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Gamblin Artists Oil - Cadmium Yellow Medium, 16oz CanSave Up to25%Off listYellow Gamblin Artist's Oils, The only choice for professionals! Gamblin has deep history and transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin oils have a luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Shiva Signature Permanent Artist Oil Color 1 Pint - Titanium-Zinc WhiteSave Up to73%Off listWhite The Most Affordable Professional Oils On The Market! Richeson's Shiva Series Oils are formulated to please even the most discerning artists. The professional quality oils are made by grinding each pigment to its correct degree of fineness under exacting laboratory controls. Not only that, but The Shiva Series Oils are guaranteed not to darken, yellow, fade, or crack. Key Features: * Professional quality oils * Brilliant, rich colors * Buttery, reliable consistency * High level of permanency * Resistant to fading, darkening, yellowing, and cracking * Made in small batches in Wisconsin * Each pure pigment is ground to its own degree of fineness Perfect For: * Professional oil painters * Painting vibrant portraits * Accurately reflecting the hues of nature * Artists wanting the best experience Professionally formulated to satisfy the most discerning master painter! Each pure Richeson pigment is ground to its own correct degree of fineness and formulated under exacting laboratory controls. . During the manufacturing process, great care is taken to avoid overworking the pigment. The amount of time required for the milling process varies for each color – anywhere from six hours to three days. The amount of oil required for each pigment varies because each pigment absorbs at a different rate. Richeson uses only pure, artist-grade, dry pigments. The finest grade of alkali-refined linseed oil is used to make non-yellowing colors. This type of oil is well-known for its excellent color stability. “Straw" in color, the oil has a minimal effect on pigment colorization and will not darken with age. Certain colors, such as whites, flesh colors, ice blue, and brilliant yellow light, use safflower oil. With these sensitive pigments that yellow easily, safflower oil produces a much better non-yellowing color. Where appropriate, we use a blend of linseed and safflower oil, producing the best possible finished product. Click on the item number to view the contents of each set. See More
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Gamblin Cold Wax Medium 16ozSave Up to25%Off list…It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Winsor & Newton Oil Color Solvents - Sansodor, 250ml BottleSave Up to43%Off listProfessional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Artists' Painting Medium 250ml BottleSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Gamblin Cold Wax Medium 16ozSave Up to25%Off list…hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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Winsor & Newton Liquin Original Medium 250ml BottleSave Up to43%Off list…Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Varnishes - Artists' Matte Varnish, 250ml BottleSave Up to43%Off list…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Michael Harding, V1 Dammar Varnish Medium, 250ml JarSave Up to25%Off list…* Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding’s oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self level, imparts elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste, derived from pure bleached beeswax, mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish; especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils See More
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Williamsburg Titanium Oil Ground, 16oz CanSave Up to30%Off list…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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Maimeri Oil Painting Mediums - Walnut Oil, 250ml BottleSave Up to22%Off list…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Williamsburg Lead Oil Ground, 16oz CanSave Up to30%Off list…painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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New York Central Professional Control Oil Color Brush SP Mix Control Almond Filbert (115) sz 18Save Up to77%Off listThe Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced… The Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced wood handles, silver nickel-plated seamless ferrules, and superior crimping for long-term use without wear! Available in three types of brush hair: Proprietary SP Mix, Kolinsky Red Sable, and Hog Bristle. Choose the brush that’s right for you, or purchase one of our carefully curated brush sets! Key Features:* Available in 3 types of brush hair: SP Mix, Kolinsky Red Sable and Hog Bristle* Well-balanced, handmade wood handles* The very best silver nickel-plated seamless ferrules* Quality crimping assures long use* Handmade in Germany* Legendary New York Central® Quality* All Brushes Specifications Chart - Click Here > Perfect For:* Artists Who Want The Very Best* Superior control* The feeling of quality and luxury in your hand SP MIX CONTROL ALMOND FILBERTS (115) Stiffness Watercolors Acrylics Oils SP MIX is a proprietary blend of soft hairs that feels like Fitch but holds more color. SP MIX is great for glazing, painting exact strokes, and adding fine details to small areas. The hair has a semi-coarse feel. These almond filberts will surely be the workhorse for much of your painting. The hair mix provides an excellent controlled feel with the proper heft and tapered shape to work even in the smallest areas. The hair holds an abundance of color, so you will find it more often than not to be your go-to brush. They are wonderful for building loose details. SP Mix Control Almond Filberts (115) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 4, sz 6, sz 12 and sz 18—plus a Brush Easel Case KOLINSKY SABLE ALMOND FILBERTS (116) Stiffness Watercolors Acrylics Oils KOLINSKY SABLE ALMOND FILBERTS are made of only the finest Kolinsky hair. Natural sable hair is not as full and springy as it used to be because of climate change. New York Central® used Kolinsky hair from the vault to make these brushes so that you can experience what it is like to paint with real sable. You will immediately notice that hair is very absorbent, super soft, and ideal for detailed areas. They have the wonderful springy character of Kolinsky and a thick and bushy construction so that you can use them for expressive painting and classical techniques. Kolinsky