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Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle

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The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability.… The Perfect Mediums to Aid In Drying Time and Preserve of Oil Paint Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming   Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More

Winsor & Newton Liquin Original, 1 Liter (33.8oz)

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Accelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin… Accelerate Drying Time of Oils With Liquin Mediums Winsor and Newton Liquin Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin mediums and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula. Liquin Original - halves the drying time of oil color and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Light Gel - Liquin Original halves the drying time of oil color and reduces brush stroke retention (touch dry in 1-6 days depending on color & film thickness). Creates a smooth, gel-like paint film that is easier to work with. Allows the paint to dry faster and aids working with multiple layers. Resists yellowing. Not suitable as a varnish or final coat. Liquin Fine Detail - The most fluid medium within the Liquin family. Add to color to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin allows the paint to dry faster and makes working with multiple layers easier. Liquin Oleopasto - A paste-like, semi-matte version of Liquin that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on color paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Liquin Impasto - A paste-like, semi-gloss version of Liquin that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Key Features: * Speeds up the drying process* Adds transparency and gloss* Non-yellowing Perfect For:* Oils and alkyds* Reducing brush strokes* Glazing and blending techniques   PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Artists' Water Colour Sable Brush Kolinsky One Stroke 1/8"

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The most popular and useful brush shapes for watercolorists The Winsor & Newton Professional Watercolour Sable Brushes have a balanced, contoured handle that provides ultimate control. The elegant blue Birchwood handle with satin matte finish provides a secure grip for the high quality Kolinsky… The most popular and useful brush shapes for watercolorists The Winsor & Newton Professional Watercolour Sable Brushes have a balanced, contoured handle that provides ultimate control. The elegant blue Birchwood handle with satin matte finish provides a secure grip for the high quality Kolinsky sable hair. Specially selected from the finest available sable hair to create a brush with excellent spring, a pronounced belly, and a crisp point. These brushes have all of the qualities expected of the finest watercolor brushes, except the expensive price. Each brush is hand crafted in England by a skilled brush maker. A fine birch wood handle with the unique Winsor & Newton double bodied shape and a satin matte finish provide comfort while painting. See More

Winsor & Newton Oil Color Solvents - Sansodor, 1Liter

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Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made speciﬁcally for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made speciﬁcally for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish   Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Galeria Acrylic Brush Filbert #18

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A Mix of Synthetic Filaments That Provide Responsiveness and Control Winsor & Newton Galeria acrylic brushes (formerly known as University Gold) are an advanced blend of high quality maroon synthetic bristle hair specially made to be more durable and stiffer than conventional hog hair. The… A Mix of Synthetic Filaments That Provide Responsiveness and Control Winsor & Newton Galeria acrylic brushes (formerly known as University Gold) are an advanced blend of high quality maroon synthetic bristle hair specially made to be more durable and stiffer than conventional hog hair. The synthetic hair of the Galeria has an outstanding spring and forms a precise edge or pointed tip for critical work. Specifically designed for use with acrylic color, the mix of synthetic filaments provide responsiveness and control for thicker application of color, whilst maintaining shape retention, regardless of how much water you use. Galeria brushes are ideal for the thicker consistency of acrylic paints. Galeria is a popular range of high-quality, yet affordable, synthetic brushes designed primarily for use with acrylic paints * Mix of synthetic filaments * Maintains shape retention* Excellent balance of quality, performance and price* Corrosion free, high-quality nickel-plated brass ferrules* Easy to clean, retain shape after extended use* Long and Short handle brushes   Brush shapes * Round: Ideal for fine details and lines, thin to thick strokes. * Flat: Useful for bold, sweeping strokes and filling in large areas. * Filbert: Combines the benefits of both round and flat brushes, great for blending and softer edges. * Bright: Is a flat brush with shorter, stiffer bristles that is great for controlled, textured brushstrokes and working with thicker paints like acrylics or oils See More

Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter

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Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various ﬁnishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease   Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Winton Hog Brush Bright #18

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These brushes feature pure Chinese bristle hair with a natural inward curve for controlled strokes and resiliency. They work well with all oil colors, alkyds and acrylics. The hair is hand-set into seamless corrosion-resistant ferrules which are attached to long green quadruple-lacquered wood… These brushes feature pure Chinese bristle hair with a natural inward curve for controlled strokes and resiliency. They work well with all oil colors, alkyds and acrylics. The hair is hand-set into seamless corrosion-resistant ferrules which are attached to long green quadruple-lacquered wood handles. Made in England. See More

Winsor & Newton Cotman Watercolor Brush - Series 667, Angular 1/8"

