Your Cart
SLI Search Template
Related Categories: Opera | Prussian Blue Watercolor Paint | Cobalt Green | Earth | Mars Violet | Cadmium Scarlet | Iridescent Medium | Bright
There were no results that contained all of the words in your query. These results contain some of the words.
-
Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
-
Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
-
Princeton Catalyst Polytip Bristle Short Handle Mottler #100Save Up to40%Off listStiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst… Stiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst Polytip Bristle Synthetic Short Handle Brushes are super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristles can be rendered useless when they are water-soaked. The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application. Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance. Catalyst Polytip Bristle brushes truly are tools that move paint. Key Features:* Stiff and responsive synthetic bristles* High paint load* Even application* Seamless ferrule Perfect For:* Medium to heavy bodied acrylics* Heavy gel mediums and oil color application* Unaltered results when soaked in water* Artists of any skill level See More
-
New York Central Double-Primed Alumacomp Panel - Box of 4 - Rose Earth - 6X18"Save Up to47%Off list…in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types… New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
-
Koi Replacement Water Brush, 4ml (Medium)Save Up to40%Off list…and Rich Color Watercolor Half-Pans & Sets Whether watercolor enthusiasts hike the countryside, scale mountain tops, prospect an ocean panorama or maneuver urban landscapes, Koi Watercolor Half-Pans & Sets are handy to take along. Lightweight and affordable, on-site watercolor painting is… Vibrant and Rich Color Watercolor Half-Pans & Sets Whether watercolor enthusiasts hike the countryside, scale mountain tops, prospect an ocean panorama or maneuver urban landscapes, Koi Watercolor Half-Pans & Sets are handy to take along. Lightweight and affordable, on-site watercolor painting is simple with a studio right at your fingertips! World famous Koi Watercolors are known for their pure, clean colors that create brilliant and bright expressions! Key Features:* Beautiful watercolors* Half Pans and Tube Sets* Vibrant and rich colors* Watercolor Sets and Half Pan Refills* Each set includes Koi's unique, refillable water brushes* Snap lid converts into an easel* Fits inside of a pocket or bag* Base pull-down ring allows for easy gripping of the kit Perfect For:* Color mixing.* Plein Air Artists on-the-go* Painters, illustrators, or instructors* Traveling* Artists of all skill levels See More
-
Strathmore 400 Series 140 lb Watercolor Paper Pads Cold Press Spiral 6" x 18" Landscape (12 Sheets)Save Up to33%Off listAcid-free Natural white color and traditional cold press surfaces Strathmore 400 Series Watercolor Paper Pads are an intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong… Acid-free Natural white color and traditional cold press surfaces Strathmore 400 Series Watercolor Paper Pads are an intermediate grade watercolor paper is popular with watercolorists of all levels because of the fine and even washes that can be achieved using this sheet. It also has a strong surface that will allow lifting and scraping applications Acid-free. Sizes 5.5x8.5" and 12x12" are tape bound on one side; sizes 6x12" and 6x18" are spiral bound The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges. Weight: 140 lb. (22"x30" 500 sheets) 300 g/m2 Surface: Cold Press 140 lb. (22"x30" 500 sheets) 300 g/m2 Surface: Cold Press Pad Features: Wire bound sheets are Actual Size when removed at the wire binding.* 5.5"x 8.5" Cold Press - 8.5" Tape Bound - 12 Sheets* 6"x12" Cold Press - 6" Wire Bound - 12 Sheets* 6"x18" Cold Press - 6" Wire Bound - 12 Sheets* 12"x12" Cold Press - 12" Tape Bound - 12 Sheets See More
-
Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
-
Sakura Koi Water Brush Pen, Large Round #8 - 4mlSave Up to28%Off listWater Brush Pens for Precise, Hassle-Free Watercoloring! Koi Water Brushes are specially designed self-moistening art brushes. These brushes double for easy transportation and storage of water when traveling, using en plein air, or in the studio. The brush consists of a barrel handle—available in… Water Brush Pens for Precise, Hassle-Free Watercoloring! Koi Water Brushes are specially designed self-moistening art brushes. These brushes double for easy transportation and storage of water when traveling, using en plein air, or in the studio. The brush consists of a barrel handle—available in 4ml or 9ml volumes—with a plug to carry water as well as a flexible nylon fiber brush tip—available in small #2 round, medium #6 round and large #8 round. The Koi Water Brush is the perfect solution for watercolorists who are looking for controlled, precise blending, shading and highlighting. Key Features:* Available in 2 barrel volumes (4ml and 9ml) and three brush sizes (#2, #6 and #8 Round)* Comfortable grip allows for precise control of blending and shading* Self-moistening no need to carry a water reservoir* Polypropylene, transparent barrel and nib holder with nylon fiber brush tip Perfect For:* Watercolorists looking for precise control* Traveling artists* Use en plein air* No-hassle, everyday studio use See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field