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Bob Ross Oil Painting MediumsSave Up to25%Off list…painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums-… Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Gamblin Oil Painting GroundSave Up to40%Off listMakes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Winsor & Newton Oil Painting PrimersSave Up to43%Off listReady-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces… Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Reusable Painting Drop Cloths by Creative MarkSave Up to27%Off list…inexpensive, reusable drop cloths! Key Features:* Spacious 5' x 8' (60" x 96") drop cloth, pack of 3* Lightweight non-woven, eco-friendly material* Resists absorbing messy paint Perfect For:* Painting outdoor murals* Protecting floors or furniture* Keeping classrooms and studios clean Protect the environment as you paint! Keep your floors and furniture tidy with the special 5x8' (60" x 96") non-woven eco-friendly Creative Mark Drop Cloths, made of a sturdy, spun material that will stand up to heavy use. Protect your furniture, carpets, and floors from paint drips and spillage. Keep your workspace clean and the environment unpolluted with these handy, inexpensive, reusable drop cloths! Key Features:* Spacious 5' x 8' (60" x 96") drop cloth, pack of 3* Lightweight non-woven, eco-friendly material* Resists absorbing messy paint Perfect For:* Painting outdoor murals* Protecting floors or furniture* Keeping classrooms and studios clean See More
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Da Vinci Pro Birch Wood Painting PanelsSave Up to75%Off list…DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness… Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Claessens Oil Primed Medium Texture Linen RollsSave Up to69%Off list…masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than… Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Gallery Pro Medium Duty Stretcher BarsSave Up to66%Off list…The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried… Flush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried solid pine * Quickly assemble by interlocking two strips * All wood solid pine stretcher Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 72 × 72" See More
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Da Vinci Pro Medium Textured Gesso PanelsSave Up to75%Off list…and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths… Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Liquitex Acrylic Gesso Surface Prep MediumsSave Up to39%Off list…take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex… Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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BEST Medium-duty Stretcher Bars
Starting At: 2.96
…* Made of kiln-dried white pine * Perfect for small paintings * Select sizes available in 1" increments from 8" to 72" * No "ghost" impressions on the canvas * Rounded back edges * A smoother, tighter draw on the canvas * Even painting surface* Measures 1 ¼" deep × 1 ½" wide. (See line drawing… Great for small paintings! The BEST Medium-duty Stretcher Bar is made from white pine. There is a greater supply of pine in the thinner and shorter length, so we use high-quality white pine for these bars. The lightweight bars are extremely useful in small paintings. These bars can save you money and make framing easier; perfect for beginners, college students, and small works of art. All of BEST's Stretcher Bars are designed so that the canvas is always a full ½" (except lightweight) from the stretcher bar to ensure that there will be no "ghost" impressions on the canvas. The rounded back edge reduces surface friction and allows for a smoother, tighter draw on the canvas for a more even painting surface. All feature a slotted back for easy installation of cross braces. Bars are made of pure kiln-dried white pine. Measure 1 ¼" deep × 1 ½" wide. (See line drawing in images) All Stretcher Bars are undersized by ⅛" to allow for fitting in a standard stock frame. If you require exact dimensions, this will be considered a custom order. Please call our Order Department 800-827-8478 ext. 218. Key Features: * Made of kiln-dried white pine * Perfect for small paintings * Select sizes available in 1" increments from 8" to 72" * No "ghost" impressions on the canvas * Rounded back edges * A smoother, tighter draw on the canvas * Even painting surface* Measures 1 ¼" deep × 1 ½" wide. (See line drawing in images) Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click Here-> BEST Medium-duty Cross Braces Cross Brace Recommendations: See the Stretcher Bar Cross Brace Layout to determine appropriate cross bracing for the frame you wish to build. Please note – Cross Bracing may require “Notching”. Notching is an additional Fee. If notching is required, the order is “Custom.” Please call 800-827-8478 ext. 218. To order cross braces – please click on the link to Best Medium-duty Cross Brace. Select sizes available in 1" increments from 8" to 72". For custom orders, including fractional sizes, call our Order Dept. 800-827-8478 ext. 218 Wood Stretcher Keys are not automatically shipped with Stretcher Bar orders. You must order from the list below. BEST Stretcher Bars are sent directly from the manufacturer. Please allow 2 to 3 weeks for delivery of these items. In the event you need your order rushed, please call 800-827-8478 ext. 218. While we cannot promise earlier fulfillment, we will do our best to accommodate. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
