Painting Varnish at Jerry's Artarama

Gamblin Oil Painting Ground 16oz Can

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Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More

Citrus Essence Brush Cleaner 16 oz Bottle

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…clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:*… Enjoy the Citrus Scent – a Safer alternative to toxic solvents! Cleans better and more thoroughly than almost all other Brush cleaners and solvents. Conditions the brush making the hair subtle and maintaining maximum working quality. A safer, natural alternative to turpentine, petroleum mineral spirits, and other toxic solvents. Made in the USA from Old World Master Techniques. Citrus Essence Brush Cleaner™ is a safer alternative to turpentine, petroleum mineral spirits, and other toxic solvents. NO Carcinogenic Fumes! Use it to clean oil paint from brushes. Made from 100% natural distilled citrus fruits, this extremely effective brush-cleaning solution is also gentle on the brush hairs helping them last longer! Use it to clean paint from brushes while painting, and to thoroughly clean brushes after painting. Key Features:* A safer alternative to turpentine* Citrus Essence * 100% Pure Distilled Citrus Fruits* NO Carcinogenic Fumes* NO Petroleum* NO Turpentine* No other toxic solvents* Lovely Citrus aroma* Available in 2 oz, 4 oz, 8 oz, 16 oz, and 32 oz bottles Perfect For:* Clean oil paint from brushes* Gentle on the brush hairs* Brushes will last longer* Keeping a clean, all-natural studio* Health-conscious artists* Use in studios or professional classrooms* Cleans better and more thoroughly*   How to Use Citrus Brush Cleaner CCS Citrus Brush Cleaner™ can be used in the same way other cleaners are used: Rinse the brush with it during painting session to remove paint from the brush, and thoroughly clean your brush in it after painting to remove paint and medium. We recommend using a natural oil-based soap and warm water afterward to complete the brush cleaning, moisturize the brush hairs and help preserve them. Ventilation: All essential oils/solvents should be used appropriately and with ventilation. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases, can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums, and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More

Weber Odorless Turpenoid 16oz Jug

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…making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More

GOLDEN MSA Varnish w/ UVLS, Matte 16oz

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…commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat.… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant.   GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent.   MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics   For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes.   Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More

GOLDEN Acrylic Isolation Coat 16oz (Gloss)

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…acrylic paint surface from the removable varnish. The isolation coat serves two purposes: (1) Seals any absorbent areas in order to create an even surface on which to apply the varnish. (2) Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from… Ready-To-Use Sealing Coat For Acrylic Paintings Golden Isolation Coat is a ready-to-use sealing coat for acrylic paintings and can be applied to acrylic paintings to unify and protect the surface between acrylic and varnish. Sealing with an isolation coat prior to varnishing ensures an even application of varnish and provides a layer of protection if/when the varnish is removed. Golden Isolation Coat is a permanent clear, non-removable coating that physically separates (isolates) the acrylic paint surface from the removable varnish. The isolation coat serves two purposes: (1) Seals any absorbent areas in order to create an even surface on which to apply the varnish. (2) Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. Golden Isolation Coat can be very beneficial to the preservation of a piece of artwork, but it is not for every painting. (Should not be used on oil paintings or any painting done with water-soluble media.) Key Features:* Ready-to-use sealing coat for acrylic paintings* Protects against dirt and dust* Increasing flow and leveling* Permanent acrylic mediums* Seals surface absorbency to create an even surface* Allows for improved varnish application & easier removal* Permanent clear, non-removable coating* Allow to dry for 2-3 days before varnishing See More

Liquitex Gloss Acrylic Pouring Medium 16oz

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…Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces… Flowing applications of color without crazing or cracking Liquitex Pouring Medium creates even puddles, poured sheets, and flowing applications of color without crazing or cracking. The paint film dries without holding bubbles and retains its high gloss and wet appearance when dry. Iridescent Pouring Medium has the same high gloss finish, but with an iridescent shimmer. Matte Pouring Medium does not produce a high gloss sheen and is perfect for photography. After the artwork is photographed, the painting can be varnished with a gloss varnish if a high gloss finish is desired. Slightly thicker than the original formula Iridescent and Matte Pouring Medium still produces pools, puddles, drips, and beautiful effects when mixed with Acrylic Inks or Soft Body Acrylics. Key Features: * Gloss, iridescent, or matte * 8oz, 16oz, 32oz bottle, or gallon * Fluid texture and transparent opacity * Creates even “puddles” and flowing applications of color * Does not craze, crack, or hold bubbles once dry * Flexible, non-yellowing, and water-resistant when dry * Will not add transparency when mixed with color * Gloss and iridescent retains high gloss wet appearance once dry * Perfect For: * Liquitex Soft Body Acrylic Color * Acrylic Painters * Pouring painting techniques * Faux finishers * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Professionals and students * Teachers * An endless array of techniques   Liquitex Pouring Mediums - How To Use Pouring Medium - Tips, Techniques & Projects  Click Here for the Liquitex Pouring Medium Tips & Projects See More

