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Gamblin Galkyd Gel - Lite, 150ml TubeSave Up to40%Off list…Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Da Vinci Oil Gel 150 ml TubeSave Up to50%Off list…to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More
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Weber Turpenoid Gel Painting Medium, 150ml TubeSave Up to43%Off list…Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Williamsburg Extender Medium, 150ml TubeSave Up to40%Off list…offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss.… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Charvin Professional Oil Paint Extra-Fine, Blue Shadow - 150mlSave Up to52%Off listBlue LUXURY THAT INSPIRES! Luxury Artist Oils from the French Riviera, perfect for Plein air painting! Based on over 175 years of experience, Charvin has created high-quality oil paint at an extremely reasonable price point. Charvin Extra Fine Professional Oil Paints use a combination of the finest in traditional and modern pigments, bound with a blend of linseed and non-yellowing poppy oils, for a smooth, creamy consistency and vibrant color. Charvin Maison de Haute Couleur ("House of High Color") has been meticulously creating fine artists' oil colors, serving artists like Cezanne, Bonnard, and Ambrogiani. Using only the highest-grade pigments that are triple-milled to the finest particle size, Charvin Extra Fine Oil Colors span a naturally progressing color range from the subtlest shades to brilliant hues. The main binding ingredient in Charvin Extra Fine oils is poppy oil, which dries slower than linseed oil (but without its tendency to yellow over time), and provides a rich creaminess to the paint. Permanent and light-fast, Charvin Extra Fine Oils are designed to accurately reflect the hues of nature, making them ideal for Plein air painting. The smooth and creamy texture lends itself perfectly to Alla prima painting, yet the high pigment concentration also allows the paint to be thinned down to the most subtle and luminous glazes (as with any Poppy Oil-based paint, remember to follow the fat over-lean method of painting). Largest color range in the world! The Charvin Extra Fine palette is available in 20ml, 60ml, or 150ml tubes. From the palettes of the masters to your own paint box: bring the experience of centuries and the brilliance of the Riviera to your own paintings with Charvin Extra Fine Oil Colors! Key Features:* Highest grade pigments* Triple-milled for smoothness* Poppy and Linseed oil binder to prevent yellowing* Rich creamy texture* Wide range of colors: 20ml, 60ml or 150ml tubes* Luxury Professional Oils* Permanent and light-fast* Small Batch, Handmade Paints* Largest color range in the world* Perfect For:* Professional Oil Paints* Plein Air Artists* Alla Prima Painting* Vibrant Portraits* Pochade box tubes (20ml)* Vast color range* Accurately reflecting the hues of nature Artist Testimonial "As a professional, full-time artist for 19 years, I can say I have experimented with just about every type of oil paint that is out there. And believe me, they are not created equal! After using only Charvin oil paints for my most recent painting, I must say I was thoroughly impressed. The richness of the colors combined with the density yet fluidity of these oils was superb. I most certainly will continue to paint with Charvin!" Lauri Blank, Professional Artist Please note: color names may appear different due to a French translation or printing error. The pigment in the tube has not changed. The manufacturer may change color names without notice See More
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Gamblin Artists Oil - Radiant Magenta, 150ml TubeSave Up to40%Off listRed Gamblin Artist's Oils, The only choice for artists & professionals! Gamblin has deep history and transformed oils and pigments into luscious, rich oil color. Gamblin Artist's Oil Paint is made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin oils have a luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Williamsburg Handmade Oil Paint - Italian Yellow Ochre, 150ml TubeSave Up to40%Off listYellow Handmade Master Quality Oil Paints Used by The World’s Finest Artists Getting the proper pigment is just the beginning! So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors by nature will feel slightly gritty, others extremely smooth. For instance, Cerulean Blue will have a beautiful velvet, light-absorbing surface with an extremely strong covering power; Siennas, by comparison, are often chunky or gritty to allow light to travel through the vehicle, exposing rich golden or mahogany undertow instead of just heavy, dull browns. Pigments are ground in pure alkali-refined, ph balanced linseed oil, and made in batches no larger than 5 gallons at a time. This gives total control over the paint, much like late 19th-century French color makers. All materials are hand measured, and every ounce of paint is scrutinized. Williamsburg Handmade Oil Colors are then packaged in 37ml and 150ml non-reactive aluminum tubes. Williamsburg Handmade Oil Colors are used by the world’s finest artists, whose works can be found at the Metropolitan Museum of Art and MOMA in New York City, the National Gallery of Art in Washington, D.C., and the Beaubourg in Paris. Key Features:* Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Extensive Cobalt & Cadmium Colors* Large assortment of Earth Colors* Oil color line of 178 colors!* 37ml & 150ml Tubes* 237ml & 473ml Cans* Manufactured In The U.S.A!* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists favoring Old Masters materials* Enthusiasts of handmade oil paints* Producing museum-quality artworks See More
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Charvin Fine Oil Paint, Water Green - 150mlSave Up to60%Off listGreen Elite Artists' Oils from the French Riviera Fine oil colors perfect for plein air painting! Based on over 175 years of experience, Charvin fine artists' oils use some of the oldest recipes still in use. These recipes are the same used to make oil colors for artists since 1830. Charvin has created a high-quality elite oil paint at an extremely reasonable price point. Charvin Fine Oil Colors use a combination of the finest in traditional and modern pigments, bound with a blend of linseed and non-yellowing poppy oils, for a smooth, creamy consistency and vibrant color. The main difference between Charvin Fine Oils and Extra Fine Oil Colors is that the pigments in Fine Oils are milled for about half the time as those in Extra Fine: not quite as meticulously ground but still smooth and brilliant. The toxic and caustic pigments are also removed and replaced with modern, safe pigments of the highest quality and permanence. Elite Quality Paint! One of the most honored and time-tested recipes for oil color production Only the very finest pigments are selected for making Charvin colors. The color makers at Charvin expertly and slowly produce the oil color much in the same way that wine makers ensure that the product will have a true character and lovely finish. It is this dedication to detail and the hands-on approach by the owners that makes these oil colors one of the world's great art supplies treasures. Key Features:* Traditional and Modern Pigments* Made primarily with poppy oil for a brilliance, richness and creaminess without comparison* Highest quality and permanence * Amazing range of colors* Huge 150 ml tubes* Single Price Point Perfect For:* All Oil Painters* Fine Glazing and Detail * Safe pigments of the highest quality and permanence* Alla Prima Painting* Especially well loved by 'plein air' painters* Why Artists Choose Charvin With a wide range of balanced and luminous colors all available in generous 150 ml tubes, Charvin Fine Oil Colors are perfect for any application from glazing to alla prima, to still life, and abstract. The life like colors are especially suited to plein aire painting. Try them today and discover for yourself the world's first luxury range of artists' oil paints at the best possible prices! Please note: color names may appear different due to a French translation or printing error. The pigment in the tube has not changed. The manufacturer may change color names without notice. See More
