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Elmer's Glue-All, 32oz Bottle, 946ml Multi-Purpose GlueSave Up to13%Off listThe ideal all-purpose glue for art, crafts, home, office, and school use! Non-toxic, pourable, and versatile Elmer's Glue-All is perfect for projects of almost any kind, from paper crafts like scrapbooking and card making to school work and even simple home repairs. Glue-All adheres securely to… The ideal all-purpose glue for art, crafts, home, office, and school use! Non-toxic, pourable, and versatile Elmer's Glue-All is perfect for projects of almost any kind, from paper crafts like scrapbooking and card making to school work and even simple home repairs. Glue-All adheres securely to various surfaces, including paper, leather, wood, ceramic, and fabric — and dries quickly and doesn't stain. While wet, the white glue can be washed off easily with soap and water. There isn't a more convenient, versatile, practical, and powerful multi-purpose glue than Elmer's Glue-All! Key Features: * Safe, non-toxic, pourable white glue * New, more robust formulation! * Bonds a wide variety of surfaces * Dries quickly and doesn't stain * Available in a variety of sizes Perfect For: * Glueing paper, leather, wood, ceramic, and fabric * Crafts and home repairs of all kinds! * Home, office, and school use * Schoolwork and even simple home repairs See More
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Lineco Neutral pH Adhesive, 8ozSave Up to40%Off listWill not brittle or yellow with age! The Lineco Neutral PH Adhesive is great for bookbinding, scrapbooking, collage and more! You can safely adhere or repair papers using this neutral pH adhesive glue. It has a modified dextrine base which is reactivated or removed with water. It possesses an… Will not brittle or yellow with age! The Lineco Neutral PH Adhesive is great for bookbinding, scrapbooking, collage and more! You can safely adhere or repair papers using this neutral pH adhesive glue. It has a modified dextrine base which is reactivated or removed with water. It possesses an excellent “lay flat" quality which is critical for thinner papers. Made of archival polyvinyl acetate (PVA), this archival-safe glue is great for bookbinding as it will not brittle or yellow with age. A must for artists’ who care about long term effects on their art. This white, neutral pH adhesive dries clear and fast. Key Features: * Neutral PH Adhesive * Modified dextrine base * May be reactivated or removed with water * Archival polyvinyl acetate (PVA) * Will not brittle or yellow with age * Dries clear and fast * “Lay flat" quality Perfect For: * Professional bookbinders * Bookbinding, scrapbooking, collage and more * Adhering or repairing papers * Mounting papers * Archival preservation * No-hassle, everyday studio use See More
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Yes! Paste 1 QuartSave Up to6%Off listNon-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is… Non-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not stain delicate watercolors. Use also with tin, cloth, leather, metal and primed surfaces. Yes! Paste is also excellent for decoupage and collage work. See More
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Da Vinci Gum Arabic 8 oz BottleSave Up to50%Off list…Fluid will protect selected areas of your work from washes of water based color. Quick drying, non-staining, easily removable and smooth flowing, this product can be used on many surfaces including paper and board. Watercolor Medium - Mix into watercolor to increase flow, gloss, and transparency. Paint Fit for Masters™ These mediums are produced with the same high-quality standards found in Da Vinci Watercolors. They are ideal for artists seeking to control the dispersion of watercolors or to add an iridescent effect. Gum Arabic - Mix into watercolor to reduce spread while increasing flow, gloss, and transparency. Iridescent Medium - Inspired by the shimmering Pacific Ocean, Da Vinci’s Iridescent Medium will help your watercolor glisten when mixed into a wet on wet technique or applied over dry paint film. Masking Fluid - Da Vinci’s Masking Fluid will protect selected areas of your work from washes of water based color. Quick drying, non-staining, easily removable and smooth flowing, this product can be used on many surfaces including paper and board. Watercolor Medium - Mix into watercolor to increase flow, gloss, and transparency. See More
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Citrus Essence Brush Cleaner 8 oz BottleSave Up to50%Off list…solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly* How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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8oz. Chelsea Classical Studio Lavender Retouch VarnishSave Up to50%Off list…damar resin* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* No harsh, dangerous fumes* Made in the USA from Old World Master Techniques Perfect For:* Superior, classic protection for your finest oil works*… Allows for both protection and breathability for your finest oil works Chelsea's Retouch Varnish offers superior, classical protection for your finest oil works. It's the safe alternative for use in the studio--with no harsh, dangerous fumes and a distinctive lavender scent. Lavender Retouch Varnish offers superior, classic protection for your finest oil works without any harsh, dangerous fumes. Made with pure damar resin and CCS Lavender Spike Oil Essence, this varnish allows for both protection and breathability. What: Handcrafted Lavender Retouch Varnish Why: Designed for both protection and breathability. Excellent at reviving dull spots Where: Made in the USA from Old World Master Techniques Key Features:* Available in 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles.