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GOLDEN Open Acrylic PaintsSave Up to30%Off list…take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN… Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Cobra Water-Mixable Oil Painting MediumsSave Up to40%Off list…these great mediums from Royal Talens! Key Features: * Oil paint mediums * Cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. A convenient bar of Brush and Hand Soap is also available to ensure your brushes are thoroughly clean. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Oil paint mediums * Cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! Brush and Hand Soap - Crafted from 100% vegetable-based ingredients. Whether you're working with oils or acrylics, Cobra Soap is the ideal solution for keeping your hands and brushes clean throughout your creative process. See More
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LUKAS Acrylic Pouring MediumsSave Up to80%Off list…of pouring medium! More of what you love and less of what you don't like about pouring! When added to acrylic paint, traditional pouring mediums generate random cells of color; as a result, most pourers add silicone to the mix to create more interesting shapes. LUKAS Pouring Medium is unique because… The Unique, next level of pouring medium! More of what you love and less of what you don't like about pouring! When added to acrylic paint, traditional pouring mediums generate random cells of color; as a result, most pourers add silicone to the mix to create more interesting shapes. LUKAS Pouring Medium is unique because you can create more dramatic effects without adding silicone and still produce spectacular cell formations. Other pouring mediums on the market such as Liquitex are very tacky until thoroughly dry causing dust particles to interfere with results. Surface defects from craters to cracks are a pitfall of traditional and household pouring mediums. LUKAS Pouring Medium is a real breakthrough because it dries to a beautiful satin sheen with almost no noticeable cavities and absolutely no cracking. The rule of thumb is the lower viscosity of the paint, such as ink, the smaller the ratio of the pouring medium, while thicker heavy body paint would receive a more significant portion of the medium. You can use virtually any acrylic based color, but we suggest richly pigmented colors! You can pour this flexible acrylic medium over almost any substrate, but it is better to pour on a hard flat surface such as a wooden panel. By changing mix ratios, variety of colors, viscosity, and types of substrates, it is almost impossible to run out of distinct variations. If you did five pours every day for the rest of your life, you’d only scratch the surface on the final creations you could create! LUKAS Pouring Medium is the next level of pouring medium designed to create the most beautiful and interesting pours. If for any reason you don’t feel that LUKAS Pouring Medium yields the best results in pouring, you can return it for a full refund. Key Features: * No need to add silicone for more cell formation* Pour over any hard flat surface* Dries to a permanent hard, water-resistant surface* Even sheen, non-tacky, satin sheen* Higher definition, greater cell formation* Smooth level surfaces, less defects* No cracks and no craters* Will not yellow or discolor over time* Less tacky* Dries to a permanent water resistant, crack free surface* Formulated with self leveling and anti crater additives* Impossible to run out of inspiration* Available In: 250ml, 500ml & 5 Liter(169oz / 1.32 gallons) Perfect For: * Dirty pours and cup pouring * Liquid pouring * Superb control and excellent definition * Creating interesting pours * Organic shape creation * Beautiful satin sheen * Everyday studio use * Pouring Medium Brochure Pouring Medium: V30392 or V30393 LUKAS pouring medium improves the flow characteristics of acrylic paints and is perfect for pouring techniques. Once dry, the medium creates a transparent, waterproof, polished surface. Formulated with self levelling and anti crater additives that also enable cell formation without the use of silicones. LUKAS pouring medium contains synthetic resin dispersion additives to improve flow but will not yellow or discolor over time. See More
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Turner Acryl Gouache MediumsSave Up to70%Off listHigh-quality acrylic medium pastes and primers Turner has a rich tradition of manufacturing top-quality art supplies and has been supplying professional quality colors and mediums to artists since 1947. The Turner Company has a range of carefully created primers and mediums designed to fulfill any… High-quality acrylic medium pastes and primers Turner has a rich tradition of manufacturing top-quality art supplies and has been supplying professional quality colors and mediums to artists since 1947. The Turner Company has a range of carefully created primers and mediums designed to fulfill any painter's ideas. You can paint on metal, wood, or glass with one of Turner's special primers or apply a final coat of varnish. Turner Retarder can also be mixed with traditional acrylics or acryl gouache to slow down drying and create special effects. Key Features:* Uses highest quality acrylic resins and materials* Create complex ground structures with Pastes* Surface primers for glass, wood, or metal* Perfect For:* Acrylic Painters* Faux Finishers* Artists of all skill levels* Experimenting with different textures and techniques Glass Primer: Used as an undercoat on glass with excellent adhesion. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Wood Primer: Used as an undercoat on wood to create good covering power and adhesion with acrylic paint. Wood Primer will block stains and seal porous surfaces to prevent colors from excessive soaking into the wood. Dilute with about 30% water to make a smooth and beautiful finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Metal Primer: Used as an undercoat on metal with good water and weather resistance. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best results. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Fabric Medium: Turner Fabric Medium allows you to use Turner Acryl Gouache on fabric. It works well with water-based acrylic paints. Modeling Paste Pastel: Water-based paste in white color with high viscosity, which enables opaque and matte impasto. It gives an elastic film after drying and a pastel tone when mixed with acrylic paint. Please note that it shrinks by approximately 40% after drying. Impasto of about 3cm thickness will take about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect. Retarder: Turner Retarder slows the drying time of acrylic gouache paints. The clear retarder forms a water-resistant film once dry. Using too much Turner Retarder may cause the painting surface to be tacky for a few days. See More
