Oil Varnish at Jerry's Artarama

Michael Harding V2 Matt Varnish Medium, 250ml Jar

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…this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Matt Varnish * 250ml Jar * Beeswax / Double Rectified Turpentine   V2 250ml Matt Varnish is used as a final picture varnish to… V2 - Matt Varnish, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! V2 250ml Matt Varnish creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Matt Varnish * 250ml Jar * Beeswax / Double Rectified Turpentine   V2 250ml Matt Varnish is used as a final picture varnish to thoroughly dried oil paint See More

Michael Harding V1 Dammar Varnish Medium, 250ml Jar

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…varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Dammar Varnish * 250ml Jar * DammarResin / Double Rectified Turpentine   V1 250ml Dammar Varnish is used as a final picture varnish to thoroughly dried oil paint V1 - Dammar Varnish, 250ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! V1 250ml Dammar Varnish is a versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Dammar Varnish * 250ml Jar * DammarResin / Double Rectified Turpentine   V1 250ml Dammar Varnish is used as a final picture varnish to thoroughly dried oil paint See More

Michael Harding V1 Dammar Varnish Medium, 100ml Jar

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…varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Dammar Varnish * 100ml Jar * DammarResin / Double Rectified Turpentine   V1 100ml Dammar Varnish is used as a final picture varnish to thoroughly dried oil paint V1 - Dammar Varnish, 100ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! V1 100ml Dammar Varnish is a versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Dammar Varnish * 100ml Jar * DammarResin / Double Rectified Turpentine   V1 100ml Dammar Varnish is used as a final picture varnish to thoroughly dried oil paint See More

Michael Harding V2 Matt Varnish Medium, 100ml Jar

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…this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Matt Varnish * 100ml Jar * Beeswax / Double Rectified Turpentine   V2 100ml Matt Varnish is used as a final picture varnish to… V2 - Matt Varnish, 100ml Jar by Michael Harding Handmade Oil Colour Medium, Carefully Crafted From The Highest-Grade Natural Materials! V2 100ml Matt Varnish creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). * Brand: Michael Harding * V1 - Matt Varnish * 100ml Jar * Beeswax / Double Rectified Turpentine   V2 100ml Matt Varnish is used as a final picture varnish to thoroughly dried oil paint See More

Chelsea Classic Studio 1oz. Damar & 1oz. Retouch Lavendar Varnish Sampler Set

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Chelsea Classic Studio 1oz. Damar & 1oz. Retouch Lavendar Varnish Sampler Set Chelsea Classic Studio 1oz. Damar & 1oz. Retouch Lavendar Varnish Sampler Set See More

Silver Brush Short Handle Ultimate Varnish Mop Series 2303S 1 in

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…Ultimate Varnish Mop spread water-based color or varnish on any surface without leaving bubbles behind. Each varnish brush is made with soft synthetic hair perfect for varnishing furniture or a finished painting. * One inch wide * Short handle * Soft synthetic varnish mop * Unique synthetic varnish… Varnish on any surface without leaving bubbles behind! Silver Brush makes the Ultimate Varnish Mop with unique synthetic filaments. Soft synthetic filaments within the Ultimate Varnish Mop spread water-based color or varnish on any surface without leaving bubbles behind. Each varnish brush is made with soft synthetic hair perfect for varnishing furniture or a finished painting. * One inch wide * Short handle * Soft synthetic varnish mop * Unique synthetic varnish brush filament * Spread color and varnish on any surface without leaving bubbles See More

Grumbacher Professional Oil Mediums

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…directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More

Sennelier Oil Color Mediums

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…the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity   Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More

Schmincke Oil Painting Mediums

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Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted   Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More

Maimeri Oil Painting Mediums - Walnut Oil, 75ml Bottle

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Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 75 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases… Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 75 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases the brightness of colors See More

Maimeri Oil Painting Mediums - Walnut Oil, 250ml Bottle

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Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 250 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases… Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 250 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases the brightness of colors See More

Maimeri Oil Painting Mediums - Walnut Oil, 500ml Bottle

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Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 500 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases… Increases The Brightness Of Colors. Good Drying Power! Walnut Oil increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow. It also has a good drying power. * 500 mlli> * Similar properties to linseed oil but it does not yellow * Good drying power * Increases the brightness of colors See More

