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C.A.S. AlkydPro Fast Drying Oil ColorsSave Up to50%Off list…professional-grade choice for alkyd oil paint. C.A.S. AlkydPro Paint is the first line of genuine artist-grade alkyds made in the United States. C.A.S alkyds are made entirely from an Alkyd resin base and contain no linseed oil. They use a non-yellowing sunflower alkyd oil to give the colors the… The only professional-grade alkyd colors made in the USA! Finally, artists have a professional-grade choice for alkyd oil paint. C.A.S. AlkydPro Paint is the first line of genuine artist-grade alkyds made in the United States. C.A.S alkyds are made entirely from an Alkyd resin base and contain no linseed oil. They use a non-yellowing sunflower alkyd oil to give the colors the highest performance. **The swatches below show the color mixed with 50% Titanium White (left) and the pure color (right). Key Features: * Completely dries within 20 hours * High lightfastness ratings * Professional-grade alkyds * Low-odor formula * Can retain brushstrokes Perfect For: * Artists interested in using paints made in the USA! * Professional artists * Artwork requiring minimal drying time * Artists seeking excellent quality paints at a low price! * See More
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Grey Matters Oil Painting Natural & Synthetic BrushesSave Up to28%Off list…are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked long-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Jack Richeson Grey Matters Painting Brush SetsSave Up to28%Off list…are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals. The Grey Matters brushes are perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Grey Matters Acrylic Synthetic BrushesSave Up to28%Off list…are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals. The Grey Matters brushes are perfect for plein air or in the studio, and ideal for toned palettes and canvas.These interlocked long-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features: * Non-reflective / anti-glare * Create a neutral grey value space between your eye and your artwork * Minimize color distortion * Non-reflective hair, ferrule, and handle * Synthetic hair for oil, acrylic and water media * Natural bristle for oil & acrylic * Special signing brushes Perfect For: * Defined brush strokes * Creating fine details * Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer dfferent types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Grey Matters Synthetic Watercolor BrushesSave Up to28%Off list…for Grey Matters Brushes – mixed to accomplish very specific firmness, softness, and paint loading properties. Can a grey Matters Watercolor Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint… Annoying glare and reflections? Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked watercolor bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features:* Anti-glare* Minimize color distortion* Non-reflective hair, ferrule, and handle* Synthetic hair for water media Perfect For:* Watercolor applications* Defined brush strokes* Creating fine details* Professionals, teachers, students* Plein air or in the studio, and ideal for toned palettes and canvas Questions and Answers: Does Grey Matter? – Yes, The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? No, The filaments that make a synthetic brush can range wildly from student quality to Professional – Determined by the number of different fibers and type that make up the brush head. The fewer different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? No, however, the fibers of economy brushes are typically bleached white. A color such as the Grey in Grey Matters is done to accomplish a result (Neutral to the eye) What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – mixed to accomplish very specific firmness, softness, and paint loading properties. Can a grey Matters Watercolor Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange) Once used for a medium – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums – at best it is risky See More
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Grey Matters Oil and Acrylic Bristle Pocket BrushesSave Up to27%Off listNo distraction between artist and canvas with these non-reflective, artist quality brushes! Grey Matters Oil & Acrylic Bristle Pocket Brushes feature a neutral gray palette that solves the issue of the distracting glare of bright studio lights and outdoor sun. The non-reflective ferrules, bristles… No distraction between artist and canvas with these non-reflective, artist quality brushes! Grey Matters Oil & Acrylic Bristle Pocket Brushes feature a neutral gray palette that solves the issue of the distracting glare of bright studio lights and outdoor sun. The non-reflective ferrules, bristles and handles fade from notice and eliminate color distortion from colored brush heads and handles, making these brushes ideal for studio, classroom or plein air painting, and perfect for toned palettes and canvas. Each interlocked pocket bristle brush is painstakingly crafted by hand, ensuring that the bristles maintain their shape and last for long time. Key Features: * Neutral gray color to prevent color distortion * Non-reflective ferrules, bristles and handle * Handcrafted, interlocked pocket brush * Durable and maintains shape for a long time Perfect For: * Plein air painting * Professional and student artists * Canvas surfaces * Classroom & studio use See More