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GOLDEN Fluid Acrylic PaintsSave Up to30%Off list…consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are… GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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RAS Non-Toxic Tempera Paint MediumsSave Up to61%Off listEnhance & Protect Your Child's Artwork With These Non-Toxic Varnishes Tempera paint is the perfect medium for young artists, but it can be easily damaged once dry. Now you can protect precious tempera paintings with new Tempera Varnish from RAS! These non-toxic, water-soluble varnishes are easy… Enhance & Protect Your Child's Artwork With These Non-Toxic Varnishes Tempera paint is the perfect medium for young artists, but it can be easily damaged once dry. Now you can protect precious tempera paintings with new Tempera Varnish from RAS! These non-toxic, water-soluble varnishes are easy to apply and easy to clean up with just soap and water and will prevent dirt, dust, moisture, or environmental pollutants from damaging the surface of your child's art. Display your children's paintings proudly with protective RAS Tempera Varnish! Attach the paint pump (sold separately) to the varnish bottle to easily dispense varnish to students. Key Features: * Non-toxic water-based varnish * Sealant for tempera paintings * Cleans up easily with soap and water * Available in Gloss, Satin, and Matte finishes * Sold in 16 oz. and 64 oz. bottles and Gallon jugs * Pump dispenser sold separately Perfect For: * Protecting your child's paintings from environmental damage! * Varnishing tempera paintings * Dispensing varnish with less mess * Students, teachers, and parents * Use in the classroom See More
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GOLDEN Heavy Body Artists' AcrylicsSave Up to30%Off list…Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality.… Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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GOLDEN MSA & MSA UVLS VarnishesSave Up to30%Off listVarnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Matisse Antiquing Patina and Marbling MediumsSave Up to50%Off list…decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees,… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Wilson Bickford Artist Oil Painting MediumsSave Up to51%Off list…tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil… Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
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Jack Richeson Shiva Signature Oil MediumsSave Up to35%Off listCopal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Schmincke Norma Blue Water-Mixable Oils & MediumsSave Up to36%Off list…Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Van Aken Kato Polyclay Mediums & AccessoriesSave Up to20%Off list…Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste… Polymer clay mediums developed with an artist for artists! You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste adhesion is permanent * Water-soluble, non-toxic Repel Gel * Repel gel prevents Polyclay from sticking to itself * Easy to use and easy to clean-up * Polypaste works as a softening agent * Made in Georgia, USA Perfect For: * Use with Kato Polyclay * Creating photo transfers * Use as adhesive, grout, or glaze (Liquid Polyclay) * Gilding by mixing Polypaste with mica powder * Creating textured surfaces or repairing cracks in polymer clay (Polypaste) * School projects * Model making * Teachers and students Kato Nublade: is a flexible six-inch blade constructed of high-quality stainless steel that resists rusting. Its robust and supple design allows you to make curved or straight cuts. Even after repeated bending, the stainless steel blade will return to its straight shape. Liquid Polyclay Medium: Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Liquid Polyclays should be cured at 300F (150C) for 20 minutes for a matte finish. To create a glossier finish, bake for an additional 10 minutes at 350F (177C), or wave a heat gun over the project until the desired glossiness appears. Do not inhale fumes and never cure above 350F (177C) or allow Liquid Polyclay to come in contact with an open flame. Polypaste Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium useful in more ways than one. Polypaste can be used to bond polymer clay and finished Liquid Polyclay elements in any combination. Polypaste is exceptionally malleable; this makes it great for creating textured surfaces and embossing. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay were you want to avoid adhesion during the curing process. Follow baking instructions and separate the clay where you applied the Repel Gel. You can rinse off any residue with cold water. See More