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Pebeo Gedeo Bio Based Glazing Resin 150mlSave Up to20%Off listTransparent, bubble-free, non-yellowing resin! The Gedeo Bio-Based Resins offer high-gloss and transparent, bubble-free, non-yellowing resin that is ideal for all artists. The two-part resin and hardener are mixed to form a non-yellowing solid resin that is transparent. The low aroma and easy to… Transparent, bubble-free, non-yellowing resin! The Gedeo Bio-Based Resins offer high-gloss and transparent, bubble-free, non-yellowing resin that is ideal for all artists. The two-part resin and hardener are mixed to form a non-yellowing solid resin that is transparent. The low aroma and easy to use, Bio-Based Resins are respectful of the environment and safer to use. Pebeo Gedeo Bio-Based Resins can be used to create high-gloss coatings on finished works of various mediums. Crystal Resin is 50% Bio-based and has a smooth texture ideal for molds and inclusions (including natural details, such as dried leaves). Bio-based at more than 40% Glazing Resin can be applied to any flat surface without it spilling over the edges. Its semi-liquid composition is excellent for glazing or adding depth to paintings. The shorter curing time provides better control over the resin by pouring or when working with a dropper. Pro Resin is Bio-based at more than 50% and imitates the look of glass, yet offers the sturdiness of resin. It has a liquid texture and is ideal for professional artists pouring on large surfaces. Key Features: * Bio-Based Resins * Two components — resin and hardener * Bubble-free non-yellowing finish * High-gloss coatings * Low odor and easy to use * Semi-liquid texture * Bio-based at more than 40-50% * Imitates the look of glass * Shorter curing time Perfect For: * Enhancing and protecting your work * Glazing or adding depth to paintings * Mixed media applications * Acrylic paintings * Sculpture and silicone molds * Inclusions * Other found objects * Liquid Art Panels * Canvas, cardboard, wood & metal * Professional artists pouring on large surfaces See More
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Annie Stegg Set of 10 Charvin Fine Oils 150ml Artist Signature SetSave Up to64%Off listAssorted Colors Specially Curated Oil Painting Sets By Artist Annie Stegg Just For You! “When painting in oils, I prefer using paints with a highly concentrated, creamy consistency. This allows for excellent brush strokes as well as being ideal for glazing. The Charvin oil collection is mixed using a blend of linseed and non-yellowing poppy oils, giving them smooth, even handling, perfect for artists like me who like to build up an image in layers. They are also fine enough to create sharp detail without sacrificing any pigmentation. As an artist who prefers to work in a non-toxic studio, this palette has been carefully chosen to include only colors free of any dangerous heavy metals or hazardous materials.” These specially curated sets are hand-picked by Annie Stegg for your painting pleasure to help you get the colors and supplies you need that go along with the photos and paintings seen on this page.About Artist Annie Stegg Gerard Annie Stegg Gerard has a special love for the 18th century Rococo painters who have had a large influence on her own method. She finds inspiration in their imagination, and the dreamlike palette and lively brushwork that combine to create a wonderful atmosphere of enchantment. She believes that they sought to transport us to different worlds and fantastic places though their works. In her own work, known for it's beautiful, enigmatic figures and lively creatures, Annie strives to depict this same transportive effect to the viewer. Her work is an exploration of the small hidden worlds that exist in our own backyards and the drama that unfolds with their unseen inhabitants. The secrets that are waiting to be discovered, and the mystery in a hidden moment of time. Annie exhibits her work in galleries and has done notable publishing work for clients such as Disney, Hasbro, Wizards of the Coast, Easton press, Ballistic Publishing and more. Her work is found in private collections all over the world. Key Features:* Signature Series Set of 10 colors: 150ml Tubes* Signature Series Set of 10 colors & Black Swan brushes* Signature Series Deluxe Set of 10 colors, Black Swan brushes & DaVinci Pro Ultra Smooth Gesso Panels* Traditional and Modern Pigments* Made primarily with poppy oil for a brilliance, richness and creaminess without comparison* Huge 150ml tubes* Only the very finest pigments are selected for making Charvin colors* Professional oils* Especially well loved by 'plein air' painters Learn More: See Brochure See Videos Follow Artist and See More: Website & Gallery @anniestegg Annie Stegg Artist Sets (click on paper icons next to products for full details) Annie Stegg Set of 10 Charvin Fine Oils 150ml:* 10 150ml tubes of Charvin Extra Fine Oils - 1 of each color in Linen Flower Light, Aubere Pink, French Yellow Orange, Green Shadow, Paynes Grey, Peacock Green, Pthalo Viridian, Raw Umber, Purple Madder Lake & Titanium White Annie Stegg Signature Series Set of Oils & Brushes:* 10 150ml tubes of Charvin Extra Fine Oils - 1 of each color in Linen Flower Light, Aubere Pink, French Yellow Orange, Green Shadow, Paynes Grey, Peacock Green, Pthalo Viridian, Raw Umber, Purple Madder Lake & Titanium White* Black Swan Brushes: 1 each in Angular #4, #8, #10 & Round #0 brushes Annie Stegg Signature Series Deluxe Set of Oils, Brushes & Panels:* 10 150ml tubes of Charvin Extra Fine Oils - 1 of each color in Linen Flower Light, Aubere Pink, French Yellow Orange, Green Shadow, Paynes Grey, Peacock Green, Pthalo Viridian, Raw Umber, Purple Madder Lake & Titanium White* Black Swan Brushes: 1 each in Angular #4, #8, #10 & Round #0 brushes* DaVinci Pro Ultra Smooth Gesso Panels - 1 8x10" & 11x14" See More
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Grumbacher Pre-Tested MG Underpainting White, 150 ml TubeSave Up to42%Off listWhite Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Great White Artist Oil Paint, 3 PACK - 150ml (5oz) TubesSave Up to61%Off listWhite Heavy Body, Opaque, Non-Yellowing, Archival White Great White Artist Oil Paint is a professional white oil paint made from the purest pigments and the clearest safflower oil. Its buttery smooth consistency dries to a strong elastic film that will not crack or flake. Apply in a thick impasto style or thin with solvent to create soft glazes or delicate highlights. Cover large areas quickly and thoroughly with the brightest opaque white oil paint on the market. Great White Artist Oil Paint is uniquely blanched to stay neutral and not alter color warmth. As a result, the white oil paint mixes well with other colors to yield clean, brilliant tints that resist yellowing. Great White Artist Oil Color has been developed with a historic knowledge of the ingredients and a state-of-the-art blending process. The paint is thoroughly mixed in a European 3-roll computer automated milling machine, a first in color-making. This process allows the oil to coat the pigments in the paint entirely and ensures perfect blending. 100% guaranteed to be the best white you have ever used or your money back! Key Features: * Professional quality, lead-free white * Made with the highest concentration of pigments * Heavy body, opaque, and archival * Clear safflower oil resists yellowing * Will not crack or flake * Highest lightfastness rating * Made in the USA Perfect For: * Color mixing and creating tints * Covering large areas quickly * Creating soft glazes or delicate highlights * Textured brush or palette knife application * Schmaltz™ and StudioSolv™ mediums * All oil painters See More
