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Golden Gloss Medium Polymer 32 ozSave Up to30%Off list…is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More
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Golden Gloss Glazing Liquid, 32oz BottleSave Up to30%Off list…Acrylic Glazing Liquid)is a slow-drying acrylic medium originally designed for interior decorative finishes. Because it is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to… Slow-drying acrylic medium, create an incredible variety of color glazes GOLDEN Glazing Liquid (formerly called Acrylic Glazing Liquid)is a slow-drying acrylic medium originally designed for interior decorative finishes. Because it is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. * Available in: Satin and Gloss* 100% acrylic, water-based emulsion* Can be used for a wide variety of techniques* Fine Art Applications* Slow drying color glazes* Thinning medium for better brushability* Pre-glazing before paint application* Smoother wet-in-wet blending The slow drying formula provides sufficient working time for a wide variety of glaze & decorative finishes normally accomplished with oils. This allows for a wide variation of interior glazing applications such as Wood Grain, Marble, Trompe L’Oeil faux finishes and for the additive and subtractive method. It is also excellent for soft transitions and color blending in paintings. Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including: * Wood Graining* Marbling* Trompe L'Oeil* Additive and Subtractive Techniques* Glazing See More
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GOLDEN MSA Varnish w/ UVLS, Matte 32ozSave Up to30%Off list…used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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GOLDEN Gesso Pastel Ground 32 ozSave Up to30%Off list…with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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Golden Matte Mediums Coarse MoldIng Paste 32 ozSave Up to30%Off list…thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More
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Golden Color Pouring Medium Matte 32ozSave Up to30%Off list…craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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GOLDEN Waterborne Varnish - Gloss, 32oz JarSave Up to30%Off list…Varnish is a water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS] for use on interior acrylic paintings and can be cleaned up and removed without the need for harsh solvents or mineral spirits. Waterborne Varnish protects interior acrylic paintings from dust and ultraviolet… Water-Based Acrylic Polymer Varnish with Ultra Violet Light Stabilizers GOLDEN Waterborne Varnish is a water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS] for use on interior acrylic paintings and can be cleaned up and removed without the need for harsh solvents or mineral spirits. Waterborne Varnish protects interior acrylic paintings from dust and ultraviolet light, is removable in addition to containing Ultra Violet Light Stabilizers (UVLS) to provide protection from exposure to sunlight. Archival Acrylic Varnishes for all varnishing applications! Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. Key Features:* Contains Ultra Violet Light Stabilizers [UVLS]* Protects against dirt and dust* Protects against UV light* Used in final varnishing* Archival fine-art protection* Can be thinned and cleaned up with water* Is removable* Eliminates the need for harsh solvents* Can be removed with household ammonia to facilitate cleaning and conservation Please Note: Only GLOSS is currently available. The Matte varnish is currently in development, and we will have it once it is produced. See More
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Da Vinci Pro Liquid Art Panel 6"x6", 3/4" Deep (Box of 24)Save Up to77%Off listWhite Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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Strathmore 300 Series Canvas Paper Pads 6" x 6" Glue Bound Square 115 lbs (10 Sheets)Save Up to33%Off listWhite 300 Series Canvas Textured Paper Acid Free 10 sheets of canvas-textured paper for practicing techniques with oils, caseins, acrylics, egg tempera or alkyds. A canvas-textured paper for practicing techniques with oils and acrylics. Great for sketching and practicing techniques. This heavyweight paper is sized for wet media applications and has a surface that replicates the surface of a traditional canvas. It is ideal for practicing techniques with oils, acrylics, tempera and casein. Key Features:* Weight: 115lb 187 gsm* 10 sheets of textured Canvas* Glue bound pads with flip-over covers Perfect For:* Use with oils, acrylics, tempera and casein* Sketching and practicing techniques See More