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Grey Matters Oil & Acrylic Synthetic Pocket BrushesSave Up to27%Off listNo distraction between artist and canvas with these non-reflective, handcrafted brushes! Grey Matters Oil & Acrylic Synthetic Pocket Brushes feature a neutral gray palette that solves the issue of the distracting glare of bright studio lights and outdoor sun. The non-reflective ferrules, bristles… No distraction between artist and canvas with these non-reflective, handcrafted brushes! Grey Matters Oil & Acrylic Synthetic Pocket Brushes feature a neutral gray palette that solves the issue of the distracting glare of bright studio lights and outdoor sun. The non-reflective ferrules, bristles and handles fade from notice and eliminate color distortion from colored brush heads and handles, making these brushes ideal for studio, classroom or plein air painting, and perfect for toned palettes and canvas. Each synthetic brush has a softer feel and is painstakingly crafted by hand, ensuring that the brush heads maintain their shape and last for long time. Key Features: * Handcrafted pocket sized brush * Neutral gray color to prevent color distortion * Non-reflective ferrules, handle and synthetic bristles * Durable and maintains shape for a long time Perfect For: * Plein air painting * Professional and student artists * Canvas surfaces * Classroom & studio use See More
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Grey Matters Watercolor Synthetic Pocket BrushesSave Up to28%Off listNo distraction between artist and paper with these non-reflective, high quality watercolor brushes! Grey Matters Watercolor Synthetic Pocket Brushes feature a neutral gray palette that solves the issue of the distracting glare of bright studio lights and outdoor sun. Only the highest quality,… No distraction between artist and paper with these non-reflective, high quality watercolor brushes! Grey Matters Watercolor Synthetic Pocket Brushes feature a neutral gray palette that solves the issue of the distracting glare of bright studio lights and outdoor sun. Only the highest quality, Non-reflective synthetic filaments, ferrules, and handles fade from notice and eliminate color distortion from colored brush heads and handles, making these brushes suitable for all types of water media. Each brush is painstakingly crafted by hand, with multiple filament types to achieve the highest loading ability, snap, point or chisel and a beautiful, even release of color. Key Features: * Handcrafted pocket sized watercolor brushes * Neutral gray color to prevent color distortion * Non-reflective ferrules, handle and synthetic bristles * Durable and maintains shape for a long time Perfect For: * Plein air painting * Professional and student artists * Watercolor paper * Classroom & studio use See More
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Jack Richeson Grey Matters Paper PalettesSave Up to15%Off list…on a toned, neutral grey background. Unlike other white colored paper palettes the neutral grey background lets you see color as it will appear on your painting. Each 50 sheet pad comes with a color mixing reference guide on the inside front cover. Paper is suitable for oils, caseins, acrylics and… The Perfect Backdrop for Color Mixing This disposable paper palette offers the unique advantages of mixing on a toned, neutral grey background. Unlike other white colored paper palettes the neutral grey background lets you see color as it will appear on your painting. Each 50 sheet pad comes with a color mixing reference guide on the inside front cover. Paper is suitable for oils, caseins, acrylics and alkyds. See More
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Grey Matters Specialty BrushesSave Up to28%Off list…are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a Grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint… Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for Plein air or in the studio, and ideal for toned palettes and canvas. These interlocked short-handled bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last a long time. Key Features:* Non-reflective / anti-glare* Create a neutral grey value space between your eye and your artwork* Minimize color distortion* Non-reflective hair, ferrule, and handle* Synthetic hair for oil, acrylic and water media* Interlocking bristles for oil & acrylic* Special signing brushes Perfect For:* Defined brush strokes* Creating fine