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LUKAS Studio Oil Color - Cobalt Violet Hue, 200mlSave Up to67%Off listViolet High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
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Sennelier Artists' Extra-Fine Oil - Indigo Hue, 200 ml TubeSave Up to45%Off listBlue A New Generation of Oils! Only the finest natural and inorganic pigments . Sennelier Artist's Oil Paints have been the standard of quality for over 100 years. Sennelier's passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Non-Yellowing Safflower Oil - highest possible tinting strength and a lustrous satin finish Sennelier's meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world's most prestigious museums. Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists. Key Features: * 40ml & 200ml Tubes (500ml Titanium White) * 21ml and 40ml set sizes * Improved 'buttery' consistency * 145 luminous colors / Sets * Uses non-yellowing Safflower Oil Perfect For: * Better value at a lower cost * Canvas, panels, boards * Working with texture effects * Artists of all levels Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists.Utilizing the time-honoured, exacting methods perfected for over one hundred years, the new paints are produced under the watchful eye of Dominique Sennelier. At Sennelier, tradition meets the needs of today's artists and the innovations of modern chemistry. Sennelier proudly introduces the next generation of oils, a collection of professional, extra-fine colours that reinvents your palette and redefines quality Landscape Plein Air Set - A color palette selected by award-winning Plein Air artists! Set includes eight 40 ml tubes of Sennelier Oil Color, Isabey # 6 Bristle Brush, a plein air field guide to color mixing, and 10 tips for better plein air painting! Wood Box 40ml Tube Set of 12- This set includes a luxury quality wood box with twelve 40 ml tubes of Sennelier Oil colors, 2 empty glass jars ideal for storing your favorite oil mediums, one painting knife, one artists quality brush, one double metal palette cup, one deluxe wooden palette and assorted charcoal. Artist Oil Set with Black Wooden Box- This black wooden box contains a beautiful set of 10, 21ml oil tubes. The box also includes an assortment of accessories used to aid your artist's adventures. Including a sennelier cloth, charcoals, a green for oil medium, along with Precision brushes 8504 size 4, and 8534 size 12, as well as honey soap. Oil Color Set of 10 - This Artist Oils set features 10 tubes of 21ml extra-fine artist quality oil paint. Made using pigments of the highest quality, this set provides maximum pigment load and color intensity. The pure safflower oil carrier creates resistance to yellowing and provides a unique satin sheen. Colors in the set include #116 Titanium White, #511 Bright Yellow, #675 Red Vermillion, #619 Permanent Intense Red, #315 Ultramarine Deep, #326 Phthalocyanine Blue, #805 Chromium Green Light, #252 Yellow Ochre, #211 Burnt Sienna, #755 Ivory Black. *Actual colors will vary due to Manufacturer availability See More
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Winsor & Newton Griffin Alkyd Fast-Drying Oil Color - Titanium White, 200ml TubeSave Up to40%Off listWhite Fast Drying Oil Colors Made with pigments and oil modified alkyd resin Griffin Alkyd is an oil color formulated from the same family of fast-drying resins that has been used by Winsor & Newton in producing Liquin and other mediums since the 1960’s. Each color reaches a touch-dry state in less than 24 hours, making them ideal for fast working while still offering the working and optical properties of oils. Their unique luminosity makes them perfectly suited for glazing, particularly when used in combination with Liquin. Compatible with conventional oils, Griffin Alkyd Oils have excellent flow properties and dry to a durable, semi-gloss hard film that will not yellow over time. Made with an alkyd resin binder that has been modified with a non-yellowing drying oil for optimum color retention, excellent durability, and rapid drying time. 48 oil colors is available in 37ml tubes. Titanium White is also available in 200ml tubes. Key Features:* 48 oil colors, available in 37ml tubes* Faster drying time than traditional oils* Dry to the touch in 18 to 24 hours* Genuine oil color* Can be thinned with traditional oil color solvents* Can usually be varnished in 30 days* No compromise on lightfastness, color strength, and selection* Speed of drying allows techniques such as impasto and glazing to be done in considerably less time* Classed as artists' quality because the grinding of pigments* Dries to a durable, semi-gloss hard film* Will not yellow over time Perfect For:* Fast working while still offering the working and optical properties of oils* Colors remain workable for 4-8 hours* Oil painting outdoors* Clean with mineral spirits* Non-yellowing drying oil for optimum color retention* Glazing, particularly when used in combination with Liquin * Because alkyd film is slightly less flexible and is faster drying than traditional oil color, application over oil or oilbar layers is not recommended. Alkyd is not intermixible with