* Excellent at reviving dull spots* Handmade from the highest quality ingredients* Made with Chelsea Classical Lavender Medium Spike Oil Essence* Made with pure damar resin* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* No harsh, dangerous fumes* Made in the USA from Old World Master Techniques Perfect For:* Superior, classic protection for your finest oil works* Allows for both protection and breathability.* Excellent at reviving dull spots* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Retouch varnish can be applied to paint which is "hand-dry" See More
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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Jacquard Cyanotype Potassium Ferricyanide, 8oz JarSave Up to10%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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DecoArt Acrylic Paint Pouring Medium, 8ozSave Up to20%Off listWaterbased Pouring Medium and Top Coat! DecoArt Pouring Medium is a fluid additive uniquely formulated to improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with… Waterbased Pouring Medium and Top Coat! DecoArt Pouring Medium is a fluid additive uniquely formulated to improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with acrylic paints to create stunning effects on wood or canvas panels. Ratios of medium to paint can be adjusted for a variety of effects. Use DecoArt Clear Pouring Topcoat to create a smooth, glossy finish for your poured acrylic paintings. DecoArt topcoat is a lacquer-like, crystal clear, high-gloss finish. This one-step formula eliminates the need to mix harsh chemicals and flows into a self-leveling, crystal clear coat that will not yellow, leaving your artwork with its original vibrancy! Key Features: * Waterbased, no unpleasant fumes * Non-yellowing * Will not alter color or slow drying time * Lacquer-like, crystal clear, high-gloss finish. * Create stunning effects. * One-step formula Perfect For: * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Preserving artworks original vibrancy * Professionals and students * Teachers See More
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ArtResin™ Epoxy Resin Starter Kit 32 oz
Starting At: 15.00
…protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a… Unparalleled non-yellowing protection! ArtResin™ is a self-leveling crystal clear epoxy resin that forms a beautiful, durable finish for any artwork. Formulated with unparalleled non-yellowing protection, ArtResin™ has a HALS (hindered amine light stabilizer) added for extremely efficient long term yellowing protection. Designed specifically for creative projects, this crystal clear resin is easy to use. ArtResin™'s 1:1 mixing ratio is user-friendly with easy to understand directions. Simply combine equal parts Resin and Hardener, stir, then pour or spread over your project. The topcoat is self-leveling and fully cures in 72 hours. ArtResin™ has been designated by the American Society for Testing and Materials as non-toxic when used as directed. It is formulated using the highest quality materials and therefore produces no VOCs or fumes. It is a clean system, meaning there are no solvents or non-reactive diluents—everything in it reacts so nothing is free to become airborne and cause health issues. It is also non-flammable. For all these reasons, it is therefore classified as a non-hazardous material and is shippable by air. Furthermore, many curatives have a powerful odor, however ArtResin has only a low odor and is applicator friendly. Key Features:* ArtResin™ Mini KIt, Starter kit, Studio Kit & Accessory Kit* Fully cures in 72 hours* No VOCs or fumes (conforms to ASTM D4236)* Non-toxic (when used as directed)* Long term yellowing protection* Self-leveling* Durable crystal clear finish* Easy to understand directions Perfect For:* Enhancing and protecting your work* Acrylic, watercolor* Oil paint that has completely dried* Spraypaint, encaustic, ink* Oil pastel, sculpture, silicone molds,* Other found objects. ArtResin™ is considered non-toxic when used as directed, however, there are some common sense safety precautions that every user should follow: Wear gloves. Epoxy resin is very sticky in its liquid form, so gloves will protect the user from a mess, as well as skin irritation. Clean skin promptly with soap and water if it does come in contact with the product. If the product somehow comes in contact with your eyes, flush with water repeatedly and do not rub. Promptly seek medical attention. Work in a well-ventilated area. Wear a respirator if ventilation is poor. For detailed health information, please see the ArtResin SDS.ArtResin™ Epoxy Kits ArtResin™ Starter Kit - Enough epoxy resin for a few projects, the Starter Kit includes 16 oz bottles of Resin and Hardener and covers approximately 8 square feet. ArtResin™ Studio Kit - For artists working on larger or multiple works. This kit includes half-gallon jugs of Resin and Hardener and covers approximately 32 square feet. ArtResin™ Mini Kit - Give ArtResin™ a try with the Mini Kit. It includes 4 oz bottles of Resin and Hardener and covers approximately 2 square feet. Epoxy Resin Accessory Kit - This pack of epoxy resin accessories includes five pairs of nitrile gloves, one reusable stir stick, and five reusable spreaders. The jagged-edge spreaders help disperse resin evenly. Wipe them clean with paper towel and they're ready for next time. ResinTint Color Mixing Guide See More -
