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Bee Paper Co-Mo Heavyweight Sketch Paper Pads and RollsSave Up to32%Off listA heavyweight recycled Co-Mo sketch is a hard, clean sheet with excellent erasing qualities. Accepts light use of wet media well. Key Features: * Acid free * 86lb. (140 g/m2) * Natural white color * Double sized texture surface * Available in double wire bound pads (30 sheets) and rolls *… A heavyweight recycled Co-Mo sketch is a hard, clean sheet with excellent erasing qualities. Accepts light use of wet media well. Key Features: * Acid free * 86lb. (140 g/m2) * Natural white color * Double sized texture surface * Available in double wire bound pads (30 sheets) and rolls * Micro-perforated sheets Perfect For: * Pencil, pen & ink * Crayon, chalk & charcoal * Light washes See More
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Bee Paper Aquabee Super Deluxe Mixed Media Paper PadsSave Up to31%Off list…watercolor and other mixed media. Each sheet of paper is internally and externally sized. The double wire binding creates a flat surface, allowing the artist to draw across the page. The water-resistant cover can be personalized with acrylic paint. The back of the pad features an extra heavyweight… The Only Super Deluxe Sketchbook You Will Ever Need! Created especially for mixed media artists, the Bee Paper Aquabee #808 Super Deluxe Mixed Media Paper Pads are well suited for dry and wet media. The heavyweight 93 lb. (150 gsm), neutral pH drawing paper has two distinct surfaces. The top side of the sheet has the tooth for dry media and works well as a cold pressed watercolor sheet. The bottom side is fabulous with pen and ink and works well as a hot pressed sheet for watercolor and other mixed media. Each sheet of paper is internally and externally sized. The double wire binding creates a flat surface, allowing the artist to draw across the page. The water-resistant cover can be personalized with acrylic paint. The back of the pad features an extra heavyweight 100% recycled chipboard that is perfect for field work. The natural white paper is acid-free and is available in 8 different spiral-bound pad sizes or a 36 In X 5 Yard roll. Key Features: * 93 lb. (150 gsm) * Water-resistant cover * Neutral pH drawing paper * Neutral white sheets * Assorted Sizes: 50 or 60 sheets (see pad info) * See Also: 36" x 5 yard roll * Acid-free * Internally and externally sized * Two distinct surfaces textures * Super deluxe mixed media pads #808 Perfect For: * Dry and wet media * Watercolor painting * Pen and Ink * Mixed-media journal * Field work See More
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Magnani 1404 Acquerello Watercolor PapersSave Up to40%Off list…erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round… Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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Bee Paper Stipple Texture PadsSave Up to22%Off list…and shading. This stipple texture paper is excellent for creating detailed cartooning, sketching and drawing. It has a porous surface texture that mimics the feel of skin, making it an ideal paper for designing and practicing tattoos. Key Features: * Acid-free paper * 132 lb. (216 g/m2) * Natural… A uniquely textured, pebble like surface perfect for blending and shading. This stipple texture paper is excellent for creating detailed cartooning, sketching and drawing. It has a porous surface texture that mimics the feel of skin, making it an ideal paper for designing and practicing tattoos. Key Features: * Acid-free paper * 132 lb. (216 g/m2) * Natural white color * Pebbled texture * Tape-bound pads Perfect For: * Designing, practicing tattoos * Soft pencil, crayons, charcoal, and pastel See More
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Arches 88 Professional Printmaking PaperSave Up to40%Off list…fiber paper that is acid-free and pH neutral. The buffered paper is unsized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is unsized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many… 100% cotton – Made on a cylinder mould! Originally formulated decades ago for silkscreen printing, Arches 88 has gained a following for various printmaking techniques. The crisp white 140lb (300gsm) paper is dimensionally stable and provides a smooth level surface perfect for serigraphy. Arches 88 is a 100% cotton fiber paper that is acid-free and pH neutral. The buffered paper is unsized for high absorption. A silkscreen printer can easily layer 50 to 100 colors on a single sheet of Arches 88. Because the paper is unsized, it is unforgiving, so a single ink spot or splatter will show up. This paper has many of the characteristics of blotter paper and must be handled with purpose and sensitivity. When working in intaglio, a misting or dampening is all that is required. The paper is ideal for other printmaking mediums such as etching or lithography and takes all pencil applications well. Each sheet of paper is watermarked and has four natural deckle edges. Key Features: * Unsized and highly absorbent * 100% cotton – Made on a cylinder mould * 140lb (300gsm) weight * Very smooth texture * 4 deckle edges * Alkaline reserve, acid-free, no optical brightening * Made in France Perfect For: * Screen-printing * Letterpress, blind embossing, gold tooling * Intaglio * Etching and lithography * Pencil drawings * Laying down 50 to 100 screen colors on one sheet See More