Liquitex Acrylic Gloss Varnish, 16oz Bottle

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…clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in… Liquitex offers a variety of varnishes that have been specifically designed to achieve optimal clarity. Varnishes are applied over dry paint films and have several purposes. The first and most important function is to protect the painting surface from dust and environmental pollution. Secondly, varnishes can be used to change or unify a painting's surface sheen. Liquitex varnishes come in several different sheens, which can all be intermixed for a customized sheen. Our varnishes are permanent and can be applied to both flexible and rigid supports. Gloss Varnish - This water-resistant varnish delivers permanent, highly durable protection that is flexible and no-yellowing when dry. A 100% acrylic polymer varnish that is water soluble and can be thinned. High Gloss Varnish - This permanent water-based varnish produces a high gloss finish that is clear, sandable, and non-tacky. It increases depth and color intensity; AP non-toxic. Matte Varnish - Enhances color while adding a non-glare, low-sheen finish. Satin Varnish - Apply over dry paint to protect the surface and add a satin finish. A non-yellowing varnish medium with excellent leveling properties. Translucent when wet, dries clear. Key Features: * Non-Yellowing* Water-based varnishes* Non-removable* Permanent and durable* Excellent leveling properties* Low odor Perfect For: * Interior and exterior use* Use with spray paint* Use with a heavy body and soft body paints* Multimedia use See More

Gamblin Cold Wax Medium 16oz Can

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…before varnishing. First, it's a terrific all-around lean and thin painting medium. Second, It's ideal for oiling out a painting before deciding if the painting is ready to varnished or if there's more painting to be done. And finally, it's the perfect tool for preparing wood panels for painting and… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark-making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "Galkyd Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd-based resin painting medium that thins oil paints and maintains a strong, flexible paint film. Galkyd speeds the drying rate and is excellent for glazing, providing an enamel-like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. 3-in-1 Oil MediumGamblin 3-in-1 Oil Medium is an all-around lean and thin painting medium that you can think of as a thinner version of Galkyd Lite. 3-in-1 Oil Medium can be used to seal panels and is great for oiling out before varnishing. First, it's a terrific all-around lean and thin painting medium. Second, It's ideal for oiling out a painting before deciding if the painting is ready to varnished or if there's more painting to be done. And finally, it's the perfect tool for preparing wood panels for painting and before priming them with Gamblin Ground. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted, you may want to purchase the larger size. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide, and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% volume of poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases the flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture, and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Medium gives oil colors more flow and transparency. It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum-bodied heavy oil, which can be used in painting and glazing mediums. Dries to an enamel-like finish. See More

Liquitex Acrylic Gesso Surface Prep Clear Gesso 16 oz

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White Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More

Chelsea Classical Studio 16oz Lavender Spike Oil Essence Solvent

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…this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling alternative to toxic… A safer natural solvent for oil painting! Distinctive, sweet lavender scent The Chelsea Classical Medium, Lavender Spike Oil Essence has a distinctive, sweet lavender scent, and is a safer, natural alternative to Turpentine, does not cause chronic health problems that are often associated with turpentine or odorless petroleum mineral spirits. Lavender Spike Oil Essence is so safe to use and has such a pleasant scent, that it is often used for making soaps and in aromatherapy! With this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues. * Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Key Features:* Distinctive, sweet lavender scent* Dilutes oil painting mediums* A safer, natural alternative to turpentine and mineral spirits* Safer natural solvent for oil painting* Features a distinctive, sweet lavender scent * Perfect For:* Dissolving resins and varnishes* Health-conscious artists* Promoting well-being* Use with fine oil colors* Blending colored pencils* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More