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Speedball Fabric and Acrylic Transparent Base 32 oz BottleSave Up to41%Off list…Fill the bottle ¾ full with cold water and mix thoroughly. To be used with photo emulsion. Fabric & Acrylic Retarder Base - Slows the drying time of inks. Fabric & Acrylic Transparent Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15%… Acrylic Extender Base - Designed to mix any quantity with ink in order to create a transparent color. Diazo Photo Emulsion - Mix with Sensitizer for Photo Emulsion screen printing. Diazo Photo Emulsion Kit - Contains one 7 oz jar of Photo Emulsion, one 8 oz jar of Photo Emulsion Remover, and 1 oz bottle of condensed Sensitizer. Diazo Photo Emulsion Remover - When finished with an emulsion coated screen, apply remover to reclaim the screen with minimal cleaning effort. Diazo Sensitizer - Fill the bottle ¾ full with cold water and mix thoroughly. To be used with photo emulsion. Fabric & Acrylic Retarder Base - Slows the drying time of inks. Fabric & Acrylic Transparent Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15% of the entire mixed quantity. Gloss Overprint Varnish - Preserves the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner of screen filler. Screen Drawing Fluid - Applied before screen filler to areas intended to be printed. AP non-toxic filler. Screen Filler - Designed to block out areas not intended to be screen printed. AP non-toxic filler. See More
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Citrus Essence Brush Cleaner 32 oz BottleSave Up to50%Off list…clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:*… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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Bob Ross Odorless Thinner, 32ozSave Up to26%Off list…All items are made in the USA and are available separately. Bucket and Screen Set - This ample size bucket fits the included brush screen and has a convenient handle and tight lid that prevents spilling between painting sessions. Key Features:* Brush Beater Rack: 10-3/4;" long x 5-1/4;" wide x… Keep your brushes clean with the Bob Ross cleaning system! Spend more time painting and less time cleaning with this brush cleaning system designed by Bob Ross. Bob Ross’ three-part system includes a 32 oz. container of odorless thinner for cleaning brushes and tools, a cleaning screen so you can keep your brushes in the best shape possible, and the Bob Ross brush beater drying rack to ensure rapid drying of your brushes. Both the cleaning screen and drying rack are made of soft vinyl coated metal. All items are made in the USA and are available separately. Bucket and Screen Set - This ample size bucket fits the included brush screen and has a convenient handle and tight lid that prevents spilling between painting sessions. Key Features:* Brush Beater Rack: 10-3/4;" long x 5-1/4;" wide x 5-3/4;" high* Vinyl-coated to protect bristles* Cleaning Screen: 4-3/4" in diameter and 1-1/2" high* Screen fits into cleaning bucket* Bucket has a tight lid and convenient handle* Makes the whole brush cleaning process a pleasure Perfect For:* The Bob Ross Wet-on-Wet Technique®* Brush cleaning* Transportation and storage unit for brush bath* Oil brush cleaning* Quick and easy clean up* Artists and teachers See More
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Chelsea Classical Studio Lavender Brush Cleaner 32ozSave Up to50%Off list…holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences… A Safer natural alternative to turpentine that actually smells like lavender! Cleans Better and More Thoroughly Than Almost All Other Brush Cleaners and Solvents. Conditions Brushes Making The Hair Subtle Maintaining Maximum Working Quality. CCS Lavender Brush Cleaner™ is a safer, natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Made from 100% natural distilled fruits and flowers, featuring lavender, Chelsea Classical Studio's Lavender Brush Cleaner is a safer natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Lavender not only is more natural than harsh chemicals such as turpentine, but it also has a nice aroma that is often used in aromatherapy and other therapeutic holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences of fruits, flowers, and lavender. Why: Naturally safe, Safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent! * Less abrasive to brushes than turpentine or mineral spirits * Pleasant scented, safe, natural alternative Key Features: * Safer natural alternative to turpentine * Pleasant aroma * Less abrasive to brushes than turpentine / mineral spirits * Made from natural oil essences of fruit, flowers and lavender * Made in the USA from Old World Master Techniques * Available in: 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint or varnish should be thoroughly rinsed out with the appropriate solvent..." -Ralph Mayer, the Artist's Handbook How To Use Lavender Brush Cleaner CCS Lavender Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil based soap and warm water afterwards to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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Chelsea Classical Studio Medium Clarified Extra Pale Cold Pressed Linseed Oil 32ozSave Up to50%Off list…oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil,… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More