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Jack Richeson Transfer Paper RollSave Up to22%Off list…reposition the paper. Use this convenient paper roll to transfer images onto paper, board, canvas, wood, ceramics and more! * 24" wide × 24 ft long (61 cm × 732 cm) * Convenient roll* Smudge-proof* Greaseless* No bleed* Waxless* Clear tracings with no bleed* Transfer images onto paper, board,… The transfer paper that has it all! This great transfer paper from Jack Richeson has it all! Made of lightweight, wax-less paper coated in a dark graphite-like material, you can use it with a stylus or pen to transfer drawings and designs from one surface to another without losing any detail. The transfer, when complete, is still erasable should you make a mistake, and is grease-free and smudge-proof for a clean image. The generous, 24in x 24ft long roll can be used to transfer hundreds of images, since portions can be reused almost indefinitely - simply reposition the paper. Use this convenient paper roll to transfer images onto paper, board, canvas, wood, ceramics and more! * 24" wide × 24 ft long (61 cm × 732 cm) * Convenient roll* Smudge-proof* Greaseless* No bleed* Waxless* Clear tracings with no bleed* Transfer images onto paper, board, canvas, wood, ceramics and more! See More
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Fabriano Tiziano Pochette Paper PacksSave Up to45%Off list…in 12 assorted colors. The beefy paper takes most media beautifully, allowing you to create with the freedom to choose any mix of media including pastel, charcoal, graphite, pencil, Conte Crayon, gouache, light watercolor washes, and ink. The pochette paper contains a blend of 40% premium cotton… Master Quality Paper! You'll see and feel the difference as your pastels bite into the extraordinarily toothy surface. Each Fabriano Tiziano acid-free sheet weighs 98 lb (160 gsm) and features a grain that runs parallel. This pack contains 12, 9½'' × 12½'' (24 cm × 32 cm) sheets in 12 assorted colors. The beefy paper takes most media beautifully, allowing you to create with the freedom to choose any mix of media including pastel, charcoal, graphite, pencil, Conte Crayon, gouache, light watercolor washes, and ink. The pochette paper contains a blend of 40% premium cotton and 60% pure ECF cellulose, so it is strong enough to take reworking. Colors include Lilac, Black, Iris, Lava Red, Orange, Lemon, Navy Blue, Seabright, Billiard Green, Coffee, Rose, and Honey. Contents of the set may be substituted for like items without notice Key Features: * Twelve, 9½" × 12½" sheets * 12 assorted colors * High cotton content and pure ECF cellulose * Acid-free to guarantee long permanence * Highly lightfast colors * 40% premium cotton * Toothy paper surface * Follows ISO 9706 'LONG LIFE' regulations Perfect For: * Pastels and pencils * Graphite and charcoal * Tempera, airbrush, and watercolor techniques * All printing techniques * Multiple washes, erasing, and scraping * Travel and studio work * Workshops and travel * Reworking * Discerning students and amateurs See More
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Paper Mate Pink Pearl EraserSave Up to40%Off listArtist Quality Latex Free Eraser Stop struggling with eraser smudges and enjoy the clean finish of Paper Mate Pink Pearl Erasers. The eraser's smear-resistant, latex-free design lets you quickly eliminate mistakes. Its small, easy-to-hold design is excellent for erasing tiny details and large areas.… Artist Quality Latex Free Eraser Stop struggling with eraser smudges and enjoy the clean finish of Paper Mate Pink Pearl Erasers. The eraser's smear-resistant, latex-free design lets you quickly eliminate mistakes. Its small, easy-to-hold design is excellent for erasing tiny details and large areas. Key Features: * 100% latex-free and smudge-resistant * Clean erasing finish * Sharp corners for erasing details * Flat sides for erasing large areas Perfect For: * Erasing pencil marks * Keeping your drawings fresh * Exams, essays, and everyday writing * Everyone from students to serious artists See More
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Bockingford Watercolor Paper & PadsSave Up to38%Off list…base paper without issue. This paper can also take heavy washes without displaying any distortion or cockling. This is a high quality paper which is produced by using the purist materials to archival standards in all facets of manufacturing. Bockingford Paper offers quality watercolor paper at an… Extremely forgiving watercolour paper valued by professionals and artists Bockingford is a beautiful English watercolor paper, traditionally made on a cylinder mould machine at the centuries-old St Cuthbert's Mill. Its unique surface is created by using natural woollen felts that give it a distinctive random texture to the finished sheet. The paper is appreciated for its excellent color lifting abilities which enables you to make corrections and get back to the white base paper without issue. This paper can also take heavy washes without displaying any distortion or cockling. This is a high quality paper which