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Wilson Bickford Background Color 500ml Bottle - Shaded WoodSave Up to51%Off listBrown Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
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LUKAS Studio Oil Color - Titanium White, 500ml TinSave Up to67%Off listWhite High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
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Sennelier Artists' Oil Paints-Extra-Fine 500 ml Can - Titanium WhiteSave Up to45%Off listWhite A New Generation of Oils! Only the finest natural and inorganic pigments . Sennelier Artist's Oil Paints have been the standard of quality for over 100 years. Sennelier's passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Non-Yellowing Safflower Oil - highest possible tinting strength and a lustrous satin finish Sennelier's meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world's most prestigious museums. Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists. Key Features: * 40ml & 200ml Tubes (500ml Titanium White) * 21ml and 40ml set sizes * Improved 'buttery' consistency * 145 luminous colors / Sets * Uses non-yellowing Safflower Oil Perfect For: * Better value at a lower cost * Canvas, panels, boards * Working with texture effects * Artists of all levels Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists.Utilizing the time-honoured, exacting methods perfected for over one hundred years, the new paints are produced under the watchful eye of Dominique Sennelier. At Sennelier, tradition meets the needs of today's artists and the innovations of modern chemistry. Sennelier proudly introduces the next generation of oils, a collection of professional, extra-fine colours that reinvents your palette and redefines quality Landscape Plein Air Set - A color palette selected by award-winning Plein Air artists! Set includes eight 40 ml tubes of Sennelier Oil Color, Isabey # 6 Bristle Brush, a plein air field guide to color mixing, and 10 tips for better plein air painting! Wood Box 40ml Tube Set of 12- This set includes a luxury quality wood box with twelve 40 ml tubes of Sennelier Oil colors, 2 empty glass jars ideal for storing your favorite oil mediums, one painting knife, one artists quality brush, one double metal palette cup, one deluxe wooden palette and assorted charcoal. Artist Oil Set with Black Wooden Box- This black wooden box contains a beautiful set of 10, 21ml oil tubes. The box also includes an assortment of accessories used to aid your artist's adventures. Including a sennelier cloth, charcoals, a green for oil medium, along with Precision brushes 8504 size 4, and 8534 size 12, as well as honey soap. Oil Color Set of 10 - This Artist Oils set features 10 tubes of 21ml extra-fine artist quality oil paint. Made using pigments of the highest quality, this set provides maximum pigment load and color intensity. The pure safflower oil carrier creates resistance to yellowing and provides a unique satin sheen. Colors in the set include #116 Titanium White, #511 Bright Yellow, #675 Red Vermillion, #619 Permanent Intense Red, #315 Ultramarine Deep, #326 Phthalocyanine Blue, #805 Chromium Green Light, #252 Yellow Ochre, #211 Burnt Sienna, #755 Ivory Black. *Actual colors will vary due to Manufacturer availability See More
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New York Central Professional Control Oil Color Brush Hog Bristle Super Short Flat (118) sz 28Save Up to82%Off listThe Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced… The Ultimate In Luxury Brushes! Legendary Brushes For Any Oil Color Painter These Professional Oil Color Brushes offer the legendary quality that has come to be associated with the trusted name of New York Central®. Handmade in Germany, these brushes feature impeccably fashioned, balanced wood handles, silver nickel-plated seamless ferrules, and superior crimping for long-term use without wear! Available in three types of brush hair: Proprietary SP Mix, Kolinsky Red Sable, and Hog Bristle. Choose the brush that’s right for you, or purchase one of our carefully curated brush sets! Key Features:* Available in 3 types of brush hair: SP Mix, Kolinsky Red Sable and Hog Bristle* Well-balanced, handmade wood handles* The very best silver nickel-plated seamless ferrules* Quality crimping assures long use* Handmade in Germany* Legendary New York Central® Quality* All Brushes Specifications Chart - Click Here > Perfect For:* Artists Who Want The Very Best* Superior control* The feeling of quality and luxury in your hand SP MIX CONTROL ALMOND FILBERTS (115) Stiffness Watercolors Acrylics Oils SP MIX is a proprietary blend of soft hairs that feels like Fitch but holds more color. SP MIX is great for glazing, painting exact strokes, and adding fine details to small areas. The hair has a semi-coarse feel. These almond filberts will surely be the workhorse for much of your painting. The hair mix provides an excellent controlled feel with the proper heft and tapered shape to work even in the smallest areas. The hair holds an abundance of color, so you will find it more often than not to be your go-to brush. They are wonderful for building loose details. SP Mix Control Almond Filberts (115) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 4, sz 6, sz 12 and sz 18—plus a Brush Easel Case KOLINSKY SABLE ALMOND FILBERTS (116) Stiffness Watercolors Acrylics Oils KOLINSKY SABLE