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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Grumbacher Pre-Tested MG Underpainting White, 150 ml TubeSave Up to42%Off listWhite Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Great White Artist Oil Paint, 3 PACK - 150ml (5oz) TubesSave Up to59%Off listWhite Heavy Body, Opaque, Non-Yellowing, Archival White Great White Artist Oil Paint is a professional white oil paint made from the purest pigments and the clearest safflower oil. Its buttery smooth consistency dries to a strong elastic film that will not crack or flake. Apply in a thick impasto style or thin with solvent to create soft glazes or delicate highlights. Cover large areas quickly and thoroughly with the brightest opaque white oil paint on the market. Great White Artist Oil Paint is uniquely blanched to stay neutral and not alter color warmth. As a result, the white oil paint mixes well with other colors to yield clean, brilliant tints that resist yellowing. Great White Artist Oil Color has been developed with a historic knowledge of the ingredients and a state-of-the-art blending process. The paint is thoroughly mixed in a European 3-roll computer automated milling machine, a first in color-making. This process allows the oil to coat the pigments in the paint entirely and ensures perfect blending. 100% guaranteed to be the best white you have ever used or your money back! Key Features: * Professional quality, lead-free white * Made with the highest concentration of pigments * Heavy body, opaque, and archival * Clear safflower oil resists yellowing * Will not crack or flake * Highest lightfastness rating * Made in the USA Perfect For: * Color mixing and creating tints * Covering large areas quickly * Creating soft glazes or delicate highlights * Textured brush or palette knife application * Schmaltz™ and StudioSolv™ mediums * All oil painters See More
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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Pebeo Fantasy Moon Color Pearl 250 mlSave Up to25%Off listWhite Solvent-based colors that create marbled effects! Pébéo Fantasy Moon opaque colors render a hammered or marbled effect on flat horizontal surfaces. The liquid paints create unique effects, which depend on whether used alone or mixed with Fantasy Prisme, Vitrail or Ceramic paints. They work well on Liquid Art Panels and can also be used on glass, canvas, metal, mirror, Plexiglass, acetate, plastics, ceramics, and more. Make sure to clean brushes and droppers with odorless mineral spirits or citrus-based brush cleaners and then rinse with soapy water.Please note: Stir the paint with a wooden stick prior application to obtain a homogenous and fluid color. DO NOT SHAKE. Use a dropper to place color or pour directly from the bottle onto a flat horizontal surface. The length of time required for the colors to be completely dry varies according to the thickness of the application. A 1/16 inch (2 mm) thick application is dry to the touch after 24 hours and completely dry after 72 hours. Wait a minimum of 7 days before adding a coat of resin over completely dry colors. Key Features:* Pourable, liquid, solvent-based paint* Creates crater-like effects over time* Good lightfastness* Compatible with all other products in the Pébéo Mixed Media line Perfect For:* Abstract landscapes and seascapes* Resin jewelry * Mixed media applications See More
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Daler-Rowney System 3 Fluid Acrylic Liner, Zinc Mixing White - 29.5mlSave Up to30%Off listWhite Ideal for pouring, dripping, and other liquid art techniques System3 Fluid Acrylics are made of rich lightfast pigments and a fluid acrylic base made for pouring and dripping techniques. The tapered tip of the liner is perfect for contour effects and precise line work. You can play with different painting techniques because the fluid colors are compatible with all System3 paints and mediums. Best of all, the System3 Fluid Acrylics have great covering power, so you can cover a large surface area without wasting a lot of paint. Key Features: * Quality fluid acrylic with intense pigment load * 29.5 ml Liner bottles with precise applicator tip * Great opaque covering power * Lightfast and permanent * Supercharged vibrant colors * Compatible with all System3 colors * ACMI Certified, Conforms to ASTM D-4236 * Made in England Perfect For: * Pouring, dripping, and all liquid art techniques * Brush and knife application * Canvas, board, paper, fabric, or drywall * Murals and large surface area applications * Painting layers of color * Painting permanent works of art See More
