Additives at Jerry's Artarama

Chroma Atelier Interactive Mediums and Additives - Unlocking Formula, 250ml

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Chroma Atelier Unlocking Formula. When adding moisture won't open the paint, simply spray or brush a little unlocking formula and the paint will rewet and you can continue. It will also re-wet or re-open recently dried paint. * Unlocking Formula - 250 ml Bottle Chroma Atelier Unlocking Formula. When adding moisture won't open the paint, simply spray or brush a little unlocking formula and the paint will rewet and you can continue. It will also re-wet or re-open recently dried paint. * Unlocking Formula - 250 ml Bottle See More

Chroma Atelier Interactive Mediums And Additives

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…gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques   Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More

Chroma Atelier Interactive Mediums and Additives - Slow Medium, 250ml

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Chroma Atelier Slow Medium. Extends wet-in-wet blending time and is designed to be used in conjunction with a water sprayer. It will tack up quite quickly but is very easily made workable again with the water sprayer. It is preferable to use a water sprayer to extend blending time, rather than… Chroma Atelier Slow Medium. Extends wet-in-wet blending time and is designed to be used in conjunction with a water sprayer. It will tack up quite quickly but is very easily made workable again with the water sprayer. It is preferable to use a water sprayer to extend blending time, rather than adding more medium because if too much medium is added the paint will become tacky. This medium is useful for fine detail. * Slow Medium - 250 ml Bottle See More

Chroma Atelier Interactive Mediums and Additives - Thick Slow Medium, 250ml

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Chroma Atelier Thick Slow Medium. Thick Slow Medium has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best… Chroma Atelier Thick Slow Medium. Thick Slow Medium has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. * Thick Slow Medium - 250 ml Bottle See More

Chroma Atelier Interactive Mediums and Additives - Heavy Gel Gloss, 237ml

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Chroma Atelier Interactive Mediums and Additives - Heavy Gel Gloss, 237ml Chroma Atelier Professional Heavy Gel Gloss Gel A thick, water-based, glossy acrylic gel designed to exaggerate structure and sharpen textural edges of the paint in acrylic painting. Heavy Gel Gloss creates a more translucent… Chroma Atelier Interactive Mediums and Additives - Heavy Gel Gloss, 237ml Chroma Atelier Professional Heavy Gel Gloss Gel A thick, water-based, glossy acrylic gel designed to exaggerate structure and sharpen textural edges of the paint in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. * 237 ml bottle See More

Chroma Atelier Interactive Mediums and Additives - Fast Medium/Fixer, 250ml

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Chroma Atelier Medium. Fast Medium/Fixer is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and… Chroma Atelier Medium. Fast Medium/Fixer is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. * Fast Medium/Fixer - 250 ml Bottle See More

Chroma Atelier Interactive Mediums and Additives - Clear Painting Medium, 250ml

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Chroma Atelier Medium. This medium allows paint to spread over a surface for more blendable gradations of color and fast glazing techniques. Use also to retain some texture in diluted paint. * Clear Painting Medium - 250 ml Bottle Chroma Atelier Medium. This medium allows paint to spread over a surface for more blendable gradations of color and fast glazing techniques. Use also to retain some texture in diluted paint. * Clear Painting Medium - 250 ml Bottle See More

Chroma Atelier Interactive Mediums and Additives - Retarder Medium, 250ml

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…Retarder Retarder slows down the drying process when added to acrylics and mediums. It is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10 percent addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. * 250 ml Chroma Atelier Professional Retarder Retarder slows down the drying process when added to acrylics and mediums. It is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10 percent addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. * 250 ml See More

Chroma Atelier Interactive Mediums and Additives - Pouring Medium, 8oz

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Do More With Your Acrylic Paints! Designed for extreme fluid effects and pouring techniques. The self-leveling medium dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. * Pouring Mediium 8oz Do More With Your Acrylic Paints! Designed for extreme fluid effects and pouring techniques. The self-leveling medium dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. * Pouring Mediium 8oz See More

Charbonnel Etching Inks

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Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness.… Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More

Charbonnel Etching Ink Additive - Light Oil, 500ml Can

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Charbonnel Etching Ink Additive - Light Oil, 500ml Charbonnel Etching Ink Additive - Light Oil, 500ml - is the lightest grade of etching oil. It is made from linseed oil and is colourless. Delivering a low viscosity, this clear oil is used to thin printing inks, while adding transparency and… Charbonnel Etching Ink Additive - Light Oil, 500ml Charbonnel Etching Ink Additive - Light Oil, 500ml - is the lightest grade of etching oil. It is made from linseed oil and is colourless. Delivering a low viscosity, this clear oil is used to thin printing inks, while adding transparency and brilliance to your colours.* Ink Additive - Light Oil, 500ml * Made from linseed oil * Clear and transparent * Use to thin printing inks * Wash up with oil or solvent * Made in France See More