Duo Aqua Oil Linseed Oil 55 ml Bottle

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Special Blend Of Mediums To Add Gloss To Your Paint. This special blend of linseed oil should only be used with Holbein's Duo Aqua Oils. Do not use regular linseed oil with water-soluble colors. This medium will add gloss to the paint film. It may be thinned with water. * 55 ml Bottle Special Blend Of Mediums To Add Gloss To Your Paint. This special blend of linseed oil should only be used with Holbein's Duo Aqua Oils. Do not use regular linseed oil with water-soluble colors. This medium will add gloss to the paint film. It may be thinned with water. * 55 ml Bottle See More

Duo Aqua Oil Linseed Oil 200 ml Bottle

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Special Blend Of Mediums To Add Gloss To Your Paint. This special blend of linseed oil should only be used with Holbein's Duo Aqua Oils. Do not use regular linseed oil with water-soluble colors. This medium will add gloss to the paint film. It may be thinned with water. * 200 ml Bottle Special Blend Of Mediums To Add Gloss To Your Paint. This special blend of linseed oil should only be used with Holbein's Duo Aqua Oils. Do not use regular linseed oil with water-soluble colors. This medium will add gloss to the paint film. It may be thinned with water. * 200 ml Bottle See More

Duo Aqua Oil Stand Linseed Oil 55 ml Bottle

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Special Blend Of Mediums To Add Gloss To Your Paint. Highly viscous, polymerized medium, that increasing transparency. Thin with water for a milky appearance that is clear when dry. May become cloudy over time, its performance is not affected. * 55 ml Bottle Special Blend Of Mediums To Add Gloss To Your Paint. Highly viscous, polymerized medium, that increasing transparency. Thin with water for a milky appearance that is clear when dry. May become cloudy over time, its performance is not affected. * 55 ml Bottle See More

Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle

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…Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to… Winsor & Newton Oil Drying Refined Linseed Oil, 1L Bottle Refined Linseed Oil is a low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. How to use: Mix just enough medium with paint to get the smoother texture you want. To keep light colours clean, use linseed oil sparingly for whites in particular, we recommend using Safflower Oil or Poppy Oil. Wipe the neck of the bottle after use, to ensure the safety cap remains secure.* Winsor & Newton Oil Drying Refined Linseed Oil Medium * 1L Bottle * Slows down the drying process * Reduces viscosity for better flow * Adds transparency and gloss * Low tendency to yellow PLEASE NOTE: this product is hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More

LUKAS Oil Painting Medium - Bleached Linseed Oil, 50ml Bottle

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…LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. * Bleached Linseed Oil - 50 ml… The Perfect Accompaniment To LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. * Bleached Linseed Oil - 50 ml bottle See More

LUKAS Oil Painting Medium - Bleached Linseed Oil, 125ml Bottle

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…LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. * Bleached Linseed Oil - 125 ml… The Perfect Accompaniment To LUKAS Oil Paints! Bleached Linseed Oil is a high quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. * Bleached Linseed Oil - 125 ml bottle See More

LUKAS Oil Painting Medium - Stand Linseed Oil, 125ml Bottle

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…To LUKAS Oil Paints! Stand Linseed Oil is viscous, yellowish medium made thicker then standard linseed oil through application of heat. It increases gloss and translucence of oil colors and can be used as a binder or for making resin-based mediums. Slow-drying. * Stand Linseed Oil - 125 ml bottle The Perfect Accompaniment To LUKAS Oil Paints! Stand Linseed Oil is viscous, yellowish medium made thicker then standard linseed oil through application of heat. It increases gloss and translucence of oil colors and can be used as a binder or for making resin-based mediums. Slow-drying. * Stand Linseed Oil - 125 ml bottle See More

Gamblin Safflower Oil 4.2oz Bottle

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…Working Properties. Safer. More Permanent. Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Safflower Oil 4.2 oz True To Historic Working Properties. Safer. More Permanent. Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Safflower Oil 4.2 oz See More