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Ampersand Museum Series Scratchbord 6" x 6" (Pack of 3)Save Up to40%Off listBlack Claybord Black™ Surface! Ampersand Scratchbords have all the features and benefits of Claybord, including its archival properties. Under its India ink layer, Scratchbord has a smooth, absorbent kaolin clay ground applied to a sealed, 1/8" True Artist Hardbord™. Simply put, Scratchbord is Ampersand’s Claybord panel, sprayed with an even coat of high-quality, deep black India Ink. Originally developed as an alternative to scratchboard paper, it is the surface of choice for most professional scratchboard artists today. Not only can you create exquisite white-on-black art, you can add color to create amazing colorful scratchboard works. Colored inks can be applied to the white areas and then scratched again for to create additional highlights and volume. Ampersand offers a collection of Scratchbord/Claybord Inks The Professional's Choice for Scratchboard Products! Perfectly Inked Clay Surface -Scratchbord™ has a smooth, absorbent kaolin clay ground evenly coated with India Ink. Acid-free and absolutely archival. Create the Finest Detail -Scratch easily with controlled, clean, crisp white lines to create exquisite white on black art. Will not tear, crack or bend. For best results, try the Claybord™ tools & accessories. Frame without Glass -Seal finished scratchbord with a spray fixative to dissolve fingerprints or smudges. Then, frame your art without glass. Scratchbord Essentials Etching Set - This perfect gift package comes with everything needed for etching including three sizes of Scratchbord, a Scratchbord tool kit and Scratchbord ink set. See More
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New York Central Portrait-Smooth Artist Canvas Panel, 6"x6" Pack of 3Save Up to53%Off listWhite Exceptionally Smooth Professional Quality Cotton Panels Ideal for oils, acrylics, caseins, and alkyds, the New York Central Portrait-Smooth Artist Canvas Panels are manufactured using high-quality acrylic primed cotton canvas. Only the purest 100% cotton is used in the extra-tight weave to create an exceptionally smooth canvas free of the knots and bumps usually found in linen. The portrait-smooth canvas is then cleanly wrapped and adhered to a warp-resistant 3.5mm MDF board. Acid-free, archival glue acts as an archival barrier between the MDF and the canvas. New York Central's universally primed surface is ideal for oils, acrylics, caseins, and alkyds. Perfect for traveling and painting outside, the canvas panels are sturdy yet lightweight and take up less space than a standard stretched canvas. All New York Central products are premium quality and made with only the finest materials. Packaging Note: The primed canvas weighs 8.82 oz. per m2 and 7.37 oz per sq.yd. The square yard weight is listed on the canvas label; however, the correct weight is 8.82 oz. Key Features: * Universal acrylic primed, 100% cotton canvas * 4 oz. unprimed / 8.82 oz. primed weight * Mounted on durable MDF 3.5mm board * Extra-fine portrait-smooth texture * Smoother than most linen weaves * Acid-free, archival glue protects against SID* * Resistant to warping and sagging * Clean paper backing Perfect For: * Oils, acrylics, alkyds, and caseins * Oil sticks, soft pastels, and oil pastels * Delicate brushwork and fine details * Portraits and highly detailed paintings * Painting en Plein air and traveling * Painting highly realistic landscapes and still lifes * Achieving a luminous, refractive effect with oils * Artists of all skill levels Pre-Treated With Acid-Free, Archival Glue To Protect Against SID Acid-free, archival glue helps to prevent Support Induced Discoloration (SID) between the MDF and the canvas. While acid-free, archival glue can help to avoid SID, it is also essential to protect the artwork from material and environmental factors that can cause deterioration. All New York Central products are premium quality and made with only the finest materials. See More
