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Da Vinci Pro Medium Textured Panel 5"x7", 7/8" Deep (Box of 12)Save Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Black Mountain Acrylic Gloss MediumSave Up to43%Off list…Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More
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LUKAS Painting Butter Impasto MediumSave Up to60%Off list…without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
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Claessens Oil Primed Medium Texture Linen RollsSave Up to66%Off list…due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave… Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Gallery Pro Medium Duty Stretcher BarsSave Up to51%Off list…The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried… Flush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried solid pine * Quickly assemble by interlocking two strips * All wood solid pine stretcher Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 72 × 72" See More
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Gamblin Gamvar Matte VarnishSave Up to40%Off list…paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless,… Enhance and protect your oil paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This professional quality matte picture varnish reduces surface sheen and enhances the depth of color in your paintings. Key Features: * Provides a matte protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits* Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
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Jo Sonja's Artists' Acrylic MediumsSave Up to38%Off list…long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More
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Matisse French Painter's Taboret by Creative MarkSave Up to72%Off listOrganize your Painting Studio with Style! Creative Mark's Matisse French Painter's Taboret combines full function, exceptional craftsmanship, and unrivaled value. The Matisse Taboret is made of sturdy wood and can hold an enormous range of supplies. The top has a removable built-in plexiglass… Organize your Painting Studio with Style! Creative Mark's Matisse French Painter's Taboret combines full function, exceptional craftsmanship, and unrivaled value. The Matisse Taboret is made of sturdy wood and can hold an enormous range of supplies. The top has a removable built-in plexiglass palette. Under this palette, you may place a sheet of grey colored paper for true color mixing. Next to the palette area is a hinged side support shelf. This shelf folds over to form a table top when not in use and will not make contact with the palette below, so you can keep oils on the palette. The extra deep top drawer is divided into two sections allowing for clear separation of two media. The bottom two drawers are ideal for storing anything from stretching pliers to sketch pads. The removable nature of the two bottom shelves allows maximum flexibility for the ever-changing needs of the artist. Four casters allow the artist to move the taboret around the studio without any difficulty and lock to provide a secure work environment. The Matisse Painter's Studio Taboret is made of seasoned Beechwood to be a lovely fixture in any studio for many years. Assembly - Partial assembly is required, but the main frame of the taboret is assembled before shipping. You only need to attach the folding leaf and the bottom rolling castors. Key Features: * Made of sturdy wood * Beechwood construction * Hinged top that folds out and back * Large working surface * The top has a removable built-in Plexi-Glass palette (15.5"x11.5") * Hinged side support shelf, folds over to form a table top when not in use * Three drawers * Four locking casters & easy mobility * Two removable shelves * Comes 90% Assembled Product Specs: * Overall weight: 46 lbs * Overall size: 17.5” wide × 14.5” deep × 35,5” high. * Top drawer: 15.5” wide × 11.5” deep × 6.5” high (divided into two 7” sections) * Two lower drawers: 15.5” wide × 11.5” deep × 5” high * Adjustable Shelf Area: 13” high; may be divided into 3 sections * Palette: Removable built-in Plexi-Glass palette (15.5"x11.5") * Palette area (under fold-out shelf): 15.5” wide × 12” deep × 1/4” high * Tabletop width with fold-out shelf: 35” inches See More
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Creative Inspirations Acrylic Mediums & VarnishesSave Up to65%Off list…convenience of these mediums is that each 1.8L jug container accepts a standard pump dispenser, which helps teachers quickly and precisely dispense liquid medium or varnish for artists. The Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends… Versatile Acrylic Mediums For Artists At An Amazing Price Due to their large 1.8L size, low prices, and reliable quality, Creative Inspirations Acrylic Mediums and Varnishes are ideal for classrooms, social art parties, and art party businesses. An added convenience of these mediums is that each 1.8L jug container accepts a standard pump dispenser, which helps teachers quickly and precisely