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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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Grumbacher Acrylic Medium - Retarder, 150 mlSave Up to45%Off listImprove your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques,… Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Speedball 5 oz Fabric Block Print Ink BrownSave Up to34%Off listBrown A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Gamblin Fast Matte Alkyd Oil Colors - Titanium White, 150ml TubeSave Up to25%Off listWhite Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More
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Schmincke Acrylic Bronze - Pale Gold, 150mlSave Up to20%Off listMetallic Perfect for decorative finishes! Schmincke Acrylic Bronze is a liquid metallic color that can be applied by brush onto paper, cardboard, wood, metal, plastic or gypsum. It can be diluted with water and is available in 5 metallic colors including copper, silver, pale gold, rich gold and rich pale gold. It is perfect for painting on walls, sculpture or for giving items a faux bronze finish. Key Features: * Liquid metallic color * Dilutable with water * Available in 5 metallic colors Perfect For: * Paper, cardboard, wood, metal, plastic or gypsum * Painting on with a brush * Walls, sculpture and faux finishes See More
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Koh-I-Noor 80lb Pen Paper Ink Block Panel Pad 7x10in-60 SheetSave Up to41%Off listWhite A very smooth 80lb/118 GSM bright white paper with a special ink receptive coating to ensure clean, crisp ink lines. The perfect paper for high contrast pen and ink drawings. Pad is constructed with an innovative InkBlock panel™. The InkBlock™ panel is inserted underneath the working sheet to prevent any marking or indentation to the sheet below. Innovative InkBlock panel - Prevents any marking or indentation to the sheet underneath Key Features: * 60 Sheets - 80lb/118 GSM * Ink receptive coating * Acid-free bright white paper * Extra smooth surface * InkBlock™ panel Perfect For: * Calligraphy & ink lovers * Fine detailed work * High contrast pen and ink drawings * Art of all kind * See More
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Pebeo Gedeo Bio Based Glazing Resin 150mlSave Up to20%Off listTransparent, bubble-free, non-yellowing resin! The Gedeo Bio-Based Resins offer high-gloss and transparent, bubble-free, non-yellowing resin that is ideal for all artists. The two-part resin and hardener are mixed to form a non-yellowing solid resin that is transparent. The low aroma and easy to… Transparent, bubble-free, non-yellowing resin! The Gedeo Bio-Based Resins offer high-gloss and transparent, bubble-free, non-yellowing resin that is ideal for all artists. The two-part resin and hardener are mixed to form a non-yellowing solid resin that is transparent. The low aroma and easy to use, Bio-Based Resins are respectful of the environment and safer to use. Pebeo Gedeo Bio-Based Resins can be used to create high-gloss coatings on finished works of various mediums. Crystal Resin is 50% Bio-based and has a smooth texture ideal for molds and inclusions (including natural details, such as dried leaves). Bio-based at more than 40% Glazing Resin can be applied to any flat surface without it spilling over the edges. Its semi-liquid composition is excellent for glazing or adding depth to paintings. The shorter curing time provides better control over the resin by pouring or when working with a dropper. Pro Resin is Bio-based at more than 50% and imitates the look of glass, yet offers the sturdiness of resin. It has a liquid texture and is ideal for professional artists pouring on large surfaces. Key Features: * Bio-Based Resins * Two components — resin and hardener * Bubble-free non-yellowing finish * High-gloss coatings * Low odor and easy to use * Semi-liquid texture * Bio-based at more than 40-50% * Imitates the look of glass * Shorter curing time Perfect For: * Enhancing and protecting your work * Glazing or adding depth to paintings * Mixed media applications * Acrylic paintings * Sculpture and silicone molds * Inclusions * Other found objects * Liquid Art Panels * Canvas, cardboard, wood & metal * Professional artists pouring on large surfaces See More