Golden Color Pouring Medium Gloss 8ozSave Up to30%Off listMatte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to30%Off list…Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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Williamsburg Lead Oil Ground, 32oz CanSave Up to30%Off list…dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil Ground, 32oz CanSave Up to30%Off list…separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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GOLDEN Gesso Pastel Ground 8 ozSave Up to30%Off list…of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired,… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent Ground White 8 ozSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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Sargent Art 8 oz Washable School GlueSave Up to25%Off listWhite Bonds to almost any porous surface! Sargent Art® Washable Glue is terrific for simple craft projects, including making slime. The non-toxic glue conforms to ASTM D 4236 and is suitable for children aged three and older. The advanced glue formula is excellent for children because it washes from most surfaces when wet and bonds to almost any porous surface. Great for both children and adult crafters. Use at home or in the classroom. Key Features: * Dries quickly and doesn't stain * Safe, non-toxic, pourable white glue * Bonds to almost any porous surface * Dries quickly * Dries clear * Conforms to ASTM D 4236 * Easily washed off with soap and water while wet * Washes from most fabrics * Available in 4oz, 8oz, 16oz, and gallon glue bottles Perfect For: * Making slime * Projects of almost any kind * Papercrafts * Scrapbooking * Artists of all skill levels * Teachers and students * Home, office and school use See More
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Jacquard Dye Additive Synthrapol 8 oz BottleSave Up to10%Off listEssential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Daniel Smith Acrylic Gesso - White, 32 ozSave Up to40%Off listWhite Professional quality gesso for oil and acrylic painters Daniel Smith Acrylic Gesso allows you to create an archival, lightfast painting surface. Thick yet brush-able, it spreads smoothly, and a little goes a long way. Only two coats of the heavily pigmented gesso are needed to coat a canvas or panel. The professional-grade gesso is available in Titanium White, Transparent, or Iridescent Gold. Titanium White Gesso is opaque and made with the same pigment that Daniel Smith uses in its Original Oils. Transparent Gesso is excellent for mixed media work because it allows the color or pattern of your substrate to show through. Iridescent Gold Gesso is made with Mica and iron oxides. It has a gorgeous metallic sheen that gives transparent paints a golden glow. Imagine a painting with metallic gold in the background! Key Features: * Easy to open and close jar * Thick yet spreads smoothly, a little goes a long way * Quick-drying and self-leveling * Archival and lightfast * Professional acrylic emulsion is flexible and durable * Free of the oil acids that deteriorate cotton and linen * Cleans up easily with soap and water Perfect For: * Absorbent surfaces like canvas, paper, wood, or plaster * Painting with oils, alkyds, and acrylics * Creating a solid background * Professional artists * Providing a sealed, stabilized surface If desired, you can thin the gesso with a little bit of water (no more than 10%). It's important to clean your brushes and palette knives with soap and water immediately after use. Over time the heavy Mica particles in this ground will sink to the bottom of the container. Before application, you should mix the gesso with a palette knife to reincorporate the Mica back into the gesso. See More
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Iwata Medea Airbrush Cleaner 8 oz BottleSave Up to14%Off listYou Imagine. IWATA Performs. You Create. Iwata Airbrush Cleaning Kits include the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Iwata's Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist… You Imagine. IWATA Performs. You Create. Iwata Airbrush Cleaning Kits include the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Iwata's Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. The Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and clean your airbrush. When you reassemble your airbrush, you can follow the cutaway diagram on the mat to ensure everything goes back in the right place. With these Iwata cleaning supplies, you will be well on your way to perfect