RAS Tempera Medium for Kids Gloss Varnish 16 oz. Bottle

RAS Tempera Medium for Kids Gloss Varnish 16 oz. Bottle

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…art. Display your children's paintings proudly with protective RAS Tempera Varnish! Attach the paint pump (sold separately) to the varnish bottle to easily dispense varnish to students. Key Features: * Non-toxic water-based varnish * Sealant for tempera paintings * Cleans up easily with soap and… Enhance & Protect Your Child's Artwork With These Non-Toxic Varnishes Tempera paint is the perfect medium for young artists, but it can be easily damaged once dry. Now you can protect precious tempera paintings with new Tempera Varnish from RAS! These non-toxic, water-soluble varnishes are easy to apply and easy to clean up with just soap and water and will prevent dirt, dust, moisture, or environmental pollutants from damaging the surface of your child's art. Display your children's paintings proudly with protective RAS Tempera Varnish! Attach the paint pump (sold separately) to the varnish bottle to easily dispense varnish to students. Key Features: * Non-toxic water-based varnish * Sealant for tempera paintings * Cleans up easily with soap and water * Available in Gloss, Satin, and Matte finishes * Sold in 16 oz. and 64 oz. bottles and Gallon jugs * Pump dispenser sold separately Perfect For: * Protecting your child's paintings from environmental damage! * Varnishing tempera paintings * Dispensing varnish with less mess * Students, teachers, and parents * Use in the classroom See More

Spectrafix Natural Glass 16 oz Varnish

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…does not dull colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting and drawing media * Traditional glass alternative * Pouring paintings * Canvas, paper, Yupo, and ceramic *… Natural Glass makes shipping and hanging an art show easy! Natural Glass is a revolutionary water-based BioPolymer varnish and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass substitute for pastel and watercolor works. No more annoying reflections and glare or worrying about breakage. Natural Glass makes shipping and hanging a show easy because it can't break. The semi-gloss finish adds depth to your work while protecting it from the elements. You won't lose your highlights or dull your colors. Varnished colors become more luminous under Natural Glass. Like all SpectraFix products, Natural Glass washes up with water, is completely non-toxic, and has no irritating fumes. Key Features: * Water-based BioPolymer varnish and medium * Made from natural ingredients * You can spray it indoors * Non-toxic with no irritating fumes * The semi-gloss finish adds depth to your work * It does not dull colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting and drawing media * Traditional glass alternative * Pouring paintings * Canvas, paper, Yupo, and ceramic * Stone, glass, leather, and fabric (not washable) See More

Chelsea Classical Studio Medium Lavender Damar Varnish 16oz

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Lavender Damar Varnish makes it safer to varnish inside the home or studio. It is the only Damar Varnish that is!Handcrafted from the finest materials, this Lavender Damar Varnish can be used as a final varnish or with mediums to thin paint and decreases dry time! The Renaissance of Art Materials -… Lavender Damar Varnish makes it safer to varnish inside the home or studio. It is the only Damar Varnish that is!Handcrafted from the finest materials, this Lavender Damar Varnish can be used as a final varnish or with mediums to thin paint and decreases dry time! The Renaissance of Art Materials - The Chelsea Classical Studio Lavender Damar Varnish Medium, is handcrafted using the finest natural ingredients, including the Chelsea Classic Studio Medium, Lavender Spike Oil Essence. This Lavender Damar Varnish can be used in two different ways. The first use includes mixing it with other mediums to increase their glossiness and decrease their drying time. The second use is to treat it as a final varnish. Unlike turpentine and mineral spirits, this Lavender Damar Varnish does not produce dangerous fumes and does not cause the chronic health problems that are often associated with turpentine and mineral spirits. What: Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence. Why: Safer to varnish paintings inside the home or studio; the ONLY Damar Varnish that is! Where: Made in the USA from Old World Master Techniques * Mix it with other mediums to increase their glossiness and decrease their drying time * Final varnish for completely dry oil paintings Key Features:* Handmade from the highest quality ingredients* Made with Chelsea Classical Lavender Medium Spike Oil Essence* A safer alternative to turpentine and mineral spirits* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques* Perfect For:* Creating a retouch varnish* Use as a final, protective varnish* Adding gloss and decreasing drying time* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Damar & Retouch Varnishes Painting fat over lean Artist's guide to oil painting solvents See More

New York Central Acrylic Gloss Medium, 16oz Bottle

New York Central Acrylic Gloss Medium, 16oz Bottle

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…thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use   Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. Learn More About New York Central See More

GOLDEN Waterborne Varnish - Gloss, 16oz (473 ml)