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Schmaltz Impasto Gel Oil Medium, 150ml TubeSave Up to56%Off list…for rendered chicken fat when developing this particular resin gel. Not only does it look a lot like its culinary cousin it also adds a luminous impact when mixed with oils. Please don't get confused! We know it looks delicious, but you should never eat your art supplies or use them in the kitchen! This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high quality alkyds and oils. Add it to your paint to create luminous, transparent full-bodied colors. The buttery gloss gel retains brush strokes and dries quickly, which makes it perfect for impasto effects and glazes. Pair with StudioSolv™ to reduce viscosity if a more leveled look is desired. Key Features: * Quick drying impasto gel * Increases shine and volume * Speeds up drying time * Improves transparency and gloss * Retains brush strokes and peaks * Contains linseed oil, safflower oil, and clear alkyd Perfect For: * Oil painters * Mixing luminous, transparent colors * Impasto effects and glazes * Speeding up drying time * Making your artwork Schmaltzy! Why the name Schmaltz? We were inspired by the Yiddish word for rendered chicken fat when developing this particular resin gel. Not only does it look a lot like its culinary cousin it also adds a luminous impact when mixed with oils. Please don't get confused! We know it looks delicious, but you should never eat your art supplies or use them in the kitchen! See More
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Da Vinci Oil Gel 150 ml TubeSave Up to50%Off listPaint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More
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Permalba Black Artist Oil Paint, 150ml TubeSave Up to31%Off listBlack Permalba White & Black Paints Weber Permalba White contains an exclusive blend of titanium, zinc and safflower oil, that gives it great covering power and make it one of the most opaque whites available. Original Permalba White is acid and alkali resistant, and it won’t yellow with age. It has a smooth, buttery consistency that dries to an elastic film with no tendency to crack. Key Features:* 150ml tube of white or black* Made in the USA* Formulated from refined linseed oil, safflower oils* Highly concentrated, lightfast pigments* Maximum film flexibility* Lead-free, acid-resistant, and alkali-resistant* Yields tints of true color value and brilliance* Won't yellow over time* Smooth, buttery consistency* Dries to a non-cracking, elastic film Perfect For:* Purest white* Superior opacity* Lead free painting* Artists of all levels Permalba White - An exclusive blend of titanium and other pigments. Permalba White is acid and alkali resistant, extremely opaque, and will not yellow or discolor. This fine paint tints to true color value with exceptional brilliance and has no tendency to crack due to its buttery consistency that dries to an elastic-like film. Non-toxic. Simply "the ultimate in artists' white oil color." Permalba Black - A unique blend of organic and inorganic blacks and other pigments. The ingredients are carefully selected, tested, formulated, and processed to obtain an intense, rich, color with subtle undertones when tinted with Permalba White. Permalba Black has a buttery consistency that works easily with a brush or painting knife. Non-toxic. See More
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Bockingford Watercolor Paper 140lb Cold Press 7x10" Spiral PadSave Up to38%Off listWhite Extremely forgiving watercolour paper valued by professionals and artists Bockingford is a beautiful English watercolor paper, traditionally made on a cylinder mould machine at the centuries-old St Cuthbert's Mill. Its unique surface is created by using natural woollen felts that give it a distinctive random texture to the finished sheet. The paper is appreciated for its excellent color lifting abilities which enables you to make corrections and get back to the white base paper without issue. This paper can also take heavy washes without displaying any distortion or cockling. This is a high quality paper which is produced by using the purist materials to archival standards in all facets of manufacturing. Bockingford Paper offers quality watercolor paper at an affordable price. Suitable for Watercolor, Acrylic, Gouache, Pastel, Pane & Ink, Pencil and Charcoal. These sheets have a pleasing white hue, but without harmful brightening agents. Surface grain is a bit rougher than conventional cold pressed sheets. Key Features:* Fine Quality Papers* Purist materials to archival standards* Acid-Free and buffered sheets* Traditionally made on a cylinder mould machine* Pleasing white hue* Surface grain is a bit rougher than conventional cold press* No harmful brightening agents* Created by using natural woollen felts* Cold Press 140lb Spiral Pads, many sizes* Sold in 10 or 25 Packs* 22 × 30" rough sheets* 140 lb and 200 lb weights Perfect For:* Suitable for Watercolor, Acrylic, Gouache, Pastel, Pane & Ink, Pencil and Charcoal.* Extremely forgiving watercolor paper* Professionals and artists * Excellent color lifting abilities* Heavy washes without displaying any distortion * Make corrections and get back to the white base feel See More