BEST Medium-duty Cross Braces
Starting At: 3.68
An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas… An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas over 36". Key Features: * State of the art design works with all sizes of stretcher bars * Slotted design allows for finest adjustment of canvas tension * Available in select lengths up to 72" * Easy to use Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click here to download Jack Richeson Framing Guide> Select sizes available in 1" increments from 8" to 72". For custom orders, including fractional sizes, please call our Order Dept. 800-827-8478 ext. 218. Please note: Cross Braces are SOLD ONLY with Stretcher Bar orders. The Cross Brace Bracket Kit (item #V06976) is also SOLD ONLY with Stretcher Bar orders. Richeson/BEST Stretcher Bars are sent directly from the manufacturer, please allow 2-3 weeks for delivery. In the event you need your order rushed, please call 800-827-8478 ext.218. Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of order amount on the "truck shipped" items. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. Please note that even though the cross-braces fit snuggly against the stretcher bars, they must be attached to the frame with cross-brace brackets. Two FREE brackets are included with every cross-brace purchase. See More -
Buddha BoardsSave Up to16%Off listA Zen painting experience like no other! These innovative and unique boards provide you with a Zen-like painting experience unlike any other! Buddha Boards feature a revolutionary surface that allows you to paint on it with just water, leaving fluid, expressive dark strokes that fade away slowly,… A Zen painting experience like no other! These innovative and unique boards provide you with a Zen-like painting experience unlike any other! Buddha Boards feature a revolutionary surface that allows you to paint on it with just water, leaving fluid, expressive dark strokes that fade away slowly, leaving you with a clean blank slate once again. Great for practicing brush strokes, testing paintbrushes, and creating spontaneous temporary artworks, Buddha Boards encourage you to focus on the present and the enjoyment of creation. Available in two different styles, each Buddha Board comes with a Sumi brush and self-contained water reservoir. Live and paint in the moment with revolutionary new Buddha Boards!* Original Buddha Board – Measuring 12x9 1/2x1/4", this original model also includes a "Japanese style" stand that supports the board, serves as a water reservoir, and also balances the included bamboo brush. With proper care, it will last for years of Zen painting enjoyment!* Mini Buddha Boards – These pocket sized, 5x5" square boards make excellent gifts, and come with 10 themed decorative stickers, a small paintbrush, and a slim black envelope case. The board folds backwards to become its own mini easel stand. See More
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Golden Panda Eastern Artist Authentic ScrollsSave Up to59%Off list…by master artisans to last for centuries!* Silk ties for elegant presentation and easy wall hanging* For traditional and Oriental watercolor painting, calligraphy, and inks These authentic scrolls have been used in the orient for thousands of years and are nearly impossible to obtain.… Authentic artist scrolls by master artisans to last for centuries! These authentic scrolls have been used in the orient for thousands of years and are nearly impossible to obtain. These scrolls are made in a small village in China by a collective of master paper makers and artists that each posses special techniques that have been passed down for generations. Nothing but the finest would ever carry the Creative Mark name. Minimum purchase of two scrolls (Assorted). All products are 100% guaranteed to meet with your complete satisfaction. * Mounted on silk* No frame required* Acid-free, silk-covered presentation box* Each mounted sheet edged in metallic gold* Finished with a 1-1/2" mahogany color wooden dow* Made in China by master artisans to last for centuries!* Silk ties for elegant presentation and easy wall hanging* For traditional and Oriental watercolor painting, calligraphy, and inks These authentic scrolls have been used in the orient for thousands of years and are nearly impossible to obtain. These scrolls are made in a small village in China by a collective of master paper makers and artists that each posses special techniques that have been passed down for generations. Nothing but the finest would ever carry the Creative Mark name. Minimum purchase of two scrolls (Assorted). All products are 100% guaranteed to meet with your complete satisfaction. Modern Sizing - The scroll is still long and vertical but the painting size is a square which is centered on the base material. Traditional Sizing - Generally, scrolls are long and vertical in appearance. We offer four of these sizes. Xian Scrolls - Feature special heavyweight natural white rice paper. These scrolls are perfect for ink, traditional Chinese painting and calligraphy techniques and sketching with dry media. These scrolls feature Jade colored silk base material. Shian Scrolls - Feature special acid-free Lei River silk paper for use with all water-based media including oriental colors, traditional watercolors, egg tempera and thinned acrylics. This silk paper takes color beautifully for breathtaking results. These scrolls feature Jasper colored silk base material. Size Base Material Painting Size A (Modern) 23.6 × 47.2" 15.74 × 15.74" B (Traditional) 11.8 × 43.3" 7.87 × 27.5" C (Traditional) 15.75 × 47.2" 11.8 × 31.5" D (Traditional) 23.6 × 47.2" 15.74 × 31.5" E (Traditional) 28 × 72" 25 × 50" See More
