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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
Pebeo Setacolor Leather Paint Medium - Lightening Deglazer, 110mlSave Up to20%Off list…leather designs. For best results, use the Setacolor primer-degreaser medium before painting for optimum adhesion. A 1:1 mixture of thinner and color should be created for airbrushing to obtain the optimal paint viscosity. Glue is an auxiliary for bonding pearls and beads to leather or polyester.… PREPARE - CREATE - PROTECT leather creations! Pebeo's Setacolor Leather Auxiliaries are perfect mediums for preparing, creating, and protecting leather designs. For best results, use the Setacolor primer-degreaser medium before painting for optimum adhesion. A 1:1 mixture of thinner and color should be created for airbrushing to obtain the optimal paint viscosity. Glue is an auxiliary for bonding pearls and beads to leather or polyester. Use Pebeo's matte satin or gloss varnish to protect the design and obtain the desired finish. Key Features: * Setacolor Auxiliaries * Opaque water-based acrylic mediums * Works with Setacolor Leather paints * Degreaser cleaner * Glue for attaching materials * Protective leather varnish Perfect For: * Customizing leather and imitation leather * Repairing discolored leather * Painting and airbrushing * Creating a satin, glossy, or matt-satin finish Setacolor Preparer-Degreaser*: This is an auxiliary product used to prepare and degrease the surface, remove the protective varnish that covers the leather, and degrease it for optimal paint adhesion. Use this degreaser before applying Setacolor Leather Paint. *This is a Hazardous product. Observe the precautions for use. Use only outdoors or in a well-ventilated area. Setacolor Lightening-Thinner Medium: For airbrushing, you should create a 1:1 mixture (thinner and color) to obtain an optimal viscosity for a smoother airbrush. This technique is highly recommended for customizing sneakers. The result is uniform (if you master the airbrush technique) and leaves no trace of paint. This auxiliary also lets you dilute, liquefy, and lighten Setacolor Leather colors when applied with a brush or airbrush without altering their properties (resistance, shine, etc.), unlike diluting with water. Setacolor Glue: Glue is an auxiliary for bonding cotton, leather, polyester, etc., with pearls, powders, or beads. You should only apply the glue to the necessary areas, and we recommend gluing directly without waiting for it to dry. It is crucial to remove any residues before the glue dries. Setacolor Masking Fluid: Masking Fluid is a peelable drawing gum perfect for defining paint-free areas on leather. Apply in a thick layer. Drying time varies depending on the thickness of the coating, but it should take approximately 30 minutes (Use a hair dryer to speed up drying). The bluish color helps to identify the masked areas and darkens when drying. You can apply it directly to the surface and then paint over it once the gum is dry. Alternatively, you can draw with the gum over an already applied color and cover the masking gum with another color to have a colored masked area instead of coloring the bare surface. Once dry, peel or rub the gum off with your fingers within a maximum of 15 days after application. Apply a thin layer of color to the dry masking gum to obtain clean lines after peeling or rubbing off. You can clean the brush with soapy water. Setacolor Matt-Satin and Gloss Varnishes: Protective varnishes must be applied to the work for optimal and long-lasting results. Available in 2 finishes: matt/satin or gloss. The varnish will help to seal the color perfectly, protecting your creation from rubbing, scratches, wear and tear, and water. They can be applied with a brush for an entirely uniform finish or with an airbrush without prior dilution for a shiny varnish and mixed 50:50 water and varnish for a matt-satin effect. The matt-satin varnish must be well mixed before use. It is recommended to wait 24 hours before varnishing. Tip: Mixing matt-satin and gloss varnishes can achieve the desired finish. Mix 3 parts gloss varnish to 1 part matt-satin varnish for a satin finish. See More -
Holbein Extra-Fine Artists' Oil Color 110 ml Tube - Permanent White ExtraSave Up to35%Off listWhite World-Class color and consistent viscosity Holbein Extra-Fine Artists' Oil Colors are world-renowned for their exquisite colors. The highly pigmented colors are designed around the Munsell Color Standard for hue, value, and chroma. With 145 open stock colors to choose from, you are sure to find what you need. Holbein monitors the entire manufacturing process to ensure pigment purity, color tone, physical stability, and lightfastness. Pigments are ground up to 10 times to achieve uniform viscosity across the entire range of colors. You can count on Holbein Extra-Fine Artists' Oil Colors because they are manufactured with precision. Key Features: * 145 Open stock colors (complete range of 167) * 40ml and 20ml tubes * 11 transparent glazing colors * Paint retains its flexibility * Smooth buttery feel * High pigment load and consistency * Imported from Japan Perfect For: * Oil painters * Reliable color mixing * Clean and lifelike colors * Brilliant color spectrum * Bringing out your highlights * Adding fine glazes * Alla Prima painting See More -
Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to20%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Holbein Artists' Foundation Oil Color, Grey 110ml TubeSave Up to35%Off listGrey Oil that is used as an underpaint Foundation colors are used as an underpaint, forming a barrier between the oil painting and the primed surface. You can even build-up your paint surface for a textured look. All colors are quick drying. Holbein Extra-Fine Artists' Oil Colors are one of the world’s most exquisite colors. It is by far the best technically manufactured paint—ground 3 to 5 times to achieve a universally consistent viscosity! Each Holbein Oil Color is modified to compensate for the inherent differences in the working characteristics of the pigment. The entire manufacturing process is monitored to insure optimum quality, as it relates to pigment purity, color tone, applicability and adhesion, physical stability, light stability, thermostability and antibacterial stability. By using Holbein Oils you can be sure that the time you put into your art will never be wasted, that the color you want in a custom blend is reliably achieved and the working qualities that you depend upon to accomplish your techniques remain consistent. Imported from Japan. See More -
Holbein Extra-Fine Artists' Oil Color 110 ml Tube - Titanium WhiteSave Up to35%Off listWhite Highest standard of quality control! Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. All Holbein Extra Fine Artists' Oil Colors are ground to a uniform viscosity in cold pressed linseed oil. Holbein Extra Fine Artists' Oil Color utilizes the purest of available pigments and is manufactured to the highest standard of quality control in the industry. Holbein Artists' Oil Colors ranks as one of the world's finest. Key Features:* Seven uniquely diversified whites* Paint retains its flexibility* Smooth buttery feel* Imported from Japan Perfect For:* Oil painters * Reliable color mixing* Bringing out your highlights* Clean and lifelike colors Please note: Each color swatch below shows the individual white mixed with 50% Crimson Lake. Some Holbein White oil paints contain toxic materials. Please click on the paper icon and the ! icon for more information. See More -
Duo Aqua Oil Color Quick Dry Medium Matte Paste 110 ml TubeSave Up to35%Off list…in top shape by adding extra protection to the bristles. DUO Aqua Brush Cleaner works well with acrylic paints and can even be used with traditional oils, though the brushes should be allowed to dry completely before the next painting session. Available in a 200ml bottle and a 500ml jug. Special blend of mediums to enhance transparency and aid flow! Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional oil paints. The Holbein laboratory adds a surfactant that coats the molecule of the DUO linseed oil, which permits water thinning and soap & water clean-up. DUO Aqua is compatible with all media such as traditional oil color and mediums, watercolor, gouache, acrylic gouache, and traditional acrylic paints. Key Features:* Thin with water* Milky appearance dries clear* Cleans up with soap and water Perfect For:* Professional artists and Teachers* Compatible with all media* Exceptional teaching materials Holbein DUO Aqua Linseed Oil increases the transparency and glossy finish while slowing the drying time of DUO Aqua Oil Paint. As with Holbein DUO Aqua Oil Colors, add water to thin DUO Linseed Oil. Adding water may cause the oil to become cloudy but will dry clear. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml and 200ml bottles. Holbein DUO Aqua Oil Stand Linseed Oil is a highly polymerized, viscous medium that increases the transparency of the water-soluble oil paint and produces a leveled gloss effect with an elastic, durable film. Like all DUO Aqua Mediums, thin with water. The solution may become milky but will clear when dry. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml bottles. Holbein DUO Aqua Oil Quick Drying Medium - Pastes and Liquids - will enhance transparency, accelerate drying time, and create a final surface finish. Mixing with DUO Aqua Oil Colors in equal parts, the substrate surface becomes tacky in approximately 30 minutes. When thinned with water, the resulting milky appearance becomes clear when dry. Thick layers may cause wrinkling. Available in Gloss finish and Matte finish. Pastes are available in 50ml and 110ml tubes and Liquids are available in 55ml and 200ml bottles Holbein DUO Aqua Brush Cleaner is an odorless, non-flammable cleaning solution formulated for Holbein DUO Aqua Water-Soluble Oils. It is also perfect for use with other water-soluble oil colors. This mild cleaner helps brushes stay in top shape by adding extra protection to the bristles. DUO Aqua Brush Cleaner works well with acrylic paints and can even be used with traditional oils, though the brushes should be allowed to dry completely before the next painting session. Available in a 200ml bottle and a 500ml jug. See More -
Holbein Duo Aqua Water-Soluble Oil Color 110 ml Tube - Ceramic WhiteSave Up to35%Off listWhite Fine Artist Quality Water-Soluble Oil Colors - Richly Pigmented For Brilliant Color! Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional oil paints. The Holbein laboratory adds a surfactant that coats the molecule of the DUO linseed oil, which permits water thinning and soap & water clean-up. Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. DUO Aqua Oil Color is compatible with all media, such as traditional oil color and mediums, watercolor, gouache, acrylic gouache, and traditional acrylic paints. DUO Aqua Oil Color is an exceptional teaching tool and excellent printmaking ink. Key Features:* Lightfast and archival pigments * Water-thinning * Cleans up with soap and water* Dries in as little as 24 hours Perfect For:* Professional artists and Teachers* Exceptional teaching tool* Compatible with all media* Excellent Printmaking ink Several Different Sets To Choose From! Click on the item number to view the set specs Duo Aqua Oil Color is compatible with traditional oil colors and mediums, water-soluble oils, and encaustics. See More
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