is produced by using the purist materials to archival standards in all facets of manufacturing. Bockingford Paper offers quality watercolor paper at an affordable price. Suitable for Watercolor, Acrylic, Gouache, Pastel, Pane & Ink, Pencil and Charcoal. These sheets have a pleasing white hue, but without harmful brightening agents. Surface grain is a bit rougher than conventional cold pressed sheets. Key Features:* Fine Quality Papers* Purist materials to archival standards* Acid-Free and buffered sheets* Traditionally made on a cylinder mould machine* Pleasing white hue* Surface grain is a bit rougher than conventional cold press* No harmful brightening agents* Created by using natural woollen felts* Cold Press 140lb Spiral Pads, many sizes* Sold in 10 or 25 Packs* 22 × 30" rough sheets* 140 lb and 200 lb weights Perfect For:* Suitable for Watercolor, Acrylic, Gouache, Pastel, Pane & Ink, Pencil and Charcoal.* Extremely forgiving watercolor paper* Professionals and artists * Excellent color lifting abilities* Heavy washes without displaying any distortion * Make corrections and get back to the white base feel See More
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Spectra Deluxe Art Tissue PaperSave Up to11%Off listHigh quality, bleeding tissue paper for colorful arts and crafts! Deluxe Spectra Art Tissue Paper is sure to add loads of color and fun to any child's artwork! This superior-grade tissue paper features a range of beautiful, vibrant colors that can be used in crafts from collage to creating art with… High quality, bleeding tissue paper for colorful arts and crafts! Deluxe Spectra Art Tissue Paper is sure to add loads of color and fun to any child's artwork! This superior-grade tissue paper features a range of beautiful, vibrant colors that can be used in crafts from collage to creating art with a watercolor-like effect. Lightweight and delicate in appearance, Spectra is a sturdy tissue paper that can withstand cutting, crinkling and folding without tearing. Wash over Spectra with water to lay down brilliant washes of color on a base paper, overlap two colors and let them blend, or mix glue with water and lay down a collage of beautiful, multi-layered pieces. Available in a generous pack of twenty 20x30" sheets of assorted vibrant colors, Spectra Deluxe Bleeding Art Tissue Paper will inspire creativity in any young artist! Deluxe, colorful art tissue paper Color bleeds from tissue for painterly effects! Can be cut, crinkled and folded; resists tearing Use to create watercolor-like effects Layer for collages Pack of twenty 20x30" assorted color sheets Perfect for any child's art! See More
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L'Aquarelle Canson Heritage Watercolor PaperSave Up to29%Off list…paper response * Acid-free and made of 100% cotton * Captures bright color and super sharp brush strokes * Easily correctable, whether wet or dry * Available in Cold Pressed, Hot Pressed and Rough Grain finishes Perfect For: * Watercolor artwork * Student & professional artists * Watercolor paints &… Non-Animal Sizing Beautiful Bright White Watercolor Papers - Next Generation of Watercolor Papers L'Aquarelle Canson Heritage Watercolor Paper is a culmination of 500 years of expertise and technological advances in papermaking. Made of 100% cotton, this highly absorbent watercolor paper has an excellent texture and remains at peak saturation longer to give the artist plenty of time to work on larger areas. The innovative sizing ensures uniform washes without the build up of pigments which allows for vivid, ultra sharp brush strokes. This acid-free watercolor paper is easily correctable whether wet or dry and is available in Cold Pressed, Hot Pressed and Rough Grain finishes. Next Generation of Watercolor Paper! Non-Animal Sizing Beautiful Bright White Watercolor Papers Key Features: * Beautiful bright white watercolor paper * Balanced open wet time * Improved wet/dry color lifting * Excellent color lay down & brush to paper response * Acid-free and made of 100% cotton * Captures bright color and super sharp brush strokes * Easily correctable, whether wet or dry * Available in Cold Pressed, Hot Pressed and Rough Grain finishes Perfect For: * Watercolor artwork * Student & professional artists * Watercolor paints & pencils * Larger watercolor art pieces See More
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Lineco Unbuffered Interleaving Tissue PaperSave Up to34%Off listPerfect for archival storage! Lineco Unbuffered Interleaving Tissue Paper is acid-free and is recommended for use with colored prints, textiles, and watercolors. Cyanotype, dry transfer or chromogenic prints also require unbuffered tissue in order to be stored archivally. This tissue is an excellent… Perfect for archival storage! Lineco Unbuffered Interleaving Tissue Paper is acid-free and is recommended for use with colored prints, textiles, and watercolors. Cyanotype, dry transfer or chromogenic prints also require unbuffered tissue in order to be stored archivally. This tissue is an excellent choice for separating prints, drawings or lithographs and protecting artifacts. In addition, unbuffered tissue is used with silk, leather, and other animal protein based textiles. Lineco Unbuffered Interleaving Tissue Paper is very thin (.001) 16gsm and offers maximum translucency and protection. Key Features: * Acid-free * Very thin (.001) 16gsm * Maximum translucency and protection Perfect For: * Separating prints, drawings or lithographs * Protecting artifacts * Archival storage See More
