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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Da Vinci Series 2475 80mm Mottler BrushSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Lascaux Acrylic Gouache Paint Ultramarine Blue 85 ml BottleSave Up to38%Off listBlue Artist quality, brilliant acrylic paints perfect for the studio or the classroom artist ! Lascaux Acrylic Gouache Paints are acrylic-modified tempera paints specially developed by color experts, educators and professional artists, making these vibrant paints ideal for use in the studio or in the classroom. The range of 34 highly pigmented colors are lightfast and have a velvety, elastic water-soluble finish and can diluted while maintaining depth of color. Lascaux Acrylic Gouache Paints work great on absorbent surfaces like paper, cardboard, canvas, wood or plaster and are easily blendable for creating custom paint colors. Key Features: * 34 highly pigmented, lightfast colors * Acrylic-modified tempera paints made with pure pigments * Developed by color experts, educators and professional artists * Easily blendable with a velvety finish * Vibrant gouache paint with a unique acrylic-based binder * Highly concentrated, lightfast pigments * Dries to a velvety matte, water-soluble finish * Excellent permanence and covering power * Adheres well to paper, canvas, plaster, wood, cardboard, and more * Colors remain intense even when diluted more than 1:1 with water Perfect For: * Perfect for all types of fine artwork, illustration, design, and student work! * Art classrooms * Absorbent work surfaces * Art therapy projects * Professional artists Unique, artist grade tempera paints with an acrylic-based binder — a favorite of professional figure artist Bill Buchman! Through extended consultation with professional artists and art teachers, Lascaux developed their truly innovative line of acrylic-based gouache to meet the artistic demands of painters of all skill levels. Lascaux Gouache is a unique style of tempera paint based on a revolutionary acrylic binder, water-mixable and vibrant, drying to a velvety matte, elastic finish that remains water-soluble once dry, unlike most other acrylic gouache lines/ See More
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Pastelmat Pad Palette No. 5 - Assorted Colors, 30x40cm (12-Sheets)Save Up to20%Off listAssorted Colors A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to20%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Fredrix Artist Series Stretched Canvas, Round 10" Diameter Box of 6Save Up to46%Off listWhite Make An Impact With A Unique Canvas Shape Fredrix Oval And Round Canvases have a shape that makes an impact. Each canvas is mounted to a pressed-wood stretcher frame with a 5/8" profile. The double-primed 100% cotton duck canvas has a medium texture perfect for acrylics, oils, paint markers, permanent markers, spray paints, and alkyds. These unique shapes are great for a change of pace and design. Try an oval or circle canvas for your next still life or portrait. We're sure you'll love it! Key Features: * 100% Cotton duck, medium-textured surface * Double primed, acid-free acrylic gesso * 5/8" profile * You can use the canvas with a frame * Perfect For: * Acrylics and oils * Paint markers and permanent markers * Spray paints and alkyds * Making an impact * Portraits and decorative painting Please note: The canvas is not suitable for water-based media because of the glued edges. See More
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