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Waterborne Varnish is a Water-Based Acrylic Polymer Varnish with Ultra Violet Light Stabilizers GOLDEN Waterborne Varnish is a water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS] for use on interior acrylic paintings and can be cleaned up and removed without the need for… Waterborne Varnish is a Water-Based Acrylic Polymer Varnish with Ultra Violet Light Stabilizers GOLDEN Waterborne Varnish is a water-based acrylic polymer varnish with Ultra Violet Light Stabilizers [UVLS] for use on interior acrylic paintings and can be cleaned up and removed without the need for harsh solvents or mineral spirits. Waterborne Varnish protects interior acrylic paintings from dust and ultraviolet light, is removable in addition to containing Ultra Violet Light Stabilizers (UVLS) to provide protection from exposure to sunlight. Archival Acrylic Varnishes for all varnishing applications! Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. Key Features:* Contains Ultra Violet Light Stabilizers [UVLS]* Protects against dirt and dust* Protects against UV light* Used in final varnishing* Archival fine-art protection* Can be thinned and cleaned up with water* Is removable* Eliminates the need for harsh solvents* Can be removed with household ammonia to facilitate cleaning and conservation   Please Note: Only GLOSS is currently available. The Matte varnish is currently in development, and we will have it once it is produced. See More

16oz. Chelsea Classical Studio Lavender Retouch Varnish

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…for your finest oil works* Allows for both protection and breathability.* Excellent at reviving dull spots* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Retouch varnish can be applied to paint which is "hand-dry" Allows for both protection and breathability for your finest oil works Chelsea's Retouch Varnish offers superior, classical protection for your finest oil works. It's the safe alternative for use in the studio--with no harsh, dangerous fumes and a distinctive lavender scent. Lavender Retouch Varnish offers superior, classic protection for your finest oil works without any harsh, dangerous fumes. Made with pure damar resin and CCS Lavender Spike Oil Essence, this varnish allows for both protection and breathability. What: Handcrafted Lavender Retouch Varnish Why: Designed for both protection and breathability. Excellent at reviving dull spots Where: Made in the USA from Old World Master Techniques Key Features:* Available in 2 oz., 4 oz., 8 oz., 16 oz. and 32 oz. bottles.* Excellent at reviving dull spots* Handmade from the highest quality ingredients* Made with Chelsea Classical Lavender Medium Spike Oil Essence* Made with pure damar resin* Created through reproducing the methods of the Old Masters* Features a distinctive lavender scent* No harsh chemicals used in production!* No harsh, dangerous fumes* Made in the USA from Old World Master Techniques Perfect For:* Superior, classic protection for your finest oil works* Allows for both protection and breathability.* Excellent at reviving dull spots* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Retouch varnish can be applied to paint which is "hand-dry" See More

16oz. Chelsea Classical Studio Lavender Retouch Varnish

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…with pure damar resin and dissolved in Spike Oil Essence, this varnish allows for both protection and breathability. It is excellent at reviving dull spots. It can also, be used as a final picture-varnish to preserve your painting, it can be mixed into mediums to make them glossier and dry faster,… Allows For Both Protection And Breathability For Your Finest Oil Works. Made with pure damar resin and dissolved in Spike Oil Essence, this varnish allows for both protection and breathability. It is excellent at reviving dull spots. It can also, be used as a final picture-varnish to preserve your painting, it can be mixed into mediums to make them glossier and dry faster, and it can be diluted with more solvent to make a retouch varnish. * 16 oz bottle * Excellent at reviving dull spots * Handmade from the highest quality ingredients * Made with Chelsea Classical Lavender Medium Spike Oil Essence * Made with pure damar resin * Created through reproducing the methods of the Old Masters * Features a distinctive lavender scent * No harsh chemicals used in production * No harsh, dangerous fumes * Made in the USA See More

Spectrafix Natural Glass 16 oz Varnish

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…revolutionary water-based BioPolymer varnish and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring… Natural Glass makes shipping and hanging an art show easy! Natural Glass is a revolutionary water-based BioPolymer varnish and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass substitute for pastel and watercolor works. No more annoying reflections and glare or worrying about breakage. Natural Glass makes shipping and hanging a show easy because it can't break. The semi-gloss finish adds depth to your work while protecting it from the elements. You won't lose your highlights or dull your colors. Varnished colors become more luminous under Natural Glass. Like all SpectraFix products, Natural Glass washes up with water, is completely non-toxic, and has no irritating fumes. * Water-based BioPolymer varnish and medium * Made from natural ingredients * You can spray it indoors * Non-toxic with no irritating fumes * The semi-gloss finish adds depth to your work * It does not dull colors * Easy to clean varnished surface * You can paint over it See More