ALMOND FILBERTS are made of only the finest Kolinsky hair. Natural sable hair is not as full and springy as it used to be because of climate change. New York Central® used Kolinsky hair from the vault to make these brushes so that you can experience what it is like to paint with real sable. You will immediately notice that hair is very absorbent, super soft, and ideal for detailed areas. They have the wonderful springy character of Kolinsky and a thick and bushy construction so that you can use them for expressive painting and classical techniques. Kolinsky Sable Almond Filberts (116) Set of 5 with Brush Easel Case Includes: One each of sz 0, sz 2, sz 4, sz 6 and sz 12—plus a Brush Easel Case HOG BRISTLE SHORT ALMOND FILBERTS (117) Stiffness Watercolors Acrylics Oils Not all bristle hair is created equal. This hair is the very finest available on earth. It is treated to be soft to stop hairs from breaking while painting and provide the most control possible. The bristles have a coarse feel. Short, subtle, and resilient, these bristle brushes are impeccably fashioned, with natural flagged ends to grip color. They provide fantastic control and allow you to draw an underpainting and block in elements with precision. Hog Bristle Short Almond Filberts (117) Set of 6 with Brush Easel Case Includes: One each of sz 1, sz 2, sz 4, sz 6, sz 8 and sz 12—plus a Brush Easel Case Hog Bristle Super Short Flats (118) Set of 5 with Brush Easel Case Includes: One each of sz 2, sz 6, sz 12, sz 18 and sz 24—plus a Brush Easel Case NEW YORK CENTRAL® ULTIMATE 19 CONTROL BRUSH COLLECTION - This set is a complete collection of this quality range of brushes in a handmade leather brush case. The set includes 19 total brushes, including SP Mix sizes 6, 12, 18, and 22, Kolinsky sizes 0, 2, 4, and 12, Short Filberts sizes 1, 2, 4, 6, 8, and twelve and Extra Short Flats sizes 2, 8, 12, 20 and 28. See More
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Creative Inspirations Acrylic White Gesso 500Ml JarSave Up to50%Off list…to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More
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Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off listWhite High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Winsor & Newton Oil Painting Primer, 500ml CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Winsor & Newton Linseed Stand Oil Medium, 500ml BottleSave Up to43%Off list…Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Maimeri Oil Painting Mediums - Walnut Oil, 500ml BottleSave Up to22%Off list…It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Schmincke Oil Mediums 500ml Schmincke Primer 1 JarSave Up to10%Off listMagnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Old Holland Bleached Linseed Oil 500 ml BottleSave Up to25%Off list…With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
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Old Holland Oil Painting Varnishes - Mastic Picture Varnish, 500ml BottleSave Up to25%Off listHigh Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More
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Winsor & Newton Oil Color Solvents - White Spirit, 500ml BottleSave Up to43%Off list…varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived… Professional Grade Artist Solvents Artists use solvents to clean brushes and palettes after painting. Winsor & Newton solvents are made specifically for artists’ use and are fully volatile, meaning they leave no residual matter once evaporated. Key Features: * Artists' Picture Cleaner * English Distilled Turpentine * Sansodor * White Spirit Perfect For: * Cleaning palettes and brushes * Removing dried paint * Removing varnish Picture Cleaner - A natural resin/oil emulsion containing ammonia, designed for cleaning varnished paintings. Dissolves linseed oil oxidation and removes surface dirt. English Distilled Turpentine - Can be used to create your own painting mediums. Distilled Turpentine is derived from pine trees and is the most traditional solvent. You can use it to clean brushes. Sansodor - For creating your own painting mediums. Sansodor™ performs like turpentine, but its low odor makes it the least hazardous solvent. Leading art schools recommend it, and it is often the only solvent permitted in their studios. Also good for diluting paint and cleaning brushes. It evaporates slowly and increases blending time. White Spirit - Can be used to create your own painting mediums. Artists’ White Spirit is a petroleum distillate. It makes a leaner mixture with the colour and evaporates quickly. It can be used to clean brushes. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Color Varnishes - Artists' Gloss Varnish, 500ml BottleSave Up to43%Off list…* Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to25%Off listWhite Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Sennelier Acrylic Medium Gel Binder 17ozSave Up to33%Off listWhite Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More
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Winsor & Newton Galeria Acrylic Mediums - Matt Medium, 500mlSave Up to30%Off list…White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key… Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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LUKAS Painting Butter Impasto Oil Medium 500ml CanSave Up to60%Off list…completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