details* Professionals, teachers, students Questions and Answers Does Grey Matter? YES!!!!! The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? NO! The filaments that make a synthetic brush can range wildly from Student to Professional grade. Brush quality is determined by the number of different fibers and type of bristles that make up the brush head. The fewer Different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? NO! A color such as the Grey in Grey Matters is done to accomplish a result that is neutral to the eye What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – different bristles are mixed to accomplish very specific firmness or softness Can a Grey Matters Oil Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange)? Once used with a medium or paint type – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums at best it is risky See More
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Speedball Oil-Based Relief Ink Can - Violet, 8ozSave Up to25%Off listViolet Produce stunning prints with these vibrant relief inks! Speedball Oil-Based Relief Inks are formulated with high-quality pigments to be permanent, waterproof, and archival. The rich, vibrant inks are great for block and relief printing on paper. Special fillers are included as needed to maintain the consistency of the ink. All 10 colors carry the AP Seal and clean up with vegetable oil or solvent. Key Features: * Oil-based relief ink * Made with high-quality pigments * Permanent, waterproof, and archival * Special fillers maintain ink consistency * AP non-toxic colors * Vegetable oil or solvent clean-up Perfect For: * Block and relief printing * Hassle-free printmaking * Students and professionals * Printing crisp, archival-quality prints See More
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Speedball Mona Lisa Cleaning SuppliesSave Up to26%Off list…include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Akua Intaglio Ink 2oz - Payne's GreySave Up to11%Off listGrey Akua Intaglio Inks have Endless Open Time! Akua Intaglio Ink's endless open time, permanency, thick consistency, and easy clean up makes it a printmaker's dream come true! This line of water and soy-based ink contains absolutely no dryers, is packed with brilliant, lightfast pigments, and can be effortlessly applied to plastic, wood, linoleum, or metal plate. Use Akua Intaglio Inks for printmaking techniques such as monotype, relief, collagraph, and intaglio. Prints can be re-soaked immediately after printing, however, once the print is dried, Akua Intaglio is permanent. With Akua Intaglio Inks, artists have the choice of printing on damp or dry paper. Due to its endless open time, this printmaking ink will never skin or harden in the jar or on printmaking equipment. Clean up is safe and easy, as it requires only soap and water - No Solvents Necessary! Key Features: * Soy and water-based formula * Artist quality inks * Thick consistency with minimal water content * Highly pigmented, brilliant colors * Developed by a professional printmaking artist * Endless open time * Non-toxic Ink * Will not skin in a jar or dry on equipment * Dries through absorption into paper fibers * Cleanly wipes off from etching plates Perfect For: * Artists of all skill levels * Intaglio/Etching, Monotype, Relief and Collagraph * Printing on damp or dry paper * Extended open times * Printing on plastic, wood, linoleum, and metal plate * Blending colors * Re-soaking prints (immediately after printing) * Safe and easy clean up with soap and water * See More
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Jack Richeson Toned Premium Gessoed Hardboard PanelsSave Up to12%Off list…Fiberboard* Made in the USA Perfect For:* Artists of all skill levels* Oils, alkyds, acrylic and casein* Creating fine details* Smooth applications of paint* Painting immediately, no extra priming necessary Mid-Tone Grey Toned - Gessoed 1/8" Hardboard / Umber Wash Toned Gessoed 1/8" Hardboard… Professional, tempered hardboard panels coated with high quality gesso! These premium panels from Jack Richeson are the ideal surface for any artist working in acrylics, alkyds or even caesin! Made from Richeson's superior grade hardboard with a solid fiber core, these tempered panels are extremely strong and warp-resistant. Premium Toned Gessoed Panels have been double-coated with a high quality toned gesso resulting in a beautifully even, lightly-toothed surface that bonds perfectly with the hardboard panel and will not separate. Whether you are working in acrylics, alkyds, traditional or water-soluble oil paints, Richeson's 1/8" deep Premium Gessoed Hardboard Panels are the perfect painting surface that is ready to paint! With beautifully beveled edges, these warp-resistant tempered panels are covered with a high-quality toned gesso and are produced with a double coat waterfall system for a perfect lightly toothy surface. Perfect for portraitists, they are a time and energy-saver, ideal for both pros and students. Perfect for use with oils, alkyds, acrylics, caseins, and other water-based paints. Key Features:* Mid-Tone Grey & Umber Wash Toned* Warp-resistant tempered high-density hardboard panel* Solid fiber core* Premium quality surface* Professional acrylic gesso surface* Evenly coated with toned professional gesso* Beautifully beveled edges* Tempered High Density Fiberboard* Made in the USA Perfect For:* Artists of all skill levels* Oils, alkyds, acrylic and casein* Creating fine details* Smooth applications of paint* Painting immediately, no extra priming necessary Mid-Tone Grey Toned - Gessoed 1/8" Hardboard / Umber Wash Toned Gessoed 1/8" Hardboard - See Listing Below See More