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X-Acto Paper & Matt CuttersSave Up to15%Off list…ensure stray fingers do not get accidentally cut. Paper cutters and trimmers are indispensable tools for any artist or crafter working with paper and boards — and X-Acto makes the finest cutters around! Paper Cutters – Get precision cutting of papers, card stock, plastics and board aided by an extra… The perfect cutters for all your paper-trimming needs! Whether you're a scrapbooker, bookbinder, card maker, collage artist, framer, or any paper craft designer, a good paper cutter can make the difference between project failure and outstanding success. X-Acto paper cutters are truly the top of the line, featuring hardened steel, self-sharpening blades and multi-level safety systems to ensure stray fingers do not get accidentally cut. Paper cutters and trimmers are indispensable tools for any artist or crafter working with paper and boards — and X-Acto makes the finest cutters around! Paper Cutters – Get precision cutting of papers, card stock, plastics and board aided by an extra sharp tempered steel cutting blade and easy to grip handle. Heavy duty press wood cutting base has an innovative guide grid calibrated in both Metric and American sizes. It also has special templates for cutting all standard sizes. Sliding guide ensures exact alignments. Safety bar and blade lock provide for safe working; available in 4 lengths. Laser Paper Cutter – You've lined everything up perfectly...or so you think. The blade comes down and slices the paper, and only then do you realize the cut is less than precise. Sound familiar? Then maybe it's time to try the Laser Paper Trimmer from X-Acto! With its sturdy, 12" long plastic base and bright red guide beam, you'll make the perfect cut every time! Wood-Base Guillotine Paper Cutter – With its 30 x 30" wooden base, this heavy duty cutter and trimmer is one of the largest available on the market today! The square platform is a generous 3/4" thick with reduced edge profiles, meaning you can work freely with larger and oversized papers. The guillotine-style blade swings smoothly and safely, and can take on even the most massive of trimming projects! See More
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Fluid Easy-Block Watercolor Paper BlocksSave Up to35%Off list…High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are… Easy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are only glued on 2 sides (instead of the traditional 4) it's also remarkably simple to remove your painting from the block once finished by simply slipping a knife or letter opener around the glued sides. Made by slow milling in small batches, Fluid Easy-Block Watercolor Paper is remarkably strong and is available in an even, low tooth cold press finish or new super-smooth hot press. Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more! Available in multiple sizes ideal for any subject; 15 sheets per block, bound on two edges. Easy-Block Watercolor Paper Blocks are taped on just two sides, which makes it much easier to remove the top sheet without damaging the sheets below - thus the name: "Easy-blocks"! * Acid-free 15 sheets per block, bound on two edges* Archival, Acid-Free* CCP -Certified Permanent Paper* 140 lb. / 300 gsm* Highest Quality Alpha Cellulose* Also available in packs of 6 loose 22x30" sheets* Cold or hot pressed, soft white paper* Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more!* The glue along the two long edges will hold the sheet flat as you paint. See More
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Fabriano Accademia Pochette Paper PacksSave Up to45%Off list…next figure drawing with this eco-friendly, high-quality drawing paper! Fabriano Paper Packs feature 12 sheets of white, Accademia drawing paper, made of high-quality lignin-free & acid-free cellulose. This 225 gsm, 138 lb paper is produced with 100% Elemental Chlorine Free pulp that is F.S.C.… Sketch your next figure drawing with this eco-friendly, high-quality drawing paper! Fabriano Paper Packs feature 12 sheets of white, Accademia drawing paper, made of high-quality lignin-free & acid-free cellulose. This 225 gsm, 138 lb paper is produced with 100% Elemental Chlorine Free pulp that is F.S.C. certified from forests responsibly managed respectful of environmental, social, and economic standards. The internal and external sizing gives this drawing paper the quality of withstanding repeated erasures. Fabriano Paper Packs are recommended for artists and amateurs alike, ideal for sketching and drawing with pencil, charcoal, pastel, colored pencil, and ink. Key Features: * 12 sheets of white, Accademia drawing paper * Made with high-quality lignin-free & acid-free cellulose * 225 gsm, 138 lb paper produced with F.S.C. certified 100% Elemental Chlorine Free pulp * Durable enough to withstand repeated erasures * Internally and externally sized * Size: 9 1/2" x 12 1/2" Perfect For: * Sketching & drawing * Studio & classroom use * Figure drawing sessions * Professional & student illustrators * Mixed Media, Inks, Washes * Sketching and drawing with pencil, charcoal, pastel, colored pencil and ink Pochette & Artist Studio Paper + Color Pencil Set of 24*: This set contains the Fabriano Accademia Pochette Paper pack of 12 sheets and a Cretacolor Artist Studio pack of twenty-four brilliantly pigmented pre-sharpened colored pencils! The non-toxic colored pencils are manufactured in Austria and conform to ASTM D-4236. See More