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Matisse Structure Acrylic Colors Titanium White 75 mlSave Up to50%Off listWhite A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Dr. Ph. Martin's Hydrus Watercolor 1 oz Bottle - Titanium WhiteSave Up to20%Off listWhite Lightfast, transparent, fine art quality watercolor in a glass bottle Dr. Ph. Martin's Hydrus Fine Art Liquid Watercolors are made from the finest lightfast, transparent, brilliant and permanent artist pigments. These liquid colors are highly concentrated and when used straight from the bottle, yield the most vivid colors available to the watercolorist. Made from the finest artist pigments, Dr. Ph. Martin's Hydrus Fine Art Watercolor can be blended and intermixed while still maintaining the transparency and luminosity of the colors. Add water to achieve the richness of tone you desire and white for pastels and opaque shades. Great for use in technical, calligraphy, fountain pens, and in airbrushes. All colors come in 1oz. bottles with dropper tops. * Pigment-based Watercolors* Available in: 1oz. (30 ml) glass bottles & sets* Dropper Top Bottles* Acid-Free, Non toxic* Lightfast and Archival Grade* Intermixable: colors are intense, they mix beautifully* Designed for use with: Brushes, Airbrushing, Technical Pens, Dip Pens See More
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Pebeo Vitrail Color Pearl 45 mlSave Up to26%Off listWhite THE IMPOSING BEAUTY OF THE STAINED GLASS - RIGHT AT YOUR REACH Luminous, high-gloss colors in transparent and opaque finishes! Pebeo Mixed Media Vitrail Colors are high-gloss, solvent-based colors— 36 total colors: available in 26 transparent and 10 opaque colors. These colors can be used with liquid art panels, metal, glass, ceramics, plastics, paper, canvas and more! Applied in thin or thick layers with a brush or used with a dropper. Compatible with other products in the Pebeo Mixed Media line. You can easily imitate the lead strips of stained glass windows using self adhesive lead strips, combined with transparent colours to create astonishingly beautiful light effects Key Features:* Mixable* Ready to use* Good lightfastness* Solvent-based* Transparent, intense and very bright colour* Opaque effect, luminous colours Perfect For:* Mixed media artists* Use on multiple surfaces* Use over acrylic mediums or in combination with resins What is Pebeo Vitrail Paint? To imitate a stained glass effect, use Vitrail Glass Paint with Pebeo Cerne Relief. Pebeo Cerne Relief is a water-based outliner that comes in a tube with a fine nozzle. It is available in a range of 7 colours and is used to create the outline of the design before applying the glass paint. After applying the Cerne Relief outliners, how long do you wait before applying Vitrail colours? It is better to allow the Cerne Relief dry at least 30 minutes prior to applying the Vitrail colours. QUALITY: Transparent, intense and very bright colours. Opaque effect, luminous colours. Solvent based, ready to use. Good lightfastness. Use with the cerne relief. COLOUR MIXABILITY: Colours can be mixed together. DRYING: 1 hour to the touch, completely dry after 8 hours. Drying times can vary depending on the thickness of the application, and the temperature and humidity of the room where the product is applied. SURFACES: Glass, polyester, acetate THINNER: Odourless mineral spirits or white spirits. OPACITY:Transparent and opaque colours FINISH Brillant. See More
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Montana Water Based Spray 300 ml Semi-Transparent WhiteSave Up to30%Off listWhite The Spray Paint of The Future! MTN Water-Based Spray Paints by Montana Colors are low-odor, water-soluble spray paints made with high-quality pigments. The safer low-odor color formulation is perfect for creating high-end studio art inside your studio. You can use the cap nozzles to produce various techniques and effects. Spray on canvas, wood, glass, metal, EPS foam, and more. The water-based paints are water-resistant once dry and have a matte finish. Responsive, fast-drying Montana Water-Based Spray Paints are ideal for creating graffiti art, fine art, and ornamental arts and crafts. Key Features: * Low odor water-based paint * High-quality pigments * Water-resistant once dry * Matte finish * Strong performance paint * 300 ml can format * Pocket cap nozzle * Perfect For: * Studio or indoor work * Painting canvas, wood, glass, metal, or EPS foam * Various spray techniques * Workshops and group activities * Graffiti art, fine art, and interior design * Crafts and hobbies See More