dispense liquid medium or varnish for artists. The Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends colors, provides an even uniform finish, enhances translucency, and increases film integrity. Gloss Polymer Medium can also be used to create acrylic glazes. For the perfect final protective coating for a finished acrylic painting, you can use Creative Inspirations Acrylic Polymer Medium and Varnish in a 250 Ml or 1.8L jug. To maintain the integrity of your paints, we recommended to use these mediums to thin down your paint over using water. Key Features: * 250 Ml or 1.8L size * 1.8L jug accepts a standard pump dispenser * Acrylic mediums and varnishes * Medium extends colors * Enhances translucency and increases film integrity * Provides an even uniform finish * Varnish provides a final protective coating * Clean up with soap and water * Not watered down * Perfect For: * Artists* Teachers and students* Classrooms and workshops * Art party businesses * Higher quality medium at an amazing price * Maintaining the integrity of your acrylics * Creating glazes, enhancing colors * Extending translucency of colors * Better painting experience See More
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Gamblin Cold Wax MediumsSave Up to40%Off list…thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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LUKAS Acrylic MediumsSave Up to60%Off list…from silver-white to light green to purples. The medium contains acrylic resin dispersion (pure acrylates) and pearlescent additives. Model Paste Set of 5: V16004 Set of five 125ml tubes includes the following mediums: Studio Universal Modeling Paste, Studio Light Structure Paste,… Improve your Acrylics - LUKAS Professional Acrylic Mediums LUKAS has a rich tradition of top quality art supplies, supplying professional quality colors and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, primers, retarders, and varnishes have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or even faux finish is capable with one or more of the mediums below. Build up a massive volume of color with structure pastes in a variety of finishes from fine to extra coarse. Obtain specific looks with metallic modeling pastes, pumice pastes, glass beads, or pouring medium. Achieve granular looks with their structure pastes containing quartz sands. LUKAS manufactures a wide variety of acrylic painting mediums to dilute or extend paint, create different film sheens, and even retard drying time for wet-on-wet techniques. LUKAS also offers acrylic-based mediums for use in pouring paintings, airbrushing, and pastel grounds within an extensive collection of pastes, gels, and mediums. All mediums can be mixed with traditional acrylics for custom effects! Key Features: * Uses highest quality acrylic resins and materials * Create complex ground structures with Pastes and Gels * Retarders for longer work time and wet-on-wet painting * Mediums and metallic pastes to create different sheens and looks Perfect For: * Acrylic Painters * Pouring painting techniques * Faux Finishers * Artists of all Skill Levels * Experimenting with different textures and techniques Studio Universal Modeling Paste: V15963, V15964 Modeling paste created under the LUKAS Studio line, this modeling paste creates nice thicknesses of structure on the artwork. Dries an opaque greyish color. Contains aqueous acrylic resin dispersion (copolymer), fillers, and additives Retarding Medium: V15978 Retarding medium slows the initial drying of the paint film, and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. The medium contains an aqueous solution of various humectants and additives. Pearl Structure Gel, Extra Fine: V15990 A milky white acrylic gel with pearlescent pigments dries a silvery-white, slightly transparent with intense pearly reflections. The color spectrum ranges from silver-white to light green to purples. The medium contains acrylic resin dispersion (pure acrylates) and pearlescent additives. Model Paste Set of 5: V16004 Set of five 125ml tubes includes the following mediums: Studio Universal Modeling Paste, Studio Light Structure Paste, Studio Extra Coarse Sand Modeling Paste, Crystal Gel, and Golden Modeling Paste. Color Cleaner: V15991 A cleaner formulated explicitly for Airbrushes and spray guns. Run Color Cleaner through the airbrush or gun after each color change, to reduce clogging of the nozzle. The medium contains surfactants, water, silicate, cleaning agents, and additives. See More
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Gamblin Galkyd MediumsSave Up to40%Off list…from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs,… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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LUKAS Drying Oils MediumsSave Up to60%Off list…and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More