airbrush maintenance. Key Features: * Cleaning kits include all of the cleaning supplies you need * Environmentally safe general-purpose cleaner * The raised edge on the mat prevents parts from rolling away Perfect For: * Cleaning any airbrush or artist tool * Performing routine maintenance on your airbrush * Cleaning up fluid acrylics, watercolors, gouache, inks, or dyes Airbrush Cleaner, 16oz: Medea Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. Medea Airbrush Cleaner is the ideal cleaning fluid for acrylics, watercolors, gouache, inks, or dyes. Environmentally safe and ready to use Airbrush Cleaning Kit: Iwata Airbrush Cleaning Kit includes the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Contains all the essential cleaning items including; Medea Airbrush Cleaner, Medea Thread Sealer, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Nozzle Wrench, Iwata LED Magnifier, Iwata Premium Airbrush Lubricant, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Airbrush Cleaning Kit Refill: Iwata Airbrush Cleaning Kit Refill Pack includes the same great tools Iwata Technical Services use to clean and restore airbrushes to perfect working conditioning. Containing all the essential cleaning items including; Medea Airbrush Cleaner, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Polishing Cloth, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Raised Ridge Airbrush Cleaning Mat: The Iwata Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and reassemble your airbrush. The raised ridge prevents your parts from rolling away. The soft fabric surface can handle most solvent-based cleaners, and the non-skid backing keeps your mat in place. Use the airbrush cutaway diagram on the mat to see all the main parts of an Iwata airbrush. The Iwata Cleaning Mat is a must-have in any artist's studio and works just as well for cleaning other small parts that might roll off a workbench or table. Universal Spray-Out Pot Replacement Filter Replacement filter for the CL 300 Universal Spray Out Pot. Not compatible with the older NAC 201 spray out pot. Airbrush Cleaner with Invertible 360 Degree Nozzle 16 oz: Medea Airbrush Cleaner With Invertable 360 Degree Nozzle contains 16 ounces of the Medea Airbrush Cleaner you know and love. The nozzle releases in a solid stream or a fine spray right-side-up or upside down to clean all your airbrushes, work surfaces, and studio tools. Use the powerful stream setting to quickly flush and rinse the airbrush cup of your airbrush. See More
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Liquitex Acrylic Soluvar Gloss Varnish, 32oz BottleSave Up to40%Off listProtect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More
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SoHo Urban Artist India Ink - 32oz BottleSave Up to40%Off listBlack Fast-drying India ink ideal for drawing, Sumi-E, calligraphy and more! New SoHo Urban Artist India Ink is a versatile and indispensable medium for nearly any visual artist! This fast-drying, permanent, deep black India ink is perfect for detailed works and gestural strokes, and while wet cleans up with just soap and water. Use SoHo India Ink for Sumi-E and Chinese calligraphy, for dip-pen drawing and comic book inking, for calligraphy on invitations and cards, for tonal under paintings and quick gestural sketches, or thin with water for use in airbrushes and fountain pens. The deep black ink thins beautifully with water into shades of grey and dries to a rich, permanent finish. India ink is a staple in any artists' supply arsenal, and now SoHo offers this high quality ink at incredible savings! Key Features:* Permanent India ink * Rich deep black color * Thins down with water * Easy clean-up when wet * 2 oz., 16 oz. & 32 oz. bottles Perfect For:* Detailed drawing and comic book inking * Sumi-E and Chinese calligraphy * Tonal under paintings * Expressive sketches * See More
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GOLDEN Waterborne Varnish - Gloss, 32oz JarSave Up to30%Off list…and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. Archival Acrylic Varnishes for all varnishing applications! GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers (UVLS) to provide archival protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are available in gloss, satin, and matte final protective finishes to seal the painting. Be sure to read descriptions of each varnish to find the perfect fit for your artwork's optimum protection! Key Features: * Protects against dirt and dust * Provides moisture resistance * Gloss, Satin, and Matte finishes * Ultraviolet Light Stabilizers (UVLS) Perfect For: * Protects against UV light * Final varnishing and protective layer * Providing dust resistance * Archival Fine-Art Protection GOLDEN Waterborne Varnish - is a water-based acrylic polymer that protects interior acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect your art from light exposure. Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. GOLDEN Isolation Coat - is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. What does golden isolation coat do? Isolation coat serves two purposes: Seals any absorbent areas in order to create an even surface on which to apply the varnish. Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. GOLDEN Polymer Varnish with UVLS (Ultraviolet Light Stabilizers) - available in Matte, Satin, and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. See More