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Golden Panda Eastern Artist Authentic ScrollsSave Up to59%Off listAuthentic artist scrolls by master artisans to last for centuries! These authentic scrolls have been used in the orient for thousands of years and are nearly impossible to obtain. These scrolls are made in a small village in China by a collective of master paper makers and artists that each posses… Authentic artist scrolls by master artisans to last for centuries! These authentic scrolls have been used in the orient for thousands of years and are nearly impossible to obtain. These scrolls are made in a small village in China by a collective of master paper makers and artists that each posses special techniques that have been passed down for generations. Nothing but the finest would ever carry the Creative Mark name. Minimum purchase of two scrolls (Assorted). All products are 100% guaranteed to meet with your complete satisfaction. * Mounted on silk* No frame required* Acid-free, silk-covered presentation box* Each mounted sheet edged in metallic gold* Finished with a 1-1/2" mahogany color wooden dow* Made in China by master artisans to last for centuries!* Silk ties for elegant presentation and easy wall hanging* For traditional and Oriental watercolor painting, calligraphy, and inks These authentic scrolls have been used in the orient for thousands of years and are nearly impossible to obtain. These scrolls are made in a small village in China by a collective of master paper makers and artists that each posses special techniques that have been passed down for generations. Nothing but the finest would ever carry the Creative Mark name. Minimum purchase of two scrolls (Assorted). All products are 100% guaranteed to meet with your complete satisfaction. Modern Sizing - The scroll is still long and vertical but the painting size is a square which is centered on the base material. Traditional Sizing - Generally, scrolls are long and vertical in appearance. We offer four of these sizes. Xian Scrolls - Feature special heavyweight natural white rice paper. These scrolls are perfect for ink, traditional Chinese painting and calligraphy techniques and sketching with dry media. These scrolls feature Jade colored silk base material. Shian Scrolls - Feature special acid-free Lei River silk paper for use with all water-based media including oriental colors, traditional watercolors, egg tempera and thinned acrylics. This silk paper takes color beautifully for breathtaking results. These scrolls feature Jasper colored silk base material. Size Base Material Painting Size A (Modern) 23.6 × 47.2" 15.74 × 15.74" B (Traditional) 11.8 × 43.3" 7.87 × 27.5" C (Traditional) 15.75 × 47.2" 11.8 × 31.5" D (Traditional) 23.6 × 47.2" 15.74 × 31.5" E (Traditional) 28 × 72" 25 × 50" See More
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Matisse Dry Medium Mix-InsSave Up to50%Off listUnique Dry Mediums For Unrivaled Textural Effects! Matisse Dry Medium Mix-Ins are distinctive dry mediums designed to be mixed with a range of wet acrylic mediums (and can also be used with oil mediums) to produce textural qualities unparalleled by any other product! Unlimited effects can be… Unique Dry Mediums For Unrivaled Textural Effects! Matisse Dry Medium Mix-Ins are distinctive dry mediums designed to be mixed with a range of wet acrylic mediums (and can also be used with oil mediums) to produce textural qualities unparalleled by any other product! Unlimited effects can be achieved by varying the amount of dry to wet medium, though an ideal mixture is one 50ml bottle of Mix-Ins to one 250ml jar of Matisse medium. Create infinite combinations of texture, build ridges and valleys within your artwork, and bulk out your paint with nearly weightless dry mediums perfect for use on large canvases. Any surface imaginable is now achievable to your precise specifications with amazing Matisse Mix-Ins! Key Features: * Coarse Effects Set of 6 * Calcined Bauxite, Lang Land Sand, Lang Lang Gravel, Pumice, Glass Beads, and Wollastonite Perfect For: * Adding texture to paint * Working with acrylic and oil mediums Lang Lang Sand & Gravel- 5 grades of fine, medium, or coarse sands for texture effects. Pumice - Lightweight volcanic glass good for creating texture on large canvases. "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist See More
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Schmaltz Artist Oil Impasto Gel MediumSave Up to56%Off listThis Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high… This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high quality alkyds and oils. Add it to your paint to create luminous, transparent full-bodied colors. The buttery gloss gel retains brush strokes and dries quickly, which makes it perfect for impasto effects and glazes. Pair with StudioSolv™ to reduce viscosity if a more leveled look is desired. Key Features: * Quick drying impasto gel * Increases shine and volume * Speeds up drying time * Improves transparency and gloss * Retains brush strokes and peaks * Contains linseed oil, safflower oil, and clear alkyd Perfect For: * Oil painters * Mixing luminous, transparent colors * Impasto effects and glazes * Speeding up drying time * Making your artwork Schmaltzy! Why the name Schmaltz? We were inspired by the Yiddish word for rendered chicken fat when developing this particular resin gel. Not only does it look a lot like its culinary cousin it also adds a luminous impact when mixed with oils. Please don't get confused! We know it looks delicious, but you should never eat your art supplies or use them in the kitchen! See More
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Beste Superior Golden Taklon Hair Brush SetsSave Up to83%Off listStiffness Watercolors Acrylics Oils World class brushes featuring Golden Taklon,the bristles that bounce back every time! Beste™ Superior Golden Taklon Brushes from Creative Mark is an outstanding line of brushes. As an artist, you depend on your paintbrush to perform strokes reliably.… Stiffness Watercolors Acrylics Oils World class brushes featuring Golden Taklon,the bristles that bounce back every time! Beste™ Superior Golden Taklon Brushes from Creative Mark is an outstanding line of brushes. As an artist, you depend on your paintbrush to perform strokes reliably. After all, your paint brush helps you express your creativity. Now, there is an artist brush that feels good in your hand and will keep performing painting session after painting session. The blended multi-diameter Golden Taklon hair holds lots of color. Each brush is hand-tied and shaped for ideal performance. Every Round comes to a point, and every Flat comes to a tapered edge. The brush hair absorbs the color and releases it as soon as it touches the painting surface. Then the bristle hair bounces back every time!Great response, and snaps back every time! Choose from many shapes as well as unusual ones! Multi-Stroke Set of 4 - Includes the most interesting brushes for various painting effects. Brushes include an Angular 3/8", a Deerfoot 1/2", a Rake 1/2", a Dagger