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Ecoline Liquid Watercolor Paper PadsSave Up to36%Off listVibrant colors look best on this paper! Ecoline Liquid Watercolor Paper has a soft, cold press texture that is especially well-suited for Ecoline liquid watercolor inks and brush pens. Each paper pad contains 12 sheets of 140 lb. (290gsm) paper that is ideal for artistic impressions, illustrations,… Vibrant colors look best on this paper! Ecoline Liquid Watercolor Paper has a soft, cold press texture that is especially well-suited for Ecoline liquid watercolor inks and brush pens. Each paper pad contains 12 sheets of 140 lb. (290gsm) paper that is ideal for artistic impressions, illustrations, calligraphy, or ink drawings. The paper surface is perfect for imaginative designs and sketches. Key Features: * 12 sheets of 140 lb. (290gsm) paper * Smooth cold press texture * Glue binding for easy sheet removal * Brilliant colors look best on this paper * Made in Germany * Click on yellow circle icon for set information Perfect For: * Watercolor and pigmented inks * Ecoline inks and brush pens * Illustration * Fashion design * Calligraphy, drawing, product design * Artistic impressions See More
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Rembrandt Soft Pastel Paper PadsSave Up to25%Off listA Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle… A Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle tooth for attracting and holding onto pastel particles. Glue-bound into convenient pads Rembrandt Soft Pastel Paper Pads are ideal for soft pastel, charcoal, pencils, and chalk. The dark-colored pad includes Heather Grey, Warm Grey Light, Ice Blue, Warm Grey, Graphite, and Black. The light-colored pad includes Sunshine, Cream, Goldenrod, Steam Grey, White, and Bluish Grey. Key Features: * Light or Dark colored sheets * Five sheets in six different colors, 30 sheets per pad * Acid-free, 75 lb (160 gsm) paper * High cotton content * Subtle tooth for grabbing and holding pastel particles * Glue-bound into convenient pads Perfect For: * Professional pastel artists * Soft pastel, charcoal, pencils, and chalk * Illustrators, designers, fine arts * An endless array of techniques * Archival foundation for pastel and pencil See More
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Magnani 1404 Annigoni Drawing PaperSave Up to40%Off list…1404 Annigoni Drawing Paper is perfect for anyone who desires the highest quality paper available. For over 70 years, Annigoni Drawing Paper has been made to the specifications of the famous portrait painter Pietro Annigoni. Annigoni is best known for his famous oil paintings of Queen Elizabeth II… A Truly Unique Paper Developed By A Maestro Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Annigoni Drawing Paper is perfect for anyone who desires the highest quality paper available. For over 70 years, Annigoni Drawing Paper has been made to the specifications of the famous portrait painter Pietro Annigoni. Annigoni is best known for his famous oil paintings of Queen Elizabeth II and John F Kennedy. Still, in his spare time, he worked closely with the Magnani mill to develop this unique paper for his preparatory sketches. Annigoni Drawing Paper is made by evenly distributing a mixture of beige-colored cotton and dark cellulosic fibers on a slowly rotating wire cylinder before it is pressed onto special Magnani marking felts and dried. The soft yet rough paper texture is ideal for using charcoal, graphite, pastel, and light ink washes. During his life, Pietro sometimes primed the paper with rabbit skin glue so that he could use oil paints on the surface. Annigoni is a truly unique paper not found anywhere else in the world. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival drawing paper * Beige colorant and dark wool fibers give the paper depth * Soft yet rough surface texture * Mould made on a cylinder machine * Developed by the famous artist Pietro Annigoni * Very unique and one-of-a-kind paper * Available in pads or 2 deckle edge sheets * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * No watermark * Can be treated with rabbit skin glue for use with paint * Made in Italy Perfect For: * Mixed media use * Sketches and finished artworks * Drawing with pencils, charcoal, sanguine, and pastel * Wet and dry media * Light scrubbing and erasing See More