Chelsea Classical Studio Medium Lavender Damar Varnish 16oz

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…Essence * Safer to varnish paintings inside the home or studio; the ONLY Damar Varnish that is * Made in the USA from Old World Master Techniques * Mix it with other mediums to increase their glossiness and decrease their drying time * Final varnish for completely dry oil paintings * Free of fats… Lavender Damar Varnish Makes It Safer To Varnish Inside The Home Or Studio. It Is The Only Damar Varnish That Is! This Lavender Damar Varnish can be used in two different ways. The first use includes mixing it with other mediums to increase their glossiness and decrease their drying time. The second use is to treat it as a final varnish. Unlike turpentine and mineral spirits, this Lavender Damar Varnish does not produce dangerous fumes and does not cause the chronic health problems that are often associated with turpentine and mineral spirits. * 16 oz, Cold Pressed Walnut Oil * Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence * Safer to varnish paintings inside the home or studio; the ONLY Damar Varnish that is * Made in the USA from Old World Master Techniques * Mix it with other mediums to increase their glossiness and decrease their drying time * Final varnish for completely dry oil paintings * Free of fats and impurities * Handmade from the highest quality ingredients * Made with Chelsea Classical Lavender Medium Spike Oil Essence * Features a distinctive lavender scent * No harsh chemicals used in production * A safer alternative to turpentine and mineral spirits * No harsh chemicals used in production See More

RAS Tempera Medium for Kids Gloss Varnish 16 oz. Bottle

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RAS Tempera Medium for Kids Gloss Varnish 16 oz. Bottle RAS Tempera Medium for Kids Gloss Varnish 16 oz. Bottle See More

Gamblin Oil Painting Ground 16oz Can

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Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. The lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. * Makes a strong, bright, non-absorbent foundation for oil paintings * Formulated from alkyd resin, titanium dioxide, and calcium carbonate * Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation * Lower absorbency * Thicker than acrylic gesso * Can be applied on top of acrylic gesso See More

Williamsburg Cold Pressed Linseed Oil, 16oz Bottle

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…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More

DecoArt Acrylic Paint Pouring Medium, 16oz

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Decoart Acrylic Paint 16oz Pouring Medium Decoart Acrylic Paint 16oz Pouring Medium See More

DecoArt Acrylic Paint Clear Pouring Top Coat, 16oz

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Decoart Acrylic Paint 16oz Clear Pouring Top Coat Decoart Acrylic Paint 16oz Clear Pouring Top Coat See More

Liquitex Acrylic Gloss Varnish, 16oz Bottle

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…Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Gloss Varnish is water resistant varnish delivers permanent, high durable protection that is flexible and no-yellowing when dry. A 100 percent acrylic polymer varnish that is water soluble and can be thinned. This varnish… Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Gloss Varnish is water resistant varnish delivers permanent, high durable protection that is flexible and no-yellowing when dry. A 100 percent acrylic polymer varnish that is water soluble and can be thinned. This varnish is either permanent or removable and can be applied to both flexible and rigid supports. * Gloss Varnish - 16 oz bottle See More

Liquitex Acrylic Matte Varnish, 16oz Bottle

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Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Matte Varnish enhances color while adding a non-glare, low sheen finish. * Matte Varnish - 16 oz bottle Liquitex Offers A Variety Of Varnishes That Have Been Specifically Designed To Achieve Optimal Clarity. Matte Varnish enhances color while adding a non-glare, low sheen finish. * Matte Varnish - 16 oz bottle See More

GOLDEN MSA Solvent Varnish, 16oz Can

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…even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * MSA Varnish Solvent - 16 oz* Protects against dirt and dust * Provides moisture resistance * MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor,… GOLDEN MSA Solvent Varnish, 16oz Can Archival Acrylic Varnishes For All Varnishing Applications! MSA Varnish Solvent is the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * MSA Varnish Solvent - 16 oz* Protects against dirt and dust * Provides moisture resistance * MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein * As a topcoat for acrylics See More

Jack Richeson Shiva Signature Damar Varnish, 16oz Can

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Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 pint Improve Brushability Without Altering Any Characteristics. This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. * Damar Varnish - 1 pint See More