acrylics. Griffin Alkyd Fast Drying Drying Oil Color Alkyds are made from a naturally derived vegetable oil that is polymerized. The result is a resin-like product that, when mixed with a solvent, is very similar to traditional linseed oil. The colours remain workable for 4 to 8 hours and are touch dry in 18 to 24. Consistent drying times across the range removes the usual restrictions that come with conventional oils, making it easier to overpaint, regardless of the colour upon the surface. Artist Review Great Product! "I work on commissions all the time that sometimes require a short deadline. I feel much more confident in getting them done and out in time while using these oils. You can also mix them in with regular oil paint and usually that will speed up the drying times as well. Usually they are completely dry in 24 hours!" See More
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Liquitex Basics Acrylic Gesso, 250 mlSave Up to35%Off listWhite Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More
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Winsor & Newton Linseed Stand Oil Medium, 250ml BottleSave Up to43%Off list…Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Maimeri Oil Painting Mediums - Walnut Oil, 250ml BottleSave Up to22%Off list…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Sennelier Safflower Oil, 250ml BottleSave Up to37%Off list…the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More
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Bob Ross Landscape Oil 200ml Prussian BlueSave Up to30%Off listBlue Use paint created by Bob Ross, the Landscape Collection! The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the fun and excitement of painting. Bob Ross has been on over 250 channels and lectured throughout the world on his Joy of Painting method. The Bob Ross line of oil paints was developed to meet the demand for his wet-on-wet technique, which is a process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Colors are a unique firm oil paint which is a bit thicker than conventional artists' colors due to the needs of Bob's famous wet-on-wet technique. Highlight colors such as yellow are a bit thinner to facilitate easier mixing and application. Key Features: * 37ml, 200ml tubes, 473ml jars * Pure refined linseed oil * Firm oil paint * Superb handling properties * Great color for true mixes without surprises Perfect For: * The Bob Ross wet-on-wet technique * Use with brushes or palette knives * Artists on a budget * Alla Prima painting * Plein Air painting See More
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Blockx Oil Color 200 ml Tube - Mars BlackSave Up to65%Off listBlack Finest Quality Artists' Oil Colors Made and processed by the Blockx family in Belgium, still handground in the Blockx tradition with slowly rotating stone mills, our extra-fine artists' colors are made from the finest selection of pigments and oil. Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself. All colors have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast. Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying. As an oil colorist you deserve the very best colors to paint with. Blockx has been made in the same way in Belgium by family members for over 140 years. Today, Blockx is the oldest artist paint manufacturer continuously run and operated by a family. The story began when Jacques Blockx, a noted chemist, was asked by his artist friends to make reliable oil colors that would be permanent and extremely expressive. His formulas for permanent and lightfast colors are legendary and carefully guarded by the Blockx family today, who still test each batch of color to personally insure absolute quality and satisfaction. Key Features:* Slowly stone ground in pure Poppy Seed Oil* 84 colors available in 35ml & 200ml tubes* The preferred color of Rene Magritte, Salvador Dali and Frank Stella* All colors have a minimum lightfast rating 7 out of 8* Made from the finest selection of pigments and oil* Maximum lightfastness, buttery consistency and easy mixing on the canvas* Iron oxides, earths and blacks are ground with linseed oil* Other pigments are ground with poppyseed oil* Lack of yellowing and the non-forming of wrinkles at the time of the drying* Colors produced in maximum color concentration Perfect For:* Colors in still life that deliver consistent results* Fine quality paint that moves beautifully* Beginner to Professional artists* Amazing pigment load* Color that holds it's tone beautifully when mixed with titanium white* Use in studios or professional classrooms New: historical pigments handground with poppyseed oil; Vermillon, Naples yellow light, Naples yellow dark, Lapis Lazuli How Blockx Oils Are Made Using Blockx oils is a tactile experience—they are creamy yet firm, and allow the artist to feel the color with brush or painting knife. Indeed Blockx is a bit expensive, but these paints are worth every penny. An investment in Blockx is an investment in your art and truly one that will pay dividends in the future. Mixing: Pigments, oil, generally poppyseed oil, and specific ingredients are pre-mixed according to their particular nature to achieve the best paste for milling. Grounding: The paste is ground on a three roll mill made of stone rolls, to preserve the purity of paints, rotating at low speed to avoid heating. This operation is conducted 3 or 4 times-each time reducing the size of particles-allowing us to fill the tube immediately to preserve all the qualities of the paint. Test: Besides the long experience of the craftsman, numerous checks are made of particle size, consistency, drying time, density, and so more. A sample of each batch is carefully kept for years. See More