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Richeson Hand-Rolled Soft Pastels Set of 33 VioletsSave Up to37%Off listViolet Luxurious texture and incredibly rich colors in a NEW innovative size New Standard Size! 1-3/8" stick size is long enough to easily hold and short enough to not require breaking. New size eliminates waste! No need to break the sticks any longer! Richeson Hand-Rolled Soft Pastels offer luxurious texture and incredibly rich colors in on innovative size suitable for studio or plein air work. The first whisper of a stroke on your surface will be enough to convince you that our pastel artisans have achieved what many hove reached for, but few have attained: a professional quality, pigment-rich soft pastel at an affordable price point. Our carefully crafted 500+ color range has been divided into creative color sets to meet every artistic need. New Standard Size! 1-3/8" stick size is long enough to easily hold and short enough to not require breaking! Key Features:* NEW Standard Size! 1-3/8" stick size* Sets come in: 20, 40, 80 & 120 pieces* Easy to hold and short enough to not require breaking* Luxurious texture and incredibly rich color* Hand-Rolled, handmade* Over 500 unique colors* Beautiful buttery texture* Does not crumble* Specialty Sets for: Portrait, Landscape, Nocturne, Color Wheel, Floral, Fur & Feathers, Value Spectrum and Colors Perfect For:* An innovative size suitable for studio or plein air work* Professional quality, pigment-rich soft pastels* Affordable prices* Less waste* Smooth or textured subtrates* Mixed media application* Long enough to easily hold and short enough to not require breaking. Set Contents: Click on the yellow icon next to each product below Value Spectrum SetsDiscover Richeson's Value Spectrum sets! The basic color divisions are separated into values, from 1 (darkest darks) to 10 (lightest lights). Instructors will quickly find these sets are essential in transitioning students' cognitive understanding of values to practical application. Artists working "en plein air" will appreciate having dark, middle and light value sets al the ready, helping lo overcome the challenges of differentiating values in sunlight. In the studio, the Value Spectrum sets allow the artist lo focus on color temperature transitions because the value matching has already been done. See More
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Speedball Block Printing Water-Soluble Ink 5oz - PewterSave Up to46%Off listGrey The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Richeson Orange Synthetic BrushesSave Up to34%Off list…so good it will pass for Sable because this new fiber feels and responds just like Sable. It's full bodied and carries oil or acrylic like Sable. Even loaded with paint it will come to a razor edge in the brights. The rounds are stout and come to a strong firm point. Because of their softness,… The latest wonder of hi-tech brush making. A filament so good it will pass for Sable because this new fiber feels and responds just like Sable. It's full bodied and carries oil or acrylic like Sable. Even loaded with paint it will come to a razor edge in the brights. The rounds are stout and come to a strong firm point. Because of their softness, this series is ideal for glazing. See More
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Richeson 9010 Series Synthetic Flat Wash BrushesSave Up to42%Off listPerformance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached… Performance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. Sizes 1½" or larger with paddle handles. See More
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Jack Richeson Gouache Jar SetSave Up to28%Off list…opaque designer's gouache in 40 ml plastic tubs. These non-toxic colors dry to a velvety matte finish in only thirty minutes. Although these paints are made with only the finest pigments, these colors only cost about 1/4 of their actual value, making them one of the best bargains on our website!… 12 Color Set - Includes concentrated opaque designer's gouache in 40 ml plastic tubs. These non-toxic colors dry to a velvety matte finish in only thirty minutes. Although these paints are made with only the finest pigments, these colors only cost about 1/4 of their actual value, making them one of the best bargains on our website! Set includes 1 jar each of the following colors: zinc white, yellow light, ochre yellow, red vermillion, alizarin crimson, iron oxide, prussian blue, emerald light, violet deep, green deep, mars brown and carbon black. See More