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Canson Montval Field Books Watercolor 7" x 10"Save Up to43%Off listLuxurious Fine Grain Watercolor Paper Canson Montval Watercolor Papers have a lovely natural cold press texture. All the books have a stiff back and large spiral binding, so the pages lay flat while you're working in the field. Perfect for illustrating your memories by capturing them in real-time,… Luxurious Fine Grain Watercolor Paper Canson Montval Watercolor Papers have a lovely natural cold press texture. All the books have a stiff back and large spiral binding, so the pages lay flat while you're working in the field. Perfect for illustrating your memories by capturing them in real-time, the travel watercolor art book is easy to carry and offers incomparable paper quality! Key Features: * Cold press watercolor paper * Natural white color * 140 lb. (300gsm) weight * Acid-free paper * Spiral bound sheets lay flat Perfect For: * Watercolor and gouache * Acrylic and ink washes * Colored pencil and graphite * Working in the studio or field * Students and working artists Paint your thoughts in this travel watercolor art book The travel watercolor art book is an essential accessory for all travelers who like to express their inner creativity during their trips. Premium quality paper for all levels Whether you're an experienced draughtsman or a beginner, the travel watercolor art book helps you develop your artistic potential from anywhere in the world. Thanks to the special weight of Montval® paper, paint is not absorbed instantly, which is particularly useful for people who use wet techniques such as watercolor. See More
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Canson Field Sketch Book 7" x 10", 80 SheetsSave Up to33%Off listSturdy sketchbooks perfect for travel! Canson Artist Series Sketch Books are great for perfecting your artistic skills and providing inspiration. Each book features high-quality, acid-free paper that accepts various dry media types. The paper has a fine textured tooth, good erasability, and is… Sturdy sketchbooks perfect for travel! Canson Artist Series Sketch Books are great for perfecting your artistic skills and providing inspiration. Each book features high-quality, acid-free paper that accepts various dry media types. The paper has a fine textured tooth, good erasability, and is smudge-resistant. The high-quality construction and attention to detail make these books timeless and essential to any artist. Key Features: * Hardbound or spiral format available * Fine textured acid-free paper * Hard front and back covers Perfect For: * All dry media * Travel or plein air work * Journaling your thoughts and ideas See More
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Canson XL Black Drawing Pad 7"x10", 40 SheetsSave Up to33%Off listBlack High quality papers at low prices! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! This high-performance 70lb (114gsm) drawing paper is designed to appeal to students looking to combine value with quality. With a smooth white surface that erases cleanly, these pads have micro-perforated true size sheets that can be removed cleanly from the pads, and the strong wire binding and 14-point cover will stand up to heavy use in virtually any dry media. Perfect for students or advanced artists from middle school to college and beyond! Key Features:* 70lb (114gsm) weight* Micro-perforated true size sheets with easy removal* Strong wire-binding* Smooth white surface Perfect For:* Heavy use in virtually any dry media* Students & advanced artists Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Pebeo Gedeo Crystal Resin 2-Part Kit, 150mlSave Up to27%Off listPerfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon… Perfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon colors, Vitrail, Ceramic, and Studio Acrylics colors and mediums to create a wide range of beautiful effects such as precious stones, marbling, and much more.Please note: Make sure to follow the manufacturer’s instructions. Use only the recommended amount. Do not mix all of the resin at once because the reaction will cause the product to overheat and yellow. It dries completely in approximately 24 hours, depending on the thickness of the application. It can also be used as a protective coating on most surfaces or poured over Fantasy, Vitrail, and Ceramic colors. Wait a minimum of 7 days before adding a coat of resin over completely dry colors to add depth and brilliance to your creations. You can tint the Crystal Resin with up to 10% Vitrail or Ceramic color.