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SoHo Artist All Media Canvas Panel 6"x6", (Pack of 3)Save Up to66%Off listWhite State of the Art Acid-Free C-Bond Core Canvas Panels! The SoHo Urban Artist Cotton Canvas All Media Panels use a state of the art core to allow the panel to be flexible in case it slightly bows due to high or low moisture in the atmosphere. This elastic core enables artists to flex the board the other way so paintings will not bow over time. In fact, many low-cost wood core panels bow, and this can never be corrected. These panels can always be made to lie flat. They are handsomely crafted with a turned edge construction. Key Features: * Available in assorted sizes * 3mm (1/8") panels C-bond core panels * Non Warping * 10oz. Double Primed Cotton * Acid-free panel and core * Two coats of Universal Acrylic Gesso Primer * Crafted with a turned edge construction Perfect For: * All media applications * Acrylics, Oils with either knives or brushes* Color studies and color charts* Plein aire painting * Classrooms and artists * Artists working in humid conditions * See More
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Da Vinci Safflower Oil 1 Quart BottleSave Up to50%Off list…standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More
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Gel Press Reusable Gel Printing Plate Rectangular 6x6"Save Up to10%Off list…Reusable and nontoxic * Ultra-sensitive surface prints the finest details * Easily cleaned and can be stored at room temperature Perfect For: * Acrylic paint and ink * Printmaking and water-soluble inks * Mixed media artists * Family art projects * Professional or budding printmakers * Printing on… The creative possibilities are endless with these reusable gel mono-printing plates! Polygel Gel Press Printmaking Plates allow artists to create beautifully detailed mixed media artwork and craft projects, no press needed! A super sensitive, nontoxic gel surface picks up the finest details making it easy to play with textures and layers. These nontoxic, latex-free gel printing plates are easy to clean, reusable and can be stored at room temperature. A minimal mess, low maintenance alternative to traditional monoprinting, these Gel Press Printmaking Plates are great for all artists, from budding artists to professionals! Key Features: * Vegan gel plates require no press * Reusable and nontoxic * Ultra-sensitive surface prints the finest details * Easily cleaned and can be stored at room temperature Perfect For: * Acrylic paint and ink * Printmaking and water-soluble inks * Mixed media artists * Family art projects * Professional or budding printmakers * Printing on thick art papers See More
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Elmer's Glue-All, 32oz Bottle, 946ml Multi-Purpose GlueSave Up to37%Off listThe ideal all-purpose glue for art, crafts, home, office, and school use! Non-toxic, pourable, and versatile Elmer's Glue-All is perfect for projects of almost any kind, from paper crafts like scrapbooking and card making to school work and even simple home repairs. Glue-All adheres securely to… The ideal all-purpose glue for art, crafts, home, office, and school use! Non-toxic, pourable, and versatile Elmer's Glue-All is perfect for projects of almost any kind, from paper crafts like scrapbooking and card making to school work and even simple home repairs. Glue-All adheres securely to various surfaces, including paper, leather, wood, ceramic, and fabric — and dries quickly and doesn't stain. While wet, the white glue can be washed off easily with soap and water. There isn't a more convenient, versatile, practical, and powerful multi-purpose glue than Elmer's Glue-All! Key Features: * Safe, non-toxic, pourable white glue * New, more robust formulation! * Bonds a wide variety of surfaces * Dries quickly and doesn't stain * Available in a variety of sizes Perfect For: * Glueing paper, leather, wood, ceramic, and fabric * Crafts and home repairs of all kinds! * Home, office, and school use * Schoolwork and even simple home repairs See More