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Jack Richeson Covered PaletteSave Up to33%Off list…Each well features a lip to prevent seepage into mixing area and is big enough to accept large flat brushes. Made of white plastic. Measuring 15¾ × 12", this palette is great for the studio or plein-aire painting. Complete with a secure lid, it is safe to travel with so you can be inspired anywhere! This sturdy, reliable palette has 22 large to medium wells and is perfect for professional or student use. Each well features a lip to prevent seepage into mixing area and is big enough to accept large flat brushes. Made of white plastic. Measuring 15¾ × 12", this palette is great for the studio or plein-aire painting. Complete with a secure lid, it is safe to travel with so you can be inspired anywhere! See More
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Speedball Robert E Wood PaletteSave Up to33%Off list…between painting sessions. Key Features:* Sturdy plastic covered palette* Airtight cover keeps paint moist* 24 regular wells, 2 deep wells* Cover has 4 additional wells* Weighs less than a pound Perfect For:* Studio work* Custom color mixing* Plein air painting* Keeping paints moist between painting… Airtight, lightweight covered palette The Robert E. Wood Palette's is excellent for studio work. The dimensions are 16.5x11” and made of very durable plastic. This palette features 24 small regular wells, plus 2 deep mixing wells and weighs less than a pound. An airtight cover helps to keep your paints moist and separate between painting sessions. Key Features:* Sturdy plastic covered palette* Airtight cover keeps paint moist* 24 regular wells, 2 deep wells* Cover has 4 additional wells* Weighs less than a pound Perfect For:* Studio work* Custom color mixing* Plein air painting* Keeping paints moist between painting sessions See More
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Tom Lynch PalettesSave Up to33%Off listOriginal Palette - This 12 × 16 × 3¼" white plastic palette features 16 large wells for mixing and painting with big brushes. Air-tight cover keeps colors, clean, moist and separate between painting sessions. Original Palette - This 12 × 16 × 3¼" white plastic palette features 16 large wells for mixing and painting with big brushes. Air-tight cover keeps colors, clean, moist and separate between painting sessions. See More
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Arhnem 1618 Printmaking Paper 245 Gsm - Grey, 22" x 30" Sheet (Pack of 10)Save Up to49%Off listGrey A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Famous Artist Porcelain PalettesSave Up to19%Off listThese palettes are direct replicas of each famous artist's personal plastic palettes, but produced in heavyweight porcelain for the studio. These sturdy palettes will not slide around during use, which helps keeps a spill-proof studio environment. Each palette is ingeniously designed with plenty of… These palettes are direct replicas of each famous artist's personal plastic palettes, but produced in heavyweight porcelain for the studio. These sturdy palettes will not slide around during use, which helps keeps a spill-proof studio environment. Each palette is ingeniously designed with plenty of well space for color and large surface areas for color mixing. Each palette features large plastic covers and weigh 7 lbs. Tom Lynch Palette - This large rectangular palette features corner holes to hold 8 brushes. Stephen Quiller Palette - This circular palette is constructed in a way similar to a color wheel. Contains instructions on how to set up palette for effective color mixing. See More
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Akua Liquid Pigment 4oz - Quinacridone VioletSave Up to19%Off listViolet Print directly onto dry paper, without a press with Akua Liguid Pigments! Developed by a professional printmaker, Akua Liquid Pigments provide artists with intense colors and unmatched working properties. These liquid pigments are crafted from the highest-quality lightfast pigments, pure gum binders and honey. Absolutely no suspending agents, chalks, dryers or polymers are used! The color values of these Liquid Pigments are exceptionally strong, yet transparent, allowing for multi-layer printing. Akua Liquid Pigments' unique slow drying formula keeps the ink wet for hours while artists develop an image. The consistency of Akua Liquid Pigments is perfect for all monotype techniques and can be easily adjusted with Akua modifiers. Use Akua Liquid Pigments for monotype brushwork, Japanese woodcut and drawing. Akua Liquid Pigments can also be used on dry paper and without a press! Key Features: Crafted from light fast pigments, pure gum binders, and honey A rich working consistency Slow drying formula Highly pigmented, brilliant colors Developed by a professional print making artists Can be rolled directly onto a plate Prints on dry paper Contains no suspension agents, chalk, dryers or polymers! Perfect For: Artists of all skill levels Monotype brushwork, Japanese woodcut and drawing Use wtih Akua modifiers to adjust sheen, thickness and transparency Multi-layer printing Extended open times Tinting Akua Intaglio Inks Printing without a press Safe and easy clean up with soap and water See More