GOLDEN Gesso Black 16 oz

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…Variety Of Ways To Prepare Materials For Acrylic Paintings. Black Gesso are ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of… A Variety Of Ways To Prepare Materials For Acrylic Paintings. Black Gesso are ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds * Black Gesso 16 oz Jar See More

GOLDEN Gesso White 16 oz

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…Variety Of Ways To Prepare Materials For Acrylic Paintings. White Gesso is ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of… A Variety Of Ways To Prepare Materials For Acrylic Paintings. White Gesso is ready-to-use formulations for painting on most surfaces. It is flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds * White Gesso - 16 oz jar See More

Liquitex Basics Acrylic Gesso, 16oz

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Opaque, Matte, White Acrylic Gesso! This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant… Opaque, Matte, White Acrylic Gesso! This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. * 16 oz bottle * Titanium White Acrylic Gesso * Improves adhesion and durability of canvas * Non-yellowing * Dries within minutes See More

Liquitex Acrylic Gesso Surface Prep Clear Gesso 16 oz

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Create The Perfect Absorbency, Texture And Archival Ground. Clear Gesso can be use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite and charcoal. It is flexible and non-yellowing when dry. This professional… Create The Perfect Absorbency, Texture And Archival Ground. Clear Gesso can be use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite and charcoal. It is flexible and non-yellowing when dry. This professional gesso usually takes just 1 coat. * Clear Gesso - 16 oz bottle See More

Liquitex Acrylic Gesso Surface Prep White Gesso 16 oz

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Premium Acrylic Gesso Used To Prepare Painting Surfaces. White Gesso is a white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before… Premium Acrylic Gesso Used To Prepare Painting Surfaces. White Gesso is a white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. * White Gesso - 16 oz bottle * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Effects Mediums String Gel 16 oz

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…Liquitex's Sting Gel allows you to apply long, honey-like strings of glossy paint to your paintings. The gel enhances color depth while increasing transparency and flow. You can build up the strings of acrylic paint to create a multilayered texture. Drip and Pour Strings of Glossy 3D Color *… Liquitex Acrylic Effects Mediums String Gel 16 oz String Gel is a medium-viscosity acrylic polymer with a resinous, stringy consistency. Liquitex's Sting Gel allows you to apply long, honey-like strings of glossy paint to your paintings. The gel enhances color depth while increasing transparency and flow. You can build up the strings of acrylic paint to create a multilayered texture. Drip and Pour Strings of Glossy 3D Color * Brand: Liquitex * String Gel 16 oz * Increases surface gloss, color depth, flow, and transparency * Extends paint without affecting acrylic stability * Opaque when wet, transparent when dry * Perfect for building 3D textures * Create long string-like drips How to Use * For best results, mix with Soft Body Acrylic or Acrylic Ink * Mix with Iridescent Medium or other mediums to get different effects * Stir gently to mix color in evenly. Pour, drip, or brush out to achieve different results * Paint over with a brush or spray to highlight the 3D texture See More

Liquitex Acrylic Fluid Mediums - Glazing, 16oz

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…Viscosity Of Heavier Body Paints! Glazing Medium increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. * 16 oz * Thin viscosity of heavier body paints, giving increased flow *… Lower The Viscosity Of Heavier Body Paints! Glazing Medium increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. * 16 oz * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent See More

Liquitex Acrylic Fluid Mediums - Gloss, 16oz

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…Body Paints! Gloss Medium is an all-purpose medium for imparting gloss. * Gloss Medium - 16 oz * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion,… Lower The Viscosity Of Heavier Body Paints! Gloss Medium is an all-purpose medium for imparting gloss. * Gloss Medium - 16 oz * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent See More

Liquitex Acrylic Fluid Mediums - Matte, 16oz

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Lower The Viscosity Of Heavier Body Paints Matte Medium can be mixed into colors. They dry uniformly matte. * Matte Medium - 16 oz * Thin viscosity of heavier body paints * Increases the color depth and transparency * Maintain paint adhesion, durability, and archival quality Lower The Viscosity Of Heavier Body Paints Matte Medium can be mixed into colors. They dry uniformly matte. * Matte Medium - 16 oz * Thin viscosity of heavier body paints * Increases the color depth and transparency * Maintain paint adhesion, durability, and archival quality See More