Striper 1/2". Round Set of 6 - Includes a complete assortment of rounds for virtually any painting technique. Brushes include size #1, #4, #7, and #12 Pointed Rounds and a size #4, and #8 Bushy Rounds. Super Shader Set of 6 - Includes our best selling Super shader that handles virtually any media with supreme precision. Includes size #0, #2, #4, #6, #8, and #12. Value Set of 6 - This set includes a size #1, #2, #4, and #8 Round, a size #2 Script, and a size #4 Super Shader. Buy a trial set today and use it for 30 days. If you do not love them return the set for a full refund. Key Features:* Multi diameter Golden Taklon hair* Keeps its working characteristics* Holds color extremely well* Sharp edges and split-free points* Hand tied and shaped for ideal performance* Round and flat comes to a tapered edge* Hair absorbs the color and releases* Special ferrules fashioned of brass and anodized in black* Short handle brushes, matte black finish Perfect For:* Any watermedia (acrylics, watercolors)* Expressing your creativity* Feels good in your hand* Keeps its working characteristics painting session after painting session See More
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Lineco Archival Book Tool KitsSave Up to36%Off listProfessional Bookbinding Tools and Notions Lineco offers a variety of tools and materials perfect for creating custom books. Whether you're new to bookbinding or are an experienced binder, you'll enjoy using Lineco's bookbinding tools. The Lineco Archival Book Tool Kit contains basic bookbinding… Professional Bookbinding Tools and Notions Lineco offers a variety of tools and materials perfect for creating custom books. Whether you're new to bookbinding or are an experienced binder, you'll enjoy using Lineco's bookbinding tools. The Lineco Archival Book Tool Kit contains basic bookbinding tools. If you need to restore or clean your collection of books, Lineco's Repair Kit has all the supplies you need for simple book repairs. Key Features: * Professional bookbinding tools and notions * Heavy-duty and light-duty awls for making holes * Genuine bone folders for paper folding * Beeswax for waxing thread * Supplies needed for simple book repair Perfect For: * Creating bespoke art books * Beginner and professional artists * Making sketchbooks and journals * Sewing signatures * Bookbinding Click on the item number to view a full product description. See More
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QoR Watercolor Paints & SetsSave Up to40%Off listModern Watercolors. The unique formulation! Exclusive Aquazol Binder Golden Artist Colors has the privilege and delight of collaborating with artists to make the highest quality watercolor paints. That process has produced a new, thoroughly modern Watercolor called QoR. QoR’s (pronounced… Modern Watercolors. The unique formulation! Exclusive Aquazol Binder Golden Artist Colors has the privilege and delight of collaborating with artists to make the highest quality watercolor paints. That process has produced a new, thoroughly modern Watercolor called QoR. QoR’s (pronounced 'core') exclusive Aquazol® binder provides more pigment in every brushstroke, while retaining the best qualities of traditional watercolors. QoR offers a strength, range and versatility unmatched in the history of watercolors. The unique formulation accentuates the luminosity and brilliance of each pigment even after drying, while providing the subtlety, transparency and flow of a great watercolor. Watercolors with color strength, range and versatility unmatched in the history of watercolors Key Features: * 11ml Tubes * Sets of: 6, 12 and 24 * More color strength than traditional watercolors * Features the exclusive Aquazol® binder * Vibrant, intense colors that stay brilliant even after they dry * Higher pigment density * Incredibly smooth transitions * Excellent glazing qualities * Highly versatile * Will not crack * Colors effortlessly blend together * Affordable price point per ml of watercolor * More density of color than traditional watercolors Perfect For: * Watercolorists of all skill levels * An incredible flow of color * Artists, students, teachers * Use with QoR watercolor mediums and grounds * Use in a studio, classroom or plein air * Painting large works of art * Easy clean up * Discerning artists * Practice or final works of art * Artists seeking a better quality watercolor QoR Watercolor Sets The colors in each set have been hand picked by professional watercolorists, to insure a balanced palette. * QoR Watercolor Mini Half-Pan Set of 12 - QoR mini fits 12 half pan watercolors in a tin smaller than an index card and an innovative non-staining silicone insert with embossed letters next to each pan. It fits perfectly in pocket or purse for urban sketching and plein air painting which will re-wet beautifully and deliver the lively painting performance artists expect. The deep, rich, beautiful color of QoR with its exclusive Aquazol binder provides more pigment in every brushstroke, while retaining the best qualities of traditional watercolors. Strength, versatility, and now convenience and mobility are part of the QoR story. - Click Here-> QoR Mini Color Chart > * QoR Introductory Set of 6 - Six 5ml tubes of watercolors. Colors include Indian Yellow, Cerulean Blue Chromium, Ultramarine Blue, Pyrrole Red Light, Permanent Alizarin Crimson, Burnt Sienna (Natural) * QoR Introductory Set of 12 -Twelve 5ml tubes of watercolors. Colors include Nickel Azo Yellow, Hansa Yellow Medium, Quinacridone Gold Deep, Quinacridone Magenta, Permanent Alizarin Crimson, Pyrrole Red Light, Phthalo Blue (Green Shade), Ultramarine Blue, Viridian Green, Burnt Sienna (Natural), Payne's Gray, Yellow Ochre (Natural) * QoR Introductory Earth Set of 6 - Six 5ml tubes of watercolors. Colors include Naples Yellow, Transparent Brown Oxide, Venetian Red, Sap Green, Indigo, Raw Umber (Natural) * QoR Introductory High Chroma Set of 6 - Six 5ml tubes of watercolors. Colors include Cobalt Teal, Green Gold, Quinacridone Gold, Transparent Pyrrole Orange, Quinacridone Magenta, and Dioxazine Purple * QoR Set of 24 - The new QoR® 24 Set from GOLDEN allows artists to experience a wide range of colors in one convenient set. Packaged in a versatile palette tin, this collection is comprised of a full spectrum of vivid colors, making it appealing to any watercolorist, whether they are a student, teacher or professional who wants to experiment with a modern watercolor. Twenty-four 5ml tubes of watercolors. Colors include Cadmium Yellow Primrose, Nickel Azo Yellow, Quinacridone Gold, Diarylide Yellow, Transparent Pyrrole Orange, Cadmium Red Medium, Permanent Scarlet, Permanent Alizarin Crimson, Quinacridone Magenta, Dioxazine Purple, Ultramarine Blue, Cerulean Blue Chromium, Phthalo Blue (GS), Cobalt Teal, Viridian Green, Sap Green, Green Gold, Raw Sienna (Natural), Burnt Sienna (Natural), Raw Umber (Natural), Van Dyke Brown, Paynes Gray, Neutral Tint and Titanium White. * See More