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Winsor & Newton Artists' Painting Medium 500ml BottleSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Winsor & Newton Liquin Original Medium 500ml BottleSave Up to43%Off list…Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Galeria Acrylic Brush Bright #28Save Up to40%Off listFormerly known as University Gold brushes, Galeria brushes are an advanced blend of high quality maroon synthetic bristle hair. This special bristle is made to be more durable and stiffer than conventional hog hair. In addition, this hair has an outstanding spring and forms a precise edge or pointed… Formerly known as University Gold brushes, Galeria brushes are an advanced blend of high quality maroon synthetic bristle hair. This special bristle is made to be more durable and stiffer than conventional hog hair. In addition, this hair has an outstanding spring and forms a precise edge or pointed tip for critical work. The stiff nature of the hair facilitates easy handling of heavy bodied acrylics and gels. Each well-balanced brush has a long maroon handle with a seamless brass plated ferrule. They are easy to clean and highly durable, and ready to use with acrylics straight from the tube or jar! See More
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Raphaël Precision Long Handle Brush Round #28Save Up to45%Off list…any synthetic brush on the market. These brushes hold oil and acrylic well yet have a snap to the hairs that helps retain the shape of the brush from stroke to stroke. Precision long-handle brushes come in 6 styles and are perfect for use with oils and acrylics. Key Features: * 6 different styles *… Meticulously crafted to look and feel like natural sable hair! Raphael Precision offers a full range of synthetic brushes that look and feel like natural red sable hair brushes. Precision has been designed to create the most accurate brush strokes of any synthetic brush on the market. These brushes hold oil and acrylic well yet have a snap to the hairs that helps retain the shape of the brush from stroke to stroke. Precision long-handle brushes come in 6 styles and are perfect for use with oils and acrylics. Key Features: * 6 different styles * Made from synthetic red sable hairs * Looks, feels and acts like natural hair Perfect For: * Oil and acrylic paint * Precision brush strokes * Holding large amounts of paint See More
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Raphaël Softacryl Acrylic Brush 861 Round Brush #28Save Up to60%Off listSoft, flexible, and a high paint load. The perfect brushes for acrylic applications! Raphaël SoftAcryl brushes feature soft, responsive synthetic bristles and stainless steel ferrules. Ideal for acrylics and gouache, these thick brushes capture a high paint load and allow for even application.… Soft, flexible, and a high paint load. The perfect brushes for acrylic applications! Raphaël SoftAcryl brushes feature soft, responsive synthetic bristles and stainless steel ferrules. Ideal for acrylics and gouache, these thick brushes capture a high paint load and allow for even application. You will immediately notice a professional feel and superior results to that of other acrylic brushes. Available in Round, Flat, XL Flat, Angular, Filbert and Multimedia Flat Wash brush types. SoftAcryl 861 Round Brushes - Feature short, synthetic bristles. Perfect for detail or line work and contouring. SoftAcryl 871 Flat Brushes - Feature responsive synthetic bristles. Perfect for background work and layering SoftAcryl 8713 XL Flat Brushes - Feature double length, responsive synthetic bristles. Perfect for textures and special effects SoftAcryl 8711 Angular Brushes - Feature responsive synthetic bristles. Perfect for downstroke and upstroke work, as well as decorative details SoftAcryl 8712 Filbert Brushes - Feature responsive synthetic bristles. Perfect for glazes, formation and finishing SoftAcryl 280 Multimedia Flat Brushes - Feature soft, responsive synthetic bristles. Perfect for washes, backgrounds and use with fluid acrylics, gouache and varnishes Key Features: * Soft, flexible, synthetic bristles * High paint load * Even application * Stainless steel ferrule Perfect For: * Fluid acrylics, gouache and varnish or glaze applications * Artists seeking responsive, supple synthetic brushes * Artists of any skill level See More
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Da Vinci Top Acryl 7185K Synthetic sz. 28 Short Handle FlatSave Up to30%Off list…over time. Da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and thick applications of oil paint. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Key Features: * 5 diameters synthetic filament hair *… The Ultimate In Synthetic Brushes! Da Vinci Top Acryl Synthetic Brushes are made of five different diameters of synthetic fiber that mimic the qualities of natural Chungking bristles. Each brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee a high degree of absorbency as well as high elasticity. The unique interlocking heat treatment that shapes Da Vinci Top Acryl brushes prevents the brush from losing its shape over time. Da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and thick applications of oil paint. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Key Features: * 5 diameters synthetic filament hair * Characteristics of natural hair * Short handles * Glazing to heavy impasto techniques * Crisp brush edges & fine points * Holds a large amount of paint * Vegan-friendly brushes Perfect For: * Acrylic paint * Traditional or water-soluble oils * Students, amateurs, professionals * Fine control with heavy acrylics * Move paint with ease on the canvas * Quality and longevity * Impasto painting * Mural painters See More