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Wide selection of shapes and sizes to suit all watercolor techniquesThese golden synthetic hair brushes are among the most advanced produced anywhere in the world today. Winsor & Newton Cotman watercolor brushes are golden synthetic hair brushes among the most advanced produced anywhere in the… Wide selection of shapes and sizes to suit all watercolor techniquesThese golden synthetic hair brushes are among the most advanced produced anywhere in the world today. Winsor & Newton Cotman watercolor brushes are golden synthetic hair brushes among the most advanced produced anywhere in the world today. The Cotman watercolor brush line blends varying thicknesses of hair and has achieved the three most important qualities sought after by the artist. The thicker fibers contribute strength and spring while the thinner fibers improve color holding capacity together they retain a perfect point for rounds and a perfect edge for flats. All brushes with nickel plated seamless ferrules attached to metallic blue wooden handles.   * High quality, synthetic fibers* Blend of differing thickness fibres* Balance and comfortable handles when painting* High quality nickel-plated brass ferrules. * A wide selection of head shapes and sizes to suit all watercolor techniques.* * Short handle brushes   Wide selection of head shapes and sizes to suit all watercolor techniques Series 111 Rounds - These brushes have large bellies to produce both wash and fine line stokes. Series 222 Designer's Rounds - These brushes are great for linear work because of their extra long hairs. Series 333 Riggers - These long thin round brushes are great for very detailed linear work, such as grass and telephone wires. Series 666 One Stroke - The long hair in these brushes makes it easy to produce crisp edges for washes and straight strokes. Series 667 Angles - The angle on this series of brushes is great for flowers, leaves, small corners and sweeping wash strokes. Series 668 Filberts - These sophisticated brushes combine the control of a One Stroke with the softer edge of a round. Series 777 Aquarelle - These brushes come equipped with a clear Lucite handle for burnishing and scraping. Series 888 Fans - These fan brushes are popular for dry brush techniques like stippling, feathering grass, or hair effects. Series 999 Mops - These dome-shaped large brushes are great for expressive strokes and washes. Wash Brushes - These large brushes are great for background washes and large patches of color. See More

Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 Liter

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White Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More

Winsor & Newton Artisan Brush Bright #18

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For Artisan Water-Mixable Oil Color! Every brush has a seamless nickel plated ferrules and a long silver handle. It can be cleaned with soap and water when used with Artisan Water Mixable Oil Colors-no solvents required. * Bright 18 * High quality synthetic fibers * Maintains spring and shape *… For Artisan Water-Mixable Oil Color! Every brush has a seamless nickel plated ferrules and a long silver handle. It can be cleaned with soap and water when used with Artisan Water Mixable Oil Colors-no solvents required. * Bright 18 * High quality synthetic fibers * Maintains spring and shape * Seamless nickel plated ferrules * Long silver handle See More

Winsor & Newton Artisan Brush Bright #18

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For Artisan Water-Mixable Oil Color Winsor & Newton developed the Artisan range of brushes to achieve the best possible results when painting with Artisan Water Mixable Oil Color. The brushes are made using a unique blend of high-quality synthetic fibers designed specifically to have the… For Artisan Water-Mixable Oil Color Winsor & Newton developed the Artisan range of brushes to achieve the best possible results when painting with Artisan Water Mixable Oil Color. The brushes are made using a unique blend of high-quality synthetic fibers designed specifically to have the performance and characteristics of hog bristle yet maintain their spring and shape when in prolonged contact with water. There is a comprehensive range of head shapes and sizes in the Artisan brush range making it easier to execute a variety of techniques. All brushes with seamless nickel plated ferrules and long silver handles. Key Features: * Synthetic fibers perform like hog* Maintains shape and spring when used with water* Long handled Perfect For:* Water Mixable Oils* Professional artists* Students and Teachers See More

Winsor & Newton Artists' Water Colour Sable Brush Kolinsky One Stroke 1/8"

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Artists Water Colour Sable Brush Kolinsky One Stroke 1/8", Winsor Newton Each brush is hand crafted in England by a skilled brush maker. A fine birch wood handle with the unique Winsor and Newton double bodied shape and a satin matte finish provides comfort while painting. * One Stroke 1/8" *… Artists Water Colour Sable Brush Kolinsky One Stroke 1/8", Winsor Newton Each brush is hand crafted in England by a skilled brush maker. A fine birch wood handle with the unique Winsor and Newton double bodied shape and a satin matte finish provides comfort while painting. * One Stroke 1/8" * Balanced, contoured handle provides ultimate control * Blue handle with satin matte finish See More