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Matisse Derivan Screen Printing InkSave Up to50%Off list…It can be used in the classroom or at home safely without the worry of being exposed to harmful solvents such as white spirits, turps or thinners. Matisse Derivan Screen Printing Ink is water-based and washes up in water (before it is heat set) but has excellent rub resistance and lightfastness… A totally water-based, silk screen printing ink! Matisse Derivan Screen Printing Ink has been formulated as a safe, non-toxic silk screen printing ink for fabric and tie-dyeing. It can be used in the classroom or at home safely without the worry of being exposed to harmful solvents such as white spirits, turps or thinners. Matisse Derivan Screen Printing Ink is water-based and washes up in water (before it is heat set) but has excellent rub resistance and lightfastness once heat set. All the colours may be intermixed to form bright secondary and tertiary colours. White (Opaque) may be mixed if pale pastel opaque prints are desired on dark colored fabrics. The Screen Reducer is a thick milky colored paste which dries colorless and transparent. It is used for intermixing with standard printing colours in order to extend deep colours into pale or lighter transparent shades (Red into transparent pink, etc.). It is mainly for white or pale fabrics. Best results are obtained from absorbent fabrics; avoid waterproof fabrics as they tend to inhibit penetration and repel the water-based colors. Clean up is a breeze! Simply wast all utensils, brushes and hands with soap and water to clean up! Key Features: * Water-based screen printing ink * Non-toxic * Clean up with soap and water * Excellent rub resistance * High lightfastness ratings Perfect For: * Use on absorbent fabrics, such as cotton, bamboo and hemp * Easy and safe to use on delicate fabrics; such as swimwear, baby wear and undergarments * Screen printing on dark colored fabrics See More
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Manchester Colonial FramesSave Up to62%Off list…The outer edge has a rounded interior and corner with a raised design to give a stacked feel* The golden hue is slightly antiqued with a light gray in the grooved areas.* The back surface is black* Open back, ready made frame Perfect For:* Landscape, floral and still life paintings with an old world… A Classic Design That Evokes The Feel of the Colonial Age The Manchester Colonial style wood frames come in a variety of convenient, ready-made sizes. The Manchester style uses a stepped inner lip to offset it from the painting. The outer edge has a rounded interior and corner with a raised design to give a stacked look. The golden hue is slightly antiqued and has light gray accents. Perfect for virtually any type of artwork that requires classic simplicity with the appeal of age. The frame has a 3-1/2" wide face and a rabbet of 3/4". These beautiful wooden frames feature a classic design that evokes the feel of the Colonial age. ManchesterThe golden hue is slightly antiqued and has light gray accents, uses a stepped inner lip to offset it from the painting and outer edge has a rounded interior and corner with a raised design to give a stacked look. Key Features:* 3-1/2" face width and 3/4" rabbet depth* Plein Air style with stepped inner lip* The outer edge has a rounded interior and corner with a raised design to give a stacked feel* The golden hue is slightly antiqued with a light gray in the grooved areas.* The back surface is black* Open back, ready made frame Perfect For:* Landscape, floral and still life paintings with an old world feel* Photographs, landscapes and still life paintings that require simplicity Please note: frames do not include glass See More
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Provence Colonial FramesSave Up to71%Off listA Classic Design That Evokes The Feel of the Colonial Age These beautiful wooden frames feature a classic design that evokes the feel of the Colonial age. Available in a variety of convenient, ready-made sizes you're sure to find the Provence Colonial frames to complement the style of all your… A Classic Design That Evokes The Feel of the Colonial Age These beautiful wooden frames feature a classic design that evokes the feel of the Colonial age. Available in a variety of convenient, ready-made sizes you're sure to find the Provence Colonial frames to complement the style of all your photos, paintings and portraits. The Provence Colonial frame has a scoop design with a round back. The Gold leaf has a gray wash on the ornamentation. The inside lip is a speckled bright gold leaf panel. The outer back edge is decorated with beading. The thickness of the moulding is offset with the light, airy color tone. The frame has a 3-3/8" face width and 1/4" rabbet depth. It is perfect for floral, landscape and still life paintings with an old world feel. Provence Gold leaf has a gray wash on the ornamentation and the outer back edge is decorated with beading. Thickness of the moulding is offset with the light, airy color tone Key Features:* 3-3/8" face width and 1/4" rabbet depth.* Scoop design with rounded back* Gold leaf with a light gray wash on the ornamentation.* The inside lip is a speckled bright gold leaf panel.* The outer edge back surface is decorated with beading Perfect For:* Landscape, floral and still life paintings with an old world feel Please note: frames do not include glass See More