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Aitoh Sumi-E Sketch PadsSave Up to25%Off listitoh's Sumi-E Sketch Pads are made in Japan with traditional Oriental papers that are characterized by a soft feel and an absorbent quality. For this reason they are highly unique and offer an interesting surface for drawing with inks, charcoal, pastel and watercolor. The 9x12" and 18x24" pads are… itoh's Sumi-E Sketch Pads are made in Japan with traditional Oriental papers that are characterized by a soft feel and an absorbent quality. For this reason they are highly unique and offer an interesting surface for drawing with inks, charcoal, pastel and watercolor. The 9x12" and 18x24" pads are made with the very popular Washi paper. Each pad has 48 sheets that are attached by loose thread into the pad. A real treat for the artist. See More
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Dream BoardsSave Up to50%Off listA Fun and Stress Reducing Way to Express Yourself Dream Boards® are the ultimate stress reducer. Perfect for Art Relaxation! These special boards much like The Buddha Board activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke. When the… A Fun and Stress Reducing Way to Express Yourself Dream Boards® are the ultimate stress reducer. Perfect for Art Relaxation! These special boards much like The Buddha Board activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke. When the water evaporates the image disappears and you are left with a clean slate for your next adventure in imagery. It doesn’t matter if you are stepping away from a computer, tablet, or phone in order to rest your eyes while working out the daily heaviness of the days stresses. You are now able to dream no matter what your art proficiency. For anyone who is brush-savvy, you can now play with ideas easily and quickly anywhere in your home, office or when you want to travel. Dreaming allows us to define our goals and to work out our demons. Now you can do this while you are conscious which will certainly make your dreams more positive and make you happier, ready to take on the world with renewed energy and enthusiasm! Special boards activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke! Comes with a higher quality better brush Key Features:* Available in various sizes, mini (5.31” x 5.79”) or large (9.45” x 11.81”)* Dream board, stand and brush - Just activate with water!* Made of high quality ABS plastic* Included brush is made to come to a fine point and hold lots of water* A higher quality better brush* Activated with water* Made of quality paper that will not bubble up or peel* Mounted to an ABS polymer board* Stands are made of high quality ABS plastic w/ brush holder slots* Brush is made to come to a fine point and hold lots of water* When the water evaporates the image disappear Perfect For:* Relaxation and stress reducer, art relaxation* Conveying thoughts and dreams onto paper* Ideas easily and quickly anywhere in your home, office or when you want to travel* Producing varying degrees of black across a middle tone grey background with each brush stroke* Perfect for practicing brush strokes* Art therapy and relaxation* No stress from your dream board as they are made of quality paper that will not bubble up or peel up mounted to an ABS polymer board. The stands are made of high quality ABS plastic w/ brush holder slots. Brush is made to come to a fine point and hold lots of water. See More
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Lian Zhens Sparkle Rice PaperSave Up to39%Off listThis paper has micro mica sparkles that give a bit of luster to the art. Sheets are 66 x 131.5cm (approximately 26" x 52") in size. Paper has a nice off white tone. Sold rolled in packages of 5 sheets. This paper has micro mica sparkles that give a bit of luster to the art. Sheets are 66 x 131.5cm (approximately 26" x 52") in size. Paper has a nice off white tone. Sold rolled in packages of 5 sheets. See More
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Lian Quan Zhen Traditional Rice PaperSave Up to37%Off list…sheetsLian Quan Zhen Lian Quan Zhen is a sought-after watercolor and Chinese painting artist and teacher in the US and abroad. He is one of the most popular authors of North Light Books. He started sketching and painting in his childhood and continue as hobby while practicing medicine as a family… Acid-free, Traditional rice paper Lian Quan Zhen Traditional Rice Paper (5 Sheets Rolled) 70x114cm* Acid-free* Traditional rice paper* 26 grams in weight* 70 × 114cm (approximately 27.5" × 45") in size.* It has a lovely off white color* Sold rolled in packages of 5 sheetsLian Quan Zhen Lian Quan Zhen is a sought-after watercolor and Chinese painting artist and teacher in the US and abroad. He is one of the most popular authors of North Light Books. He started sketching and painting in his childhood and continue as hobby while practicing medicine as a family physician in Canton Province, China. After immigrating to the US in 1985, he obtained a Bachelor of Arts Degree from University of California at Berkeley in 1992 and a Master of Architecture Degree from MIT in 1996. He has many shows in the US, Hong Kong and China and developed an international following. His paintings hang in numerous institutional and private collections including the MIT Museum which has collected 14 of his paintings. See More