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Maimeri Classico Oil Color 200 ml Tube - Chrome Oxide GreenSave Up to22%Off listGreen Exceptional quality and pigment concentration, at a single price point! Known for their exceptional professional paints, Italian paint maker Maimeri designed Classico Oil Paints to provide all painters the highest quality, most pigmented oils, even going as far to use real cadmiums and cobalts. Manufactured using the finest linseed oil, the superior line of Classico Oils are produced without waxes, fillers, or adulterants that even lower end, popular “professional” oil brands are full of! The finely ground, heavily loaded colors have a fantastic thick body and short tack for the ultimate painting experience. Like Their Puro counterparts, Classico whites are blended with non-yellowing oils (safflower oil) to retain their brightness and purity. Unlike other manufacturers that boast “real” cadmiums and cobalts (which can be as low as only a few percent), Classico’s authentic cadmium pigments are in a concentration between 20% and 25%. This perfect combination of modern and traditional pigments excels with color mixing and learning color theory, rather than using cheap, poor quality student brands full of fillers and little pigment. Perfect for discriminating students and amateur painters, Classico also has remarkable appeal for the professional oil painter, especially those working large scale that go through large amounts of paint. Classico’s high pigment load extends further than other comparably priced brands, making it a great value for painters needing larger tube sizes. With a range of 77 colors, Classico comes in large 60ml and 200ml tubes at a single price point for each size. Of the 77 colors, an amazing 73 have the highest degree of light stability, allowing you to paint with confidence, knowing the archival nature of your painting materials. Key Features: * Made in Italy * Highest quality to price ratio oil * Superior performance, high pigment concentration * Consistent and buttery texture * No waxes or fillers * Real cadmiums and cobalts * 77 colors, 60ml and 200ml tubes * 73 colors have the highest degree of light stability Perfect For: * Loving to paint with beautiful oil colors * Student to Professional Painters * Professionals painting large scale * Affording real Cadmiums and Cobalts * Color mixing and color theory * Classrooms, workshops, plein air See More
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Cobra Water-Mixable Oil Glazing Medium, 250ml BottleSave Up to40%Off list…the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. A convenient bar of Brush and Hand Soap is also available to ensure your brushes are thoroughly clean. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Oil paint mediums * Cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! Brush and Hand Soap - Crafted from 100% vegetable-based ingredients. Whether you're working with oils or acrylics, Cobra Soap is the ideal solution for keeping your hands and brushes clean throughout your creative process. See More
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Maimeri Classico Colossal 200 ml Set 200 ml TubesSave Up to35%Off listAssorted Colors An exquisite treat for professional or student artists! Maimeri Classico oil colors contain no waxes or fillers and dry with a beautiful uniform rich satin glow. The finely ground, heavily loaded pigments are suspended in the most refined linseed oil and have a thick buttery consistency and short tack for the ultimate painting experience. Whites are blended with non-yellowing safflower oil to retain their brightness. Key Features: * Sets of 60ml tubes * Highest quality to price ratio oil * Superior performance * No waxes or fillers * Real cadmium and cobalt Perfect For: * Students and beginners * Large scale oil paintings * Amateur and experienced artists * Color mixing and color theory * Classrooms and workshops * Artists in search of an unbeatable value Introductory Set of Nine 60 ml Tubes: The perfect introduction to Classico Oils! Includes one 60 ml tube each of Titanium White, Permanent Yellow Lemon, Yellow Ochre, Cadmium Red Medium, Burnt Sienna, Phthalo Green, Ultramarine Blue, Sky Blue, and Burnt Umber. Maimeri Classico Colossal 60ml Set of 40 Tubes: Colors include Titanium White, Zinc White, Brilliant Yellow Light, Cadmium Yellow Orange, Cadmium Yellow Light, Cadmium Yellow Lemon, Naples Yellow Deep, Primary Yellow, Yellow Ochre, Raw Sienna, Permanent Carmine, Permanent Madder Deep, Quinacridone Red, Cadmium Red Light, Cadmium Red Medium, Cadmium Red Deep, Permanent Red Orange, Permanent Red Light, Primary Red, Venetian Red, Burnt Sienna, Green Lake, Green Earth, Cadmium Green, Phthalo Green, Permanent Green Light, Sap Green, Cerulean Blue, Ultramarine Light, Ultramarine Deep, Primary Blue Cyan, Prussian Blue, Turquoise Blue, Phthalo Blue Green, Sky Blue, Cobalt Violet Hue, Vandyke Brown, Burnt Umber, Raw Umber, and Ivory Black. Please note contents of the set may be substituted without warning See More