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Alexandria Estate Replica Gold FramesSave Up to68%Off listSet your work apart with an Elegant Frame! Alexandria frames are built in an old-world manner by taking select carved lumber and building up a surface design with gesso, gold leafing, and black rub. The timeless 3 1/2" wide x 2 3/8” Estate Replica frame molding is enhanced by a raised antique… Set your work apart with an Elegant Frame! Alexandria frames are built in an old-world manner by taking select carved lumber and building up a surface design with gesso, gold leafing, and black rub. The timeless 3 1/2" wide x 2 3/8” Estate Replica frame molding is enhanced by a raised antique top edge and offset inner groove, while the 3/8" deep rabbet allows for framing artworks behind glass, or even 1/2" deep canvases with the use of offset clips! Each frame is superbly constructed and outfitted with hardware in the form of D-rings and hanging wire. Your artwork will stand out from the crowd in an Alexandria frame! Please Note: A minimum purchase of 2 assorted frames is required. Bulk Pricing Available! Key Features:* 3.5” wide x 3.35” deep, 3/8” rabbet.* Antique Estate replica design* 1/8” offset clips needed for ½” canvas fitting* All frames come with hangers and wire. Perfect For:* Framing canvas or works on paper See More
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Prizzi Estate Replica Gold FramesSave Up to72%Off listSet your work apart with an Elegant Frame! Prizzi frames are built in an old-world manner by taking select carved lumber and building up a surface design with gesso, gold leafing, and black rub. The timeless 4¼” wide x 2” deep Estate Replica frame molding is enhanced by a natural color linen liner,… Set your work apart with an Elegant Frame! Prizzi frames are built in an old-world manner by taking select carved lumber and building up a surface design with gesso, gold leafing, and black rub. The timeless 4¼” wide x 2” deep Estate Replica frame molding is enhanced by a natural color linen liner, while the 3/8" deep rabbet allows for framing paper artworks behind glass, or even canvas panels! Each frame is superbly constructed and outfitted with hardware in the form of D-rings and hanging wire. Your artwork will stand out from the crowd in a Prizzi frame! Please Note: A minimum purchase of 2 assorted frames is required. Bulk Pricing Available! Key Features:* 4¼” wide x 2” deep, 3/8" rabbet.* Antique Estate replica design* Linen liner w/ Gold Fillet* All frames come with hangers and wire. Perfect For:* Framing canvas panels* Framing works on paper Details: 4 1/4” wide 2” deep 3/8" Rabbet 7/8" Linen Liner 1/4" Gold fillet All hardware included See More
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Ampersand DuoframesSave Up to35%Off listModern Versatility. Timeless Style. Duoframes from Ampersand offer the ultimate versatility for framing artwork. The unique St. Ives design allows one frame to fit various artwork sizes. You can display artwork through the frame "window" or "float" mount artwork on top of the frame. To float mount,… Modern Versatility. Timeless Style. Duoframes from Ampersand offer the ultimate versatility for framing artwork. The unique St. Ives design allows one frame to fit various artwork sizes. You can display artwork through the frame "window" or "float" mount artwork on top of the frame. To float mount, you must use artwork larger than the frame window. Please note: Float mounting involves using glue. It may be hard to remove glue residue from the face of the frame. Key Features: * Display options: window mount or float mount * The only ready-made St. Ives Style frame * Window mount artwork in the frame "window" * Display artwork "floating" on top of the frame * Made of high-quality FSC-certified maple * Hanging hardware included Perfect For: * Framing artwork up to 1/4" flat or up to 7/8" cradled * Maximizing the impact of smaller artworks * Displaying 3D and fiber artworks * Switching art in and out of the frame * Art installations Duoframe Size Chart See More
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Chuck Mclachlan DvdsSave Up to77%Off list…draw chickens, birds, lions, hippos, giraffes, moose, and squirrels. Directly from the wild to your television. Journey with Chuck today! "On the Open Road" - 53 minutes | Get Supply List Watercolor has traditionally been used in a transparent style, creating washes and layer, to form what we… With over 50 years of painting experience, Chuck continues to improve and explore the painting world. He continues to be a student and learn new techniques and develop new styles. He currently is exploring the saturated watercolor styles successfully achieved by North Carolina artist Skip Lawrence and national artist Wolf Kahn. Chuck's new style is strong color balanced against simple composition. Although not intentionally abstract, his paintings sometimes take on that view. It appeals to both the traditional watercolorist and the new younger art patron. "Complete Watercolor Workshop" - 157 minutes | Get Supply List Join Chuck through a complete watercolor workshop of his amazing techniques in watercolor. Chuck will teach you techniques in painting different kinds of trees, rocks, water, skies (insert all), take you through his famous "20 Minute Drill," and finish by showing you how to incorporate it all together in one painting. A class for anyone who wants to learn an amazing array of painting techniques and have a great time doing it. "Drawing for Anyone with a Pencil: Drawing Animals" - 163 minutes| Get Supply List Jump right in to drawing animals along with Chuck McLachlan. Designed to get you drawing now, no time is wasted on proportion or perspective; just straight to making some of your favorite animals come to life. Learn to draw chickens, birds, lions, hippos, giraffes, moose, and squirrels. Directly from the wild to your television. Journey with Chuck today! "On the Open Road" - 53 minutes | Get Supply List Watercolor has traditionally been used in a transparent style, creating washes and layer, to form what we commonly think of as a "watercolor painting." Chuck teaches you a whole new way of painting in watercolor, using less water and more color, making your paining practically leap off the page. In this DVD, Chuck will step you through his painting "On the Open Road," incorporating trees, sky, and architecture. All DVDs are recommended for all skill levels. For more information, please visit www.chuckmclachlan.com. See More