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LUKAS Aquarell Artists' Watercolor MediumsSave Up to60%Off listProfessional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint.… Professional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint. Pre-testing fluid on certain papers is recommended. Can be used to create cloud and sky effects and more with it's temporary cover. Shellac Soap - Increase water resistance and create a buffer for other layers! Mix with watercolors to increase their water-resistance once dry. Wetting Agent (Ox Gall) - Liquid preparation medium for wetting painting surfaces; aids color flow. See More
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Winsor & Newton Liquin™ MediumsSave Up to43%Off listAccelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Gamblin Artists' Oil Painting MediumsSave Up to40%Off list…thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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QoR Watercolor Mediums & GroundsSave Up to40%Off list…Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aid™, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More
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Winsor & Newton Watercolour MediumsSave Up to43%Off listFull Range Of Watercolor Mediums! Watercolor Mediums are used to create an even wider variety of techniques and effects for your work; from increasing drying time, improving flow, and changing gloss and texture, they provide limitless opportunities. The Winsor & Newton range also includes… Full Range Of Watercolor Mediums! Watercolor Mediums are used to create an even wider variety of techniques and effects for your work; from increasing drying time, improving flow, and changing gloss and texture, they provide limitless opportunities. The Winsor & Newton range also includes masking fluids to protect areas of your paper that you want to keep white. Click on the item number to view more information on each medium Key Features: * Limitless opportunities * Increasing drying time * Improving flow * Changing gloss and texture Perfect For: * Professional watercolorists * Altering the characteristics of watercolor * Exploring watercolor effects * Keeping areas of your paper clean See More
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Chroma Atelier Interactive Mediums And AdditivesSave Up to40%Off list…with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More
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Winsor & Newton Artists' Painting MediumsSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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LUKAS Oil Painting Mediums and AdditivesSave Up to61%Off list… Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints.… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More
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LUKAS Oil Painting Mediums – VarnishesSave Up to61%Off listThe Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More
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Gamblin Solvent-Free Gel, Fluid & Safflower Oil MediumsSave Up to40%Off listGamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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LUKAS Berlin PRO Artists Water Mixable Oil Painting MediumsSave Up to57%Off list…health-conscious. However, some effects are better achieved by the use of mediums, and LUKAS has developed specially modified oil mediums for use with Berlin Water-Mixable Oils; all designed to behave like traditional oil mediums without sacrificing the unique water-miscibility of Berlin. Glazing… Special modified mediums for Germany's finest water-mixable oil paints! LUKAS Berlin Water-Mixable Oil Colors can and should be mixed with water – it's the great advantage of the paint and the reason it's so health-conscious. However, some effects are better achieved by the use of mediums, and LUKAS has developed specially modified oil mediums for use with Berlin Water-Mixable Oils; all designed to behave like traditional oil mediums without sacrificing the unique water-miscibility of Berlin. Glazing techniques, accelerating or retarding drying time — effects not achievable with water are all now available in LUKAS Berlin Water-Mixable Oil Painting Mediums! * Berlin Modified Linseed Oil - High quality, modified oil for use as a water-miscible oil painting medium. Perfect for glazing techniques; increases fluidity of paint and slightly slows drying time of water-mixable oil colors. * Berlin Quick Dry Medium - Drying accelerator for water-miscible oil paints. Speeds drying time and is especially useful in the preparation of under paintings. * Berlin Modified Stand Oil - Heat-thickened modified oil for use as a water-miscible oil painting medium. Greatly retards drying time of water-mixable oil colors and should be used only on the upper layers of a painting following the "fat over lean" rule. View Lukas Berlin Color Chart > See More
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LUKAS Oil Painting Mediums - Solvents and ThinnersSave Up to60%Off list…as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More