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Magnani 1404 Pescia Printmaking PaperSave Up to40%Off listTop-quality 100% Cotton Printmaking Paper. Love Your Paper! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De… Top-quality 100% Cotton Printmaking Paper. Love Your Paper! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Pescia Printmaking Paper is perfect for anyone who desires the highest quality paper available Pescia Printmaking Paper is made by evenly distributing cotton fibers on a slowly rotating wire cylinder before it is pressed onto special marking felts and dried. The paper's smooth surface and delicate sizing make it ideal for etching, engraving, intaglio, aquatint, stone litho, and silkscreen. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, archival printmaking paper * 140lb (300 gsm) weight * Very soft surface texture * Delicately sized for better prints * Mould made on a cylinder machine * Available in white, soft white, cream, grey, and light blue * Sheets have 4 deckled edges and a watermark * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Made in Italy Perfect For: * Professional printmakers * Etching, engraving, intaglio, aquatint, stone litho, and silkscreen * Drawing with pen and ink * Any printmaking application * Remaining flat after printing * Students, teachers, and artists See More
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Strathmore Sequential Paper And BoardsSave Up to38%Off listStrathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take… Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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Lineco Hinging Paper and TapeSave Up to37%Off list…Hinging Paper may be used with wheat paste to create fully archival hinges or non-adhesive mounting methods such as paper slings, or paper photo corners. Key Features: * Non-yellowing permanent adhesive * Permanent neutral pH acrylic adhesive * Acid Free Paper * Conservation Grade * Abaca paper… Easy to use conservation grade hinging tape! Lineco's line of Hinging Papers and Tapes are ideal for hinging window mats and photos or adding the finishing edge to boards and albums. Japanese hinging remains the time tested choice of most conservators. With Lineco’s Mulberry Hinging Paper you can follow the Japanese method to the letter by making your own archival hinge with wheat paste and Mulberry paper. If you do not want to work with the paste you can use one of Lineco’s easy to use acid-free self-adhesive tapes. Lineco’s Linen hinging tape is made of flexible yet durable linen and a neutral pH acrylic adhesive that is non-yellowing and pressure-sensitive. Unlike water-sensitive gum lined tapes, Lineco's Abaca hinging tape can hold large heavy digital prints without cupping or distorting digital paper because the paper is strong yet flexible and the adhesive is made of permanent neutral pH acrylic. Acid is not used in the production of Abaca paper which is made from a quick-growing self-sustaining plant. Lineco's Mulberry Hinging Paper may be used with wheat paste to create fully archival hinges or non-adhesive mounting methods such as paper slings, or paper photo corners. Key Features: * Non-yellowing permanent adhesive * Permanent neutral pH acrylic adhesive * Acid Free Paper * Conservation Grade * Abaca paper comes from a self-sustaining plant Perfect For: * Framing * Archival storage * Mat Hinging See More
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Creative Mark Phenomenon Shell PaperSave Up to78%Off list…powder! Shell Paper is a paper made with actual shell emulsion, specially designed for multimedia to accept acrylics, watercolors, inks, pastels, and even oil pastels! This paper easily mounts to any board surface to make unique Plein air painting boards. Imported from Vietnam, this paper will open… Coated with an emulsion made with real seashell powder! Shell Paper is a paper made with actual shell emulsion, specially designed for multimedia to accept acrylics, watercolors, inks, pastels, and even oil pastels! This paper easily mounts to any board surface to make unique Plein air painting boards. Imported from Vietnam, this paper will open new creative avenues for artists everywhere. The colors are organic pigments with natural white to add a beautiful pearlescent effect to transparent washes. Surface is lustrious and semi-absorbant. The calcium in the shell coating allows for wet media techniques, making Shell Paper the ideal surface for multimedia expressions using a wide array of media from crayon and charcoal to fluid acrylics and inks. The paper is handmade sheet by sheet, so each piece of Shell Paper is unique and somewhat different than the next. All sheets are 20x24" in size and are available in 5 sheet packs with resealable clear bags plus in packs of 25 sheets wrapped in paper. Key Features:* Acid-free and archival* Unique characteristics* Actual shell emulsion* Imported from Vietnam Perfect For:* New exciting creative avenues* Works well with dry art media and wet media* Block printing, screen printing, monotype printing* Pen and ink, marker, crayon, pastel, charcoal and stamping techniques Shell Paper Art Gallery See More
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Sennelier La Carte Pastel PaperSave Up to47%Off list…for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to… Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More