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Sennelier #Green for Oil Mediums - Solvent-Free Brush Cleaner, 250mlSave Up to35%Off list…petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More
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Duo Aqua Oil Quick Drying Liquid 200 ml BottleSave Up to35%Off list…DUO Aqua Linseed Oil increases the transparency and glossy finish while slowing the drying time of DUO Aqua Oil Paint. As with Holbein DUO Aqua Oil Colors, add water to thin DUO Linseed Oil. Adding water may cause the oil to become cloudy but will dry clear. While DUO Linseed Oil may become milky… Special blend of mediums to enhance transparency and aid flow! Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional oil paints. The Holbein laboratory adds a surfactant that coats the molecule of the DUO linseed oil, which permits water thinning and soap & water clean-up. DUO Aqua is compatible with all media such as traditional oil color and mediums, watercolor, gouache, acrylic gouache, and traditional acrylic paints. Key Features:* Thin with water* Milky appearance dries clear* Cleans up with soap and water Perfect For:* Professional artists and Teachers* Compatible with all media* Exceptional teaching materials Holbein DUO Aqua Linseed Oil increases the transparency and glossy finish while slowing the drying time of DUO Aqua Oil Paint. As with Holbein DUO Aqua Oil Colors, add water to thin DUO Linseed Oil. Adding water may cause the oil to become cloudy but will dry clear. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml and 200ml bottles. Holbein DUO Aqua Oil Stand Linseed Oil is a highly polymerized, viscous medium that increases the transparency of the water-soluble oil paint and produces a leveled gloss effect with an elastic, durable film. Like all DUO Aqua Mediums, thin with water. The solution may become milky but will clear when dry. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml bottles. Holbein DUO Aqua Oil Quick Drying Medium - Pastes and Liquids - will enhance transparency, accelerate drying time, and create a final surface finish. Mixing with DUO Aqua Oil Colors in equal parts, the substrate surface becomes tacky in approximately 30 minutes. When thinned with water, the resulting milky appearance becomes clear when dry. Thick layers may cause wrinkling. Available in Gloss finish and Matte finish. Pastes are available in 50ml and 110ml tubes and Liquids are available in 55ml and 200ml bottles Holbein DUO Aqua Brush Cleaner is an odorless, non-flammable cleaning solution formulated for Holbein DUO Aqua Water-Soluble Oils. It is also perfect for use with other water-soluble oil colors. This mild cleaner helps brushes stay in top shape by adding extra protection to the bristles. DUO Aqua Brush Cleaner works well with acrylic paints and can even be used with traditional oils, though the brushes should be allowed to dry completely before the next painting session. Available in a 200ml bottle and a 500ml jug. See More
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Winsor & Newton Oil Color Solvents - Sansodor, 250ml BottleSave Up to43%Off list…varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Varnishes - Artists' Matte Varnish, 250ml BottleSave Up to43%Off list…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Van Gogh Oil Color, Quinacridone Rose 200ml TubeSave Up to35%Off listRed High quality oil paints at an excellent value! Van Gogh Oil Colors continue the Royal Talens tradition of producing fine artists' paints without the exorbitant price tag. Made from the finest traditional and modern pigments milled into a quality oil binder, Van Gogh oils possess a thick, creamy consistency ideal for impasto techniques or thinned-down glaze effects. Every color rates from good to excellent on the ASTM lightfast scale ensuring their permanence over time. A uniform sheen and comparable drying time between colors make Van Gogh oils easy to mix and match in terms of final appearance. Available in 66 well-balanced vibrant shades Van Gogh Oil Paints are the perfect answer for any artist in search of an oil paint combining quality and economy! Key Features:* High pigment content and vibrant colors * Uniform viscosity and sheen level * 66 colors all dry at a similar rate * Highly lightfast and permanent* Available in: 40ml & 200ml tubes* Sets of 10 and 6 Perfect For:* Beginners and experienced artists alike! * Alla Prima Painting * Fine glazing and detail* Van Gogh Oil Color Starter Set of 6 Colors: This Basic set contains 6 colors in 20ml tubes: This set contains ten 20 ml tubes of Titanium White, Azo Yellow Light, Azo Red Medium, Cobalt Blue Ultramarine, Permanent Green Deep, Burnt Umber, Azo Yellow Deep, Quinacridone Rose, Cerulean Blue Phthalo, and Ivory Black. Van Gogh Oil Color Basic Set of 10 Colors: This set contains 10 colors in 20 ml tubes of Titanium White, Azo Yellow Light, Azo Red Medium, Cobalt Blue Ultramarine, Permanent Green Deep, Burnt Umber, Azo Yellow Deep, Quinacridone Rose, Cerulean Blue Phthalo, and Ivory Black. See More