LUKAS Berlin Stand Oil Water-Mixable Oil Medium 125ml Bottle

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…Stand Oil Water-Mixable Oil Medium 125ml Bottle Special Modified Mediums For Germany's Finest Water-Mixable Oil Paints! Berlin Modified 125ml (4.2oz) Stand Oil is a heat-thickened modified oil for use as a water-miscible oil painting medium. It greatly retards drying time of water-mixable oil colors… LUKAS Berlin Stand Oil Water-Mixable Oil Medium 125ml Bottle Special Modified Mediums For Germany's Finest Water-Mixable Oil Paints! Berlin Modified 125ml (4.2oz) Stand Oil is a heat-thickened modified oil for use as a water-miscible oil painting medium. It greatly retards drying time of water-mixable oil colors and should be used only on the upper layers of a painting following the "fat over lean" rule. Go "solvent free" with the Berlin Modified Stand Water-Mixable Oil Medium * Brand: LUKAS Berlin * Oil Medium: Stand Oil Water-Mixable Oil Medium * 125ml Bottle (4.2oz) * For use as a water-miscible oil painting medium * Greatly retards drying time of water-mixable oil colors * Should be used only on the upper layers of a painting following the "fat over lean" rule See More

Da Vinci Oil Painting Mediums

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…formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. See More

Old Holland Oil Painting Mediums

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…With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More

Sennelier #Green for Oil Mediums

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…Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints.… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More

Cobra Water-Mixable Oil Painting Mediums

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…the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Water-mixable oil paint mediums * Water-mixable cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time   Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! See More

Gamblin Artists' Oil Painting Mediums

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…amount of Refined Linseed Oil. 3-in-1 Oil MediumGamblin 3-in-1 Oil Medium is an all-around lean and thin painting medium that you can think of as a thinner version of Galkyd Lite. 3-in-1 Oil Medium can be used to seal panels and is great for oiling out before varnishing. First, it's a terrific… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark-making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "Galkyd Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd-based resin painting medium that thins oil paints and maintains a strong, flexible paint film. Galkyd speeds the drying rate and is excellent for glazing, providing an enamel-like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. 3-in-1 Oil MediumGamblin 3-in-1 Oil Medium is an all-around lean and thin painting medium that you can think of as a thinner version of Galkyd Lite. 3-in-1 Oil Medium can be used to seal panels and is great for oiling out before varnishing. First, it's a terrific all-around lean and thin painting medium. Second, It's ideal for oiling out a painting before deciding if the painting is ready to varnished or if there's more painting to be done. And finally, it's the perfect tool for preparing wood panels for painting and before priming them with Gamblin Ground. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted, you may want to purchase the larger size. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide, and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% volume of poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases the flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture, and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Medium gives oil colors more flow and transparency. It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum-bodied heavy oil, which can be used in painting and glazing mediums. Dries to an enamel-like finish. See More

Gamblin Burnt Plate Oil #000 8oz Bottle

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True To Historic Working Properties. Safer. More Permanent. This Burnt Plate Oil is used to reduce ink viscosity. It should be added sparingly, as the detail of a print might be lost if the ink becomes too fluid. * 8 oz Bottle True To Historic Working Properties. Safer. More Permanent. This Burnt Plate Oil is used to reduce ink viscosity. It should be added sparingly, as the detail of a print might be lost if the ink becomes too fluid. * 8 oz Bottle See More

Sennelier Oil Venice Turpentine, 32ml Bottle

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…to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface * 32ml Bottle (1.08oz) * Derived from European larch trees * A traditional thinner, recommended for oil paint * Add Venetian Turpentine as a plasticizer and gloss enhancing agent to oil colors, varnishes… Sennelier Oil Venice Turpentine, 32ml Bottle Venice Turpentine is a pure natural balsam with the consistency of honey. Resin extracted from larch. Indispensable thinner: 32ml Bottle (1.08oz); Composed of Pure natural balsam with the consistency of honey. Resin extracted from larch; Avoid excess when applying. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface * 32ml Bottle (1.08oz) * Derived from European larch trees * A traditional thinner, recommended for oil paint * Add Venetian Turpentine as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums * Creates a jewellike quality with a tough enamel-like surface * A rich honey-like balsam from the European larch tree. This thick medium should be mixed sparingly into oil paint. * Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). See More