Winsor & Newton Cotman Watercolor Brush - Series 666, One Stroke 1/8"

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Cotman Watercolor Brush 666 One Stroke 1/8'', Winsor & Newton The long hair in this brush makes it easy to produce crisp edges for washes and straight strokes. The handle is designed to provide balance and comfort when painting. The ferrule is made from high quality nickel-plated brass and is… Cotman Watercolor Brush 666 One Stroke 1/8'', Winsor & Newton The long hair in this brush makes it easy to produce crisp edges for washes and straight strokes. The handle is designed to provide balance and comfort when painting. The ferrule is made from high quality nickel-plated brass and is attached to a metallic blue wooden handle. This special ferrule helps to prevent corrosion and clogging of hair. This brush is easy to clean. * 666 One Stroke 1/8'' * Golden synthetic hair * Easy to clean * High quality nickel-plated brass ferrule See More

Winsor & Newton Cotman Watercolor Brush - Series 667, Angular 1/8"

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Cotman Watercolor Brush 667 Angular 1/8", Winsor & Newton The angle on this series of brushes is great for flowers, leaves, small corners and sweeping wash strokes. The handle is designed to provide balance and comfort when painting. The ferrule is made from high quality nickel-plated brass and is… Cotman Watercolor Brush 667 Angular 1/8", Winsor & Newton The angle on this series of brushes is great for flowers, leaves, small corners and sweeping wash strokes. The handle is designed to provide balance and comfort when painting. The ferrule is made from high quality nickel-plated brass and is attached to a metallic blue wooden handle. This special ferrule helps to prevent corrosion and clogging of hair. This brush is easy to clean. * 667 Angular 1/8" * Golden synthetic hair * Easy to clean * High quality nickel-plated brass ferrule See More

Winsor & Newton Cotman Watercolor Brush - Series 668, Filbert 1/8"

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Cotman Watercolor Brush 668 Filbert 1/8", Winsor & Newton This sophisticated brush combines the control of a One Stroke with the softer edge of a round. The handle is designed to provide balance and comfort when painting. The ferrule is made from high quality nickel-plated brass and is attached to a… Cotman Watercolor Brush 668 Filbert 1/8", Winsor & Newton This sophisticated brush combines the control of a One Stroke with the softer edge of a round. The handle is designed to provide balance and comfort when painting. The ferrule is made from high quality nickel-plated brass and is attached to a metallic blue wooden handle. This special ferrule helps to prevent corrosion and clogging of hair. This brush is easy to clean. * 668 Filbert 1/8" * Golden synthetic hair * Easy to clean * High quality nickel-plated brass ferrule See More

Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle

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Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying… Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. How to use: Mix just enough medium with paint to get the smoother texture you want. To keep light colours clean, use linseed oil sparingly for whites in particular, we recommend using Safflower Oil or Poppy Oil. Wipe the neck of the bottle after use, to ensure the safety cap remains secure.* Winsor & Newton Oil Drying Refined Linseed Oil Medium * 1L Bottle * Slows down the drying process * Reduces viscosity for better flow * Adds transparency and gloss * Low tendency to yellow PLEASE NOTE: this product is hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Liquin Original, 1 Liter (33.8oz)

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Winsor & Newton Liquin Original 1 Liter (33.8oz) Liquin™ Original 1 Liter (33.8oz / 1000ml)- halves the drying time of oil color and reduces brush stroke retention. Popular with oil painters, Winsor & Newton Liquin Original creates a smooth, gel-like paint film that is easier to… Winsor & Newton Liquin Original 1 Liter (33.8oz) Liquin™ Original 1 Liter (33.8oz / 1000ml)- halves the drying time of oil color and reduces brush stroke retention. Popular with oil painters, Winsor & Newton Liquin Original creates a smooth, gel-like paint film that is easier to work with and allows oil paint to dry faster and makes working with multiple layers easier. How to Use: Just add a small amount of Liquin Original to make your oil color slightly self self-levelling. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. * Liquin Original (Oil Medium) * 1 Liter (33.8oz / 1000ml) * Halves the drying time of oil color and reduces brush stroke retention * Speeds up the drying process * Touch dry in 1-6 days depending on color & film thickness * Adds transparency and gloss * Improves flow * Non-yellowing* Not suitable as a varnish or final coat PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More

Winsor & Newton Oil Color Solvents - Sansodor, 1Liter

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Winsor & Newton Oil Color Solvents - Sansodor, 1L Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but it's low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also… Winsor & Newton Oil Color Solvents - Sansodor, 1L Sansodor - For creating your own painting mediums. Sansodor? performs like turpentine, but it's low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - Sansodor, 1L* Least hazardous solvent in our product range * Evaporates slowly * Low level of aromatics See More

