Acrylics allow you to reduce your carbon footprint as an artist without compromising quality. Traditional acrylic paints are made from 100% petrol-derived ingredients and other non-renewable substances. Liquitex Bio-Based heavy acrylic has halved this number by incorporating renewable, biological ingredients like corn, soy, sugarcane, and algae, which can be regrown to make an eco-conscious acrylic polymer. Bio-Based Heavy Acrylics offer thick impasto textures, high pigment loads, and the Liquitex performance you expect. Make a positive change for the earth and start painting with Bio-Based Heavy Acrylic, the world's first bio-based professional-grade art paint. Bio-Based Heavy Acrylics are not an exact match for Liquitex Heavy Body Acrylics. Some colors, like Ultramarine Blue, Burnt Umber, and Chromium Oxide Green, have a more matte finish. Bio-Based Heavy Acrylics are designed to work seamlessly with your existing acrylic paints and mediums. Key Features: * Range of 40 professional colors * 50% bio-based ingredients on average * Highly pigmented, rich, permanent color * Smooth, thick, buttery consistency * Archival and lightfast colors * Strong tinting strength * Excellent handling and blending characteristics * Thick impasto textures * 100% recycled pot and recyclable packaging Perfect For: * Artists of every skill level * Eco-conscious artists * Painting on canvas or board * Creating impasto * Mixing with regular acrylics * Artwork requiring a wide range of colors * Crisp brush strokes and knife marks Bio-Based Heavy Acrylics Explore Set of 4: Includes 75ml Jars of Medium Magenta, Brilliant Blue, Bright Aqua Green, and Titanium White. Bio-Based Heavy Acrylics Mixing Set of 4: Includes 75ml Jars of Yellow Medium Azo, Quinacridone Crimson, Phthalocyanine Blue Green Shade, and Titanium White See More
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Duo Centurion 24"x36" Oil Primed Linen Panel + Black/Gold Museum Plein Aire Frame 3 PackSave Up to60%Off listBlack Get your paints out, we've got the frame and canvas ready! It's a nightmare when a deadline for a show is approaching, and you don't have a frame ready to go. It's ok, we've all been there. It's natural to focus on your work before thinking about the frame, but it is also important to plan ahead. That's why we decided to package our popular Centurion Canvas Panels with our Museum Plein Air Frames. Now you can spend less time shopping and more time creating. Centurion Linen is oil primed so that it bonds correctly with oil paint. The primer is non-absorbent, so oil paints sit on top of the surface and maintain their luster. Acid-free and archival, the medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Our Museum Collection Plein Aire Frames are hand-finished and leafed by expert craftsmen. These frames are available in two styles: Gold Leaf and Antique Black with Gold Trim. The Black frames feature an undertone of gold with a distinctive antique gold liner. Never approach a deadline again without a frame. Play it smart and prepare with a Duo Canvas and Frame pack! Key Features: * Canvas panel and frame bundle * 3 Frames + 3 Canvas Panels * 11oz. oil-primed linen panels * Medium-weight, acid-free linen * Mounted on 3mm (1/8") MDF wood board * Hand-finished and leafed by expert craftsmen (closed corner frames) * Includes hanging hardware (screws, D-rings, and wire) * 3-1/2" wide, 1-3/8" deep, with a 9/16" rabbet depth * Heavy, quality wood with closed seamless corners * Two luxurious finishes: Gold Leaf and Antique Black with Gold Trim Perfect For: * Preparing for a show or exhibit ahead of time * Oil and alkyd paintings * Preparing commissioned work * Adding a finished look of prestige to any piece of art * Museum quality framing solutions * Complimenting any genre of artwork Testimonial Review "I get a bit wary of nearly every product being awarded five stars in most reviews, but frankly, this actually IS a five-star frame. It's heavy, quality wood, with closed, seamless corners reinforced from the back, and the finish is immaculate. Hand-gilded and varnished. Thick wood, which holds screws exceptionally well, and you don't have to worry about screws piercing through to the front. Plus, the frames include hanging hardware such as screws, D-rings, and wire. I also like that the frames are packaged well for safe arrival: each frame has cardboard corners, is wrapped in a bubble wrap sleeve, and is then enclosed inside a made-to-fit cardboard box (which is super handy for shipping your paintings in later). These are not cheap frames, but if you have a special piece that needs to go into a top-tier show or gallery, feel confident when you order these. This is the best frame Jerry's sells. You won't find a better frame for the price." - Billie W See More
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Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to40%Off listWhite Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Sennelier Acrylic Medium Gel Binder 17ozSave Up to33%Off listWhite Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More