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LUKAS 1862 Oil Color - Ultramarine Violet, 200mlSave Up to63%Off listViolet Incomparable color intensity! A Jerry's Exclusive! Finest Professional Artists' Oil Colors Valued by the Masters! A Jerry's Exclusive! Considered One Of The Worlds Favorite Oil Colors! Made in full pigment strength and in almost exactly the same manner. This allows artists to select a palette of colors between the two lines based on the economy they need. With modern abilities to concentrate pigments, LUKAS has created colors with the intensity valued by master artists but without the need to work the paint before painting. LUKAS colors are incredibly smooth with a consistent ground particle size. This is accomplished by grinding pigments with vehicle up to 7 times through a triple roller mill. LUKAS has mastered the art of making oil colors by taking the guesswork out of drying while still maintaining an excellent archival painting film. Their secret recipe employs primary driers that support the surface drying as well as auxiliary driers that support the body of the paint layer's drying. Created over 150 years ago, LUKAS 1862 Oils are a premium quality oil paint. LUKAS colors are incredibly smooth premium quality oil paint. Colors created with the intensity valued by master artists! If you had to choose 1 oil paint, this one would be it! 77% of the colors are Series 1! Key Features:* Incomparable color intensity, highly pigmented* Smooth consistency and buttery feel* 62 of the 80 color range are Series 1 for an exceptional value!* Enhanced with beeswax* Non-yellowing sunflower oil* Outstanding lightfastness* Shorter drying time* Dry to the touch usually in 2 to 4 days* Incredibly smooth with a consistent ground particle size* Triple-mill process to produce this superb oil paint* Palette based on those used by old masters* Pure, refined mediums Perfect For:* Consistent in hue and texture from tube to tube* Clean and lifelike mixing* Brilliant color spectrum* Classic palette* Smooth consistency and buttery feel* Outstanding lightfastness* Bring out your highlights* Smooth and amazing blend* Increase painting output* Every Masterpiece is Made with Master Quality Paint "I use LuKas Oil Paints for all my oil paints. I have been a professional artist for 40 years and Lukas oil paints are the best paints I have ever used. Their buttery application is perfect for my seascapes and figures." Brilliant Color Spectrum, Great Value! - Based on the highest quality classic and modern pigments, the wide 80-color spectrum available in LUKAS 1862 Oil Colors consists of no fewer than 40 single-pigment colors for clean and lifelike mixing, along with 2 metallic shades. Incomparable color intensity - The finest in classic and modern pigments, all with high to very high light fastness ratings, give LUKAS 1862 Oil Color a brilliance, concentration and permanence that stands the test of time. Beeswax - Beeswax adds body and creaminess to the paint, that is why it feels so nice and because the body of the paint is consistent it helps with even drying so it dries reliably. Shorter drying time - Dry to the touch usually in 2 to 4 days means that you can continue work on your LUKAS 1862 Oil Color paintings faster than with other brands without risking damage to the under layers. Pure, refined mediums - Pharmaceutical grade, virgin cold-pressed linseed oil, non-yellowing sunflower oil, and a touch of beeswax give LUKAS 1862 Oil Colors their silky, "short", and buttery consistency that makes for smooth brushstrokes, even drying and a stronger paint film. Classic palette - LUKAS 1862 Oil Colors have a color palette based on those used by old masters such as Van Gogh and widened to include favorites from more recent times, making for a well-balanced and versatile color palette sure to please the most demanding of painters! 62 of the 80 color range are Series 1 for an exceptional value! - Imported from Germany exclusively for Jerry's, we are proud to present this line of finest artists' oil color from LUKAS. Combining tradition with innovation allows LUKAS to create an oil paint with the finest in classic and modern pigments, outstanding light fastness, excellent coverage, smooth consistency and buttery feel. All the finest ingredients come together in a triple-mill process to produce this superb oil paint! LUKAS oils have remained a preferred choice among European artists for over a century, and they are fast becoming a favorite in America too! Are Lukas Oil Paints good? Yes! Lukas Oil Paints have incomparable color intensity valued by the masters! With modern abilities to concentrate pigments, LUKAS has created colors with the intensity valued by master artists but without the need to work the paint before painting. The finest in classic and modern pigments, all with high to very high light fastness ratings. Dry to the touch usually in 2 to 4 days with Pharmaceutical grade, virgin cold-pressed linseed oil, non-yellowing sunflower oil, and a touch of beeswax. Who makes Lukas paint? LUKAS has, since its foundation in 1862 in Düsseldorf (Germany), been considered the smart choice by artists, offering only the best professional art supplies at a reasonable cost. LUKAS has always had a close relationship with the city's local artists and The Academy of Fine Arts in Düsseldorf who have both helped develop and test new products sending key feedback to improve and evolve the product range. The brand is named after St Lukas, patron protector of Painters and receives national & international acclaim throughout its production period in Germany and Bracknell, UK. See More