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Williamsburg Handmade Safflower Oil Color 150ml Tube - Italian Terra VerteSave Up to40%Off listGreen Long Lasting Brilliance and Clarity in a Handmade Safflower Oil Paint - Reduces Yellowing! Going back to the earliest traditions of oil painting, Williamsburg offers 13 whites, blues, and other delicate transparent colors made with a far less yellowing safflower binder. Artists will find these invaluable for holding onto maximum clarity and brightness in the upper layers of their paintings. These colors are not recommended for underpainting or foundational layers within a painting, as safflower oil binder takes longer to dry and produces a slightly weaker film. Milled with the highest quality, expeller-pressed Safflower Oil, the line features Porcelain White as the only color of the line not offered in their Linseed-based oils. Porcelain White is a less brittle, semi-transparent alternative to Zinc White. As with all of Williamsburg’s products, their Safflower Oil Colors are painstakingly made by hand. They are available from Jerry’s in 37ml and 150ml tubes. Key Features:* Handmade Safflower Oil Colors* Longer dry times than linseed colors* Non-yellowing white & transparent colors* Safflower oil line of 13 colors* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists concerned about yellowing* Enthusiasts of handmade oil paints See More
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Schmaltz Impasto Gel Oil Medium, 150ml TubeSave Up to44%Off list…and volume * Speeds up drying time * Improves transparency and gloss * Retains brush strokes and peaks * Contains linseed oil, safflower oil, and clear alkyd Perfect For: * Oil painters * Mixing luminous, transparent colors * Impasto effects and glazes * Speeding up drying time * Making your artwork… This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high quality alkyds and oils. Add it to your paint to create luminous, transparent full-bodied colors. The buttery gloss gel retains brush strokes and dries quickly, which makes it perfect for impasto effects and glazes. Pair with StudioSolv™ to reduce viscosity if a more leveled look is desired. Key Features: * Quick drying impasto gel * Increases shine and volume * Speeds up drying time * Improves transparency and gloss * Retains brush strokes and peaks * Contains linseed oil, safflower oil, and clear alkyd Perfect For: * Oil painters * Mixing luminous, transparent colors * Impasto effects and glazes * Speeding up drying time * Making your artwork Schmaltzy! Why the name Schmaltz? We were inspired by the Yiddish word for rendered chicken fat when developing this particular resin gel. Not only does it look a lot like its culinary cousin it also adds a luminous impact when mixed with oils. Please don't get confused! We know it looks delicious, but you should never eat your art supplies or use them in the kitchen! See More
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Charvin Fine Oil Colors Pinks Set of 5 (150ml)Save Up to72%Off listRed Excellent starter sets of luxury fine oils! Your Paintings Will Come To Life! Based on over 175 years of experience, Charvin has created a high quality oil paint at an extremely reasonable, single price point. Charvin Fine Oil Colors use a combination of the finest in traditional and modern pigments, bound with a blend of linseed and non-yellowing poppy oils, for a smooth, creamy consistency and vibrant color. The difference between Charvin Fine and Extra Fine Oil Colors are that pigments in their Fine Oils line are milled for half the time as the Extra Fine, along with the removal of toxic pigments. With a wide range balanced and luminous colors in generous 150ml tubes. Now you can try Charvin Fine Oil Colors in these convenient sets! Ideal for learning color theory and mixing, they are perfect for both amateur painters and established artists alike. Try this luxury paint line at a reasonable price! Key Features:* Many curated sets* Traditional & Modern Pigments* Linseed & Poppy Oil binder* Ideal Set Color Range* Huge 150ml tubes Perfect For:* All Oil Painters* Trying Charvin Fine Oils* Alla Prima Painting* Plein Air Painting Charvin Fine Artists' Oil Painting Sets Charvin Fine Oil Colors Value Set of 6: This set includes six 150ml tubes of fine oil colors, including: Intense Black, Phthalo Cyan, Burnt Umber, French Red Deep, French Yellow Primary, and Titanium White. A great value! Charvin Fine Oil Colors Bonjour Set of 5: This set features five 150ml tubes of fine oil colors, including: Titanium White, French Yellow Primary, Ruby Red, Ultramarine Blue, and Mars Black. Amour de La Nature Set of 10: includes Titanium White, Saint Remy Yellow, Naples Yellow Golden, Green Shadow, Celadon Green Deep, Chrome Oxide Green, Ultramarine Blue, Burnt Sienna, Burnt Umber, and Van Dycke Brown. L'Amour La Marina Set of 10: includes Titanium White, French Yellow Primary, Blue Shadow, Blue Lagoon, Tropical Green, Linen Flower, Royal Blue, Raw Sienna, Sepia, and Payne's Grey. Artiste de Studio Set of 10: includes Titanium White, French Yellow Primary, French Red Deep, French Blue Violet, Ultramarine Blue, Phthalo Viridian, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black. Amour de La Fleur Set of 10: includes Titanium White, Yellow Ochre, Chromium Oxide Green, Carmine, Phthalo Viridian, Provence Blue, Deep Violet, Ultramarine Blue Deep, Burnt Sienna, and Burnt Umber. A Taste of Charvin Set of 12: includes Amethyst Parma, Anise, Bamboo Green, Blue Lagoon, Cyclamen, Diamond Orange, Green Shadow, Ruby Red, Pink Coral, Ombre Rose, Rubine Lake, and Water Green Deep. Pro Colors of Life Set of 60: includes Absinthe Green, Amethyst Parma, Anise, Ash Blue, Ash Green, Azurin Blue Medium, Bamboo Green, Blue Lagoon, Burnt Sienna, Burnt Umber, Caribbean Blue, Carmine, Cassel Earth, Celadon Green Deep, Celadon Green Pale, Cerulean Blue, Cobalt Blue Light, Cobalt Violet Light Hue, Cyclamen, Diamond Orange, French Red Light, French Yellow, French Yellow Deep, French Yellow Orange, French Yellow Primary, Green Shadow, Indian Orange, Indigo, Intense Blue, Intense Lemon, Intense Pink, Intense Turquoise, Intense Violet, Intense Viridian, Ivory Black, Ruby Red, Mars Black, Meadow Green, Naphthol Red Deep, Naples Yellow, Olive Green, Ombre Rose, Paynes Grey, Peacock Green, Phthalo Viridian, Provence Blue, Prussian Blue, Raw Umber, Royal Blue, Rubine Lake, St Remy Yellow, Sap Green, Titanium White, Titanium Zinc White, Turquoise Deep Blue, Ultramarine Blue, Volcano Grey, Water Green Deep, Yellow Ochre, and Zinc White. See More