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Bristlon Ser 1915S Short Handle X-Small TriangleSave Up to35%Off list…on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest… Resilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after each stroke, the brush "pops" back into shape for a perfect next stroke. Bristlon® will never go mushy on you and maintains its' sharp point and chisel edges on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest seamless, nickel-plated, brass ferrules attached to polished deep blue short handles. Key Features: * Superior stiff synthetic filaments * Imitate natural bristle * Interlocked bristle construction * Bristles full of snap * Seamless nickel-plated brass ferrules * Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists See More
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Molotow Blackliner Pen 0.2mm TipSave Up to36%Off listBlack Water-based archival ink resistant to water and chemicals The first joint product of Schneider Schreibgerate GmbH and Molotow! Molotow Blackliner Pens are the perfect tool for sketching, outlines, or illustration. Blackliner pens are made in Germany and have an ink that dries quickly to a permanent finish that resists fading, water, and chemicals. The robust metal-encased pen nibs produce fine lines in girths from 0.05mm - 1.0mm, perfectly suitable for outlines. No need to worry about the pen nibs drying out due to their "Cap off" function which keeps the ink viable for up to 180 minutes. The Blackliner pens also feature slip-proof, matte barrels that provide a secure grip. Key Features: * Water-based archival ink * Resistant to water & chemicals * Sizes ranging from 0.05mm - 1.0mm, chisel & round tips * Slip-proof, matte barrels for grip * Cap-off function prevents nib from drying out * Available individually and in sets of 10 or 4 * Made in Germany Perfect For: * Sketching, outlines, & illustration * Technical drawing * Working with paper or canvas * Travel Sketching * School or home use * Archival work Molotow Blackliner Pen Sets of 10 and 4 Molotow Water-based Blackliner Complete Pen Set of 11 includes: 0.05mm, 0.1mm, 0.2mm, 0.3mm, 0.4mm, 0.5mm, 0.7mm, 0.9mm, 1mm Molotow Water-based Blackliner Pen Set of 4 (Set 1) includes: 0.05mm, 0.1mm, 0.2mm, 0.4mm Molotow Water-based Blackliner Pen Set of 4 (Set 2) includes: 0.3mm, 0.5mm, 0.7mm, 1.0mm See More
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Da Vinci Kolinsky Red Sable Series 1815 sz. 28 FilbertSave Up to30%Off list…thick-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Kolinsky Red Sable Oil Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule.… Pure Kolinsky Grade Red Sable Brushes! Crafted from Kolinsky-grade pure Red Sable hair, these brushes hold a generous amount of color and impart a soft feel with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and the brights have a flawless chisel edge that resists splitting. Fat Filberts offer triple the thickness of other Sable brushes with a shorter hair length compared to standard filberts. Chock-full of hair, the extra full-body makes maneuvering thick-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Kolinsky Red Sable Oil Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule. Before leaving the brush workshop, each handmade brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Pure Kolinsky Red Sable hair * Long lacquered handle * Sustainable European wood * Nickel-plated seamless ferrule * Extra full-bodied brushes * Unsurpassed color-holding capacity * Made in Germany Perfect For: * Traditional or water-soluble oil * Linework and design * Artist's seeking kolinsky red sable * Students, teachers, professionals * Creating precise linear strokes * Maneuvering heavy paint with skill * Painting delicate glazes with ease See More
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Da Vinci Top Acryl Synthetic Brush - Round, Size 28 Long Handle, 7785Save Up to30%Off list…over time. da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and thick applications of oil paint. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Key Features: * 5 diameters synthetic filament hair *… The Ultimate In Synthetic Brushes! da Vinci Top Acryl Synthetic Brushes are made of five different diameters of synthetic fiber that mimic the qualities of natural Chungking bristles. Each brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee a high degree of absorbency as well as high elasticity. The unique interlocking heat treatment that shapes da Vinci Top Acryl brushes prevents the brush from losing its shape over time. da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and thick applications of oil paint. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Key Features: * 5 diameters synthetic filament hair * Characteristics of natural hair * Long handles * Glazing to heavy impasto techniques * Crisp brush edges & fine points * Holds a large amount of paint * Vegan-friendly brushes Perfect For: * Acrylic paint * Traditional or water-soluble oils * Students, amateurs, professionals * Fine control with heavy acrylics * Move paint with ease on the canvas * Quality and longevity * Impasto painting * Mural painters See More