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Grumbacher Academy Acrylics Titanium White 90 mlSave Up to58%Off listWhite Medium Bodied Highly Pigmented Acrylic Paint Made in the USA Creators of Art Materials Since 1905, Grumbacher Academy® Acrylics, a line of 48 brilliant process colors, sets, metallic and iridescent colors, as well as the most sought after traditional colors comprise the improved line of Grumbacher Academy® acrylics. All colors have an ASTM lightfast rating of 1- Excellent. Academy Acrylics are a medium bodied acrylic paint, highly pigmented and have superior tinting strength, but at a single student price. Available in 90 ml metal tubes. Made in the USA. Academy acrylic colors provide the artist with a versatile option for painting and crafting. Thinned with water, the paint can be applied in delicate, translucent layers much like watercolor. Straight from the tube, or thickened with a medium, these colors can be applied to a canvas with the same techniques used for oil color. Academy acrylics can also be thinly applied to layers of paper for a decoupage effect. The possibilities are as limitless as the artist's imagination. Academy Acrylics create cleaner mixes and more accurate color matching without sacrificing tinting strength, opacity, or lightfastness Key Features:* 48 brilliant colors* Medium bodied* Great pigment load* Metallic and iridescent colors* Highly pigmented* Superior tinting strength* 90ml metal tubes* Sets of 6 and 10* Strong adhesion* Made in the USA Perfect For:* Artist grade paint* Genuine and pure pigments* Pure cadmiums* Colors are lightfast* All colors have an ASTM lightfast rating of 1- Excellent and are labeled AP Academy Acrylics Introductory Set of 6: 6 essential acrylic colors in 90ml metal tubes. Academy Acrylics Mixing Set of 6: Six colors ideal for a basic mixing palette. Academy Acrylics Tube Set of 10: Ideal for artists experimenting with acrylic painting, this set includes 10 24ml tubes of paint. Academy Acrylics Bonus Set of 7: The A bonus set of 7 24ml tubes perfect for extending any of the Grumbacher Academy Acrylic Sets. Acrylic paint is a relatively new medium in the pantheon of artistic media. Developed in the mid part of the 20th century as a house paint, acrylics were first used in the art realm by muralists. It covered large areas fairly quickly and had a much faster drying speed than oil based paints. Grumbacher® Academy® Acrylics follow that chain of artistic evolution. See More
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Winsor & Newton Designers Gouache 14ml Tube - Permanent WhiteSave Up to50%Off listWhite High quality, gouache paints that produce varying degrees of transparency & opacity Winsor & Newton Designers Gouache are brilliant, smooth and extremely opaque water-based colors. Opaque matt colour, perfect for creating bold, vibrant artworks. Popular with designers, illustrators and commercial artists. These luxurious paints may be used with airbrushes or in conjunction with other water-based media, such as acrylic and transparent watercolors, to produce varying degrees of transparency, opacity and texture made in England. This line of gouache is unique in that the range gets its high degree of opacity from pigment load alone, not from added opacifiers. This fine quality gouache levels to an even matte surface, while the opacity is perfect for adding "spot color" and highlights to transparent watercolor paintings. Mainly used by designers, illustrators and commercial artists to create vibrant illustrations in solid color, gouache is also widely used in fine art as an opaque watercolor. Made in England. Key Features:* 89 Brilliant, smooth and extremely opaque water-based colors* Sets: Primary Set of 6, Intro Set of 10 * High degree of opacity* Fine quality gouache levels to an even matte surface* Produce varying degrees of transparency, opacity and texture* High level of pigmentation and the Gum Arabic binder Designers Gouache dries to a matte finish* Reduces reflection when photographing gouache art work* Exceptional value for the price* Made in England Perfect For:* Used with airbrushes or in conjunction with other water-based media* Opacity is perfect for adding "spot color" and highlights to transparent watercolor paintings* Use in fine art as an opaque watercolor Winsor & Newton Designers Gouache Sets Designers Gouache Primary Set of 6 - This wonderful Primary Set includes one 14 ml tube of Primary Yellow, Primary Red, Primary Blue, Forest Green, Ivory Black, and Zinc White Designers Gouache Intro Set of 10 - This broad Intro Set includes one 14 ml tube of Primary Yellow, Permanent Yellow Deep, Spectrum Red, Primary Red, Ultramarine Blue, Primary Blue, Brilliant Green, Yellow Ochre, Ivory Black, and Zinc White See More