Sable Almond Filberts (116) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 2, sz 4, sz 6 and sz 12—plus a Brush Easel Case HOG BRISTLE SHORT ALMOND FILBERTS (117) Stiffness Watercolors Acrylics Oils Not all bristle hair is created equal. This hair is the very finest available on earth. It is treated to be soft to stop hairs from breaking while painting and provide the most control possible. The bristles have a coarse feel. Short, subtle, and resilient, these bristle brushes are impeccably fashioned, with natural flagged ends to grip color. They provide fantastic control and allow you to draw an underpainting and block in elements with precision. Hog Bristle Short Almond Filberts (117) Set of 6 with Brush Easel Case Includes: One each of sz 1, sz 2, sz 4, sz 6, sz 8 and sz 12—plus a Brush Easel Case Hog Bristle Super Short Flats (118) Set of 5 with Brush Easel Case Includes: One each of sz 2, sz 6, sz 12, sz 18 and sz 24—plus a Brush Easel Case NEW YORK CENTRAL® ULTIMATE 19 CONTROL BRUSH COLLECTION - This set is a complete collection of this quality range of brushes in a handmade leather brush case. The set includes 19 total brushes, including SP Mix sizes 6, 12, 18, and 22, Kolinsky sizes 0, 2, 4, and 12, Short Filberts sizes 1, 2, 4, 6, 8, and twelve and Extra Short Flats sizes 2, 8, 12, 20 and 28. See More
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Silver Brush Black Velvet® Watercolor Brush Series 3000S Round #18Save Up to35%Off list… Watercolors Acrylics Oils Great with watercolor, gouache, liquid acrylics, inks and dye! These deluxe Silver Brush… Stiffness Watercolors Acrylics Oils Great with watercolor, gouache, liquid acrylics, inks and dye! These deluxe Silver Brush Black Velvet® brushes feature a specially designed combination of pure natural squirrel hair and black synthetic hair. This combination of natural and synthetic hair can hold vast amounts of color and release it with perfect control. These distinctive black-lacquer handle brushes with a signature silver band are a water-based artist’s dream! The Black Velvet® series is made with a blend of natural squirrel hair and black synthetics that allows the brush to hold a huge amount of color and release it with perfect control for watercolors, gouache, liquid acrylics, inks and dyes. The soft hair blend allows for delicate techniques like glazing and painting multiple layers yet is firm enough to lift color with a light and gentle scrub of the brush. A treat for any multi-media artist! Key Features:* Available in sets and individual brushes* Absorbent hair works beautifully with all fluid media!* Balanced blend of natural squirrel and synthetic fibers* Releases color in a slow, controlled manner* Distinctive black-lacquer handle* 3008S Series features scraper handles on ends Perfect For:* All Water Media and Multimedia Artists* Glazing and laying down multiple layers* Silk Painting and working with Dyes* Inks, gouaches, acrylics, watercolors, and dyes* Artists of all levels! See More
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Old Holland Chungking Professional Brush 7020 Flat Long Handle #18Save Up to40%Off listProfessional Paint Brushes Made By The Finest Paint Manufacturer! Old Holland Chungking Bristle Professional Brushes are specially constructed to the exacting specifications of the world’s premier paint manufacturer these classic quality bristle brushes not only look beautiful but perform to the… Professional Paint Brushes Made By The Finest Paint Manufacturer! Old Holland Chungking Bristle Professional Brushes are specially constructed to the exacting specifications of the world’s premier paint manufacturer these classic quality bristle brushes not only look beautiful but perform to the highest standard as you would expect from a brush bearing the Old Holland name. Each brush is handmade using only the finest Chungking bristle, interlocked for shape retention and flagged for superior paint carrying capacity. Mounted on perfectly balanced lacquered burgundy hardwood handles with gold tone seamless ferrules these brushes are the perfect match for Old Holland and other premium quality oils and acrylics. Key Features:* Long Handle: Round, Flat, Bright, Filbert & Fan* Hardwood handles* Seamless ferrules* Chungking bristle* Superior paint capacity Perfect For:* Oil and acrylic paint* Shape retention* Classrooms and workshops* Artists of all levels See More
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Raphaël Paris Classic Brush Series 357 Flat #18Save Up to53%Off listStiffness Watercolors Acrylics Oils Imported from France, these brushes feature double boiled hair which is softer and straighter than conventional bristle hair brushes. The hair has a cohesive working nature making each stroke smooth from start to finish. Unlike interlocked bristle, the straight… Stiffness Watercolors Acrylics Oils Imported from France, these brushes feature double boiled hair which is softer and straighter than conventional bristle hair brushes. The hair has a cohesive working nature making each stroke smooth from start to finish. Unlike interlocked bristle, the straight hair has no tendency to split after the stroke. The soft bristle hair handles oils and acrylics providing the proper give and feel. Made with seamless copper ferrules and long black lacquered handles. See More
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Raphaël Kaerell Acrylic Brush Series 879 Flat #18Save Up to53%Off list… Watercolors Acrylics Oils The Soft Synthetic Golden Hair Brush For Super Control This breakthrough brush gives the… Stiffness Watercolors Acrylics Oils The Soft Synthetic Golden Hair Brush For Super Control This breakthrough brush gives the softness and controlled strokes you desire with great responsiveness providing perfect "bounce-back" after each stroke. Kaërell brushes have an excellent touch, so you can feel the stroke even with high-viscosity acrylics. Fine fiber for minimal brush stroke, it is the closest thing to a natural hair brush we've found at an economical price. Set in seamless nickel-plated ferrules attached to long orange polished handles with brown tips. Extremely versatile brush for many techniques and media! Key Features:* Soft, synthetic fibers* Fine and flexible* Excellent paint load Perfect For:* Acrylic & Oil paint* Fluid paint, washes, and varnishes* Works of art of any size Kaerell Brush Pro Set - Includes sizes #2, #8, and #12 Rounds, sizes #2, #8, and #16 Flats and sizes #2, #8, and #14 Filberts fitted in bamboo brush mat. See More
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