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Classique Gold Leaf Wood FramesSave Up to64%Off listSolid wood frames in classic gold leaf! Classique frames are perfect for framing all works of art from traditional painted landscapes and portraits to modern digital prints and photography. The wide moulding is enhanced by a raised and rounded top edge and offset inner groove, while the 3/8" rabbet… Solid wood frames in classic gold leaf! Classique frames are perfect for framing all works of art from traditional painted landscapes and portraits to modern digital prints and photography. The wide moulding is enhanced by a raised and rounded top edge and offset inner groove, while the 3/8" rabbet depth allows for framing any flat artworks behind glass, or even 3/4" deep canvases with the use of offset clips! Please Note: glass, backing, and hardware are not included. Classique 55 * Solid wood frames in classic gold leaf* 2" width and 3/8" rabbet depth* Fit stretched canvas with a 1/8" offset clip. (Not included)* Scoop design with a round back.* Brushed gold with red and black undertones. Beading along the lip that is accented with a cream wash.* The hint of design in the beaded lip encourages the use of the frame for more traditional artwork.* These frames are well built, strong and look great. They fit the canvas well* Lightweight so makes it easy to hang or ship Key Features* Solid 2" wide moulding with raised edge* 3/8" rabbet depth* Fit stretched canvas with a 1/8" offset clip (not included)* Brushed gold with red and black undertones* Scoop design with round back Perfect For:* Framing anything from traditional paintings to modern prints!* Plein aire painting* Portraiture* Standard stretched canvas Although we do our best to represent colors accurately for our products, due to differences in monitor calibrations as well as household lighting, some colors and finishes may appear different in various lighting circumstances and cannot be guaranteed for exact color. See More
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Ambiance Unfinished Gallery Deep Wood FramesSave Up to79%Off list…the frame you want! SEE BOTTOM OF THIS PAGE FOR ALL ITEMS Made Of Highest Quality Knot Free New Zealand Pine Key Features:* Unfinished open back wood deep frames* Paint It, Stain It, Spray It - Make it your own!* Made Of Highest Quality Knot Free New Zealand Pine* 3/4" Face, 1-1/4" Inside… A Frame As Creative As You Are! Paint It, Stain It, Spray It - Make It Your Own! Until now our most popular frame, Ambiance Gallery Deep, was only offered in complete and pre-finished frames. The Ambiance Unfinished Natural Wood Gallery Frame style is a beautiful unfinished look. Some of our customers prefer a smooth unfinished look to use paint or wood stain to extend their creativity onto the frame. With Ambiance Unfinished Gallery Frames you can Paint It, Stain It, or Spray It anyway that you choose! Please Note: glass and backing are not included. We carry everything you need to create the frame you want! SEE BOTTOM OF THIS PAGE FOR ALL ITEMS Made Of Highest Quality Knot Free New Zealand Pine Key Features:* Unfinished open back wood deep frames* Paint It, Stain It, Spray It - Make it your own!* Made Of Highest Quality Knot Free New Zealand Pine* 3/4" Face, 1-1/4" Inside Rabbet* Holds Canvases Up To 1-1/4" Deep* Accommodates All Matted and Mounted Artwork* Available in: Single Frames or Bulk Boxes of 10 Perfect For:* Unfinished look* Painting or Staining to the color of your choice* Creating a personal look for your frame* Crafters and DIYers* Making a personalized gift* Framing matted or mounted artwork, prints or photographs* See More
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Imperial Frames Canterbury CollectionSave Up to69%Off listBeautifully hand-finished to adorn your art! Our Imperial ready-made open back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe.… Beautifully hand-finished to adorn your art! Our Imperial ready-made open back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe. The ZTPE coating seals the entire moulding to ensure lasting quality. The Imperial Canterbury design features dark antique copper embellishments and a black reverse scoop in the Spanish Baroque style. These black and copper museum-quality frames are indeed a work of art! Please Note: These frames do not come with glass, glazing, or backing. Museum-quality, Hand-finished by expert artisans & Highest quality fir wood coated with ZTPE Key Features: * Hand-finished by expert artisans * Dark antique copper embellishments and black reverse scoop * Width: 2 7/8", Depth: 1 11/16", Rabbet: 7/8" * Highest quality fir wood coated with ZTPE * Fir wood coated with gesso, molded and hand-finished * Archival ZTPE coating seals the entire moulding * Well made wood frames * Spanish baroque style * Available in 16 popular sizes Perfect For: * Adding prestige to any piece of art * 3/4" deep canvas, or paper and panels * Museum-quality framing solutions * Portrait and landscape artwork * High-end professional quality See More
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Imperial Frames Stratford CollectionSave Up to70%Off listBeautifully hand-finished to adorn your art! Our Imperial open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe. The ZTPE… Beautifully hand-finished to adorn your art! Our Imperial open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe. The ZTPE coating seals the entire moulding to ensure lasting quality. The Imperial Stratford design features a beveled reverse scoop in an antique bronze finish with an interior crescent pattern in the Neoclassical style. These museum-quality frames are indeed a work of art! Please Note: These frames do not come with glass, glazing, or backing. Museum-quality, Hand-finished by expert artisans & Highest quality fir wood coated with ZTPE Key Features: * Hand-finished by expert artisans * Beveled reverse scoop in an antique bronze finish with a subtle interior crescent patterned border * Width: 1-1/8", Depth: 13/16", Rabbet: 1/2" * Highest quality fir wood coated with ZTPE * Fir wood coated with gesso, molded and hand-finished * Archival ZTPE coating seals the entire moulding * Well made wood frames * Neoclassical style * Available in 16 popular sizes Perfect For: * Adding prestige to any piece of art * 3/4" deep canvas, or paper and panels * Museum-quality framing solutions * Portrait and landscape artwork * High-end professional quality See More