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Winsor & Newton Galeria Acrylic Mediums - Matt Medium, 500mlSave Up to30%Off list…White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key… Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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LUKAS Painting Butter Impasto Oil Medium 500ml CanSave Up to65%Off list…completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
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Winsor & Newton Artists' Painting Medium 500ml BottleSave Up to40%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Winsor & Newton Liquin Original 500ml BottleSave Up to40%Off listAccelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin… Accelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin Original - halves the drying time of oil color and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Light Gel - Liquin Original halves the drying time of oil color and reduces brush stroke retention (touch dry in 1-6 days depending on color & film thickness). Creates a smooth, gel-like paint film that is easier to work with. Allows the paint to dry faster and aids working with multiple layers. Resists yellowing. Not suitable as a varnish or final coat. Liquin Fine Detail - The most fluid medium within the Liquin family. Add to color to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Oleopasto - A paste-like, semi-matte version of Liquin that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on color paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Liquin Impasto - A paste-like, semi-gloss version of Liquin that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Key Features: * Speeds up the drying process* Adds transparency and gloss* Non-yellowing Perfect For:* Oils and alkyds* Reducing brush strokes* Glazing and blending techniques PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Bristlon Ser 1915S Short Handle Medium TriangleSave Up to35%Off list…on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest… Resilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after each stroke, the brush "pops" back into shape for a perfect next stroke. Bristlon® will never go mushy on you and maintains its' sharp point and chisel edges on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest seamless, nickel-plated, brass ferrules attached to polished deep blue short handles. Key Features: * Superior stiff synthetic filaments * Imitate natural bristle * Interlocked bristle construction * Bristles full of snap * Seamless nickel-plated brass ferrules * Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists See More
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Winsor & Newton Professional Watercolor Synthetic Brush Quill MediumSave Up to43%Off listSynthetic sable watercolor brushes that perform at a professional level! The Winsor & Newton professional watercolor synthetic sable brushes are an innovative blend of synthetic bristles replicates the color-holding capacity of natural sable. This innovative blend of synthetic bristles… Synthetic sable watercolor brushes that perform at a professional level! The Winsor & Newton professional watercolor synthetic sable brushes are an innovative blend of synthetic bristles replicates the color-holding capacity of natural sable. This innovative blend of synthetic bristles replicates the color-holding capacity of natural sable. The resilient synthetic brush heads do not lose shape during use and have an exact degree of snap for superior control. Innovative synthetic brush that offers excellent carrying capacity and the ability to make a variety of marks with resilient spring and shape retention. The best blend of synthetic bristles offers the quality and performance you’d typically see in a natural sable brush> An ergonomic short handle provides a comfortable grip and extraordinary control while painting. The handle's central dip allows the brush to sit comfortably in your hand, while the handle's second curve allows for various painting angles. Handmade at the Winsor & Newton brush factory in England, the Synthetic Sable brushes come in various sizes across seven shapes. Choose from: Round, Pointed Round, Wash, Mop, Quill, Rigger and One Stroke shapes Key Features: * Synthetic fibers mimic natural sable * Resilient spring and shape retention * Outstanding color carrying capacity * Seamless nickel ferrules * Ergonomic sculpted short handle with a matt finish * Sustainable Birchwood used for the handle * Handmade by experienced brushmakers * 29 Handles are 100% FSC certified * Made in England Perfect For: * Watercolor painters * Making a variety of marks * Defined brush strokes * Creating fine details * Comfortable, controlled grip while painting * Consistent brush response and control of color release * Professionals, teachers, students * Animal-friendly alternative without sacrificing quality See More