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Speedball Professional Relief Ink - Dioxazine Violet 8ozSave Up to34%Off listViolet Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Lock Box Air Tight PalettesSave Up to44%Off list…palette features a twist locking cover that forms an air-tight atmosphere for oils, acrylics or watercolors. The top of this 11-1⁄2" by 1" thick unit locks in position with a secure slide fastener. Inside, paints can be stored in a circular plastic palette or on mixing paper. This palette is… This wonderful circular palette features a twist locking cover that forms an air-tight atmosphere for oils, acrylics or watercolors. The top of this 11-1⁄2" by 1" thick unit locks in position with a secure slide fastener. Inside, paints can be stored in a circular plastic palette or on mixing paper. This palette is easy to store and travel with due to it's compact width and reliable closing system. Lock-Box Palette with Slant Insert and 10 Paper Refills A sponge is included that may be wet to humidify interior of palette keeping acrylics workable for many days. Included in the palette is a disposable all-medium palette containing 10 sheets of palette paper. Extra palette paper is sold in pads of 10 sheets. Lock-Box Palette with Plexi Insert The Lock-Box with the Plexi insert will allow you the option of mixing your colors on your palette while keeping them moist. (Palette paper sold seperately) Lock-Box Palette with Slant Insert New slant inserts will help organize and store even more paint! (Palette paper sold seperately) See More
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Akua Printmaking Medium 8oz Carborundum GelSave Up to10%Off listGrey Expand the creative possibilities of Akua Inks with Akua Mediums! These Akua Mediums are perfect for altering the creative properties of Akua Intaglio Inks and Akua Liquid Pigments. Whether you require a thinner or thicker consistency, a longer or shorter open time, or the ability to create "ghost prints", these mediums have you covered! Several of these mediums can be used with both Akua Intaglio Inks and Akua Liquid Pigments.* Blending Medium - It is used to thin ink for brushwork, wash effects or use it as a resist for viscosity monotypes. It is a clear, colorless liquid. It cleans up easily with water. This medium can be use with both Akua Liquid Pigments and Akua Intaglio Inks.* Extender - It is used to thin Akua Liquid Pigment if it has become too thick due to an extended open time. It is a thick liquid in consistency, and transparent in color. This medium can only be used with Akua Liquid Pigments.* Mag Mix (Ink Stiffener) - This medium was formerly called Mag Mix. When mixed with Akua Intaglio, this medium adds depth and stiffens the ink. It is clear/white in color with a very stiff consistency. Mag Mix cleans up easily with liquid dish detergent. This medium can only be used with Akua Intaglio Inks.* Pigment Retarder - This medium has two purposes. First, it helps transfer ink onto dry paper when a few drops are mixed into Akua Liquid Pigments. Secondly, it also extends the working time of Akua Liquid Pigments. It is a clear liquid, and cleans up easily with water. This medium can only be used with Akua Liquid Pigments.* Pigment Tack Thickener - This medium thickens Akua Liquid Pigment for heavier roll-up applications. It's consistency is not as thick as Transparent Base or Akua Intaglio ink. It is medium amber in color, has a thick consistency, and cleans up easily with soapy water. This medium can only be used with Akua Liquid Pigments.* Release Agent - This medium has three purposes. First, it is required to release Akua Liquid Pigment brushwork from plate to paper when hand-printing monotypes with the Pin Press. Second, it is used for making ghost prints. A ghost print is the second print from a monotype plate that has been inked only one time. It is a lighter version of the same image. By rolling Release Agent over the plate, it helps to transfer the remaining ink off the plate and onto another sheet of paper. Third, it helps soften the metallic ink so it can easily transfer off the plate and onto the paper. Roll Akua Release Agent over the metallic ink that was applied to the plate. It looks white in the jar but rolls up clear and colorless. It has a soft, buttery consistency and cleans up easily with liquid dish detergent. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments.* Transparent Base - This medium is Akua Intaglio Ink without the pigment. Adding Akua Liquid Pigment to Transparent Base will thicken Akua Liquid Pigment and create new intaglio or relief colors. Adding Akua Intaglio ink to this base will increase ink transparency. It is a light amber in color and has a thick consistency. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments. See More