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Winsor & Newton Artisan Water-Mixable Oil Medium - Satin Varnish, 250ml BottleSave Up to40%Off list…oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More
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Michael Harding, V1 Dammar Varnish Medium, 250ml JarSave Up to25%Off list…- A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The… Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding’s oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self level, imparts elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste, derived from pure bleached beeswax, mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish; especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils See More
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LUKAS Berlin Water Mixable Oil Cobalt Blue Hue 200 ml TubeSave Up to70%Off listBlue Solvent Free Painting - Buttery, Full Bodied Water-Mixable Oil Color! LUKAS Berlin Water-Mixable Oil paints are the perfect paints to work with for the environmentally conscious painter—safer to use than traditional oil colors, with professional results! This professional quality line of 40 colors have all of the excellent features of LUKAS' most popular oil paints, but eliminate the need for harsh chemicals and toxic solvents. With a new and improved, cleaner formula, these colors are made with high-quality pigments and a special, modified binder made from natural materials such as linseed and sunflower oils. A Solvent Free Painting Experience - High-quality lightfast pigments, Beautiful colors! Unlike most other oil paints, LUKAS Berlin oil colors can be mixed or thinned directly with water to produce the same effects as other oil paints would with more toxic solvents like turpentine or mineral spirits. This ability also makes brush clean up easy with only soap and water needed. A beeswax additive gives each paint a smooth buttery consistency that is a joy to paint with—compare its quality and feel with other brands and you will see the difference! Buy direct from the importer and save big! Key Features: * Professional quality * High-quality lightfast pigments * Dries Fast! Drying Time: In less than 1 day * Can be mixed with water (no need for harsh solvents) * Available in 37ml and 200ml tubes / Sets * Can be mixed or thinned directly with water * Beeswax added for smooth buttery consistency * Beautiful colors * Texture is consistent * Cleans up easily Perfect For: * Eco-Friendly Art Studios * Smooth, buttery painting * Painting with synthetic brushes * Painting without any harsh chemicals * Quick-drying oils * No toxic chemicals needed for cleaning * Very smooth and easy to work with Water-Soluble Oils That Dry Fast! LUKAS Berlin new formulation can dry in less than 1 day when mixed with water or used straight from the tube! For a more shiny or semi-gloss look, you can use an oil varnish spray. If you want to add solvents or mediums the paint will dry to touch in touch in just 5-7 days. Germany's Finest! Professional Quality – Buttery, Full Bodied Water-Mixable Oil Color! View Lukas Berlin Color Chart > See More
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Sennelier Rive Gauche Oil 200ml, Zinc WhiteSave Up to30%Off listWhite Artist Quality Fine Oil Colors Bound with Safflower Oil Made in France, from the famed Parisian riverside that once inspired artists such as Matisse and Picasso. Sennelier’s line of fine oil paint offers the City of Paris in both 40ml and 200ml tubes! Made from a rich, balanced blend of cadmium substitutes, Rive Gauche Fine Oils are highly pigmented, producing colors with an opaqueness and luminosity equivalent to that of real cadmium. Bound with safflower oil, Rive Gauche fine oils have a lower level of yellowing, and are designed to dry twice as fast as classic oils without losing workability. With its thick, creamy consistency, oil colors mix clearly, and each paint stroke is smooth and uniform; drying to an intense satin finish. Featuring 60 colors in 40ml tubes and 56 colors in 200ml tubes, Sennelier’s Rive Gauche Fine Oil Paint brings the City of Lights to artists all over the world with its wide range of bright, brilliant colors. Excellent for students and professionals alike. Key Features:* Oils dry twice as fast * Bound with Safflower Oil (vegan based)* Lower level of yellowing* Thick, uniform texture with a satin finish* Made of cadmium substitutes* Produce highly-pigmented, luminous colors* Colors mix clearly* Single series with 60 colors in 40ml tubes and 56 colors in 200ml tubes* Perfect For:* Working twice as fast as classic oils without losing workability* Artists who do not want to be restricted by their paint’s drying-time* Great for underpainting or large scale projects* Student to professional works* Artists who desire affordable, high quality oil paint * Made In France Dries twice as fast!Whilst retaining the key characteristics of oil painting, Rive Gauche fine oils dry twice as fast as classic oils. The outcome of this is a shortened drying time that does not restrict an artists possibilities of working with fresh paint. Oils that yellow two times less! Safflower oil is used to make the 60 colours. It is characterized by its low level of yellowing (50% less than linseed oil) and its excellent compatibility with pigments. See More