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Silver Brush Ruby Satin® Synthetic Brush Series 2515S Short Handle Pointed Triangle Extra SmallSave Up to35%Off list…brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished… Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder See More
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Berlin Synthetic Long-Handle Acrylic Brush, Flat Size #28Save Up to85%Off listStiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the… Stiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the Berlin Synthetic Long Handle Brush series were artists just like you! We set out to eliminate all of the drawbacks associated with synthetic acrylic brushes. Specifically: synthetic hair that did not hold color or perform with the control and precision of natural hair. With the help of our German brush manufacturer and customer input, we created the Berlin series. As a result of our research, all Berlin brushes are interlocked using a special heat treatment process that creates a bounce-back memory effect and produces a brush with great shape and resistance. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. The mix of filament hair is dependent on the size and shape of the brush. The synthetic filament hair is also treated and shaped so that each brush closely parallels natural hair in texture and tapers to create a very robust brush body with a soft feel at the tip. Each Berlin brush features a nickel-plated silver ferrule and a long Blue Turquoise handle made of wood from sustainable forests. The handles are dipped in a high-grade varnish four times, which helps to keep them in good condition if properly cleaned. Simply put, these brushes are a modern marvel that will allow you to translate your ideas through your hand and onto the canvas with unparalleled ease. There has never been an acrylic brush able to outperform natural hair, that is until now. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. Ultimate precision and outperforms natural hair! Synthetic hair that will hold color and perform with the control and precision of natural hair. Simply put, these brushes are a modern marvel! Key Features: * Handmade in Germany * Mottlers, Flats, Brights, Filberts, Rounds & Sets * Interlocked bristles * Bounce back memory effect with great shape and resistance * A blend of four different filament diameters * Synthetic filament hair * Holds color & performs with the control & precision of natural hair * Closely parallels real hair in texture & shape * Long handles * Nickel-plated silver ferrules * Wood from sustainable forestry used * Handle dipped in a high-grade varnish four times * Acrylic Brush Set of 6 w/ Brush Easel Case * Acrylic Brush Set of 12 w/ Brush Easel Case Perfect For: * Acrylics, oils, or alkyds * Easel painting * Fine details * Precise lay down of color * Professionals and art enthusiasts * Students and teachers * Professional acrylic painters * Artists wanting the best experience Berlin Synthetic Long Handle Acrylic Brush Sets Berlin Long Handle Acrylic Brush Set of 6 With Brush Easel Case: Set includes: Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #24 Filbert, #2 Round, and Creative Mark Folding Long Handle Brush Easel Berlin Long Handle Acrylic Brush Set of 12 With Brush Easel Case: Set includes: Long Handle Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #12 Bright, #24 Bright, #2 Filbert, #6 Filbert, #16 Filbert, #24 Filbert, #2 Round, #12 Round and Creative Mark Folding Long Handle Brush Easel Berlin Acrylic Brush Script Liner Set of 3 Long Handle Series 9980: Set includes size #0, #2, and #6 Script Liner. Berlin Acrylic Brush Long Handle Script Liner Set of 3 (Box of 12): Set includes size #0 , #2 , and #6 Script Liner times twelve. Berlin Series 1018M General Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, and 2-inch Mottler. Berlin Series 1018M Large Painting Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, 2-inch Mottler, 3-inch Mottler, and 4-inch Mottler. Berlin Series 1018M The Works Mural Mottler Set: Set contains the 1-inch, 1.5-inch, 2-inch, 3-inch, 4-inch, 5-inch, and 6-inch Mottler. See More
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Charbonnel Etching Ink Additive - Heavy (Fatty) Oil, 500mlSave Up to28%Off list…delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten… Intaglio Inks, 100% natural, Trusted by Artists Throughout Time Charbonnel Etching Inks are 100% natural and non-toxic. Every color is highly pigmented and delivers impressive covering power even after dilution. The inks feature pigments chosen for their low acidity and exceptional lightfastness. Like oil paints, Charbonnel etching inks dry through oxidation. Depending on the color, the drying time can vary between 2 and 3 weeks. You can easily lighten the highly pigmented Charbonnel Etching Ink with transparency medium to create a range of tones. Key Features: * High-quality printmaking ink * 100% natural and non-toxic * Highly pigmented * Linseed oil-based binder * Additive-free intaglio inks * Wash up with oil or solvent * Inks absorb oxygen to dry * Made in France Perfect For: * Etching * Printmaking * Monotypes and monoprints * Intaglio printing * Professional artists See More
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