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UART Premium Sanded Pastel PaperSave Up to45%Off list…Pastel Paper is pH neutral and acid free. UART Pastel Paper accepts underpainting using a wide variety of media such as water, oil, mineral spirits, turpenoid and alcohol. After the underpainting process, the tooth still holds many layers of pastel and the grain will remain affixed to the paper.… Professional Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high quality standards provide the artist with a uniform work surface that remains constant. UART Premium Sanded Pastel Paper is pH neutral and acid free. UART Pastel Paper accepts underpainting using a wide variety of media such as water, oil, mineral spirits, turpenoid and alcohol. After the underpainting process, the tooth still holds many layers of pastel and the grain will remain affixed to the paper. UART Pastel Paper is available in seven grades from 240 to 800. The 240 has the largest tooth available in a sanded pastel paper. The 280 and 320 are great for the artist that wants a little extra layering. The UART Pastel Paper 400 has proven to be a favorite of pastel artist's. The finest tooth is our 800 grade, popular for colored pencil as well as pastel. The 500 and 600 grades provide a moderate tooth. With seven grades to offer, UART meets the needs of the artists. UART Sanded Pastel paper is the choice of many professional pastel, colored pencil, charcoal and water color artists. Its texture is ideal for pastel drawings where consistency is demanded UART Pastel Paper will accept multiple applications of soft and hard pastels, as well as watercolor and oil washes. Great results have also been achieved using other mediums too.* Multiple Grades, Various Resistances! * Available in 7 grades from 240 to 800 * Neutral pH, acid free * See the videos using: Water Pastels, Pastels and Colored Pencils uART pastel paper is an excellent surface for holding many layers. Trust your work on uArt Premium Pastel Paper * 240 – the largest tooth available in a sanded pastel paper * 280 – ideal for those with a heavier hand or who want texture to show * 320 – perfect for artists who desire extra layering * 400 – a favorite of many professional pastel artists and ideal for those trying UART for the first time * 500 – a moderate tooth for any medium * 600 – perfect for those with a focus on detailed work * 800 – finest tooth, popular for super fine pastel or colored pencil application See More
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Guerrilla Painter Paper Towel HolderSave Up to14%Off list…clips onto the side or end of your Guerrilla Box, Cigar Box, French Resistance Pochade, or any traditional French easel. Made of aluminum and stainless steel, the clips slide onto the wall of the TravelBox. The Guerrilla Painter Paper Towel Holder stores compactly within the box when not in use. Hangs on the side or end of the Travel Box Measures 24" long, it can be stored inside the box when not being used. Hangs on the side or end of the Travel Box (great with french easels too!). Easily clips onto the side or end of your Guerrilla Box, Cigar Box, French Resistance Pochade, or any traditional French easel. Made of aluminum and stainless steel, the clips slide onto the wall of the TravelBox. The Guerrilla Painter Paper Towel Holder stores compactly within the box when not in use. See More
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Marie's Paper Wrapped Charcoal PencilsSave Up to49%Off listPaper wrapped charcoal pencils keep your hands clean while you use them! Marie’s Charcoal Pencils offer the finest quality of charcoal pencil, offering smooth delivery of thick, pure charcoal black color. Get the best professional quality! Wood is very thin like paper, and the core is… Paper wrapped charcoal pencils keep your hands clean while you use them! Marie’s Charcoal Pencils offer the finest quality of charcoal pencil, offering smooth delivery of thick, pure charcoal black color. Get the best professional quality! Wood is very thin like paper, and the core is thick and sturdy, charcoal is very smooth, velvety, and black but it allows a nice range of grays. Available in three different grades: extra-soft, soft and medium, these high-quality charcoal pencils will please everyone from the beginning artist to the professional illustrator. Key Features:* Professional quality charcoal* Available in extra soft, soft or medium charcoal* Paper wrapped* Deep blacks, clean, and smooth* Easy to sharpen* Perfect For:* Sketches, drawing and shading* Art journaling* Artists of all skill levels* Keeping your hands clean during use See More
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Paper Mate Flair Pen SetsSave Up to37%Off list…Felt Tip pens! Paper Mate Flair pens allow you to express yourself with a bold range of colors. Made with fast-drying, water-based ink, these pens won’t bleed through paper! Key Features:* Range of bold, stylish colors* Fast-drying, water-based ink* Won’t bleed through paper Perfect For:* Graphic… Classic Felt Tip pens! Paper Mate Flair pens allow you to express yourself with a bold range of colors. Made with fast-drying, water-based ink, these pens won’t bleed through paper! Key Features:* Range of bold, stylish colors* Fast-drying, water-based ink* Won’t bleed through paper Perfect For:* Graphic design* Zentagle and adult coloring books* Writing See More
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Sennelier Oil Turpentine SpiritsSave Up to31%Off list…for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More