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Da Vinci Artists' Oil Color 150 ml Tube - Burnt SiennaSave Up to50%Off listBrown Oil Color Paint Fit for Masters™ Da Vinci Paint Co. has been formulating reliable artists’ colors since its beginning. With over 80 years experience, dating back to northern Italy, it was the first manufacturer to give artists a complete line of highly lightfast colors in the Da Vinci Oil Paints line. Today it continues to be the only company formulating all colors exclusively with ASTM permanent pigments approved for artists’ quality. Da Vinci Oil Paints use:* The highest quality ingredients* producing artists’ colors of high-tinting strength and excellent quality, are daily standards at the Da Vinci Paint factory.* Packed in non-toxic, lightweight aluminum tubes. First-quality certified. * Conforms to ASTM D-4302 and ASTM D-4236.* Tube: 37 ml / 1.25 oz* Tube: 150 ml / 5.1 oz* Made in USA with craftsmanship quality* Purest colors a must for the serious artist* High concentration of premium pigment is finely milled for maximum vibrancy Da Vinci Permanent Artists’ Oils are fit for masters. They are formulated using pure and refined linseed oil as a base and the best raw materials from around the world. Da Vinci whites are formulated with pure and refined safflower oil to reduce yellowing. These unique formulas blend traditional qualities with the reliability of modern lightfast pigments to achieve rich, creamy and brilliant colors. You can rest assured that every color coming out of this factory has earned its Da Vinci Paint logo. You get the highest quality paint at the best value available to you in the art material industry. "I switched to Da Vinci Oil Colors many years ago because of their buttery consistency and strong pigmentation. The purity of pigments is of great importance when glazing and I find Da Vinci Oil Colors give me the effects I am looking to achieve. I also like that they are made by a smaller company in California which I can trust." Paolo Pecchi - Artist in New York See More
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Grumbacher Academy Oil Color 150 ml Tube - Thalo GreenSave Up to49%Off listGreen Grumbacher Academy® Oil Paints - Made in the USA Grumbacher® has continued to produce quality oil paint in the tradition of the old masters. Superior quality pigments are combined with highly refined oils in their perfected paint formulas. Grumbacher® is one of the only brands of oil paint to be produced within the United States. Their highly controlled facilities allow them to personally test paints for a plethora of attributes such as purity and brilliance. With a wide range of rich, vibrant colors, Grumbacher's® line of Academy® oil paints have been popular with artists generation after generation. This time tested brand of oil color allows painters to experiment with the comfort of knowing that their pieces will leave a legacy. Grumbacher Academy® oil colors offer a quality line of 47 colors at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. An improved line of 47 colors including metallic paints that are highly pigmented and have superior tinting strength at a single student price. All colors have an ASTM lightfast rating of 1-Excellent. The colors in the Academy® Oil student line correlate to the Pre-tested® professional line*, allowing students to graduate to a professional grade paint with ease. Made in the USA. Key Features:* 47 colors* Metallics* Highly pigmented* Rich, vibrant colors* Superior tinting strength* Highly refined oils* Made in the USA Perfect For:* Affordable Oil Paint* Colors that are lightfast* Students to professionals* Lightfast colors Academy Oil Bonus Set of 7: - Six 24ml tubes of oil colors, One 24ml tube of Titanium White & Mixing guide See More
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Shiva Signature Artist Oil Color 150ml Tube - Quinacridone MagentaSave Up to73%Off listRed The Most Affordable Professional Oils On The Market! Richeson's Shiva Series Oils are formulated to please even the most discerning artists. The professional quality oils are made by grinding each pigment to its correct degree of fineness under exacting laboratory controls. Not only that, but The Shiva Series Oils are guaranteed not to darken, yellow, fade, or crack. Key Features: * Professional quality oils * Brilliant, rich colors * Buttery, reliable consistency * High level of permanency * Resistant to fading, darkening, yellowing, and cracking * Made in small batches in Wisconsin * Each pure pigment is ground to its own degree of fineness Perfect For: * Professional oil painters * Painting vibrant portraits * Accurately reflecting the hues of nature * Artists wanting the best experience Professionally formulated to satisfy the most discerning master painter! Each pure Richeson pigment is ground to its own correct degree of fineness and formulated under exacting laboratory controls. . During the manufacturing process, great care is taken to avoid overworking the pigment. The amount of time required for the milling process varies for each color – anywhere from six hours to three days. The amount of oil required for each pigment varies because each pigment absorbs at a different rate. Richeson uses only pure, artist-grade, dry pigments. The finest grade of alkali-refined linseed oil is used to make non-yellowing colors. This type of oil is well-known for its excellent color stability. “Straw" in color, the oil has a minimal effect on pigment colorization and will not darken with age. Certain colors, such as whites, flesh colors, ice blue, and brilliant yellow light, use safflower oil. With these sensitive pigments that yellow easily, safflower oil produces a much better non-yellowing color. Where appropriate, we use a blend of linseed and safflower oil, producing the best possible finished product. Click on the item number to view the contents of each set. See More
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Gamblin 1980 Oil Colors - Quinacridone Violet, 150ml TubeSave Up to40%Off listViolet A True Oil Color At A Real Value Gamblin's 1980 Oil Colors are made with pure pigments, the finest refined linseed oil and real value. This line of student grade oil paint offers artists true colors and a smooth application; instead of a homogenized texture or muddy color mixtures. Gamblin 1980 Oils Paint mixes fine pigments with marble dust (calcium carbonate) to extend the pigments easier and keeps the value of the artist grade pigment without the price tag of a professional quality paint. 48 colors in sizes of 37ml and 150ml tubes. Click Here -> Gamblin 1980 Oil Color Chart Key Features:* Available in 48 colors* 37ml and 150ml tubes* Formulated with pure pigments* Finest refined linseed oil* Made with marble dust (calcium carbonate)* Made in Portland Oregon* Perfect For:* Classrooms and workshops* Quality student grade paint* Made in USA brand* True color and texture* Experiencing colors that are true Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. Introductory Set- This set of 1980 Oil Colors is intended to give beginning painters a thoughtfully constructed palette to support any style of painting and includes 8 popular colors as well as Gamblin's solvent-free safflower oil. Contains: 6.5in x 12in pre-primed painting panel with 1.5in cradle depth, 37 ml (1.25 oz) tubes are included Cadmium Yellow Light, Yellow Ochre, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Phthalo Green, Ivory Black, and Titanium White See More