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Grumbacher Academy Oil Color 37 ml Tube - Titan White SoftSave Up to49%Off listWhite Grumbacher Academy® Oil Paints - Made in the USA Grumbacher® has continued to produce quality oil paint in the tradition of the old masters. Superior quality pigments are combined with highly refined oils in their perfected paint formulas. Grumbacher® is one of the only brands of oil paint to be produced within the United States. Their highly controlled facilities allow them to personally test paints for a plethora of attributes such as purity and brilliance. With a wide range of rich, vibrant colors, Grumbacher's® line of Academy® oil paints have been popular with artists generation after generation. This time tested brand of oil color allows painters to experiment with the comfort of knowing that their pieces will leave a legacy. Grumbacher Academy® oil colors offer a quality line of 47 colors at an affordable price. Only finely ground pigments are used in making this smooth, rich paint. An improved line of 47 colors including metallic paints that are highly pigmented and have superior tinting strength at a single student price. All colors have an ASTM lightfast rating of 1-Excellent. The colors in the Academy® Oil student line correlate to the Pre-tested® professional line*, allowing students to graduate to a professional grade paint with ease. Made in the USA. Key Features:* 47 colors* Metallics* Highly pigmented* Rich, vibrant colors* Superior tinting strength* Highly refined oils* Made in the USA Perfect For:* Affordable Oil Paint* Colors that are lightfast* Students to professionals* Lightfast colors Academy Oil Bonus Set of 7: - Six 24ml tubes of oil colors, One 24ml tube of Titanium White & Mixing guide See More
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Cobra Water-Mixable Oil Color, Titanium White 150ml TubeSave Up to40%Off listWhite Infinite freedom — paint anywhere! Solvent Free Cobra Artists' Water-Mixable Oils by Royal Talens are an exceptional line of water-mixable oil colors perfect for any painter! Cobra Artists' Water-Mixable Oils are based on a modified, water-mixable oil binder, meaning that no harsh solvents, turpentine, or mineral spirits are necessary in the painting — or the clean-up — process. This makes for a much healthier painting environment, with no toxic and odorous fumes to inhale, and hence makes Cobra the ideal oil paint for use in classes, studios, outdoors, or even in your living room! Cobra Artists' Water-Mixable Oils are an artist grade paint, with a full line of 70 vibrant shades using only the highest quality pigments milled to an exceptional degree of fineness in a triple-roll mill. Key Features:* 70 vivid colors available* 40ml, 150ml Tubes* Sets of 5 & 10* No harsh solvents* 35 colors are single-pigment shades* Highest degree of light fastness* Minimal color shift or leveling* Cleans up easily Perfect For:* Healthier painting environment* Clean and brilliant color mixes* No toxic and odorous fumes* Artist grade paint* Use in classes, studios, outdoors* Cobra Artists' Water-Mixable Oils are an artist grade paint, with a full line of 70 vibrant shades using only the highest quality pigments milled to an exceptional degree of fineness in a triple-roll mill. Half of the line is comprised of single pigments, making for clean and brilliant color mixes, and all Cobra paints have the highest degree of light fastness, ensuring your art will remain radiant for years to come! With minimal color shift or leveling as they dry, all your paint strokes will remain as bright and textured as when you first lay them down. Cobra colors can be used exactly like traditional oil paints: from glazing and alla prima techniques to layering and impasto, and a range of mediums and varnishes expand the possibilities! So don't worry anymore about using harsh turpentine or white spirits — try Cobra Water-Mixable Oils and see what just a little water can do to your oil paintings! Modified oil color mixes directly with water! 70 vivid colors available in 40ml tubes, popular colors in 150ml 35 colors are single-pigment shades for clean mixes Behaves just like traditional oil paint Eliminates the need for solvents, turpentine or mineral spirits Cleans up easily with just soap and water Perfect for painting indoors or out, in the studio or at home! Water-mixable oil color sets perfect for travel! Starter Set of 5 - This set includes five 40ml tubes of Cobra Water-Mixable Oil Colors in Permanent Yellow Light, Pyrrole Red Deep, Cobalt Blue Ultramarine, Permanent Green Deep, and Titanium White. Excellent for practicing color mixing! Mixing Set of 5 Primary Colors - This fantastic new set is the perfect selection to practice color mixing! Includes a 20 ml tube of Titanium White, Primary Yellow, Primary Magenta, Primary Cyan, and Ivory Black, as well as a color mixing guide. Value Set of 10 - This expands upon the Starter Set, with ten 40ml tubes of Cobra color, including Permanent Yellow Light, Permanent Orange, Pyrrole Red, Permanent Red Violet, Ultramarine, Permanent Green Deep, Burnt Sienna, Yellow Ochre, Ivory Black, and Titanium White. A great introduction to these fantastic water-mixable oil paints! Gift Set of 10 with Accessories - The perfect gift for both beginners and experienced artists, this fantastic set comes with the same colors as the Value Set but adds a 75ml Bottle of Cobra Water-Mixable Oil Painting Medium, two bristle brushes (Flat size 4 and 10) and a metal double palette cup. It also makes an excellent traveling kit See More