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Silver Brush Black Velvet® Watercolor Brush Series 3025 Jumbo Round, MediumSave Up to35%Off list… Watercolors Acrylics Oils Great with watercolor, gouache, liquid acrylics, inks and dye! These deluxe Silver Brush… Stiffness Watercolors Acrylics Oils Great with watercolor, gouache, liquid acrylics, inks and dye! These deluxe Silver Brush Black Velvet® brushes feature a specially designed combination of pure natural squirrel hair and black synthetic hair. This combination of natural and synthetic hair can hold vast amounts of color and release it with perfect control. These distinctive black-lacquer handle brushes with a signature silver band are a water-based artist’s dream! The Black Velvet® series is made with a blend of natural squirrel hair and black synthetics that allows the brush to hold a huge amount of color and release it with perfect control for watercolors, gouache, liquid acrylics, inks and dyes. The soft hair blend allows for delicate techniques like glazing and painting multiple layers yet is firm enough to lift color with a light and gentle scrub of the brush. A treat for any multi-media artist! Key Features:* Available in sets and individual brushes* Absorbent hair works beautifully with all fluid media!* Balanced blend of natural squirrel and synthetic fibers* Releases color in a slow, controlled manner* Distinctive black-lacquer handle* 3008S Series features scraper handles on ends Perfect For:* All Water Media and Multimedia Artists* Glazing and laying down multiple layers* Silk Painting and working with Dyes* Inks, gouaches, acrylics, watercolors, and dyes* Artists of all levels! See More
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Mimik High Performance Synthetic Squirrel Brush, Jumbo Wash MediumSave Up to75%Off listStiffness Watercolors Acrylics Oils Animal-Friendly, Synthetic Hair Brushes Finding a quality synthetic watercolor brush has been tough for a long time. That's why we partnered with a leading brush maker to craft a brush with all the benefits of natural hair and none of the drawbacks! Our… Stiffness Watercolors Acrylics Oils Animal-Friendly, Synthetic Hair Brushes Finding a quality synthetic watercolor brush has been tough for a long time. That's why we partnered with a leading brush maker to craft a brush with all the benefits of natural hair and none of the drawbacks! Our animal-friendly Mimik Squirrel brushes make a great substitute for natural squirrel and sable. The innovative synthetic blend imitates squirrel hair in its ability to hold copious amounts of color for large washes while also offering the control, response, and sharp edge of a Kolinsky sable brush. Each brush has a short blue-grey stained wood handle and a matte nickel-plated brass ferrule. Best of all, no animals are harmed or endangered to make Mimik Squirrel brushes. Finally, a watercolor brush that mimics natural squirrel and sable without endangering animals! Key Features: * Innovative high quality synthetic hair * Mimics squirrel and Kolinsky sable * Holds copious amounts of color for large washes and color lay down * Superb control, response, and sharp edge so loved in Kolinsky sable brushes * Short blue-grey wooden handles * Nickel-plated brass ferrules * Popular shapes and sizes * Perfect For: * Watercolors, gouache, and acrylics * Superb brush response * Animal-friendly artists * High color load * Superb control, response, and sharp edge See More
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Silver Brush Ruby Satin® Synthetic Brush Series 2515S Short Handle Pointed Triangle MediumSave Up to35%Off list…brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished… Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder See More
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New York Central Claessens 166 Universal on AlumaComp Panels 10X20In - Box of 4Save Up to58%Off list…made to order. * Raphael Oil Primed Fine Textured Linen * Raphael Zinc-Free Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen… Archival, museum quality professional canvas panels! AlumaComp Aluminum Panels Hand Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe's finest Linens and Poly Cottons, and professionally mounted them on AlumaComp Aluminum Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own composite core aluminum panels. This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Hand Mounted By Our Our Skilled Craftsman To: 100% Archival 4mm (3/16") Thick Acid-Free Aluminum Boards AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. * Raphael Oil Primed Fine Textured Linen * Raphael Zinc-Free Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco PolyCotton Rough Texture Key Features: * Hand mounted using Lineco Neutral pH Adhesive * Available in 8 professional quality linens and poly-cotton canvases * Archival and acid-free * Museum-quality formula designed specifically for preservation materials * Exceptional panel strength and rigidity * Panel foundation is warp-resistant Aluminum composite-core panels * Archival canvas panels crafted by skilled artisans Perfect For: * Oils, alkyds, acrylics, egg tempera, and caseins! * Artists of all skill levels * Artists seeking a museum-quality, archival surface * Artists looking to save time Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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Charbonnel Etching Ink Additive - Heavy (Fatty) Oil, 500mlSave Up to20%Off list…delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten… Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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