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Grumbacher Pre-Tested Oil Color 150 ml Tube - Superba Titanium WhiteSave Up to50%Off listWhite Good Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship oil color for artists. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. Only the highest the best ingredients available, putting each color through a rigorous selection process. Grumbacher Pre-Tested Oil Paints provide high chroma, superior tinting strength, and excellent adhesion for the professional artist. Pre-Tested offers the finest pigments milled in select alkali-refined linseed oil. Key Features:* Optimal color development* Excellent lightfastness ratings * Reformulated cadmium for purer and stronger colors* Superior adhesion and outstanding tinting strength* Outstanding working properties* Milled in select alkali-refined linseed oil* Mainly single pigment colors* Made in the U.S.A. Perfect For:* Practicing your painting* Smooth application* Great color variety* A modern palette color palette * Archival permanence* Portraitists and landscape painters* Artists of all skill levels Titanium White (Original) - A permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. Ideal for all applications where great opacity is required. This is the strongest tinting white. Titanium White (Soft) - This pigment is permanent, soft-bodied, opaque, non-yellowing and ground in poppy seed and sunflower oils. Also recommended for fluid wet-in-wet techniques. Zinc White - A permanent, heavy-bodied, semi-opaque, cool, crisp white. Designed especially for brilliant clear tints with all oil colors and excellent for glazing. Pre-Tested Oil Color Set of 10: This set contains ten 24ml tubes in the following colors: Cadmium Barium Red Light, Cadmium Barium Yellow Medium, Thalo Blue, Thalo Green (Blue Shade), Thio Violet, Burnt Sienna, Burnt Umber, Ivory Black, Titanium White, and Yellow Ochre. See More
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Maimeri Puro Oil Color 80ml Zinc WhiteSave Up to22%Off listWhite Absolutely Beautiful..Oil + pure pigment, nothing else! The product of outstanding technical achievement, Maimeri Puro Superior Oil Colors are the most advanced and yet the most traditional of oil colors. Restoring the outstanding simplicity and quality of original oil colors to paint formulas: that was the dream of painter and paint manufacturer Gianni Maimeri, although his dream did not become a reality until three generations down the line. Striving for simplicity and purity, putting years of technical experience to work, Maimeri’s company came up with the formulas for the 80 colors in this range one by one. Using the best, non-yellowing safflower and poppy seed oils, along with stable pigments which require no additives to produce a perfect impasto, Made in Italy, Puro oil offers a top quality balance between binder and pigment. Squeeze a tube of Maimeri Puro, and you’re squeezing the very idea of oil colors. Key Features:* Made in Italy* Maximum degree of lightfastness* 30% more concentrated than other artists’ oils* Colors are a single pigment, so they blend cleanly* Buttery smooth, with uniform clarity* Unbelievable brilliance* Oil + pigment and nothing else* Rich and transparent Perfect For:* Highest end oils you can buy* Impasto* Professional Oil Painters* Pigment Aficionados * Making paint go further* Upgrading to Professional Oils* Excellent chromatic results See More
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Schmincke Mussini Oil Color 150ml - Bluish Grey 2Save Up to30%Off listBlue Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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Tusc & Pine Artist Oil Color - Zinc White, 150ml TubeSave Up to53%Off listWhite Developed One Color At A Time For People Who Love To Paint Tusc & Pine Artists' Oil Paints, the artists' oil color celebrates the fusion of traditional paint-making methods and state-of-the-art technology. We painstakingly developed each color until we had an entire range of paints that we knew could elevate the painting experience. Our paint is made for painters who love to paint. Skilled artisans carefully make the colors in small batches based on each pigment's unique properties. A computer-automated 3-roll milling machine records and implements a special milling routine for each color. This high-tech process ensures that every batch of paint is consistent and perfectly formulated every time. Tusc & Pine is the first and only line of oil paints to be made with this level of precision and accuracy. Imagine having the right colors to paint the drops of dew on a blade of grass or the vibrant golden hues of an inspiring sunset. Tusc & Pine has all of those colors and more. For those seeking to capture the night, 5 exclusive nocturne colors bring shadowy figures and moonlit scenes to life. Excel beyond your limits with Tusc & Pine Artists' Oils The professional colors are packed with the maximum amount of pigment and can be thinned to create fine, rich glazes. No unnecessary additives are used, and all of the colors have outstanding lightfastness. Alkali refined linseed oil gives the paint its creamy texture and helps prevent yellowing over time. Tusc & Pine Artist Oil Colors deliver exceptional results for any painter in any style. Key Features: * Range of 96 oil colors * Made in partnership with Jerry's Artarama * Maximum pigment load * Highest-quality pigments * Cosmetic grade triple roller mills * Mixed and milled in small batches * Outstanding lightfastness * Alkali refined linseed oil binder * No unnecessary additives * Rich, creamy consistency * Pigments sourced from all over the world * Handpainted labels show true color * Made in North Carolina * Perfect For: * Oil painters * Plein Air and Alla Prima painting * Accurately reflecting the hues of nature * Painting vibrant portraits and landscapes * Traditional and modern painting methods * Creating rich glazes * Pigment enthusiasts * Use with StudioSolv Professional Quality Oils Made In Partnership With Jerry's Artarama About the Paint Maker: Michael Gorak has been making professional artist materials for over 30 years. In 2020, he founded MG Art Products in North Carolina to pass on his knowledge to the next generation and make the finest paints on the market! His small creative team includes chemical experts and professional artists from around the country. Their mission is to develop new modern processes and pigment formulations that go beyond the status quo while respecting the theories of the Old Masters. In 2021, Jerry's Artarama partnered with MG Art Products to create a line of professional oils under the Tusc & Pine name. Heather Goldstein, Director of New Product Development and Jerry's granddaughter, worked closely with Michael to formulate the colors. As a skilled painter with a BFA in studio art, Heather was able to bring a painter's perspective to each color. About Wellington Vert Noir: Wellington Vert Noir was developed by its namesake John Wellington for Tusc & Pine. John wanted to create a natural green using color mixes from the old masters that could be used straight out of the tube for beautiful landscapes. A teacher of traditional painting at The New York Academy of Art for over two decades, his paintings have been in numerous exhibitions in New York, Los Angeles, San Francisco, Miami, and Paris. Want to learn more about Tusc & Pine Artists' Oil Paints? Check out our informative color cards! Printable Color Cards See More