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Faber-Castell Oil PastelsSave Up to10%Off list…oil pastels for kids! Oil pastels are no longer just for the pros! Faber-Castell now introduces their line of kid's oil pastels. Available at great prices in sets of 12 and 24, these oil pastels easily glide across paper surfaces, teaching kids about textures and art techniques! With these oil… Draw, mix and smudge with these premium quality oil pastels for kids! Oil pastels are no longer just for the pros! Faber-Castell now introduces their line of kid's oil pastels. Available at great prices in sets of 12 and 24, these oil pastels easily glide across paper surfaces, teaching kids about textures and art techniques! With these oil pastels, kids can draw, mix and disperse colors with their fingers by smudging. Non-toxic and safe for kids ages 5+, Faber-castell's kid's oil pastels are rich in color and super smooth. Each set comes with a convenient carrying case-- great for easy storage, road trips, school projects or at home! Key Features: * Premium oil pastels for kids * Available in sets of 12 or 24 * Rich colors and smooth application * Non-Toxic, recommended for 5+ years old * Storage case included Perfect For: * Teaching kids about textures and art techniques * Road Trips, school projects, art at home and easy storage * Drawing, mixing colors and dispersing colors by smudging See More
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Williamsburg Lead Oil GroundSave Up to30%Off list…before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil GroundSave Up to30%Off list…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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Schmincke Oil BronzesSave Up to20%Off listPerfect for decorative oil finishes! Schmincke Oil Bronzes produce an iridescent metal effect on oil paintings or other pre-primed surfaces, like wood, metal or even gypsum. It is highly lightfast and available in five different, brilliant metallic colors. Additional pre-treatment is needed for use… Perfect for decorative oil finishes! Schmincke Oil Bronzes produce an iridescent metal effect on oil paintings or other pre-primed surfaces, like wood, metal or even gypsum. It is highly lightfast and available in five different, brilliant metallic colors. Additional pre-treatment is needed for use on more absorbent surfaces, and can be accomplished with thinned Schmincke Bronze Medium. Key Features:* Formulated with real metal pigments * Extremely lightfast* Creates rich and brilliant metallic effects in your artwork Perfect For:* Enhancing your oil paintings* Use on wood, metal, gypsum or other pre-primed surfaces* Professionals, artists or those gettign started See More
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Sennelier Oil Color MediumsSave Up to37%Off list…Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More
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Grumbacher Professional Oil MediumsSave Up to42%Off list…arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Holbein Vernet Oil ColorsSave Up to20%Off list…as a larger tube of standard oil color. It takes ten times as long to produce a tube of Vernét Oil Color as it does for other oils, and this increased effort is apparent in the finished product. Try new Vernét Superior Oil Color from Holbein and bring your oil paintings into the 21st century! Key… Ultra-concentrated artists' oils based on modern technology and the finest pigments! Holbein Artists' Oils have long been a standard on painting palettes the world over. For ten years, the color chemists at Holbein worked to improve this traditional medium by combining modern technology with the finest pigments and oils, and in doing so produced an oil color of incomparable concentration, beauty, and stability: Vernét Superior Oil Color. Vernét Oils use only single pigments for greater vibrancy and clean mixes and are ground almost 50% finer than traditional oils. These super-fine pigment particles distribute more evenly, allowing for greater color coverage and a higher quality of luster, meaning that a 20ml tube of Vernét provides as much coverage and brilliance as a larger tube of standard oil color. It takes ten times as long to produce a tube of Vernét Oil Color as it does for other oils, and this increased effort is apparent in the finished product. Try new Vernét Superior Oil Color from Holbein and bring your oil paintings into the 21st century! Key Features: * Single pigments, ground twice as fine * Quality refined linseed oil 10 years in development * 40 brilliant colors in 20ml tubes * For pigment information click on the yellow circle technote icon * Allows for glazing and multi-tonal techniques Perfect For: * Greater coverage with even distribution * Vibrant colors & clean mixes * Creating different effects * Smooth dispersion with high luster * Oil painters demanding the best! * Discerning students & amateurs See More
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Blockx Artist Oil ColorsSave Up to65%Off list…poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are… Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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