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Gamblin PVA SizingSave Up to40%Off listPVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its… PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Yasutomo Washi Hosho and Washi Kozo PapersSave Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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Yupo Multimedia Watercolor Paper RollsSave Up to41%Off list…non-absorbent substrate that dramatically changes the way you paint Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper,… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. Key Features:* Rolls: 60" x 10 yard roll & 30" x 10 yard roll* Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces!* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers See More
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Creative Inspirations Acrylic White GessoSave Up to50%Off list…Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More
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Painter's Color Diary® by HG Art ConceptsSave Up to54%Off list…a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette… Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More
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Michael Harding Non-Absorbent Acrylic PrimersSave Up to25%Off list…to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional… Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Chroma Atelier Interactive Ground PreparationsSave Up to40%Off list…Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso.… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Sennelier Extra Fine Artist Acrylic GessoSave Up to33%Off list…quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils.… High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Daler-Rowney Gesso PrimersSave Up to34%Off list…a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz… Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More
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Liquitex BASICS Acrylic GessoSave Up to30%Off listOpaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers,… Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More
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Lascaux Acrylic Primer GessoSave Up to38%Off list…* Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted… A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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Prima Economy Acrylic Gesso
Starting At: 49.83
Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily… Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon jug. The gallon size has a built-in carrying handle and a stay-tight lid. The pint-size (473ml) comes in a flexible squeeze bottle container with a flip-top lid perfect for smaller projects. Key Features:* Pure Titanium White pigment* 100% polymer emulsion* Flexible film with fine tooth Perfect For:* For acrylic, oil, watercolor, gouache* Professional artists* Decorative and hobby use See More -
Williamsburg Genuine Rabbit Skin GlueSave Up to30%Off list…traditional ground for oil painting Williamsburg Rabbit Skin Glue is 100% genuine, and comes in a fine crystallized powder form. It acts as an excellent sizing for preparing canvas as well as an adhesive. Rabbit Skin Glue is used to size canvas or linen before oil painting in order to coat and… A traditional ground for oil painting Williamsburg Rabbit Skin Glue is 100% genuine, and comes in a fine crystallized powder form. It acts as an excellent sizing for preparing canvas as well as an adhesive. Rabbit Skin Glue is used to size canvas or linen before oil painting in order to coat and protect the fibers from deterioration caused by the oxidation of linseed oil that would otherwise penetrate the fibers. Rabbit Skin Glue will tighten the fabric as well as make it stiff.Key Features:* Size: 16 oz* Genuine rabbit skin glue* Comes in a fine crystallized powder form* A traditional ground for oil painting* Will tighten the fabric as well as make it stiff* Excellent sizing and adhesive for preparing canvas* Protects fibers from deterioration caused by the oxidation* Contains no hoof or hide See More
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Williamsburg Lead Oil GroundSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil GroundSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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GOLDEN Pastel GroundSave Up to30%Off list…Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent GroundSave Up to30%Off listCreate a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining… Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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New York Central® Acrylic GessoSave Up to55%Off list…with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply… Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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