Liquitex Acrylic Fluid Mediums - Slow-Dri, 16oz

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…It increases transparency when shading, blending and mixing colors. It dries to a clear, flexible, non-yellowing, water-resistant film. * Slow-Dri Blending Medium - 16 oz * Thin viscosity of heavier body paints, giving increased flow * Maintain paint adhesion, durability, and archival quality Lower The Viscosity Of Heavier Body Paints Slow-Dri Blending Medium will increase the open working time of your acrylics by up to 40 percent. It increases transparency when shading, blending and mixing colors. It dries to a clear, flexible, non-yellowing, water-resistant film. * Slow-Dri Blending Medium - 16 oz * Thin viscosity of heavier body paints, giving increased flow * Maintain paint adhesion, durability, and archival quality See More

Liquitex Acrylic Medium - Flexible Modeling Paste, 16 oz

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Add Texture, Enhance Color, Increase Transparency! Flexible Modeling Paste is an opaque preparation of marble dust and polymer emulsion. Use it on a flexible surface for heavy textures and 3D forms. * 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase… Add Texture, Enhance Color, Increase Transparency! Flexible Modeling Paste is an opaque preparation of marble dust and polymer emulsion. Use it on a flexible surface for heavy textures and 3D forms. * 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects See More

Liquitex Acrylic Gel Medium - Gloss, 16 oz

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Add Texture, Enhance Color, Increase Transparency! This heavy body gloss gel medium and extender makes acrylic colors more transparent. * 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency Add Texture, Enhance Color, Increase Transparency! This heavy body gloss gel medium and extender makes acrylic colors more transparent. * 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Light Modeling Paste, 16 oz

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Add Texture, Enhance Color, Increase Transparency! Light Modeling Paste is a putty-like compound that can be shaped while wet or carved when dry. It will not crack or chip. It is non-toxic. * Light Modeling Paste - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color *… Add Texture, Enhance Color, Increase Transparency! Light Modeling Paste is a putty-like compound that can be shaped while wet or carved when dry. It will not crack or chip. It is non-toxic. * Light Modeling Paste - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Matte, 16 oz

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Add Texture, Enhance Color, Increase Transparency! Matte Gel reduces gloss of acrylic colors. It also can be used as a matte collage adhesive. * Matte Gel - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency Add Texture, Enhance Color, Increase Transparency! Matte Gel reduces gloss of acrylic colors. It also can be used as a matte collage adhesive. * Matte Gel - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Medium - Modeling Paste, 16 oz

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Add Texture, Enhance Color, Increase Transparency! Modeling Paste is a Putty-like compound that can be shaped while wet and carved when dry. * Modeling Paste - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency Add Texture, Enhance Color, Increase Transparency! Modeling Paste is a Putty-like compound that can be shaped while wet and carved when dry. * Modeling Paste - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Slow-Dri Gel, 16oz

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Add Texture, Enhance Color, Increase Transparency! Slow-Dri Blending Gel will increase the open working time of your acrylics by up to 40 percent. It dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. * Slow-Dri Blending Gel - 16 oz… Add Texture, Enhance Color, Increase Transparency! Slow-Dri Blending Gel will increase the open working time of your acrylics by up to 40 percent. It dries clear to a flexible, non-yellowing and water-resistant film that will not change the viscosity of your color. * Slow-Dri Blending Gel - 16 oz jar See More

Liquitex Acrylic Gel Medium - Super Heavy Gloss, 16 oz

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Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Gloss) can be added to acrylic colors to form a sculptural, high-peak consistency. It dries clear with very low shrinkage. It is also, great for collage and mixed media. * Super Heavy Gel - Gloss - 16 oz jar * 100 percent acrylic… Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Gloss) can be added to acrylic colors to form a sculptural, high-peak consistency. It dries clear with very low shrinkage. It is also, great for collage and mixed media. * Super Heavy Gel - Gloss - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Super Heavy Matte, 16 oz

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Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Matte) is a super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. * Super Heavy Gel - Matte - 8 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase… Add Texture, Enhance Color, Increase Transparency! Super Heavy Gel (Matte) is a super thick gel which retains high-peaks and crisp brush and knife strokes with little shrinkage. * Super Heavy Gel - Matte - 8 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Liquitex Acrylic Gel Medium - Ultra Matte, 16oz