Sennelier Oil Venice Turpentine, 120ml Bottle

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…oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface * 120ml Bottle (4.06oz) * Derived from European larch trees * A traditional thinner, recommended for oil paint * Add Venetian Turpentine as a plasticizer and gloss enhancing agent to oil colors, varnishes… Sennelier Oil Venice Turpentine, 120ml (4.06oz) Bottle Venice Turpentine is a pure natural balsam with the consistency of honey. Resin extracted from larch. Indispensable thinner: 120ml Bottle (4.06oz); Composed of Pure natural balsam with the consistency of honey. Resin extracted from larch; Avoid excess when applying. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface * 120ml Bottle (4.06oz) * Derived from European larch trees * A traditional thinner, recommended for oil paint * Add Venetian Turpentine as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums * Creates a jewellike quality with a tough enamel-like surface * A rich honey-like balsam from the European larch tree. This thick medium should be mixed sparingly into oil paint. * Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). See More

Gamblin Refined Linseed Oil 8.5oz (250ml) Bottle

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…Linseed Oil 8.5oz (250ml) Bottle is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colors or as an ingredient in traditional painting medium * Brand: Gamblin * Linseed Oil – Refined (low acid) * 8.5oz Bottle, (250ml) * Use linseed oil to thin oil… Gamblin Alkali Refined Linseed Oil 8.5oz (250ml) Bottle True To Historic Working Properties. Safer. More Permanent. Linseed Oil – Refined (low acid) - Pressed from American flax seeds. Gamblin Alkali Refined Linseed Oil 8.5oz (250ml) Bottle is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colors or as an ingredient in traditional painting medium * Brand: Gamblin * Linseed Oil – Refined (low acid) * 8.5oz Bottle, (250ml) * Use linseed oil to thin oil colors and increase their brilliance and transparency. * Pressed from American flax seeds * Use in moderation to thin oil colors or as an ingredient in traditional painting mediums * Purest and lightest industrially produced variety See More

Gamblin Alkali Refined Linseed Oil 16.9oz Bottle

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…Linseed Oil 16.9oz Bottle (500ml) is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colors or as an ingredient in traditional painting medium * Brand: Gamblin * Linseed Oil – Refined (low acid) * 16.9oz Bottle (500ml) * Use linseed oil to thin oil… Gamblin Alkali Refined Linseed Oil 16.9oz Bottle (500ml) True To Historic Working Properties. Safer. More Permanent. Linseed Oil – Refined (low acid) - Pressed from American flax seeds. Gamblin Alkali Refined Linseed Oil 16.9oz Bottle (500ml) is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colors or as an ingredient in traditional painting medium * Brand: Gamblin * Linseed Oil – Refined (low acid) * 16.9oz Bottle (500ml) * Use linseed oil to thin oil colors and increase their brilliance and transparency. * Pressed from American flax seeds * Use in moderation to thin oil colors or as an ingredient in traditional painting mediums * Purest and lightest industrially produced variety See More

Gamblin Alkali Refined Linseed Oil 33.8oz Bottle

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…Linseed Oil 33.8oz (1L) Bottle is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colors or as an ingredient in traditional painting medium * Brand: Gamblin * Linseed Oil – Refined (low acid) * 33.8oz Bottle, (1L) * Use linseed oil to thin oil colors… Gamblin Alkali Refined Linseed Oil 33.8oz (1L) Bottle True To Historic Working Properties. Safer. More Permanent. Linseed Oil – Refined (low acid) - Pressed from American flax seeds. Gamblin Alkali Refined Linseed Oil 33.8oz (1L) Bottle is as light and pure as industrially produced linseed oil can be made. Use in moderation to thin oil colors or as an ingredient in traditional painting medium * Brand: Gamblin * Linseed Oil – Refined (low acid) * 33.8oz Bottle, (1L) * Use linseed oil to thin oil colors and increase their brilliance and transparency. * Pressed from American flax seeds * Use in moderation to thin oil colors or as an ingredient in traditional painting mediums * Purest and lightest industrially produced variety See More