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GOLDEN GAC 900 Medium, 8oz BottleSave Up to30%Off listGAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More
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GOLDEN Gesso White 32 ozSave Up to30%Off listWhite A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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GOLDEN Open Acrylic Mediums Matte 8 ozSave Up to30%Off listOPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More
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Chroma Atelier Interactive Mediums and Additives - Pouring Medium, 8ozSave Up to40%Off listDo more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More
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Liquitex Acrylic Fluid Mediums - Gloss, 32ozSave Up to40%Off listLower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish, while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors, so that they dry uniformly matte. Satin Medium: Mix into colors, so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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Liquitex Acrylic Gesso Surface Prep Black Gesso 8 ozSave Up to39%Off listBlack Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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MAS Envirotex Lite Epoxy Kit (4 oz Resin, 4 oz Hardener) 8 ozSave Up to49%Off listCreates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no… Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no polishing to produce a high gloss. One coat is all that is usually required for a deep attractive finish, however, two or more coats maybe applied one over the other by simply wiping the surface with a clean cloth and alcohol prior to re-coating. Key Features:* EnviroTex Lite: 8oz Kit, 32oz Kit & Gallon Kit* Use over acrylics or thoroughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish* Hardens to a high-gloss finish, and cures completely in 36 hours* The solvent-free formula is 100% solids and has no unpleasant odors* Waterproof as well as heat- and alcohol-resistant* Use Envirotex to coat, wood, rock, Sculpey, jewelry and more* Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit 02008: (4oz resin, 4oz Hardener), Coverage: 2 square foot* Envirotex Lite is used as a table tops, bar tops, resin art, wood, rock, sculpey clay, acrylic pour, jewelry and more. Envirotex Lite® is alcohol and heat resistant. Envirotex Lite® creates a hard lustrous finish for table tops, plaques, clocks, figurines etc. A Gallon Kit consists of 1/2 gallon of Resin and 1/2 gallon of Hardener, making a total of one gallon. See More
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Chelsea Classical Studio Lavender Brush Cleaner 8ozSave Up to50%Off list…Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint… A Safer natural alternative to turpentine that actually smells like lavender! Cleans Better and More Thoroughly Than Almost All Other Brush Cleaners and Solvents. Conditions Brushes Making The Hair Subtle Maintaining Maximum Working Quality. CCS Lavender Brush Cleaner™ is a safer, natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Made from 100% natural distilled fruits and flowers, featuring lavender, Chelsea Classical Studio's Lavender Brush Cleaner is a safer natural alternative to turpentine, petroleum mineral spirits and other toxic solvents. Lavender not only is more natural than harsh chemicals such as turpentine, but it also has a nice aroma that is often used in aromatherapy and other therapeutic holistic practices. It is very effective at cleaning oil paints from brushes during or after painting. Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. What: Effective oil painting brush cleaner made from 100% natural distilled oil essences of fruits, flowers, and lavender. Why: Naturally safe, Safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent! * Less abrasive to brushes than turpentine or mineral spirits * Pleasant scented, safe, natural alternative Key Features: * Safer natural alternative to turpentine * Pleasant aroma * Less abrasive to brushes than turpentine / mineral spirits * Made from natural oil essences of fruit, flowers and lavender * Made in the USA from Old World Master Techniques * Available in: 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles Perfect For: * Cleaning brushes and palette knives * A cleaner and safer workspace * Artists looking for natural, environmentally friendly, cleaning products * Cleans better and more thoroughly "There is only one correct way to clean and preserve brushes of any kind. Immediately after use, the paint or varnish should be thoroughly rinsed out with the appropriate solvent..." -Ralph Mayer, the Artist's Handbook How To Use Lavender Brush Cleaner CCS Lavender Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil based soap and warm water afterwards to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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R&F Handmade Paints - Encaustic Gesso, QuartSave Up to20%Off