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Imperial Frames Kensington CollectionSave Up to71%Off listBeautifully hand-finished to adorn your art! Our Imperial ready-made open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe.… Beautifully hand-finished to adorn your art! Our Imperial ready-made open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe. The ZTPE coating seals the entire moulding to ensure lasting quality. The Imperial Kensington design features floral embellishments in the Baroque style. These dark antique gold museum-quality frames are indeed a work of art! Designed to emulate the look of antique frames but without the high cost. You can now buy these quality frames from us at extremely affordable pricing. Please Note: These frames do not come with glass, glazing, or backing. Museum-quality, Hand-finished by expert artisans & Highest quality fir wood coated with ZTPE Key Features: * Hand-finished by expert artisans * Dark antique gold color * Width: 2-5/8", Depth: 1-13/16", Rabbet: 3/4" * Highest quality fir wood coated with ZTPE * Fir wood coated with gesso, molded and hand-finished * Archival ZTPE coating seals the entire moulding * Well made wood frames * Baroque floral design elements * Available in 16 popular sizes Perfect For: * Adding prestige to any piece of art * 5/8" deep canvas, or paper and panels * Museum-quality framing solutions * Portrait and landscape artwork * Baroque style interior design * High-end professional quality See More
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Imperial Frames Saint James CollectionSave Up to69%Off listBeautifully hand-finished to adorn your art! Our Imperial open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe. The ZTPE… Beautifully hand-finished to adorn your art! Our Imperial open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe. The ZTPE coating seals the entire moulding to ensure lasting quality. The Imperial Saint James design features a dark polished burl finish with a gold interior accent. These contemporary museum-quality frames are indeed a work of art! Please Note: These frames do not come with glass, glazing, or backing. Museum-quality, Hand-finished by expert artisans & Highest quality fir wood coated with ZTPE Key Features: * Hand-finished by expert artisans * Dark polished burl finish with gold interior accent * Width: 2-1/2", Depth: 1-1/8", Rabbet: 3/4" * Highest quality fir wood coated with ZTPE * Fir wood coated with gesso, molded and hand-finished * Archival ZTPE coating seals the entire moulding * Well made wood frames * Contemporary design elements * Available in 16 popular sizes Perfect For: * Adding prestige to any piece of art * 3/4" deep canvas, or paper and panels * Museum-quality framing solutions * Portrait and landscape artwork * High-end professional quality See More
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Vintage Barnwood FramesSave Up to77%Off list…width* 1" Depth* 5/16" Rabbet* Raised outer lip* Rough, unplaned texture* Warm rustic barnwood* Well cut to easily insert glass, mat and backing* Open back frame* Solid and well made Perfect For:* Framing rustic photography or artwork* Framing projects that do not require glass pane or a framing… Each Vintage Barnwood Frame is an original! Brown/Grey Color The Vintage Barnwood Frames feature an unfinished, unplaned well-made surface, which exposes the wood's natural grain and assures that no two frames look exactly alike. Every Vintage Barnwood Frame is guaranteed to bear a brown-grey color, have a total 2-7/16" frame width, a 1" outer depth, a raised outer lip and a 5/16" rabbet. Adding versatility to their repertoire, the Vintage Barnwood frames do not include backing, hardware or glass. Use them for exciting craft ideas or for their intended framing purpose. Key Features:* 2-7/16" Frame width* 1" Depth* 5/16" Rabbet* Raised outer lip* Rough, unplaned texture* Warm rustic barnwood* Well cut to easily insert glass, mat and backing* Open back frame* Solid and well made Perfect For:* Framing rustic photography or artwork* Framing projects that do not require glass pane or a framing back* Use with craft projects Please Note: Frame is more brown with a slight hint of grey See More
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Imperial Frames Piccadilly CollectionSave Up to70%Off listBeautifully hand-finished to adorn your art! Our Imperial ready-made open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe.… Beautifully hand-finished to adorn your art! Our Imperial ready-made open-back frames are beautifully and meticulously hand-finished by expert artisans. Each frame is made with the highest quality fir wood and coated with ZTPE, an inert archival material that seals the wood to keep your art safe. The ZTPE coating seals the entire moulding to ensure lasting quality. The Imperial Piccadilly design features a slim, minimalistic profile with a raised outer edge in either brushed gold or silver. These museum-quality frames are indeed a work of art! Please Note: These frames do not come with glass, glazing, or backing. Museum-quality, Hand-finished by expert artisans & Highest quality fir wood coated with ZTPE Key Features: * Hand-finished by expert artisans * Available in two colors: Gold or Silver * Minimalistic style brushed gold/silver with a raised outer edge * Width: 7/8", Depth: 7/8", Rabbet: 1/2" * Highest quality fir wood coated with ZTPE * Fir wood coated with gesso, molded and hand-finished * Archival ZTPE coating seals the entire moulding * Well made wood frames * Available in 16 popular sizes Perfect For: * Adding prestige to any piece of art * 3/4" deep canvas, or paper and panels * Museum-quality framing solutions * Portrait and landscape artwork * High-end professional quality See More
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