* Gedeo Crystal Resin -Low-odor crystal clear resin that you can mix together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects. Perfect for casting in silicone molds, stained glass effects, resin jewelry, layered art, and mixed media applications. It dries completely in 24 hours, depending on thickness of the application.* Gedeo Pearl Resin -Low-odor pearl resin that comes in three opaque, luminous colors: Pearl white, Gold, and Vermeil. Perfect for casting in silicone molds, making frames, layered art, and mixed media applications. For layered effects, apply a first thin layer ; allow to cure, and then pour a second layer. To add suspended objects, pour a thin layer of resin first, allow to cure, add objects, and pour a second layer to fix them in place. It dries completely in 24 hours, depending on thickness of the application. Key Features:* Low-odor, liquid consistency resin* Easy-to-use, two-component epoxy resin system (resin and hardener)* High-gloss finish with no shrinking when dry* Can be mixed together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects Perfect For:* Stained glass effects* Resin jewelry* Mixed media applications See More
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Gamblin Galkyd Gel Medium 150ml (5oz) TubeSave Up to25%Off listTrue to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin Solvent-Free Gel Oil Medium 150ml TubeSave Up to25%Off listGamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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Strathmore Vision Mixed Media 7x10 In Pad Wire Bound - Medium Surface - 70 SheetsSave Up to25%Off listWhite Vision Mixed Media Pads - Let the world see your vision Tear off the top sheet and reveal your own customizable cover! A medium weight, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Tear off the top sheet and reveal your own customizable cover! Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. Drawing Paper Weight: 98 lb. 160 g/m2 Surface: Medium Customizable Cover Weight: 184 lb. 300 g/m2 Surface: Medium 5.5" x 8.5 Wire Bound (8.5") 70 Sheets 7" x 10" Wire Bound (10") 70 Sheets 9" x 10" Wire Bound (12") 70 Sheets 11" x 14" Wire Bound (14") 70 Sheets Key Features:* Mixed Media Paper Weight: 98 lb. 160 g/m2* Customizable Cover Weight: 184 lb.* Medium weight, all-purpose paper in a sketching format* Versatile paper * Permanent mixed media cover underneath* Good choice for dry and light, wet media sketching* Tear-off top sheet* Customized with your own artwork* Pads are micro-perforated* All sizes feature high sheet counts* Sturdy chipboard backing Perfect For:* Dry and light, wet media sketching* Sturdy chipboard backing and tear-off top sheets* Customizable, steel blue mixed media covers below* All-purpose paper in a sketching format* Pads are micro-perforated Strathmore® Vision™ Artists are as unique as their vision. That's why we listened to requests for a series of artist pads with covers that can be customized. For the first time ever, our new line of pads features a tear away fly sheet that reveals a heavyweight, CUSTOMIZABLE, blank cover made from high quality, steel blue mixed media paper.Featuring extra high sheet counts and extra durability, this affordable line delivers key performance characteristics for sketching, drawing, mixed media and watercolor art. See More
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Canson XL Mix-Media Pad 7"x10", 60 SheetsSave Up to33%Off listHigh-Quality Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their Canson XL Mixed Media Pad line to… High-Quality Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their Canson XL Mixed Media Pad line to serve just that purpose! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Mix Media Pads - The heavy sizing on this fine-textured paper makes it perfect for both wet and dry media, and the 98lb (160gsm) weight makes for a sturdy surface that can even take light collage. Use it for anything from drawings and designs to washes and even paintings in watercolor or acrylic. With micro-perforated true size sheets in each wire-bound pad, you can create an entire body of work in just about any media you like! Key Features:* 98lb (160gsm) Weight* 60-30 Sheets* Acid-Free* Spiral Bound* Fine-Textured Perfect For:* Wet and Dry Media* Heavy Markers* Light Collage Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Stillman & Birn Nova Series 7X10 Wirebound Grey SketchSave Up to20%Off listGrey Premium Wirebound Sketchbooks - High-Performance Art Papers Stillman And Birn Nova Series Sketchbooks are ideal for a wide range of media. The medium grain 93lb (150 gsm) paper can withstand multiple erasures. The unique Nova Wirebound sketchbooks hold 50 sheets of a beige, black, or grey toned paper. With Stillman and Birn Nova Series Sketchbooks, anyone can confidently experiment on a paper that will support the most demanding techniques. Key Features:* High-performance, robust art papers* Rugged wire binding* Exceptional paper strength for layering and lifting wet media* Beige, Grey, or Black paper* 50 acid-free sheets / 100 pages* 93 lb (150 gsm)* Note: Click on Yellow Icon Next to each product for more details Perfect For:* Mixed Media* Colored pencils, inks, gel pens, paint markers* Watercolors, gouache, chalk pastels, oil pastels* Water-soluble graphite, charcoal, Conté crayons, colored dry pigments* Ink and liquid watercolor See More
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Stillman & Birn Nova Trio 7X10 Wirebound Mixed Sheet SketchSave Up to20%Off listAssorted Colors Premium Softbound & Wirebound Sketchbooks For Mixed Media! Stillman and Birn's Nova Trio Mixed Media line offers three shades of toned medium weight paper in one convenient wirebound or softbound sketchbook. You can use a wide range of dry and wet media on the medium grain 93 lb paper, including inks and light watercolor washes. Outdoor sketching is a breeze with the Novo Trio wirebound sketchbooks which feature high-density warp resistant covers. Each sketchbook holds 51 or 46 sheets of toned paper in a mixture of black, white, and grey tones. Key Features: * High-performance, robust paper * Wirebound or softbound * Black, white, & grey toned paper * 51 sheets wirebound, 46 sheets softbound * 93 lb (150 gsm) paper * Holds ink lines without feathering * Erase without pilling paper Perfect For: * Mixed media artwork * Wet or dry media * Colored pencils, inks, gel pens * Paint markers, watercolors, and more * Documenting ideas on the go * Art Journaling See More
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Fabriano 1264 Watercolor Spiral Cold-Press Pad - 7x10 Portrait, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Winsor & Newton Professional Watercolor Block 140 lb Cold Press 7x10Save Up to40%Off listWhite Durable, mould-made, 100% cotton watercolor paper! Winsor & Newton's 100% cotton Professional Watercolour Blocks and Sheets provide the best surface for smooth, even washes of transparent color. Cold and hot press sheets are formed on a traditional Italian cylinder mould for durability. Internally and externally sized cotton fibers make up the robust absorbent paper. Free from acids and optical brighteners, this paper is archival and resistant to yellowing. Portable bocks are glued on all four sides and contain 20 sheets each. Winsor & Newton Professional Watercolour Blocks and Sheets have precise sizing for superb absorbency and pigment dispersion. Key Features: * 100% Cotton paper * 140lb (300gsm) Bright natural white paper * Cold and hot press texture * Made on a traditional cylinder mould * Internally and externally sized * Acid-free and non-yellowing * Free of optical brighteners * Optimal water absorbency and pigment dispersion * Blocks glued on all four sides * Watermarked sheets * Crafted in Italy * Perfect For: * Professional watercolorists * Watercolor and gouache * Suitable surface for acrylic and soft pastel * All water media! * An endless array of techniques * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing * Multiple layers of wet media * Travel or use in the studio See More
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Winsor & Newton Mixed Media 135 lb Spiral 7x10 Pad 30-SheetsSave Up to41%Off listWhite Durable enough to withstand mixed media multi-layered work! With Winsor & Newtons, Mixed Media Pads, you can create dynamic mixed media drawings and paintings on tough multipurpose paper. Each spiral-bound pad contains thirty sheets of 135lb natural white fine-grain paper. The paper mill uses hydroelectric power to reduce greenhouse emissions and FSC certified pulp to protect forests. Winsor & Newton designed the Mixed Media Pad paper to withstand repeated manipulation and various wet and dry media layers, including graphite, pastel, acrylic, watercolor, and gouache. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * 135lb, 250gsm Mixed media paper * 30-Sheets, spiral-bound * Micro-perforated sheets for easy removal * Heavyweight and non-absorbent paper * Soft white paper with a slightly grained texture * Archival acid-free and non-yellowing * Free of acids and optical brighteners * Hydroelectric power used to reduce greenhouse emissions * FSC certified pulp to protect forests * Perfect For: * Mixed media artists * Combining wet and dry mediums and techniques * Sketching and drawing * Graphite, pastel, acrylic, watercolor, and gouache * Illustrators, designers, fine arts * Withstanding mixed media multi-layered work * An endless array of techniques * Archival foundation for artwork See More