Winsor & Newton Oil Painting Primer, 1 Liter Can

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Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use… Ready-To-Use Primer In A Non-Yellowing Oil-Modified Alkyd Resin Medium! A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colors easily and without chalkiness or absorbency. * Oil Painting Primer - 1 Liter * Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium * Can be applied directly to metal or porous surfaces * Used to prepare a surface before painting * A small amount of oil color can be mixed into the Oil Painting Primer for tinted priming See More

Winsor & Newton Galeria Acrylic Brush Bright #18

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A Resilient Brush, Specifically Designed For Use With Acrylic Paint! The unique mix of synthetic filaments provides perfect control for thicker applications of color while still retaining its shape. Each well-balanced brush has a long maroon handle with a seamless brass plated ferrule. It is made… A Resilient Brush, Specifically Designed For Use With Acrylic Paint! The unique mix of synthetic filaments provides perfect control for thicker applications of color while still retaining its shape. Each well-balanced brush has a long maroon handle with a seamless brass plated ferrule. It is made with stiffer filaments, allowing thicker application on tougher surfaces. * Bright 18 * Easy to clean * Stiffer and highly durable See More

Winsor & Newton Galeria Acrylic Brush Filbert #18

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A Resilient Brush, Specifically Designed For Use With Acrylic Paint! The unique mix of synthetic filaments provides perfect control for thicker applications of color while still retaining its shape. Each well-balanced brush has a long maroon handle with a seamless brass plated ferrule. It is made… A Resilient Brush, Specifically Designed For Use With Acrylic Paint! The unique mix of synthetic filaments provides perfect control for thicker applications of color while still retaining its shape. Each well-balanced brush has a long maroon handle with a seamless brass plated ferrule. It is made with stiffer filaments, allowing thicker application on tougher surfaces. * Filbert 18 * Easy to clean * Stiffer and highly durable See More

Winsor & Newton Winton Hog Brush Bright #18

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Resilient Brush That Retains Its Shape Even After Heavy Use! The natural curve of the bristle is utilized to produce a resilient brush that retains its shape even after heavy use. While specifically designed for use with oil, these quality brushes are equally suitable for acrylic. It is made in… Resilient Brush That Retains Its Shape Even After Heavy Use! The natural curve of the bristle is utilized to produce a resilient brush that retains its shape even after heavy use. While specifically designed for use with oil, these quality brushes are equally suitable for acrylic. It is made in England. * Bright 18 * Bristles with natural inward curve * Corrosion resistant ferrules * Retains its shape after heavy use See More

Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 Liter

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Push The Performance Of Galeria Acrylics Further With This Galeria Acrylic Gel Medium! Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and… Push The Performance Of Galeria Acrylics Further With This Galeria Acrylic Gel Medium! Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. * 1 Liter See More

Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1Liter

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Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. How to Use: Mix just enough… Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - English Distilled Turpentine, 1L * Most efficient thinner and cleaning agent * Even removes dried paints * Can remove varnishes, including Dammar Varnish See More

Winsor & Newton Oil Color Solvents - White Spirit, 1 Liter

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Winsor & Newton Oil Color Solvents - White Spirit, 1L White Spirit - Can be used to create your own painting mediums. Artists? White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. How to Use: Mix just enough… Winsor & Newton Oil Color Solvents - White Spirit, 1L White Spirit - Can be used to create your own painting mediums. Artists? White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. How to Use: Mix just enough solvent with paint to thin to the desired degree. To clean tools, first wipe the paint off, and then dip them into the liquid. A separate vessel can be helpful to avoid polluting the solvent entirely and keeps the solvent in the original bottle clean for longer.* Winsor & Newton Oil Color Solvents - White Spirit, 1L * Efficient thinner and cleaning agent * Slower drying than turpentine * Can remove varnishes, except Dammar Varnish See More

Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter

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Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil… Winsor & Newton Oil Color Varnishes - Dammar Varnish, 1 Liter Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. How to Use Let oil paintings dry for six to twelve months before varnishing. Shake varnish well before use, and brush on evenly. Use a soft, fine brush to achieve an even finish. Wipe the neck of the bottle after use, to ensure the safety cap remains secure. Use in warm, dry conditions. The varnish needs to be applied in multiple layers to ensure an even finish.* Dammar Varnish, 1 Liter* Adds a strong UV resistant layer* High-gloss finish* Enhances colour intensity with a brilliant shine* Removable with Distilled Turpentine See More