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Winsor & Newton Artisan Water Mixable Oil Color - Permanent Alizarin Crimson, 200ml TubeSave Up to40%Off listRed Who Says Oil and Water Don't Mix! Designed to look and work just like traditional oil paint Just because oil and water don't mix in your kitchen doesn't mean there aren't other methods to make them happy in each other's company. A most effective route is through the addition of a chemical emulsifier that has an attraction on one side of the molecule for water and, on the other, for oil. The result? A happy match made, if not in heaven, at least in the laboratory. Mix with Water - Artisan provides all the characteristics expected from conventional oil color: High pigment strength, a high proportion of single pigments, and variable opacity. The key difference is their ability to be mixed with water even though they are made with traditional oil binders. Chemical analysis has indicated that any added water fully leaves the paint film within a short time; no water remains "trapped" to weaken or loosen the color on the canvas. Drying Time- The water evaporates out of the paint film fairly rapidly leaving behind a conventional oil color that dries by oxidation, as normal. Adhesion and drying time have been shown to be comparable to conventional oil color. Research has also shown that the dried Artisan film is similar to a conventional oil film in solvent resistance, yet remains slightly softer than conventional colors, offering increased flexibility, which is a very good thing. Your canvas can flex with changes in temperature and humidity; a paint film that will go along with it will better resist cracking or lifting. Key Features: * 40 vibrant tones * Designed to look and work just like traditional oil paint * Thick, buttery consistency * All colors are touch dry in 2-12 days * Clean up is easy with just soap and water! * High pigment strength and variable opacity * Mix with water and avoid hazardous solvents * Made from modified linseed and safflower oils * Winsor & Newton Artisan Water Mixable Oil Colors - These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home. For Water Mixable Mediums Click here -> Winsor & Newton Artisan Water Mixable Oil Painting Mediums See More
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Winton Oil Color - Dioxazine Purple, 200ml TubeSave Up to34%Off listViolet Winton Oil Paints, The world's most popular oil color! One of the best values in oil color Winton Oil Paints represent one of the best values in oil color. For the price, these colors exhibit a good creamy consistency and provide permanent and remarkably light fast results. Recommended for mural artists and students. Synthetic pigments have been substituted for true pigments in traditionally more expensive colors, to keep the cost low. These colors are identified with the word Hue after the color name. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. Features:* Available in: 37ml tubes, 200ml tubes* Traditional range of oil color* Spectrum of 55 colours* Permanent and lightfast results* Recommended for mural artists and students* Synthetic pigments substituted for true pigments* Pigments are bright and offer gorgeous sheen* See More
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Winsor & Newton Artists' Oil - Flake White Hue, 200ml TubeSave Up to40%Off listWhite Generations of Experience to Make Oils Like Winsor & Newton Winsor & Newton Artists' Oil Paints are made from only the finest pigments. 80 single pigment colours for clean mixing. Rich, buttery consistency. Winsor & Newton carefully formulates each tone for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze. When milling oil color, each pigment must be treated as an individual, with every surface on each particle fully enveloped by fine oil—which is why Winsor & Newton researches, formulates, and mills each color individually. It is that perfect dispersion that translates into the signature "feel" and the luminous reflection that make fine oils so irresistible. Even more importantly, the dispersion determines stability in the tube and is a key player in the ultimate stability of the color on the surface. 99% of colors have a lightfast rating of AA or A providing permanence without compromising the choice of hue. The result is something that comes only with generations of experience and expertise in working with artists' color. 