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Winsor & Newton Sketchbook 50 lb Wire Bound 7x10 Pad 80-SheetsSave Up to41%Off listWhite Ideal For drawing in-studio or on-the-go Winsor & Newton Sketchbooks are great for keeping a sketch diary and are portable enough for drawing on the go. These high-quality sketchbooks come in hardbound and spiral-bound styles with classic leather-like covers. Each sketchbook contains eighty sheets of 50lb medium grain extra white paper. The slightly grained cartridge paper is ideal for pencil, ink, and light watercolor washes. Winsor & Newton spiral-bound sketchbooks lay open flat and include easy-to-remove micro-perforated sheets. Key Features: * 50lb, 110gsm Cartridge paper * Extra white color * Slightly grained texture * Acid-free quality paper * Easy-to-remove micro-perforated sheets * Black hard "leather-like" cover * Hardbound or spiral-bound * Spiral-bound lays open flat Perfect For: * Graphite, colored pencil, and charcoal * Ink and light watercolor washes * All dry techniques * Keeping a sketch diary * Quick studies on-the-go * Colored pencil techniques * Line and value graduation See More
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Canson XL Fluid Mixed Media Pad 7"x10", 30 SheetsSave Up to32%Off listWhite Finally, a paper that does not warp under fluid acrylic pours! Canson XL Fluid Mixed Media Pads feature a 90lb. (250 gsm) heavyweight paper perfect for acrylic pouring techniques. Fluid acrylics flow evenly across the smooth, clean surface of the paper. You don't have to worry about the paper curling because the paper is durable and can withstand wet acrylic paint without warping. Bold, bright colors stand out against the super white background. The super-smooth surface is also perfect for precision drawing with technical pens, ink, and markers. Each pad contains 30 sheets. Key Features: * 90lb. (250 gsm) heavyweight paper * Each pad contains 30 sheets * Smooth white surface * Super white paper for color contrast * Acid-free and will not yellow * Sturdy cardboard backing provides stability for use on the go * Complies with the ISO longevity standard 9706 * Paper made from FSC® certified wood Perfect For: * Acrylic pouring techniques * India ink and acrylic ink * Liquid watercolor and markers * Fluid acrylic paintings * Illustrators and fluid acrylic artists * New artists wanting to try pouring without a big investment * At home painting parties * Artists of all skill levels See More
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Great White Artist Oil Paint, 3 PACK - 150ml (5oz) TubesSave Up to59%Off listWhite Heavy Body, Opaque, Non-Yellowing, Archival White Great White Artist Oil Paint is a professional white oil paint made from the purest pigments and the clearest safflower oil. Its buttery smooth consistency dries to a strong elastic film that will not crack or flake. Apply in a thick impasto style or thin with solvent to create soft glazes or delicate highlights. Cover large areas quickly and thoroughly with the brightest opaque white oil paint on the market. Great White Artist Oil Paint is uniquely blanched to stay neutral and not alter color warmth. As a result, the white oil paint mixes well with other colors to yield clean, brilliant tints that resist yellowing. Great White Artist Oil Color has been developed with a historic knowledge of the ingredients and a state-of-the-art blending process. The paint is thoroughly mixed in a European 3-roll computer automated milling machine, a first in color-making. This process allows the oil to coat the pigments in the paint entirely and ensures perfect blending. 100% guaranteed to be the best white you have ever used or your money back! Key Features: * Professional quality, lead-free white * Made with the highest concentration of pigments * Heavy body, opaque, and archival * Clear safflower oil resists yellowing * Will not crack or flake * Highest lightfastness rating * Made in the USA Perfect For: * Color mixing and creating tints * Covering large areas quickly * Creating soft glazes or delicate highlights * Textured brush or palette knife application * Schmaltz™ and StudioSolv™ mediums * All oil painters See More