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Grumbacher Pre-Tested Superba Titanium White Oil Color 37ml TubeSave Up to50%Off listWhite Good Color Variety That Glides Smoothly! America's favorite oil paints since 1905! Pre-Tested® is Grumbacher's flagship. Grumbacher's time-proven formulas are finely tuned through independent laboratory tests as well as hands-on trials by professional artists. They specify the best ingredients available, putting each one through a rigorous selection process. Grumbacher Pre-Tested Oil Paints provide high chroma, superior tinting strength, and excellent adhesion for the professional artist. Grumbacher specifies only the best ingredients that are available, putting every new color through a rigorous selection process. Key Features:* Optimal color development* Excellent lightfastness ratings * Reformulated cadmium for purer and stronger colors* Superior adhesion and outstanding tinting strength* Outstanding working properties* Milled in select alkali-refined linseed oil* Mainly single pigment colors* Made in the U.S.A. Perfect For:* Practicing your painting* Smooth application* Great color variety* A modern palette color palette * Archival permanence* Portraitists and landscape painters* Artists of all skill levels Titanium White (Original) - A permanent, heavy-bodied, versatile, opaque, pure white that is neutral in hue. Ideal for all applications where great opacity is required. This is the strongest tinting white. Titanium White (Soft) - This pigment is permanent, soft-bodied, opaque, non-yellowing and ground in poppy seed and sunflower oils. Also recommended for fluid wet-in-wet techniques. Zinc White - A permanent, heavy-bodied, semi-opaque, cool, crisp white. Designed especially for brilliant clear tints with all oil colors and excellent for glazing. Pre-Tested Oil Color Set of 10: See More
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Williamsburg Safflower Oil Color 237 ml Can Titanium WhiteSave Up to30%Off listWhite Long Lasting Brilliance and Clarity in a Handmade Safflower Oil Paint - Reduces Yellowing! Going back to the earliest traditions of oil painting, Williamsburg offers 13 whites, blues, and other delicate transparent colors made with a far less yellowing safflower binder. Artists will find these invaluable for holding onto maximum clarity and brightness in the upper layers of their paintings. These colors are not recommended for underpainting or foundational layers within a painting, as safflower oil binder takes longer to dry and produces a slightly weaker film. Milled with the highest quality, expeller-pressed Safflower Oil, the line features Porcelain White as the only color of the line not offered in their Linseed-based oils. Porcelain White is a less brittle, semi-transparent alternative to Zinc White. As with all of Williamsburg’s products, their Safflower Oil Colors are painstakingly made by hand. They are available from Jerry’s in 37ml and 150ml tubes. Key Features:* Handmade Safflower Oil Colors* Longer dry times than linseed colors* Non-yellowing white & transparent colors* Safflower oil line of 13 colors* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists concerned about yellowing* Enthusiasts of handmade oil paints See More
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Shiva Signature Permanent Artist Oil Color 37 ml Tube - Unbleached TitaniumSave Up to73%Off listWhite The Most Affordable Professional Oils On The Market! Richeson's Shiva Series Oils are formulated to please even the most discerning artists. The professional quality oils are made by grinding each pigment to its correct degree of fineness under exacting laboratory controls. Not only that, but The Shiva Series Oils are guaranteed not to darken, yellow, fade, or crack. Key Features: * Professional quality oils * Brilliant, rich colors * Buttery, reliable consistency * High level of permanency * Resistant to fading, darkening, yellowing, and cracking * Made in small batches in Wisconsin * Each pure pigment is ground to its own degree of fineness Perfect For: * Professional oil painters * Painting vibrant portraits * Accurately reflecting the hues of nature * Artists wanting the best experience Professionally formulated to satisfy the most discerning master painter! Each pure Richeson pigment is ground to its own correct degree of fineness and