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Lascaux UV Protectant Spray VarnishesSave Up to41%Off list…paints or on paintings with thin paint layers, it is recommended that a suitability test be carried out before widespread use. Matte Varnish — Yields a matte protective film. It is well suited for all Lascaux color ranges and for gouache, drawings, oil, tempera, watercolor, acrylic, and… World’s finest UV Protectant Spray Varnishes Protect your artwork from UV rays, dust, and other pollutants over time with these UV Protect Sprays available in Gloss, Semi-Matte, and Matte. UV Protect is a varnish composed of acrylic polymer, solvent, and a highly effective UV absorber that makes the spray lightfast, age-resistant, and non-yellowing. The ultraviolet protection enhances the lightfastness of the underlying layers, and this protection increases with each additional layer of varnish that is applied. UV Protect is fast drying, easy to work with, colorless, and dries perfectly clear. Works treated with UV Protect can be over-painted after drying. Apply as many fine layers as required to achieve the desired surface. UV Protect exudes substantially less noxious fumes when wet as compared to many similar products. The solvent odor dissipates quickly and no smell can be detected after the product dries. Key Features: * Gloss, Matte & Semi-Matte Varnish * 13.5 oz (400ml) Aerosol can * Easy to apply, Archival varnish with UV protection * Ultraviolet protection enhances the lightfastness * Varnish: acrylic polymer & solvent base * Light-fast, age-resistant, and re-soluble * Non-yellowing * Short drying times * Easy to work with * Contains no chlorofluorocarbons (CFCs). * Substantially less noxious fumes when wet * No accumulation of droplets * Good adhesion, abrasion resistance, and hardness * Dissipates quickly, no smell can be detected after the product dries Perfect For: * Varnishing oil, tempera, watercolor, and pastel paintings * Protect inkjet prints and photos with UV Protect * Light-fast, age-resistant, and re-soluble * Fixes or seals * Excellent initial sizing on wood panels * Contains no fluorocarbons * Good adhesive properties * Varnish layer can also be removed or cleaned using solvents * Highly effective UV absorber Gloss Varnish — Yields a lustrous protective film. It is especially well suited for use with Lascaux acrylic paints, other brands of acrylic paints, oil paints, as well as oil pastels. Use also on inkjet prints and photos on all supports. When using on water-soluble paints or on paintings with thin paint layers, it is recommended that a suitability test be carried out before widespread use. Matte Varnish — Yields a matte protective film. It is well suited for all Lascaux color ranges and for gouache, drawings, oil, tempera, watercolor, acrylic, and oil pastel paintings. A pretest is recommended before using this product on inkjets, as it has limited suitability for such prints. Semi-Matte Varnish — Use this product to achieve a semi-matte protective film. It is well suited for all Lascaux color ranges. Use it to protect acrylic, oil, tempera, and pastel paintings, drawings, watercolors, and inkjet prints on virtually all papers and other supports. See More
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Gamblin Fastmatte Alkyd Oil ColorsSave Up to40%Off list…underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible… Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More
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Winsor & Newton Oil Color VarnishesSave Up to43%Off list…dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss… Professional Grade Artist Varnishes Varnishes protect thoroughly dried paintings from dirt and grease build-up over time. Winsor & Newton Varnishes are available in various finishes for different purposes. Key Features: * Gloss, matt, and satin varnishes * Retouching varnish Perfect For: * Dried oil paintings * Protecting paintings from dirt and grease Artists' Gloss Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Matt Varnish - maintains oil paintings for longer. Seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. Artists' Retouching Varnish - preserves the artwork until the painting is fully cured and ready for its final varnish. Retouch varnish allows the paint film to cure through the varnish. Can be overpainted. Dammar Varnish - High gloss finishing treatment for paintings. Dammar Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with Distilled Turpentine. Satin Varnish - Satin finishing treatment for paintings. Artist's Satin Varnish seals the microscopic pores on the oil paint film and provides resistance to dirt and grease. Can be removed with solvent. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Gamblin PVA SizingSave Up to40%Off listPVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its… PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Turner Acryl Gouache Artist Paint SetsSave Up to80%Off list…Quick-drying, velvet matte finish* Range of 219 colors* Perfectly opaque and matte finish Perfect For:* Fine Artists, Illustrators, Designers* Matte finish photo reproduces easily* Decorative artists, tole painters* Ideal for Mixed Media work* Perfectly opaque and matte finish * The… Super Concentrated Vibrant Acrylics - Fastest Drying, Brilliant Acrylics - in a Great Selection Of Sets! Super Concentrated Artist Acrylics - The MOST Vibrant Acrylics You Can Buy! Turner Acryl Gouache is more concentrated than most acrylics, with a beautiful velvety matte finish! Incredibly versatile, it adheres to wood, acrylic sheeting, stone, cloth, clay, metal, slate, glass, aluminum, iron, vinyl, Styrofoam, stretched canvas, and properly sized papers without the necessity for pre-prep. The colors are quick drying and water reducible (2:1 paint to water), yet water-resistant when dry. Because of the low amounts of binder in the paint, there is little to no color shift when dry, resulting in brilliant final artworks. Turner offers Acryl Gouache Sets for every budget! Key Features:* Super Concentrated Vibrant Artists' Acrylics* Large array of fine art sets to choose from* Incredibly versatile* Adheres to most any substrate* Water reducible (2:1 paint to water)* Quick-drying, velvet matte finish* Range of 219 colors* Perfectly opaque and matte finish Perfect For:* Fine Artists, Illustrators, Designers* Matte finish photo reproduces easily* Decorative artists, tole painters* Ideal for Mixed Media work* Perfectly opaque and matte finish * The MOST Vibrant Acrylics You Can Buy Turner Japanesque Colors - A special Turner Acryl Gouache line, based on traditional Japanese colors derived from nature. Formulated with pigment powders that give a unique, more coarse texture than regular Acryl Gouache, they impart a natural, subtle, lightly textured tone to your artworks. The Acryl Gouache Japanesque colors follow traditional Japanese specifications, giving the colors a rough, gritty texture. The tubes and box of this special edition set were designed by renowned Japanese artist Hisashi Tenmyouya. This set includes twelve 11 ml tubes of Japanesque colors, including J. Black Blue, J. Dark Blue, J. Deep Green. J. Deep Yellow, J. Greyish Brown, J. Light Blue, J. Light Green, J. Scarlet, J. Violent, J. White Gohun, J. Yellow Brown, and J. Strawberry Red. Turner Acryl Gouache Sets - Packed in small sets from 6 tubes to 36 (along with gift sets with extra components), Turner makes a set for all budgets, from students learning basic color theory and mixing to the professional illustrator, designer, or fine artist. See each set's contents and colors by clicking on the paper icon in Item Notes next to the product listing. See More
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Creative Inspirations Acrylic Paint SetsSave Up to83%Off list…upon request for Creative Inspirations Acrylics Sets. Contact us at 1-800-827-8478 Key Features: * Smooth, creamy consistency * Great coverage * Medium to heavy body * Colors are bright, vibrant, and very pigmented * Can be thinned with water * Dry with a permanent film * Clean up with soap and… High-Value High-quality Acrylics- In Convenient Sets! The Creative Inspirations Acrylic Sets are ideal for educators, classrooms, social art parties, and art businesses. With Creative Inspirations Acrylics, educators and artists do not have to settle for water-downed acrylics made from inferior materials. Creative Inspirations Acrylic Sets include brilliant colors with great coverage. The paint has a smooth, creamy, and free-flowing consistency. Creative Inspirations Acrylics were recently voted educators' favorite acrylic for classroom use, and the paint is internationally recognized as superior by classroom educators and the art party industry. You can also clean up these acrylics quickly and easily with soap and water. **Special bulk pricing is available upon request for Creative Inspirations Acrylics Sets. Contact us at 1-800-827-8478 Key Features: * Smooth, creamy consistency * Great coverage * Medium to heavy body * Colors are bright, vibrant, and very pigmented * Can be thinned with water * Dry with a permanent film * Clean up with soap and water * Perfect For: * Mural and Studio Art * Educators * Artists on a budget that demand quality! * Social art parties * Art party businesses * Classrooms Artists on a budget! * Quick and easy cleanup * Better paint at a better value Like other lesser paints, when mixing colors, you will get vibrant results, not "muddy" colors. Click on the white paper icon to view the contents of each set. See More
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Painter's Edge Stainless Steel Painting Knife Style 12T (3-5/8" Blade)Save Up to67%Off list…and durability Palette Knife Basic 5 Set - Includes styles 1T, 6T, 10T, 53F and 61S. Palette Knife Set Collection 5A - Includes styles 1T, 4T, 6T, 7T and 10T. Palette Knife Set Collection 5B - Includes styles 20T, 30T, 32T, 37T and 61S. Palette Knife Set Collection 5C - Includes styles 3T, 15T, 35T,… Stainless Steel Italian Style Painting Knives! These Italian styled painting knives are made from polished stainless steel and are specially tempered to provide just the right amount of give for the perfect painting response. Each blade is fixed into wood handle with the aid of a brass collar. The handle is comfortable to grip and features a deep walnut stain