Charbonnel Etching Ink Additive - Heavy (Fatty) Oil, 500ml

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Charbonnel Etching Ink Additive - Fatty Oil, 500ml Charbonnel Etching Ink Additive - Fatty Oil, 500ml - Charbonnel Greasy Etching Oil is our medium grade etching oil, delivering a fatty viscosity. Made from linseed oil, it is colourless. With a medium fatty viscosity, this clear oil is used to thin… Charbonnel Etching Ink Additive - Fatty Oil, 500ml Charbonnel Etching Ink Additive - Fatty Oil, 500ml - Charbonnel Greasy Etching Oil is our medium grade etching oil, delivering a fatty viscosity. Made from linseed oil, it is colourless. With a medium fatty viscosity, this clear oil is used to thin & thicken printing inks, depending on their initial viscosity.* Ink Additive - Fatty Oil, 500ml * 100% natural and non toxic* Viscosity: Medium (30) * Wash up with oil or solvent * Made in France See More

Charbonnel Etching Ink Additive - Lamour Hard Black Ball Ground, 40 Grams

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Charbonnel Etching Ink Additive - Lamour Hard Black Ball Ground, 40 Grams Charbonnel Etching Ink Additive - Lamour Hard Black Ball Ground, 40 Grams- Charbonnel's Lamour Hard Black Opaque Etching Ground Ball provides an etching ground in a solid form. While the Lamour Hard Black Opaque Ball offers… Charbonnel Etching Ink Additive - Lamour Hard Black Ball Ground, 40 Grams Charbonnel Etching Ink Additive - Lamour Hard Black Ball Ground, 40 Grams- Charbonnel's Lamour Hard Black Opaque Etching Ground Ball provides an etching ground in a solid form. While the Lamour Hard Black Opaque Ball offers hard grounds, it is not as hard as our Hard Black Ball Ground. It delivers a matt black finish, which makes the etching work extremely clear. These grounds are ideal for etching fine details and deep lines. These etching grounds should be applied to warm plates with a leather dabber or brayer.* Lamour Hard Black Ball Ground, 40 Grams * Contents: Judea Bitumen, Dammar Resin & Wax * Dry extract: 100% * Finish: Matt & Opaque * Weight: approx. 40g * Made in France See More

Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 Grams

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Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 Grams Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 Grams - Charbonnel's Hard Black Opaque Etching Ground Ball provides an etching ground in a solid form. The Hard Black Opaque Ball is very hard. It delivers a matt black… Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 Grams Charbonnel Etching Ink Additive - Hard Black Ball Ground, 40 Grams - Charbonnel's Hard Black Opaque Etching Ground Ball provides an etching ground in a solid form. The Hard Black Opaque Ball is very hard. It delivers a matt black finish, which makes the etching work extremely clear. These grounds are ideal for etchings that require fine details and deep etched lines. These etching grounds should be applied to warm plates with a leather dabber or brayer.* Hard Black Ball Ground, 40 Grams * Contents: Judea Bitumen, Colophonium, Beeswax * Dry extract: 100% * Finish: Matt Opaque * Weight: approx. 40g * Made in France See More

Charbonnel Etching Ink Additive - Soft Black Ball Ground, 40 Grams

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Charbonnel Etching Ink Additive - Soft Black Black Ball Ground, 40 Grams Charbonnel Etching Ink Additive - Soft Black Ball Ground, 40 Grams- Charbonnel's Soft Black Black Opaque Etching Ground Ball provides an etching ground in a solid form. These soft grounds are non-drying. They deliver soft lines… Charbonnel Etching Ink Additive - Soft Black Black Ball Ground, 40 Grams Charbonnel Etching Ink Additive - Soft Black Ball Ground, 40 Grams- Charbonnel's Soft Black Black Opaque Etching Ground Ball provides an etching ground in a solid form. These soft grounds are non-drying. They deliver soft lines and textural effects. This etching ground is best applied to warm plates with a leather dabber or a brayer. As this is soft ground, you can use the pencil method to make imprints on your plate. To achieve the pencil method, apply a light sheet of paper over the prepared plate. Next use a hard pencil to draw out your design. When the paper is removed it will take the pressured lines of ground with it, leaving the drawing on the plate.* Soft Black Black Ball Ground, 40 Grams * Contents: Judea Bitumen, Pitch Resin, Tallow, Colophonium, Beeswax * Dry extract: 52% * Finish: Satin Opaque * Weight: approx. 40g * Made in France See More