list…oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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Jacquard SolarFast Dye 8 oz - WashSave Up to30%Off listQuick and Easy! This new method of fabric printing produces incredibly detailed results, with very little effort! This exciting new line of Jacquard SolarFast Dyes opens a whole new world of possibilities, in both DIY fashion and fine arts. Textile and paper artists alike can now print continuous… Quick and Easy! This new method of fabric printing produces incredibly detailed results, with very little effort! This exciting new line of Jacquard SolarFast Dyes opens a whole new world of possibilities, in both DIY fashion and fine arts. Textile and paper artists alike can now print continuous tone photographs in any color, quickly and easily. No darkroom required! Printing on fabric has never been easier: no heat, steam or chemical setting needed, and it leaves fabric completely soft to the touch! On paper, SolarFast has zero relief and offers unbelievable detail. SolarFast is washable, lightfast and archival. SolarFast can also be used to create photograms, shadow prints, and ombrès on fabric and paper. It can also be enjoyed with painting, tie dyeing, screen printing, stamping, batik and more. Just apply the dye, expose it to sunlight, wash and you're done! SolarFast is permanent on all artist papers and natural fabrics, including cotton, linen, canvas, silk, hemp, and wool. Key Features: * Sun exposure time is 10 minutes to 1 hour depending on surface * 14 different colors of dye * SolarFast thins and cleans up with water * Permanent, washable, lightfast and archival * Leaves fabric completely soft to the touch! Perfect For: * DIY fashion and fine art * Photo transfer without a dark room * Screen printing that is soft to the touch * Textile and paper artists * Creating photograms, shadow prints, and ombrès on fabric and paper See More
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Chelsea Classical Studio Medium Clarified Extra Pale Cold Pressed Linseed Oil 32ozSave Up to50%Off list…unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More
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Chelsea Classical Studio Medium Clarified Pale Cold Pressed Walnut Oil 8ozSave Up to50%Off list…use with whites and light colors* Created through reproducing the methods of the Old Masters* Free of impurities* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques Perfect For:* Improving light colors to be richer* Increasing the brightness of whites* Use with… Thoroughly hand cleaned and purified walnut oil that improves the richness and brightness of white and light oil colors! The Chelsea Classical Medium, Clarified Pale Cold-Pressed Walnut Oil, is cleaned by hand and made with only natural ingredients. This walnut oil is washed by traditional, natural processes that strive to make the palest, cleanest, and most pure walnut oil for artists’ to use. The mucilage and fat is removed, which greatly improves the acidity and drying of the oil. It is then further cleaned by multiple processes that filter out the remaining impurities and unnecessary coloration. This professional-quality walnut oil will not darken, and provides brighter and richer tones and hues in oil colors. Walnut oil is naturally less yellow and dries slower than Linseed oil. For best results, we recommend using it for whites and light colors! What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil. Where: Made in the USA from Old World Master Techniques * Free of fats and impurities * Use with whites & light colors Key Features:* Handmade from the highest quality ingredients* Increases brightness and richness in tones and hues* For best results, use with whites and light colors* Created through reproducing the methods of the Old Masters* Free of impurities* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques Perfect For:* Improving light colors to be richer* Increasing the brightness of whites* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More
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Chelsea Classical Studio 8oz Medium Lavender Spike Oil SolventSave Up to53%Off list…other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent… A safer natural solvent for oil painting! Distinctive, sweet lavender scent The Chelsea Classical Medium, Lavender Spike Oil Essence has a distinctive, sweet lavender scent, and is a safer, natural alternative to Turpentine, does not cause chronic health problems that are often associated with turpentine or odorless petroleum mineral spirits. Lavender Spike Oil Essence is so safe to use and has such a pleasant scent, that it is often used for making soaps and in aromatherapy! With this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues. * Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Key Features:* Distinctive, sweet lavender scent* Dilutes oil painting mediums* A safer, natural alternative to turpentine and mineral spirits* Safer natural solvent for oil painting* Features a distinctive, sweet lavender scent * Perfect For:* Dissolving resins and varnishes* Health-conscious artists* Promoting well-being* Use with fine oil colors* Blending colored pencils* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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