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Fabric Block Printing Ink 2.5 oz - VioletSave Up to34%Off listViolet A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Speedball Opaque Fabric Screen Printing Ink 32 oz Jar - AmethystSave Up to26%Off listViolet Ideal for use on dark fabrics Screen printers of all ages and skill levels will love this exciting line of inks. Ideal for use on dark fabrics, paper, or cardboard. (Do not use on nylon fabric). All colors are permanent on fabric when properly heat-set. Non-flammable, no solvents, and no offensive smell! AP Non-Toxic conforms to ASTM D-4236 standards. These inks can be used for screen printing or use a paintbrush. All colors clean up easily with water. Available in 8 oz and 32 oz jars. Key Features:* Non-toxic* Cleans up easily with water* Permanent on fabric when heat-set Perfect For:* Painting on fabric* Use on dark fabrics * Screen printing See More
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Speedball Fabric Screen Printing Ink 32 oz Jar - VioletSave Up to28%Off listViolet No offensive smell and cleans up with water! Screen printers of all ages and skill levels will love this exciting line of inks. Ideal for use on cotton, polyester, blends, linen, rayon and other synthetic fibers. Also works great on paper, and cardboard. (Do not use on nylon fabric). All colors are permanent on fabric when properly heat-set. Non-flammable, no solvents, and no offensive smell! AP Non-Toxic conforms to ASTM D-4236 standards. These inks can be used for screen printing or use a paintbrush. All colors clean up easily with water. Available in 8 oz and 32 oz jars. Key Features:* Non-toxic* Cleans up easily with water* Permanent on fabric when heat-set Perfect For:* Painting on fabric* Screen printing* Screen printers of all ages and skill levels Deluxe Sets Available with Exclusive Extras! Click on the item number to view the contents of each set. See More
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Speedball Acrylic Screen Printing Ink 8 oz Jar - VioletSave Up to34%Off listViolet Available in 19 brilliant opaque colors and process permanent acrylic colors. These inks are for use on paper, wood and cardboard. Easy clean-up with water. Colors available in 8 oz and 32 oz jars. 1 Gallon available in Black and White. See More
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Jack Richeson Sienna Plein Air Pochade Boxes
Starting At: 187.36
…information Perfect For: * Plein Air painting or drawing * Tilts forward for pastels * Artists who travel * Quick and easy painting set up * Bringing on day trips, backpacking, and sightseeing * Use with drawing mediums as well as paint! * A complete paint studio in one compact package! * Angle… Compact and adjustable! Jack Richeson designed the Sienna Plein Air Pochade Boxes with ease of use, durability, and versatility in mind. The beautiful Medium, Large, and All-In-One pochade easel boxes are ideal for outdoor Plein air painting while the Pastel Pochade Box is essentially an easel and a pastel storage box in one. Each pochade box is equipped with an adjustable arm that allows you to adjust the angle of the easel from totally flat for watercolor to tilted forward for pastel work. A crucial element of these boxes is the sturdy tripod mounting plate, which supports the quick-release Sienna Plein Air Tripod (sold separately) and holds firm under the most challenging outdoor conditions. Key Features: * Pochade Easel * Adjustable arm allows you to adjust the angle * Universal tripod mounting plate * Standard ¼ x 20 threaded hole * Sienna Plein Air Tripod (sold separately) * Plastic star knobs are easy to grip and adjust * Includes multiple accessories – just add paint! * One magnetic brush/pastel tray included * Beautiful cherry stain and lacquer finish * Convenient and portable paint boxes * Please click on the yellow circle icon to view product information Perfect For: * Plein Air painting or drawing * Tilts forward for pastels * Artists who travel * Quick and easy painting set up * Bringing on day trips, backpacking, and sightseeing * Use with drawing mediums as well as paint! * A complete paint studio in one compact package! * Angle height adjustments Jack Richeson Sienna Plein Air Medium and Large Pochade Box: The designers of the Sienna Plein Air Pochade box kept ease of use, sturdiness, and versatility in mind. The beautiful pochade box is an easel and a palette in one. A removable tempered glass palette is included and is ideal for use with oils and acrylics. A handy brush tray is also included with