formulated under exacting laboratory controls. . During the manufacturing process, great care is taken to avoid overworking the pigment. The amount of time required for the milling process varies for each color – anywhere from six hours to three days. The amount of oil required for each pigment varies because each pigment absorbs at a different rate. Richeson uses only pure, artist-grade, dry pigments. The finest grade of alkali-refined linseed oil is used to make non-yellowing colors. This type of oil is well-known for its excellent color stability. “Straw" in color, the oil has a minimal effect on pigment colorization and will not darken with age. Certain colors, such as whites, flesh colors, ice blue, and brilliant yellow light, use safflower oil. With these sensitive pigments that yellow easily, safflower oil produces a much better non-yellowing color. Where appropriate, we use a blend of linseed and safflower oil, producing the best possible finished product. Click on the item number to view the contents of each set. See More
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Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Wilson Bickford Canvas Panel Individual 18x24"Save Up to55%Off listWhite Archival, warp-resistant canvas panels ideal for students and professionals alike! All too often, both amateur and experienced artists are forced to throw away artwork because it was painted on a poor substrate. Whether that substrate was chosen for economic or practical reasons, it is still a shame to lose the work. Professional artist and art teacher Wilson Bickford seeks to solve that problem by offering the perfect panel choice for both students and advanced artists! Bickford Signature Canvas Panels are acid free, archival, warp-resistant — and reasonably priced! Made from a base of sturdy, 3mm thick MDF board, they will not bend or bow under reasonable use. The heavy 11.2oz canvas surface is pre-primed with acid free titanium white acrylic primer, and has a lovely fine-weave texture perfect for any painting technique in oils, alkyds, and acrylics. Don't let your valuable artwork suffer from inferior substrate deterioration: new Bickford Signature Canvas Panels will stand the test of time! * Solid base of 3mm thick MDF board * Heavy 11.2oz 100% cotton canvas surface * Triple-primed with an isolating layer and 2 coats of acid free gesso * Warp-resistant construction under normal use * Medium-tooth texture ideal for all painting techniques * Available individually or in bulk cartons * Superb for paintings in acrylics, alkyds, and oils! See More
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Wilson Bickford 1-1/2" Deep Beveled Edge Stretched Canvas Box of 12 16x20"Save Up to55%Off listWhite Deluxe primed canvas with a unique beveled edge! From the makers of artists' favorites like The Edge and Paramount canvases comes an innovative new painting surface inspired by master artist Wilson Bickford! Made from medium-weight, 100% cotton duck canvas primed with universal, titanium white acrylic primer, these fantastic canvases are the ideal surface for absolutely any subject and painting style in acrylics, alkyds, traditional and water-soluble oil colors. The uniquely designed 1-1/2" deep stretcher bars bevel backward, creating a three dimensional projection that requires no framing and is sure to inspire your compositions! Available in economical packs of four, new Bickford Beveled Edge canvases are an impressive choice that will spur a Renaissance in all your paintings! Key Features:* Unique beveled style canvases stand out from the wall! * 1-1/2" deep, sturdy stretcher bars* 100% cotton canvas primed with acid-free titanium white acrylic primer* Medium tooth texture is ideal for any painting technique* Available in economical packs of four canvases* Perfect for all paintings in alkyds, acrylics, and oil colors! * "Bevel Edge Canvas is a totally unique concept in wrapped canvas design! I love its 3D projection and the fact that it requires no framing. And it has just the right amount of tooth for any style, whether you use a knife or a brush. Its only limits are your own imagination! Add some dimension to your work with BEVEL EDGE!" --Wilson Bickford, Professional Artist See More Wilson Bickford Signature Series Art Supplies See More