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Magnani 1404 Annigoni Drawing Paper Pad 117lb - 7" x 10" (25 Sheets)Save Up to40%Off listWhite A Truly Unique Paper Developed By A Maestro Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Annigoni Drawing Paper is perfect for anyone who desires the highest quality paper available. For over 70 years, Annigoni Drawing Paper has been made to the specifications of the famous portrait painter Pietro Annigoni. Annigoni is best known for his famous oil paintings of Queen Elizabeth II and John F Kennedy. Still, in his spare time, he worked closely with the Magnani mill to develop this unique paper for his preparatory sketches. Annigoni Drawing Paper is made by evenly distributing a mixture of beige-colored cotton and dark cellulosic fibers on a slowly rotating wire cylinder before it is pressed onto special Magnani marking felts and dried. The soft yet rough paper texture is ideal for using charcoal, graphite, pastel, and light ink washes. During his life, Pietro sometimes primed the paper with rabbit skin glue so that he could use oil paints on the surface. Annigoni is a truly unique paper not found anywhere else in the world. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival drawing paper * Beige colorant and dark wool fibers give the paper depth * Soft yet rough surface texture * Mould made on a cylinder machine * Developed by the famous artist Pietro Annigoni * Very unique and one-of-a-kind paper * Available in pads or 2 deckle edge sheets * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * No watermark * Can be treated with rabbit skin glue for use with paint * Made in Italy Perfect For: * Mixed media use * Sketches and finished artworks * Drawing with pencils, charcoal, sanguine, and pastel * Wet and dry media * Light scrubbing and erasing See More
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Magnani 1404 Arte Moderna Mix Media Pad 140lb - 7" x 10" (20 Sheets)Save Up to40%Off listWhite 100% Cotton Paper Made with 600 Years of Knowledge Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Arte Moderna Mixed Media Paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Arte Moderna Mixed Media Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. Thanks to its vegan sizing, the paper has superior absorbency and can withstand multiple layers and washes. Its natural rough surface makes it ideal for dry and wet mixed media techniques. No optical brighteners are used to give Arte Moderna its extra bright white color. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Magnani 1404 Arte Moderna Mixed Media Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * 100% cotton, archival mixed media paper * Mould made on a cylinder machine * 140lb (300 gsm) weight * Extra white color * Rough natural surface texture * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Made in Italy Perfect For: * Sketches, finished artworks, and drawings * Watercolor, gouache, ink, acrylic, graphite pencils, charcoal, sanguine, pastel, and colored pencils * Wet and dry media * Light scrubbing and erasing See More
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Magnani 1404 Firenze Acrylic Pad 188lb - 7" x 10" (15 Sheets)Save Up to40%Off listWhite 100% Cotton Paper Made with 600 Years of Knowledge Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Firenze Acrylic Paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Firenze Acrylic Paper is made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. Thanks to its internal and external vegan sizing, the 188lb paper has superior absorbency and can withstand multiple layers of acrylic paint. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival acrylic paper * Mould made on a cylinder machine * Heavy 188lb weight * Rough surface texture * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Made in Italy Perfect For: * Acrylic painters * Wet and dry media * Acrylic, gouache, ink, and watercolor * Working with graphite, colored pencils, pastels, and charcoal * Palette knife or brush application * Working with multiple layers * Painting on the go * Traveling See More
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Weber Turpenoid Gel Painting Medium, 150ml TubeSave Up to43%Off listThe most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Williamsburg Extender Medium, 150ml TubeSave Up to30%Off listThe Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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