80 single pigment colours for clean mixing. Rich, buttery consistency Key Features:* Each color is researched, formulated, and milled individually* Buttery, vibrant and consistent* 130 Colors / 80 are single pigment colors * Optimum tinting strength when reduced with White* Perfect For:* Techniques from impasto to glazing* Cleanest, brightest colors with the best color mixtures * The Permanence and longevity of paintings* The most responsive feel beneath the brush and great versatility Combined with strength of color, single pigments provide a wide color range in themselves and offer cleaner, brighter mixtures with an infinite range of hues. This is particularly important for greens, violets, and oranges. There are 80 single pigment colors in the Artists' Oil Color range. Winsor & Newton Artists' Oils Shades of Grey: Charcoal Grey, Davy's Grey, Payne's Grey, Silver, and Pewter Winsor & Newton Artists' Oil Introductory Set of 10, 21ml Tubes: Winsor Yellow, Crimson Alizarin, Ultramarine Green Shade, Winsor Blue Red Shade (Phthalo), Winsor Green (Phthalo), Yellow Ochre, Indian Red, Burnt Umber, Ivory Black, Titanium White Are Winsor and Newton oil paints good? Yes! Winsor and Newton oil paints are formulated with the finest pigments for beautiful colours with excellent tinting strength; They are a great choice for amazing painting results at using higher quality oil paints for better results. Made in London, Winsor & Newton (also abbreviated W&N) is an English manufacturing company. See More
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Norma Blue Water-Mixable Oil Color Painting Medium, 200mlSave Up to36%Off list…used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Jacquard Permanent Dyeset Concentrate, 250mlSave Up to30%Off listWater Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be… Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Winsor & Newton Galeria Acrylic Mediums - Iridescent Medium, 250mlSave Up to30%Off list…White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key… Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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Chroma Atelier Interactive Ground Preparations - Binder Medium, 250mlSave Up to40%Off list…paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More
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LUKAS Painting Butter Impasto Oil Medium 200ml TubeSave Up to60%Off list…completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
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Art Spectrum Colourfix Pastel Primer Jar 250 mlSave Up to33%Off listGrey This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Winsor & Newton Artists' Painting Medium 250ml BottleSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Winsor & Newton Liquin Olepasto 200 ml TubeSave Up to43%Off list…Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Gamblin Palette Knife - "The Taylor Blue"Save Up to25%Off listBlue Use the Right Tool for the Job Gamblin Palette Knives are perfect for color mixing, and the blade has the right amount of spring and tension for expressive paint application. Each flexible steel blade has a non-reflective matte finish, so you can mix colors outside or by a sunny window without the light blinding you. The ergonomic handle is made of FSC-Certified wood and shaped to fit comfortably in your hand. Each knife is named after the Portland streets and neighborhoods where Gamblin has been based since its founding in 1980. Key Features: * One-piece, non-reflective blade * Available in 6 different shapes * Each handle is hand-dipped in paint * FSC-Certified wood handles * Made in the USA Perfect For: * Painting with oils and acrylics * Mixing colors on your palette * Laying down the crispest lines and cutting edges * Building or scraping away color See More
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Pebeo Studio Acrylics Mediums - Gloss Gel, 250mlSave Up to25%Off listUnlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used… Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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Charbonnel Aqua Wash Etching Ink - Black Luxe C, 200ml CanSave Up to20%Off listBlack Vivid, permanent, non-toxic inks for intaglio, lithography, and more! Charbonnel Aqua Wash Etching Inks are made with extra-fine lightfast pigments and an innovative oil binder that makes clean-up a breeze! The oil emulsion inside the ink allows you to use it like any other traditional solvent-based ink. Charbonnel Aqua Wash Inks clean up with soap and water and are non-toxic. No water is used within the inks, so your printing plates and tools will not rust. Key Features: * Water-washable etching inks * Odorless and non-toxic * Extra-fine lightfast pigments * Cleans up easily with soap and water! * Slow drying time similar to traditional inks * Will not rust tools or plates * Stable and long-lasting inks Perfect For: * Intaglio, lithography, monotype, and more! * Artists that prefer not to use toxic solvents * Studio and classroom use * No-hassle, everyday studio use * Easy clean-up with soap and water * Working in large groups * Studio and classroom use * Student artists See More
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