Gamblin Oil Painting Ground 8oz Can

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True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 8 oz Can True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 8 oz Can See More

Gamblin Oil Painting Ground 32oz Can

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True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can True To Historic Working Properties. Safer. More Permanent. For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. * 32 oz Can See More

Gamblin Poppy Oil 8.5 oz Bottle

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True To Historic Working Properties. Safer. More Permanent. Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. * 8 oz bottle True To Historic Working Properties. Safer. More Permanent. Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. * 8 oz bottle See More

Gamblin Solvent-Free Gel Oil Medium 150ml Tube

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Gamblin Solvent-Free Gel Oil Medium 150ml (5oz) Tube True To Historic Working Properties. Safer. More Permanent. Gamblin Solvent-Free Gel oil medium 150ml supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. This unique,… Gamblin Solvent-Free Gel Oil Medium 150ml (5oz) Tube True To Historic Working Properties. Safer. More Permanent. Gamblin Solvent-Free Gel oil medium 150ml supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. * Brand: Gamblin * Solvent-Free Gel Oil Medium * 150ml Tube (5oz) * Only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise * Solvent-Free Gel has a moderately fast drying rate and increases gloss. * Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. * Supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making See More

Gamblin Linseed Stand Oil 8.5oz Bottle

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True To Historic Working Properties. Safer. More Permanent. Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. * 8 oz bottle True To Historic Working Properties. Safer. More Permanent. Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. * 8 oz bottle See More

Williamsburg Lead Oil Ground, 16oz Can

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…alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 16 oz * Made with basic lead carbonate and marble dust *… Prepare Your Surface Before Painting. This contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 16 oz * Made with basic lead carbonate and marble dust * Titanium White is added to improve opacity and brightness * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned mineral spirits or turpentine * Can be used on canvas or linen See More

Williamsburg Lead Oil Ground, 32oz Can

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…alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 32 oz * Made with basic lead carbonate and marble dust *… Prepare Your Surface Before Painting. This contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. It dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. * Lead Oil Ground - 32 oz * Made with basic lead carbonate and marble dust * Titanium White is added to improve opacity and brightness * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned mineral spirits or turpentine * Can be used on canvas or linen See More

Williamsburg Titanium Oil Ground, 16oz Can

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Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency… Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency before using. * 16 oz * Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly * Non toxic * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned with mineral spirits or turpentine * Can be used on canvas or linen See More

Williamsburg Titanium Oil Ground, 32oz Can

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Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency… Prepare Your Surface Before Painting! Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. It has just the right amount of tooth and absorbency. NOTE: Stir separated mixture to an even consistency before using. * 32 oz * Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly * Non toxic * Ground in 100 percent alkali-refined linseed oil * Used to prepare a surface before painting * Can be thinned with mineral spirits or turpentine * Can be used on canvas or linen See More

Old Holland Stand Oil 100 ml Bottle

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…Stand Oil is boiled polymerized linseed oil until a thick to a honey-like consistency. It is a popular additive in painting mediums, especially for glazing. It will yellows less than linseed oil because it has already begun the oxidation process. And it dries more slowly than regular linseed oil, to… Prepare Custom Paints And Base Liquids With This Pure, Light-Fast High Quality Raw Material! This Holland Stand Oil is boiled polymerized linseed oil until a thick to a honey-like consistency. It is a popular additive in painting mediums, especially for glazing. It will yellows less than linseed oil because it has already begun the oxidation process. And it dries more slowly than regular linseed oil, to a flexible and durable paint film. * Holland Stand Oil - 100 ml See More

Old Holland Stand Oil 500 ml Bottle

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…Stand Oil is boiled polymerized linseed oil until a thick to a honey-like consistency. It is a popular additive in painting mediums, especially for glazing. It will yellows less than linseed oil because it has already begun the oxidation process. And it dries more slowly than regular linseed oil, to… Prepare Custom Paints And Base Liquids With This Pure, Light-Fast High Quality Raw Material! This Holland Stand Oil is boiled polymerized linseed oil until a thick to a honey-like consistency. It is a popular additive in painting mediums, especially for glazing. It will yellows less than linseed oil because it has already begun the oxidation process. And it dries more slowly than regular linseed oil, to a flexible and durable paint film. * Holland Stand Oil - 500 ml See More