the palette box and can be attached to the back of the lid with magnets. Medium Pochade Box: * Closed Dimensions: 12 ¾" × 10 ¼" × 2 ¾" inches * Net Weight: 4-1/4 lbs * Max canvas size: 15″ inches * Palette area: 9" × 10" inches * One removable tempered glass palette is included * One magnetic handy brush tray is included Large Pochade Box: * Closed Dimensions: 14 ¾" × 11 ¼" × 2 ¾" inches * Net Weight: 5.0 lbs * Max canvas size: 17″ inches * Palette area: 10"×12" inches * One removable tempered glass palette is included * One magnetic handy brush tray is included Jack Richeson Sienna Plein Air All-In-One Pochade Box: You can carry all of your painting essentials in the Sienna All in One Pochade Box. The beautiful pochade box is an easel and a palette in one. A handy brush tray is included with the palette box and can be attached to the back of the lid with magnets. The tray is excellent for holding wet brushes, palette knives, and a palette. The box features three large storage sections as well as a wet panel compartment that allows you to carry two 9x12 or two 8x10 panels, securely behind a sliding magnetic door. Dimensions: * Closed Dimensions: 14-3/4″ × 11-1/4″ × 5-1/2″ inches * Net Weight: 6.8 lbs * Max canvas size: 17″ tall × any width * Baltic birch palette: 10" × 12" inches * Storage compartments measure: 3-1/4″ × 12-1/4″ inches (three bays) * One magnetic brush tray is included * Paper towel holder * One magnetic handy brush tray is included Jack Richeson Sienna Plein Air Pastel Pochade Box: The versatile Sienna Pastel Box is durable and makes working with pastels easy. The pastel box is essentially an easel and a pastel holder in one. The adjustable panel holders can hold 1/8″ to 1/4″ pastel panels, Gatorboard, and pastel paper taped to 1/4″ foam core. Dimensions: * Closed Dimensions: 14 3/4″ × 11 1/4″ x 2 3/4″ inches * Net Weight: 4 lbs * Max panel height: 17″ inches * Palette area: 9" × 10" inches * The compartments measure: 9 3/4″ × 2 7/8″ × 1/2″ deep * Accessory tray dimensions: 10 3/8″ × 7 5/8″ × 1/2″ tall See More -
BEST Gallery Wrap Cross Braces
Starting At: 4.93
An innovative approach to using cross braces! An innovative approach to using cross braces! Designed to fit all sizes of BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas over 36". Sizes larger than 144"… An innovative approach to using cross braces! An innovative approach to using cross braces! Designed to fit all sizes of BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas over 36". Sizes larger than 144" would be considered a custom order and would incur an additional cost. For custom orders, call our Order Dept. 800-827-8478 ext. 218. Key Features:* State of the art design works with all sizes of stretcher bars* Slotted design allows for the finest adjustment of canvas tension* Available in select lengths up to 168"* Easy to use Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click here to download Jack Richeson Framing Guide> Sizes available in 1" increments from 8" to 168", with some exceptions. If you don't see the size you need, please call our Order Dept. 800-827-8478 ext. 218. Please note: Cross Braces are SOLD ONLY with Stretcher Bar orders. The Cross Brace Bracket Kit (item #V06976) is also SOLD ONLY with Stretcher Bar orders. BEST Stretcher Bars are sent directly from the manufacturer, please allow 2-3 weeks for delivery. In the event you need your order rushed, please call 800-827-8478 ext.218. Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of the order amount on the "truck shipped" items. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
Speedball Block Out TapeSave Up to24%Off list…frames and mesh surfaces. Key Features: * 2" x 36 yards * Durable polyethylene film tape * Aggressive, water-based adhesive * Repositionable and leaves no residue Perfect For: * Keeping screenprinting frames clean * Mixed media artists * Taping off painting boundaries * Professional & DIY printers Keep frames and artwork clean with this repositionable block out tape! Speedball’s Block Out Tape is a necessity for screenprinting and a variety of art projects. This self-wound, polyethylene film tape has an aggressive, water-based adhesive that is resistant to inks and solvents. Durable enough to withstand multiple pressure washes and solvent baths, this 2" x 36 yards block out tape is easily repositionable and leaves no residue when removed from frames and mesh surfaces. Key Features: * 2" x 36 yards * Durable polyethylene film tape * Aggressive, water-based adhesive * Repositionable and leaves no residue Perfect For: * Keeping screenprinting frames clean * Mixed media artists * Taping off painting boundaries * Professional & DIY printers See More
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Fluid Watercolor Paper PadsSave Up to35%Off listQuality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill… Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
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