Spray Paint Varnish at Jerry's Artarama

Spectrafix Empty 4 oz Pump Spray Bottle

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…Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please… SpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for chemically sensitive people. You can spray it indoors and keep on working because the fixative does not release toxic fumes or odors. The spray dries to a hard, water-resistant, matte finish; and provides the traction you need to apply extra layers of dry media. There are no toxic fumes or odors You may spray the fixative on all papers (except LaCarte), primed and unprimed canvas, wood panels, unglazed ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please note: Not for use as a final topcoat over acrylic or oil paint. Key Features: * Seals and protects artwork * Rapid drying pastel fixative * Contains casein, water, and alcohol * Protects fragile dry media * Prevents underpainting from smudging * No toxic fumes * 100% Archival * Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and unprimed canvas * Wood panels, unglazed ceramic, stone, leather, and glass * Classrooms Dries quickly to an invisible matte finish and allows deep layering as well as providing extra traction on thickly layered, slippery media such as color pencil or oil pastel. Combines well with almost all media, and dries to a hard, water-resistant finish. Should not be used as a final top coat over acrylic or oil paint. Use with Soft Pastel, Pan Pastel and Oil Pastel, Colored Pencil, Graphite, Charcoal, Chalk or in combination with Watercolor, Gouache, Casein, Ink or to layer other media into Encaustic. Perfect for crafts, it holds a wide variety of media without dulling their sheen or brilliance. Use under Oil or Acrylic paints to prevent underdrawings from smudging. Casein actually bonds permanently with the covering layer of oil paint, and similar to egg tempera, has been used for centuries for grisaille or colorful underpainting which can then be glazed with oil. Remember, it is not recommended as a final top coating for acrylic or oils See More

Liquitex Acrylic Fluid Mediums - Gloss, 4oz

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…water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level, and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors so that they dry uniformly matte. Satin Medium: Mix into colors so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending, and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More

Lascaux Fine Art Acrylic Resin Fixative Spray 12 oz

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World’s finest spray fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and resistant to aging. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely… World’s finest spray fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and resistant to aging. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely lightfast. Excellent for fixing and sealing works done with pastel, pencil, charcoal, wax crayon, india ink, tempera, and watercolor. Nothing beats Lascaux fix for sealing photographs, photostats, art prints, lithographs, proofs, and gold leaf. Lascaux Fixative seals without aging and forms a lightfast, invisible scratchproof seal. Contains no fluorocarbons. Imported from France. 12 oz (300ml) Aerosol can. Key Features: * 12 oz (354.882ml) Aerosol can * Acrylic resin fixative that resists yellowing * Non-matte * Fixes or seals * Excellent initial sizing on wood panels * Contains no flourocarbons * Good adhesive properties * Does not change the hue of colours upon drying Perfect For: * Fixing pencil, charcoal, pastels, and wax crayons * Protecting watercolors, Indian ink, and tempera * Photos, prints, lithographs, proofs, lettering, and gold leaf * Creating resistance to the effects of weather * Invisible fixing of drawings in pencil, charcoal, pastel and way crayons, particularly on delicate paper Spray Fixative is a finishing treatment for your artwork creating resistance to the effects of weather, soiling, and mechanical stress while making cleaning easier. Directions on How To Use Lascaux Fixative Lascaux Fixative is applied in a thin, even film by spraying from a distance of approx. 30 cm in a circular movement. For use on delicate drawing paper, the distance should be increased and care taken that the paper does not become soaked through. The spraying process can be repeated until the desired result is obtained. See More

Lascaux Fine Art Acrylic Resin Fixative Spray 12 oz

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World’s Finest Spray Fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and age resistant. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely lightfast. This… World’s Finest Spray Fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and age resistant. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely lightfast. This fixative is excellent for fixing and sealing works done with pastel, pencil, charcoal, wax crayon, india ink, tempera, and watercolor. * Art Fixative Archival Spray - 12 oz Aerosol Can * Pure acrylic polymer * Light-fast and age resistant * Short drying times * Easy to work with * Contains no flourocarbons * Good adhesion, abrasion resistance, and hardness * Does not change the hue of colours upon drying See More

Pebeo Gedeo Bio Based Glazing Resin 300ml

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Pebeo Gedeo Bio-Based Glazing Resin 300ml * Two-component epoxy resin system: 40% bio-based resin** and hardener * Transparent, bright and solid * Mixing: 1 part Glazing hardener (B) to 2 parts of Glazing resin (A). * A colored brightener is added to optimize the resin's long-term transparency. Once… Pebeo Gedeo Bio-Based Glazing Resin 300ml * Two-component epoxy resin system: 40% bio-based resin** and hardener * Transparent, bright and solid * Mixing: 1 part Glazing hardener (B) to 2 parts of Glazing resin (A). * A colored brightener is added to optimize the resin's long-term transparency. Once set, the (pink) hue disappears. * Casting thickness: up to 0.5 cm thick * Setting time: Dry: 1.5 hours / Fully set: 6 hours * Clean the tools with a dry cloth (brushes, splatters, spatulas) and 70% alcohol (commercially available) or alcohol gel. * Maintenance: In their original packaging, fully sealed, and stored at between 15° C and 25° C. * Keep away from freezing temperatures. The product will six months in the sealed bottle after opening. **bio-based carbon represents on average 40% of the total carbon present in the resin * Make sure your work surface is horizontal and grab a timer. * In a clean, dry container, first, pour one measurement of glazing hardener (B) with two doses of glazing resin (A). Trigger the stopwatch. * Mix the two components well into the corners of the container (an incomplete mixing will not guarantee a cure while mixing too vigorously will create bubbles). Decant the mixture into a second container and mix again to ensure the optimal mix. Mixing time can take up to 5 minutes, depending on the amount prepared. * The total time you spend mixing and waiting before casting must not be more than 10 minutes. Pour the whole prepared mixture on the medium of your choice. * Leave to dry for 6 hours, away from dust. Adhesion is progressive and may vary depending on room temperature. See More