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Gamblin Solvent-Free Gel Oil Medium 150ml TubeSave Up to40%Off list…oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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Rembrandt Extra-Fine Artists' Oil - Titanium White, 150ml TubeSave Up to40%Off listWhite The Professional's Choice - pure and intense colors Royal Talens makes Rembrandt Oil Paints with only the best raw materials. The professional artists' oils are lightfast, and all colors are rated for 100 + years in museum conditions. They grind the pigments extra fine on a three-roll mill. That's why Rembrandt oil paints have such a rich buttery feel. Royal Talens crafts each color with the same handling properties, dry time, and sheen, regardless of pigment. This formula allows you to work quickly with less mediums in most cases. Out of the 120 colors in the range, Rembrandt's transparent earth colors are the most famous. Many professional artists rank these colors as essential because of their breathtaking transparency and brilliance. Key Features: * 120 colors * 40ml & 150ml tubes * Linseed or safflower seed oil binder * Extra Fine pigment grind * High degree of lightfastness * Incredibly strong tinting strength * Harmonious handling properties * Highest pigment load * Made in Holland Perfect For: * Extra fine quality * Very pure and intense colors * Optimal color strength with very high pigment concentration * Complete range of 120 colors * Buttery feel * Noticeable brilliance and color intensity * The new well-balanced selection of 120 colors has traditional and contemporary tones. This range includes extremely lightfast permanent yellows, reds, ultramarine greens, and modern metal colors. Plus, a full complement of transparent glaze colors like Quinacridone Rose and opaque colors like Nickel Titanium Yellow add depth and interest. The four madder shades are perfect for artists seeking a range of permanent Alizarin Crimson shades. Deluxe Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. See More
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Permalba Black Artist Oil Paint, 150ml TubeSave Up to38%Off listBlack Permalba White & Black Paints Weber Permalba White contains an exclusive blend of titanium, zinc and safflower oil, that gives it great covering power and make it one of the most opaque whites available. Original Permalba White is acid and alkali resistant, and it won’t yellow with age. It has a smooth, buttery consistency that dries to an elastic film with no tendency to crack. Key Features:* 150ml tube of white or black* Made in the USA* Formulated from refined linseed oil, safflower oils* Highly concentrated, lightfast pigments* Maximum film flexibility* Lead-free, acid-resistant, and alkali-resistant* Yields tints of true color value and brilliance* Won't yellow over time* Smooth, buttery consistency* Dries to a non-cracking, elastic film Perfect For:* Purest white* Superior opacity* Lead free painting* Artists of all levels Permalba White - An exclusive blend of titanium and other pigments. Permalba White is acid and alkali resistant, extremely opaque, and will not yellow or discolor. This fine paint tints to true color value with exceptional brilliance and has no tendency to crack due to its buttery consistency that dries to an elastic-like film. Non-toxic. Simply "the ultimate in artists' white oil color." Permalba Black - A unique blend of organic and inorganic blacks and other pigments. The ingredients are carefully selected, tested, formulated, and processed to obtain an intense, rich, color with subtle undertones when tinted with Permalba White. Permalba Black has a buttery consistency that works easily with a brush or painting knife. Non-toxic. See More
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Cobra Water-Mixable Oil Color, Emerald Green 150ml TubeSave Up to46%Off listGreen Infinite freedom — paint anywhere! Solvent Free Cobra Artists' Water-Mixable Oils by Royal Talens are an exceptional line of water-mixable oil colors perfect for any painter! Cobra Artists' Water-Mixable Oils are based on a modified, water-mixable oil binder, meaning that no harsh solvents, turpentine, or mineral spirits are necessary in the painting — or the clean-up — process. This makes for a much healthier painting environment, with no toxic and odorous fumes to inhale, and hence makes Cobra the ideal oil paint for use in classes, studios, outdoors, or even in your living room! Cobra Artists' Water-Mixable Oils are an artist grade paint, with a full line of 70 vibrant shades using only the highest quality pigments milled to an exceptional degree of fineness in a triple-roll mill. Key Features:* 70 vivid colors available* 40ml, 150ml Tubes* Sets of 5 & 10* No harsh solvents* 35 colors are single-pigment shades* Highest degree of light fastness* Minimal color shift or leveling* Cleans up easily Perfect For:* Healthier painting environment* Clean and brilliant color mixes* No toxic and odorous fumes* Artist grade paint* Use in classes, studios, outdoors* Cobra Artists' Water-Mixable Oils are an artist grade paint, with a full line of 70 vibrant shades using only the highest quality pigments milled to an exceptional degree of fineness in a triple-roll mill. Half of the line is comprised of single pigments, making for clean and brilliant color mixes, and all Cobra paints have the highest degree of light fastness, ensuring your art will remain radiant for years to come! With minimal color shift or leveling as they dry, all your paint strokes will remain as bright and textured as when you first lay them down. Cobra colors can be used exactly like traditional oil paints: from glazing and alla prima techniques to layering and impasto, and a range of mediums and varnishes expand the possibilities! So don't worry anymore about using harsh turpentine or white spirits — try Cobra Water-Mixable Oils and see what just a little water can do to your oil paintings! Modified oil color mixes directly with water! 70 vivid colors available in 40ml tubes, popular colors in 150ml 35 colors are single-pigment shades for clean mixes Behaves just like traditional oil paint Eliminates the need for solvents, turpentine or mineral spirits Cleans up easily with just soap and water Perfect for painting indoors or out, in the studio or at home! Water-mixable oil color sets perfect for travel! Starter Set of 5 - This set includes five 40ml tubes of Cobra Water-Mixable Oil Colors in Permanent Yellow Light, Pyrrole Red Deep, Cobalt Blue Ultramarine, Permanent Green Deep, and Titanium White. Excellent for practicing color mixing! Mixing Set of 5 Primary Colors - This fantastic new set is the perfect selection to practice color mixing! Includes a 20 ml tube of Titanium White, Primary Yellow, Primary Magenta, Primary Cyan, and Ivory Black, as well as a color mixing guide. Value Set of 10 - This expands upon the Starter Set, with ten 40ml tubes of Cobra color, including Permanent Yellow Light, Permanent Orange, Pyrrole Red, Permanent Red Violet, Ultramarine, Permanent Green Deep, Burnt Sienna, Yellow Ochre, Ivory Black, and Titanium White. A great introduction to these fantastic water-mixable oil paints! Gift Set of 10 with Accessories - The perfect gift for both beginners and experienced artists, this fantastic set comes with the same colors as the Value Set but adds a 75ml Bottle of Cobra Water-Mixable Oil Painting Medium, two bristle brushes (Flat size 4 and 10) and a metal double palette cup. It also makes an excellent traveling kit Brush and Hand Soap - Crafted from 100% vegetable-based ingredients. Whether you're working with oils or acrylics, Cobra Soap is the ideal solution for keeping your hands and brushes clean throughout your creative process. See More