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Lineco Neutral pH Adhesive, 32ozSave Up to40%Off listWill not brittle or yellow with age! The Lineco Neutral PH Adhesive is great for bookbinding, scrapbooking, collage and more! You can safely adhere or repair papers using this neutral pH adhesive glue. It has a modified dextrine base which is reactivated or removed with water. It possesses an… Will not brittle or yellow with age! The Lineco Neutral PH Adhesive is great for bookbinding, scrapbooking, collage and more! You can safely adhere or repair papers using this neutral pH adhesive glue. It has a modified dextrine base which is reactivated or removed with water. It possesses an excellent “lay flat" quality which is critical for thinner papers. Made of archival polyvinyl acetate (PVA), this archival-safe glue is great for bookbinding as it will not brittle or yellow with age. A must for artists’ who care about long term effects on their art. This white, neutral pH adhesive dries clear and fast. Key Features: * Neutral PH Adhesive * Modified dextrine base * May be reactivated or removed with water * Archival polyvinyl acetate (PVA) * Will not brittle or yellow with age * Dries clear and fast * “Lay flat" quality Perfect For: * Professional bookbinders * Bookbinding, scrapbooking, collage and more * Adhering or repairing papers * Mounting papers * Archival preservation * No-hassle, everyday studio use See More
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Yes! Paste 1 QuartSave Up to6%Off listNon-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is… Non-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not stain delicate watercolors. Use also with tin, cloth, leather, metal and primed surfaces. Yes! Paste is also excellent for decoupage and collage work. See More
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Reflexions Hardbound Sketchbooks 6" x 6"Save Up to80%Off list…pencil* Drawing chalks* Pastels* Graphite and other dry media* Even light washes* Lightweight and portable* Travel or plein air work Reflexions Hardbound Sketch Book Set (Item#: 76038B)- Contains an 8.5x11" Bound Sketch Book, Raffine Graphite Pencil 6 Degree Set and a Kum 2-Hole Magnesium Sharpener. Expertly bound journals with premium acid-free light cream colored paper Reflexions Hardbound Sketch Books are expertly bound journals with premium acid-free 110 gram (70 lb) weight light cream colored paper. The fine even surface texture will take all sorts of media including: pen and ink, colored pencil, drawing chalks, pastels, graphite and other dry media, even light washes. They feature a black embossed leatherette exterior. Other features include an elastic pen, pencil or marker loop, an exterior elastic band to keep book sealed when not in use and a page keeper ribbon to quickly access works in progress. Each book has 80 sheets (160 pages) of acid-free paper. For general sketching the 8.5 x 11" size is the most popular. Key Features:* Expertly hard bound journals* Premium acid-free light cream colored paper* 110 gram (70 lb) weight* 80 sheets (160 pages)* Fine even surface texture* Black embossed leatherette exterior* Elastic pen, pencil or marker loop* Exterior elastic band to keep book sealed when not in use* A page keeper ribbon to quickly access works in progress Key Features:* All sorts of media* Pen and ink* Colored pencil* Drawing chalks* Pastels* Graphite and other dry media* Even light washes* Lightweight and portable* Travel or plein air work Reflexions Hardbound Sketch Book Set (Item#: 76038B)- Contains an 8.5x11" Bound Sketch Book, Raffine Graphite Pencil 6 Degree Set and a Kum 2-Hole Magnesium Sharpener. See More
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Da Vinci Pro Medium Textured Panel 6"x6", 1-5/8" DeepSave Up to79%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Yasutomo Washi 6M Hosho Paper 8"x20' Roll - WhiteSave Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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R&F Handmade Paints - Encaustic Gesso, QuartSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Gesso, QuartSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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R&F Blending Medium, 32ozSave Up to20%Off list…body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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Eco-House Extra Mild Citrus Thinner, 32oz CanSave Up to15%Off list…mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but faster than water. * For optimal health compatibility. All products in this… This thinner does not make ridiculous claims of non-toxicity. In essence, since any solvent will dissolve fat, all solvents are toxic to humans. This thinner has low-toxicity and is made from a combination of cosmetic grade mineral oil, food quality orange oil and herbal essential oils. It has a fresh orange fragrance and is an effective thinner and solvent for oil paints, mediums, waxes, resins and gums. * Dries slower than turpentine, but faster than water. * For optimal health compatibility. All products in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor Newton Brush Cleaner 32oz BottleSave Up to32%Off list…while removing all paint residue. Key Features: * Gentle, effective brush cleaner * Soap-based formula * Non-hazardous and low-vapor * Foams a little when scrubbed Perfect For: * Natural and synthetic brushes * Oil, alkyd, and acrylic paint * Removing wet and dried paint * Cleaning palette knives… Non-Hazardous, Low Vapour, Brush Cleaner Winsor & Newton Brush Cleaner efficiently softens and removes dried paint from brushes, palette knives, and more. The gentle, non-hazardous soap-based cleaner works within minutes for oil colors and hours for dried acrylics. Winsor & Newton Brush Cleaner leaves natural and synthetic brushes soft and clean while removing all paint residue. Key Features: * Gentle, effective brush cleaner * Soap-based formula * Non-hazardous and low-vapor * Foams a little when scrubbed Perfect For: * Natural and synthetic brushes * Oil, alkyd, and acrylic paint * Removing wet and dried paint * Cleaning palette knives and more The new soap-based Brush Cleaner is better than the old formulation. Winsor & Newton changed the product name from 'Brush Cleaner and Restorer' to 'Brush Cleaner' to clarify the differences. The new cleaner has a soap base that foams a little when scrubbed. Tip: Avoid contact with varnished or lacquered surfaces, such as brush handles, as the cleaner will soften any paint or stain on the handle. It's also best to use this cleaner at the end of your painting session and use a different rinse aid while painting. Instructions: Dip the brush into the liquid and scrub a little if necessary. The resulting foam will help rinse the pigments and binders out of the brush. Then, wipe the brush with a cloth and rinse with water. If the brush is very clogged, it may be necessary to soak it for longer, possibly overnight. You can use a rubber band or clamp to suspend the brush in the liquid. See More
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Bob Ross Odorless Thinner, 32ozSave Up to24%Off list…to thin Ross oil paints and it is compatible with all Ross painting mediums. Painting is also a more pleasurable experience without the strong odor from turpentine. Key Features:* High-quality, odor-free thinner for oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle… A pleasurable painting experience without the strong odor from turpentine Highly effective, this top quality thinner cleans oil paint from brushes quickly and thoroughly yet is still gentle on bristles. When used in a brush bath, it can be reused indefinitely. It can also be used to thin Ross oil paints and it is compatible with all Ross painting mediums. Painting is also a more pleasurable experience without the strong odor from turpentine. Key Features:* High-quality, odor-free thinner for oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil paints NOTE: 1 quart container with child safety cap. 31.64 oz. Flammable: ships ground only. See More
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Williamsburg Lead Oil Ground, 32oz CanSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil Ground, 32oz CanSave Up to30%Off list…before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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Jack Richeson Shiva Signature Rectified Turpentine, 32oz CanSave Up to35%Off list…thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Weber Turpenoid Natural 1 Quart, 32ozSave Up to43%Off list…making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Bristle Magic Artist Brush Cleaner and Conditioner 32oz BottleSave Up to20%Off list…acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable, petroleum free, and has low VOC. Simply wipe wet paint from brushes and gently swish in a container of Bristle Magic, then reshape the bristles — or allow dried acrylic to… Eco-friendly, non-toxic cleaner restores brushes — like magic! Now painters no longer have to worry about hazardous fumes and toxic cleansers when cleaning their valuable paint brushes. Bristle Magic is a non-toxic brush cleaner and reconditioner perfect for cleaning both wet oil paint and wet or dried acrylics from artists' paint brushes! Made from 89% post-consumer recycled materials, it is eco-friendly, non-flammable, petroleum free, and has low VOC. Simply wipe wet paint from brushes and gently swish in a container of Bristle Magic, then reshape the bristles — or allow dried acrylic to soak until loosened. For cleaner, more conditioned brushes and a safer studio environment, Bristle Magic is the ideal choice! Key Features: * Environmentally friendly * Non-toxic, biodegradable * Made from recycled materials * No fumes, low VOC, petroleum-free Perfect For: * Cleaning wet or dry oils & acrylics * Conditioning brushes * Creating a safer studio * Any health-conscious painter! Artist Endorsements: * Lisa Bell, Professional Artist, Art by Lisabelle * Diane Clapp Bartz, Professional Artist See More
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