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PanPastel™ Pearl Medium - White (Fine)Save Up to25%Off listWhite The world's first true pastel mediums! PanPastel Mediums are additives that can extend the techniques and finished effects and alter how your colors work. These mediums have all of the great characteristics of PanPastel colors including being incredibly mixable, erasable, low dust, and lightfast. Pearl Mediums can give paints a jewel-like quality and can create specialized tints. The colorless blender increase transparency in any PanPastel colors. The Mediums Set of 5 includes all 5 mediums, one large sponge, two small applicators, and a small handled applicator. Key Features: * Fine Pearl Mediums create subtle, soft pearl sheen * Coarse Pearl Mediums contain larger particles for shimmering sparkle * Colorless blender increases transparency and enhances color “flow" * Low Dust, lightfast, professional quality Perfect For: * Enhancing Pastel and Mixed Media Artworks * Pastel Artists of all Levels * Creating unusual effects * Use with PanPastels and Traditional Pastels See More
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Sennelier Acrylic Medium Gel Binder 17ozSave Up to33%Off listWhite Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More
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Schmincke Horadam Watercolor Onetz, 15mlSave Up to32%Off listWhite Horadam Watercolors Outperform All The Rest! Liquid Oxgall and Onetz are natural thickened wetting agents for watercolors and gouache. You can use oxgall to decreases the surface tension of the colors diluted with water. You should use oxgall sparingly. Dissolved oxgall tends to flocculate during a long period of storage, but this has no influence on the product's handling. Key Features: * Oxgall is water-mixable * Dilute the product with a little water and mix it into the paint separately on a palette * Use sparingly! * Clean working tools as soon as possible with water or water and soap * Dissolved oxgall tends to flocculate during a long period of storage; this has no influence on the product`s handling * Close immediately after use * Store in a cool and dry place Perfect For: * Watercolor and gouache * Decreasing surface tension in colors diluted with water * Levelling agent for watercolors * Professional artists with high standards * Color mixing * Degreasing paint undercoats * Students, teachers, professionals * Soft sized papers See More
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Pebeo Studio Acrylics Mediums - Sand Textured Gel (White), 250mlSave Up to25%Off listWhite Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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Bob Ross Liquid White Oil Medium 8oz (237ml) JarSave Up to25%Off listWhite Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Schmincke White Acrylic Gesso, 2.5LSave Up to15%Off listWhite Non-Aging Primer and Final Varnish! Schmincke Acrylic Gesso is a white, semi-transparent, and light-resistant primer for oil and acrylic colors. Once dry, the gesso forms an elastic matte film with the right level of absorbency. You can use it straight out of the bottle or dilute it with up to 10% water. After drying, the gesso is insoluble in water. Schmincke Waterborne Varnish is a colorless final varnish for acrylic paintings. It is age-resistant, contains a UV absorber, and dries crystal clear. Key Features: * Absorbent gesso primer * Once dry the gesso is insoluble to water * Final varnish for acrylic painting * Glossy or matte finish * Non-aging and fast drying Perfect For: * Priming oil or acrylic paintings * Working on linen, cotton, and wood * Varnishing acrylic paintings * Protecting art from UV light * Professional artists See More
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Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 LiterSave Up to30%Off listWhite Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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Liquitex Acrylic Gesso Surface Prep Clear Gesso 8 ozSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry.  It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Norma Blue Water-Mixable Oil Color - Titanium White, 35ml TubeSave Up to36%Off listWhite Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Claessens Linen #15 Double Oil Primed Medium Texture Roll, 54" x 3 ydSave Up to69%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Da Vinci Pro Medium Textured Panel 16"x16", 1-5/8" DeepSave Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Great White Oil Color (5oz) + Studiosolv™ Oil Thinning Medium (16.9oz) Mixing & Thinning SetSave Up to69%Off listWhite Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off listWhite High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Daler-Rowney Gesso Primers 32 ozSave Up to34%Off listWhite Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More
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Liquitex Basics Acrylic Gesso, 250 mlSave Up to30%Off listWhite Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More
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Lascaux Primer Liter JarSave Up to38%Off listWhite A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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