beauty and durability. With 60 shapes and 5 sets there is surely a style right for your painting endeavors. "T "knives have a trowel (offset) blade making it easy to work the knife into the painting. "F" knives are traditional palette knives used move for mixing. "S" knives are scraper blade knives use for shaping, contouring and scraping designs into compositions and for removing color. * Polished tempered stainless steel blades* Deep inset shaft* Fixed into wood handle with the aid of a brass collar* Finished hardwood handles* For all media With 60 shapes and 5 Sets to choose from, you're sure to find the perfect style for every painting endeavor. * Each series "T" knife features an offset, trowel-shaped blade, making it easy to work the knife into the painting.* Series "F" knives feature a traditional, flat blade perfect for mixing* Series "S" knives feature scraper blades for shaping, contouring and scraping designs into your compositions, or for removing color. Painting Palette Knives* 60 shapes, 5 Sets* T = Trowel Shape* F = Flat Shape* S = Scraper Shape* Italian-style painting knives* Made from polished stainless steel* Perfect painting response* Blades are fixed into its wooden handle with the aid of a brass collar* Comfort-grip handles feature a deep walnut stain for beauty and durability Palette Knife Basic 5 Set - Includes styles 1T, 6T, 10T, 53F and 61S. Palette Knife Set Collection 5A - Includes styles 1T, 4T, 6T, 7T and 10T. Palette Knife Set Collection 5B - Includes styles 20T, 30T, 32T, 37T and 61S. Palette Knife Set Collection 5C - Includes styles 3T, 15T, 35T, 36T and 38T. Palette Knife Set Collection 5D - Includes styles 39T, 41T, 44T, 48T and 51T. Studio Palette Knives with Case Set of 8 - Made of polished stainless steel each blade is deeply inset into the wood handle with the aid of a brass collar. The deep walnut stained wooden handle while being extraordinarily comfortable to grip and maneuver is sure to transpose each idea with ease. You will receive the 1T, 10T, 23T, 29T, 35T, 36T, 60S and 61S fitted into a zippered carrying case featuring a carrying loop. Making this set extraordinarily convenient to bring along with you wherever your creativity may take you. See More
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StudioSolv™ Artist Odorless Oil ThinnerSave Up to69%Off list…is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted… Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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Strathmore 400 Series Sketch Pad 5-1/2" x 8 -1/2" (100 Sheets Fine Tooth)Save Up to56%Off list…graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perfortated… Strathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more! 80 lb., spiral bound paper has 24 sheets per pad. 400 Series Sketch Pads - A general purpose sketch paper for classroom, experimentation, or perfecting technique with pen, pencil and a variety of other media. Rugged spiral wire binding makes it ideal for field use, and pages are perforated for easy removal. 60 lb paper. Media Applications: Smooth 80 lb - graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. 400 Series Heavyweight Drawing Pads - 100 lb., cream-colored paper is ideal for finished artworks and heavier sketch media, allowing for repeated erasing and reworking. Use with charcoal, pencil, colored pencil, sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed. 24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium. All of our Heavyweight Drawing products feature a medium surface with slightly more texture than our 80 lb. 400 Series Drawing pads. Surface is durable enough to stand up to repeated erasing and reworking. 400 Series Recycled Drawing Paper - This 80 lb., bright white paper is suitable for all dry media, pen and ink, and light washes. Contains over 50% recycled materials, and perforated for easy removal. Acid-free, heavy weight, durable, medium surface. Weight: 80 lb. 130 g/m2 Surface: Medium Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, and oil pastel. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. 400 Series Recycled Sketch Paper - Our most popular sketch pad! This 60 lb., general purpose sketch paper is great for experimentation and perfecting techniques. Contains 30% Post-Consumer Waste Fiber. Acid-free, medium weight, lightly textured. Weight: 60 lb. (25" x 38" x 500 sheets) 89 g/m2 Surface: Fine Tooth Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel See More