Cobra Water-Mixable Oil Glazing Medium, 250ml Bottle

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Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of… Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. * No. 92 - Oil Glazing Medium * 250 ml Bottle See More

M. Graham Walnut/Alkyd Oil Medium 32oz. Can

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…increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 32 oz can * Non-toxic * Safe to use on… Non-Toxic And Environmentally Responsible Medium. Walnut/Alkyd Medium can thin the color, enhance adhesion between layers, increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 32 oz can * Non-toxic * Safe to use on brushes See More

Cobra Water-Mixable Oil Painting Paste, 60ml Tube

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…With This Water-Mixable Oil Medium! This is a heavy-bodied medium similar in consistency to Cobra oils, making it essentially a colorless paint. Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but… Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This is a heavy-bodied medium similar in consistency to Cobra oils, making it essentially a colorless paint. Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. * No. 87 - Oil Painting Paste * 60 ml Tube See More

Cobra Water-Mixable Oil Painting Medium, 250ml Bottle

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Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of… Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. * No. 91 - Oil Glazing Medium * 75 ml Bottle See More

Cobra Water-Mixable Oil Painting Paste, 200ml Tube

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…With This Water-Mixable Oil Medium! This is a heavy-bodied medium similar in consistency to Cobra oils, making it essentially a colorless paint. Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but… Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This is a heavy-bodied medium similar in consistency to Cobra oils, making it essentially a colorless paint. Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. * No. 87 - Oil Painting Paste * 200 ml Tube See More

M. Graham Walnut Oil Medium 4oz. Bottle

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…Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 4 oz… Non-Toxic And Environmentally Responsible Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 4 oz bottle * Non-toxic * Safe to use on brushes See More

M. Graham Walnut/Alkyd Oil Medium 4oz. Bottle

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…increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 4 oz bottle * Non-toxic * Safe to use on… Non-Toxic And Environmentally Responsible Medium. Walnut/Alkyd Medium can thin the color, enhance adhesion between layers, increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 4 oz bottle * Non-toxic * Safe to use on brushes See More

M. Graham Walnut/Alkyd Oil Medium 8oz. Bottle

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…increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 8 oz bottle * Non-toxic * Safe to use on… Non-Toxic And Environmentally Responsible Medium. Walnut/Alkyd Medium can thin the color, enhance adhesion between layers, increase surface sheen and speed up the drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. * Walnut/Alkyd Oil Medium - 8 oz bottle * Non-toxic * Safe to use on brushes See More

M. Graham Walnut Oil Medium 8oz. Bottle

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…Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 8 oz… Non-Toxic And Environmentally Responsible Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 8 oz bottle * Non-toxic * Safe to use on brushes See More

M. Graham Walnut Oil Medium 32oz. Can

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…Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 32 oz… Non-Toxic And Environmentally Responsible Medium. Walnut Oil is perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors. * Oil Medium - 32 oz can * Non-toxic * Safe to use on brushes See More

Cobra Water-Mixable Oil Painting Medium, 75ml Bottle

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Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of… Expand Your Painting Possibilities With This Water-Mixable Oil Medium! This fluid medium improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. * No. 91 - Oil Glazing Medium * 75 ml Bottle See More

Gamblin Solvent-Free Safflower Oil Medium 8.5oz Bottle

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True To Historic Working Properties. Safer. More Permanent. Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. * 8.5… True To Historic Working Properties. Safer. More Permanent. Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. * 8.5 oz bottle See More

Gamblin Solvent-Free Gel Oil Medium 37ml Tube

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…Gel Oil Medium 37ml (1.25oz) Tube True To Historic Working Properties. Safer. More Permanent. Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. This unique, non-toxic blend of safflower oil and alkyd… Gamblin Solvent-Free Gel Oil Medium 37ml (1.25oz) Tube True To Historic Working Properties. Safer. More Permanent. Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. * Brand: Gamblin * Solvent-Free Gel Oil Medium * Only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise * Solvent-Free Gel has a moderately fast drying rate and increases gloss. * Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. * Supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making See More