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Add Texture, Enhance Color, Increase Transparency! Ultra Matte Gel is use to extend paint up to double amounts without changing color. It dries to a matte finish while maintaining color opacity. AP non-toxic. * Ultra Matte Gel - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance… Add Texture, Enhance Color, Increase Transparency! Ultra Matte Gel is use to extend paint up to double amounts without changing color. It dries to a matte finish while maintaining color opacity. AP non-toxic. * Ultra Matte Gel - 16 oz jar * 100 percent acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

Dorland's Wax Medium - 16 oz Jar

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…no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal ratios and for encaustic results reverse brush painting ratios. * 16 oz Jar * Non-yellowing wax and resin mixture * Strengthens the paint film against shrinkage * Improves luminosity… The Choice Of Professionals Worldwide! When mixed into oil colors, this non-yellowing wax and resin mixture strengthens the paint film against shrinkage and cracking, sealing out dirt, air, and moisture. Dorland's improves luminosity and clarity of all colors with no chance of muddiness of tone. For brush painting mix 1 part medium to 3 parts color, knife painting mix in equal ratios and for encaustic results reverse brush painting ratios. * 16 oz Jar * Non-yellowing wax and resin mixture * Strengthens the paint film against shrinkage * Improves luminosity and clarity of all colors * No chance of muddiness of tone * Thin to achieve glazing consistency * Museum-quality * Matte finish protective coating * Made in the USA See More

Richeson Shiva Casein Emulsion, 16oz

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Improve Brushability Without Altering Any Characteristics. This product is Hazardous Materials. It cannot ship by Air/Next Day Services, ground only. * 16 oz can Improve Brushability Without Altering Any Characteristics. This product is Hazardous Materials. It cannot ship by Air/Next Day Services, ground only. * 16 oz can See More

Jack Richeson Shiva Signature Linseed Oil, 16oz Can

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Improve Brushability Without Altering Any Characteristics. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. * Linseed Oil - 1 pint Improve Brushability Without Altering Any Characteristics. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. * Linseed Oil - 1 pint See More

Jack Richeson Shiva Signature Rectified Turpentine, 16oz Can

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Improve Brushability Without Altering Any Characteristics. This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. * Rectified Turpentine - 1 pint can Improve Brushability Without Altering Any Characteristics. This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. * Rectified Turpentine - 1 pint can See More

Jack Richeson Shiva Signature Stand Oil, 16oz Can

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Improve Brushability Without Altering Any Characteristics. Stand Oil is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. It imparts an enamel-like quality. * Stand Oil - 1 pint can Improve Brushability Without Altering Any Characteristics. Stand Oil is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. It imparts an enamel-like quality. * Stand Oil - 1 pint can See More

GOLDEN GAC 100 Medium, 16oz Bottle

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…more readily than other polymers * Useful for artists making their own paints * Reduces dry film tack * Provides basic protection from Support Induced Discoloration (SID) GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency,… GOLDEN GAC 100 Medium, 16oz Bottle (473ml) GAC 100 Medium: is a universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID)* Brand: GOLDEN * GAC 100 Medium, 16oz Bottle (473ml) * 100% Specialty Acrylic Polymer * Dilute and extend colors * Increase flexibility and film integrity * Wets out solids more readily than other polymers * Useful for artists making their own paints * Reduces dry film tack * Provides basic protection from Support Induced Discoloration (SID) GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. See More

GOLDEN Acrylic Gel Mediums Clear Tar Gel 16oz

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…stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. * Clear Tar Resin Gel - 16oz *… Acrylic Gel Medium Clear Tar Resin Gel 16oz, GOLDEN Clear Tar Resin Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. * Clear Tar Resin Gel - 16oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

GOLDEN Acrylic Gel Mediums Glass Bead 16oz

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Acrylic Gel Medium Glass Bead 16oz, GOLDEN Glass Bead Gel is made with genuine glass beads the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. * Glass Bead - 16oz * 100% acrylic polymer emulsion * Add texture, enhance color *… Acrylic Gel Medium Glass Bead 16oz, GOLDEN Glass Bead Gel is made with genuine glass beads the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. * Glass Bead - 16oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More

GOLDEN Acrylic Gel Mediums Heavy Gloss 16oz

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Acrylic Gel Medium Heavy Gloss 16oz, GOLDEN Heavy Gel is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gel is excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. * Heavy Gloss - 16oz * 100%… Acrylic Gel Medium Heavy Gloss 16oz, GOLDEN Heavy Gel is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gel is excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. * Heavy Gloss - 16oz * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency See More