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Jerry’s Artarama Mesh Zipper Bag Medium 5" x 15"Save Up to50%Off list…pictured. Due to a recent manufacturer change, some Mesh Zipper Bags may be received with a red Jerry’s Artarama tag. Key Features:* Available in 5 convenient sizes* Constructed from durable plastic coated mesh* Features a zip closure* Semi-opaque Perfect For:* Organizing and separating art… Protect, carry and organize art supplies with Jerry's Artarama Mesh Zipper Bags! We have partnered with Creative Mark to bring you a selection of durable Mesh Zipper Bags. The Jerry's Artarama Mesh Zipper Bags are an easy solution for organizing and transporting art supplies! Due to their construction of plastic covered mesh, these bags will protect art supplies from liquid and dirt. They will also retain liquids if paint or ink spills within the bag during transport! Use them in your studio, classroom, home or art cases for separating art supplies such as paints, paint brushes, colored pencils, sketchbooks and erasers. They're also excellent for quickly transporting art supplies! No need to pack everything up, just pick up your Mesh Zipper Bags and go! Please note: Packaging received may appear slightly different than pictured. Due to a recent manufacturer change, some Mesh Zipper Bags may be received with a red Jerry’s Artarama tag. Key Features:* Available in 5 convenient sizes* Constructed from durable plastic coated mesh* Features a zip closure* Semi-opaque Perfect For:* Organizing and separating art supplies* Transporting art supplies without the hassle of packing* Use in classrooms, studios, homes and art supply cases* Protecting supplies from liquid and dirt See More
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Charvin Fine Artists' Oil Painting SetsSave Up to66%Off list…Black, Phthalo Cyan, Burnt Umber, French Red Deep, French Yellow Primary, and Titanium White. A great value! Charvin Fine Oil Colors Bonjour Set of 5: This set features five 150ml tubes of fine oil colors, including: Titanium White, French Yellow Primary, Ruby Red, Ultramarine Blue, and Mars Black.… Excellent starter sets of luxury fine oils! Your Paintings Will Come To Life! Based on over 175 years of experience, Charvin has created a high quality oil paint at an extremely reasonable, single price point. Charvin Fine Oil Colors use a combination of the finest in traditional and modern pigments, bound with a blend of linseed and non-yellowing poppy oils, for a smooth, creamy consistency and vibrant color. The difference between Charvin Fine and Extra Fine Oil Colors are that pigments in their Fine Oils line are milled for half the time as the Extra Fine, along with the removal of toxic pigments. With a wide range balanced and luminous colors in generous 150ml tubes. Now you can try Charvin Fine Oil Colors in these convenient sets! Ideal for learning color theory and mixing, they are perfect for both amateur painters and established artists alike. Try this luxury paint line at a reasonable price! Key Features:* Many curated sets* Traditional & Modern Pigments* Linseed & Poppy Oil binder* Ideal Set Color Range* Huge 150ml tubes Perfect For:* All Oil Painters* Trying Charvin Fine Oils* Alla Prima Painting* Plein Air Painting Charvin Fine Artists' Oil Painting Sets Charvin Fine Oil Colors Value Set of 6: This set includes six 150ml tubes of fine oil colors, including: Intense Black, Phthalo Cyan, Burnt Umber, French Red Deep, French Yellow Primary, and Titanium White. A great value! Charvin Fine Oil Colors Bonjour Set of 5: This set features five 150ml tubes of fine oil colors, including: Titanium White, French Yellow Primary, Ruby Red, Ultramarine Blue, and Mars Black. Amour de La Nature Set of 10: includes Titanium White, Saint Remy Yellow, Naples Yellow Golden, Green Shadow, Celadon Green Deep, Chrome Oxide Green, Ultramarine Blue, Burnt Sienna, Burnt Umber, and Van Dycke Brown. L'Amour La Marina Set of 10: includes Titanium White, French Yellow Primary, Blue Shadow, Blue Lagoon, Tropical Green, Linen Flower, Royal Blue, Raw Sienna, Sepia, and Payne's Grey. Artiste de Studio Set of 10: includes Titanium White, French Yellow Primary, French Red Deep, French Blue Violet, Ultramarine Blue, Phthalo Viridian, Yellow Ochre, Burnt Sienna, Raw Umber, and Ivory Black. Amour de La Fleur Set of 10: includes Titanium White, Yellow Ochre, Chromium Oxide Green, Carmine, Phthalo Viridian, Provence Blue, Deep Violet, Ultramarine Blue Deep, Burnt Sienna, and Burnt Umber. A Taste of Charvin Set of 12: includes Amethyst Parma, Anise, Bamboo Green, Blue Lagoon, Cyclamen, Diamond Orange, Green Shadow, Ruby Red, Pink Coral, Ombre Rose, Rubine Lake, and Water Green Deep. Pro Colors of Life Set of 60: includes Absinthe Green, Amethyst Parma, Anise, Ash Blue, Ash Green, Azurin Blue Medium, Bamboo Green, Blue Lagoon, Burnt Sienna, Burnt Umber, Caribbean Blue, Carmine, Cassel Earth, Celadon Green Deep, Celadon Green Pale, Cerulean Blue, Cobalt Blue Light, Cobalt Violet Light Hue, Cyclamen, Diamond Orange, French Red Light, French Yellow, French Yellow Deep, French Yellow Orange, French Yellow Primary, Green Shadow, Indian Orange, Indigo, Intense Blue, Intense Lemon, Intense Pink, Intense Turquoise, Intense Violet, Intense Viridian, Ivory Black, Ruby Red, Mars Black, Meadow Green, Naphthol Red Deep, Naples Yellow, Olive Green, Ombre Rose, Paynes Grey, Peacock Green, Phthalo Viridian, Provence Blue, Prussian Blue, Raw Umber, Royal Blue, Rubine Lake, St Remy Yellow, Sap Green, Titanium White, Titanium Zinc White, Turquoise Deep Blue, Ultramarine Blue, Volcano Grey, Water Green Deep, Yellow Ochre, and Zinc White. See More
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