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Gamblin Galkyd Gel Medium, 150ml TubeSave Up to40%Off list…thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Artfix Belgian Linen Canvas L64U Roll 85" x 11 YardsSave Up to63%Off listWhite Combine the exceptional archival nature of French Linen with the excellence of the ArtFix’s priming! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. The close attention to detail is what makes ArtFix a premium surface for the educated and discerning artist who chooses the very finest canvases for painting. In the world of flexible fabric painting substrates, linen has proven itself for generations as being the fiber that has long stood the test of time. Much stronger and more durable than cotton due to a longer natural thread fiber structure and strength without issues of shrinking and sagging, it can be woven in a thinner, tighter weave that weighs much less with much greater strength. Due to the nature of the fiber, the weave cannot be woven into a completely precise, machined-look texture like cotton, which creates a unique painting surface many artists covet. Long revered for their fine linens with their incredible surface priming, ArtFix combines time-honored European manufacturing methods of priming with modern chemistry. All linens (even unprimed) are double sized for protection against acids in oil paints, which allows uniform breathing of the linen under the painting to reduce paint film stress once the work is completed. Primed up to 4 layers (depending on the roll style), each layer is applied by hand and sanded. This effort of labor prevents peeling, flaking, and cracking of the primer, and makes for the most bond with fresh paint. This time-consuming process produces an unbelievable primed surface that painters become devotees to! Select from pre-sized raw, universal, and oil primed conservator’s grade linen rolls, and indulge in the ArtFix experience. Can’t decide? Try cut pieces of different styles to learn which is your favorite! Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFix’s specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. “C" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFix’s “U" style’s carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. "G" Styles - Absorbent Ground: ArtFix’s “G" style priming is a single layer of an absorbent grey ground primer. Absorbent ground linen can be used to work with oils and acrylics where wash and staining effects are desired, as they will absorb into the ground. This style primer also works well with liquid acrylics, oil pastels, and other media that has absorbent needs to create proper adhesion. Unprimed: Pre-sized, ArtFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessoes, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * Conservation grade French Linen * hand-primed by skilled artisans * Universal, Oil, Absorbent Ground Primers * Pre-Sized Raw Linen options Perfect For: * Oil and Acrylic Painters * Professional and discerning Artists * Conservation Specialists * Devotees to ArtFix’s Priming Formulas See More
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Chelsea Classical Studio Nuovo Brush Metal Medallions Pack of 5Save Up to61%Off listStiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction… Stiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction represents a new birth of superior painting brushes. Nuovo Long Handle Professional Brushes have three patented changes that make them feel lighter, not front heavy, so holding at their farthest end will be comfortable, allowing for a controlled stroke and smooth transitioning long stroke. The handles do not taper, and the diameter of the handle is consistent throughout, which makes the most comfortable area to hold the brush more towards the back. These patented changes apply to the standard 300mm brush handle and the handle extensions, making them 400mm long. The exclusively patented brush ferrules have both side support and a domed cut-out so that the brushes with long hair put the force of your stroke at the tip. The bristles will hold more paint and ensure no bristle hairs will splay. A little past the center of the handle is the fulcrum balance point. The Nuovo brush is balanced, so you can easily hold it with one finger. Painting at or just past the fulcrum point feels natural, allowing for perfect control of the brush with or without the handle extension. Holding the handle at the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses. Another benefit of hanging your brushes when not in use is it forces the paint and solvent towards the front of the bristles. Any excess will gather at the tip, and you can quickly wipe it away. Now your brushes will always be in the ready position! Key Features:* 5 sizes (click the paper icon for more details)* Long filbert natural hog bristle hairs* They hold more color than any other brush* Maximum controlled strokes without splaying* Flattened, non-staining, non-rusting ferrule* Patented side supports plus domed cut-out to retain brush shape* Balanced non-tapered handle* Brushes are light and comfortable to handle at their end* Less strain on your wrist, zero fatigue, more working time* Each handle is 13 inches long with a magnetic end* Removable 3-inch counterweight magnetic extensions sold separately* Total 16-inch handle when using counterweight magnetic extension* Brushes can attach with metal mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or any flat surface (magnetic ends, medallions)* Precise painting, blending, and expressive movement* Artists wanting the best experience* Working at an easel with controlled, even strokes* Superior control* Long smooth transitional strokes and line control* Ultimate tools of the trade for any oil color painter!* Limited storage space* No-hassle, everyday studio use Why Nuovo Brushes - Multiple Patents, Tremendous Control! * The breakthrough in brush design in 300 years* Longer hair holds more color than any other brush today* Greater precision and defined points* Tremendous controlled lines and long smooth transitional strokes* Held from their farthest end comfortably* Better weight distribution, zero hand fatigue* Maximum controlled strokes without splaying* Non rusting, non-staining ferrule Jerry's Exclusive - Best Seller! Bristles hold more color than ANY other brush, plus greater precision with ZERO hand fatigue! A brush that is so unique that its introduction represents a new birth of superior painting brushes! The current modern easel brush has a long 12-inch tapered handle and a seamless, flattened ferrule that allows artists to stand away from the easel. This design has remained unchanged for 300 years because it was the universally accepted way to make a brush. However, this design has several problems. The first problem is balance. A balanced brush experience is when a brush is gripped a few inches from the ferrule, defeating the purpose of an easel brush. Instead of finding yourself taking advantage of the handle length, you find yourself holding the handle near the ferrule, where it is comfortable and at its widest diameter. When clasping at the tip of the handle, the brush tends to flop, which leads to loss of control, plus the squeezing causes hand fatigue.* Chelsea Nuovo brushes have a balanced feel even when held from their farthest end. They have better weight distribution and zero hand fatigue. The second problem is the flat metal ferrule, which holds the bristle hair. Most brush shapes we used today have a flattened ferrule, with which the force of your stroke causes an outward pushing of the brush hairs. This push can make them less supple and often takes the paint off the canvas when painting. Brights get stiff as dried paint builds up where the hair and ferrule meet. Short bright brushes need constant cleaning, and full-size flats encourage shorter strokes as you paint. With longer hair brushes, such as extra-long filberts, stroke control is an issue, and the brush head cannot hold much color. If you paint with any long hair brush, from flats to filberts, the horizontal force across the entire ferrule causes hair to splay, leading to distorted shapes and loss of control.* Chelsea Nuovo brushes have a patented brush ferrule with side support and domed cut-out so that the force of your stroke is at the tip. The bristles will hold more paint and keep their shape. The third problem is well known to any artist using multiple brushes. You have to deal with the issue of brush storage when switching between them. Color transference between the brush heads can happen if you hold them in your hand. Putting them down on a flat surface can get paint not only on the handles but the surface, and the brush heads can touch, rendering them useless. Some artists use a brush vase to stand the brushes up, but ultimately some will contact. * Chelsea Nuovo brush handles feature a magnetic end, which can be attached to any easel or surface using the metal mounting discs. Perfect for hanging and storing brushes between uses. See More
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NYC Gigante Long Handle Bristle Brush, Value Set Of 4Save Up to74%Off listStiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line… Stiffness Watercolors Acrylics Oils Premium brushes designed for all artists painting large scale - Handmade in Germany Handmade by skilled artisans in Germany the Gigante range of high quality hog bristle brushes compliments all your other high end bristle brushes. The basic assumption of the line is that most artists use regular size bristle brushes for most of their needs and that would include painting on a grand scale. They are not made just to be big but are made to work flawlessly. The long handle makes them a favorite of artists in the world all over. you will love and enjoy to paint with these premium high quality brushes! Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints. High End Bristle Brushes Handmade by skilled artisans in Germany - Designed for all artists painting large scale Key Features:* Handmade by skilled artisans in Germany* High quality hog bristle brushes* Available in 4 shapes* Angular, oval, flat mottlers & Domed sash round* Made to work flawlessly* Long handle professional brushes* Varnished beech wood handles* Nickel plated ferrule, a rust proof tin coating* Exceptional quality for the price* Note: Click on Yellow Icon Next to each product for more details* Perfect For:* Use for acrylic and oil colors, Acryla Gouache as well as all sorts of decorative paints* Endless possibilities* All artists painting large scale* Complimenting all your other high end bristle brushes* Long handle makes them a favorite of artists* Covering a lot of area* Excellent control of your paint* FLAT MOTTLERS: Priming to painting to varnishing* OVAL MOTTLERS: Cutting in backgrounds, general painting, varnishing and large scale glazing There are four shapes to the Premium Gigante Brush line: ANGULAR MOTTLERS Sometimes artists look at this brush as if it is a specialty brush but it is not. It is used by some of the most famous artists of our time and a real tool for professional house and industrial painting. As you glance at the brush you will see one end has a hair length of 1.57" it then angles to 2" on the 2" wide brush and to 2.17" on the 3" wide brush. The shape allows artists and painters to curve their strokes. This is especially useful for cutting in basic shapes and to run the brush along a circular area. These brushes hold a lot of color and the tip of the brush is most useful for reaching smaller areas without having to switch brushes. You can cover a lot of area with this brush like all flat brushes. 2" brush is 13" long and the 3" is 13.6" long. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. OVAL MOTTLERS You'll immediately appreciate the natural flagged ends of these brushes that provide an excellent control of your paint. The oval shape is like an artists' filbert brush. Its intention is to allow for clean controlled strokes without flaring of the hair through the stroke. You can use this brush for cutting in backgrounds, general painting, varnishing and large scale glazing. FLAT MOTTLERS This brush is a workhorse of epic proportions and is one of the most beloved of all brushes used by artists that work large in scale. It has superior quality bristle hair with natural flagged ends to grip and release color with superb precision. It can be used flat or on its sides for various needs. The endless uses of this brush can't all be listed however it is ideal for almost all stages of a painting from priming to painting to varnishing. Use it with all your favorite media. Available in 2" wide with 2" long hair and a 12.7" length or 3" wide with 2" hair length and a 13.4" length. The handle is made of varnished beech wood and the ferrule is nickel plated with a rust proof tin coating. DOMED SASH ROUND BRUSHES The bushy round shape of the brush make it perfect for loading and creating long continuous soft edged linear strokes. The natural flagged ends and fullness of the hair allows it to cover large areas with ease. The brush works in unison with the other three shapes in this series and is a vital tool for a myriad of uses. This brush style has a history dating back to birth of artist brushes and has been the go to brush ever since. These brushes feature a long length which is instrumental to working large. It will be a brush you won't want to stop using. Available in 3 diameters: 20mm (.787") with a hair length of 43mm (1.7") and a total length with handle of 10.8", 25mm (1") with a hair length of 48mm (1.9") and a total length with handle of 11.2" and 30mm (1.18") with a hair length of 53mm (2.1") and a total length with handle of 11.8". With special nickel, encapsulated ferrule and long varnished beech wood handles. Clean and Care Recommendation: These brushes are made to be professional tools. For cleaning oil colors from brushes, we recommend Chelsea Classical Studios Lavender or Citrus brush cleaners. They not only will thoroughly clean the paint out of your brush but also will condition them to work flawlessly each time See More
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Mimik High Performance Synthetic Squirrel Brush Value Set of 8 & Brush CrateSave Up to83%Off listStiffness Watercolors Acrylics Oils Animal-Friendly, Synthetic Hair Brushes Finding a quality synthetic watercolor brush has been tough for a long time. That's why we partnered with a leading brush maker to craft a brush with all the benefits of natural hair and none of the drawbacks! Our… Stiffness Watercolors Acrylics Oils Animal-Friendly, Synthetic Hair Brushes Finding a quality synthetic watercolor brush has been tough for a long time. That's why we partnered with a leading brush maker to craft a brush with all the benefits of natural hair and none of the drawbacks! Our animal-friendly Mimik Squirrel brushes make a great substitute for natural squirrel and sable. The innovative synthetic blend imitates squirrel hair in its ability to hold copious amounts of color for large washes while also offering the control, response, and sharp edge of a Kolinsky sable brush. Each brush has a short blue-grey stained wood handle and a matte nickel-plated brass ferrule. Best of all, no animals are harmed or endangered to make Mimik Squirrel brushes. Finally, a watercolor brush that mimics natural squirrel and sable without endangering animals! Key Features: * Innovative high quality synthetic hair * Mimics squirrel and Kolinsky sable * Holds copious amounts of color for large washes and color lay down * Superb control, response, and sharp edge so loved in Kolinsky sable brushes * Short blue-grey wooden handles * Nickel-plated brass ferrules * Popular shapes and sizes * Perfect For: * Watercolors, gouache, and acrylics * Superb brush response * Animal-friendly artists * High color load * Superb control, response, and sharp edge See More
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Grumbacher Acrylic Medium - Retarder, 150 mlSave Up to45%Off list…flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and… Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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