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Da Vinci Fit Synthetic 100mm Mottler Brush, Series 5073Save Up to30%Off list…these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students,… Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
Da Vinci Artists Bristle Series 2475 500mm (20in) MottlerSave Up to30%Off list…excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or… Double-boiled Hog bristles have a long lifespan! The da Vinci Artist Bristle Mottlers are made of Chungking hog. The white hog-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The brush has a varnished wooden paintbrush-style handle and a nickel-plated ferrule. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Painstakingly constructed to guarantee durability these brushes are excellent for mural painting and varnishing. Key Features: * Double-boiled hog bristle * Interlocked for shape retention * Flags at the bristle tip * Long Hardwood Handles * Nickel-plated ferrules * Superior paint carrying capacity * Made in Germany Perfect For: * Oil and acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More -
Spectrum Universal Primed Cotton 8oz Roll 62" x 30 YardsSave Up to50%Off listWhite Exclusively milled and made for us with the highest quality universal acrylic priming! Available in 6 yard studio rolls and 30-yard commercial bulk rolls. Exclusively milled and made for us with the highest quality universal acrylic priming. Most are double-primed with two coats of rich, white, and acid-free priming. Super Smooth is triple primed and is for portrait work. All have only the finest imported pure cotton sheeting that has a uniform weave and even texture. If you know quality, then you will be amazed at the savings you enjoy with Spectrum. Comes in:* 8oz Super Smooth Portrait Cotton (11.8oz primed) - For portrait applications-Triple primed* 8oz Weight (9.6oz primed) - Classic weight for commercial stretched canvases-Double primed* 10oz Weight (12.1oz primed) - A good compromise between 8oz and 12oz primed-Double primed* 12oz Weight (14.5oz primed) - The finest filled cotton duck on the market-Double primed* 15oz Weight (17.4oz primed) - Super Heavy Weight. Great for walls, murals, super large canvases, and floor cloths - Double primed Details/Features:* Uniform weave, even texture* Finest Imported cotton sheeting* Milled with the highest quality universal acrylic priming* Rich white acid-free priming* Available in 6 or 30 yard rolls See More
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Bob Ross Black Liquid Acrylic 4oz (118ml) BottleSave Up to25%Off listBlack Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More -
Liquitex BASICS Acrylic Assorted Colors Set of 12, 4oz TubesSave Up to65%Off listAssorted Colors A great starting point for Acrylic Beginners and Students! Liquitex BASICS Acrylic line is developed for students and artists who need dependable quality at an economical price. BASICS are a medium viscosity paint made with lightfast, artist-quality pigments.. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Perfect for beginners, large-scale works or backgrounds, murals, and learning color mixing! Click the item number to learn about each set! Key Features: * Dependable and affordable * Value/Student Series Acrylic * Excellent working qualities * Made with lightfast, artist-quality pigments * Click on the paper icon to read about each set * Perfect For: * Underpainting or sketching if you’re a serious artist * Students learning Acrylics * Artists painting large scale * Budget-minded Artists * Make great gifts! See More -
Pebeo Studio Acrylic Pouring Experiences Set, 118mlSave Up to26%Off listAssorted Colors Add texture and Experience pouring with Pebeo Studio Acrylics Pebeo Studio Acrylics are available in a heavy body version and a pourable fluid paint. All Pebeo paints are richly pigmented. Their high-viscosity paints are thick, allowing you to play with texture and dimension. The colors mix cleanly and can be layered and thinned to glaze consistency. Pebeo Studio Acrylic Pouring colors are fluid acrylic paints that are pre-mixed with a pouring medium. With these pre-mixed fluid colors, you can experience the fun of pouring without the hassle of mixing. All Pebeo Studio Acrylics are lightfast and dry to a permanent flexible film! Key Features: * Heavy body or pourable viscosity * Richly pigmented acrylic paints * Retain brush and painting knife strokes * Pre-mixed pourable colors contain pouring medium * Easily mixable with great light-fastness * Available in assorted sets * Click on the yellow circle icon to view set description Perfect For: * Mixed media applications * Pouring paintings * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal Pebeo Studio Acrylic Set of 24 (12ml): The set contains 24 assorted tubes: Titanium White (2x), Primary Yellow, Cadmium Orange Hue, Transparent Vermilion, Primary Magenta, Oriental Violet, Primary Cyan, Phthalocyanine Emerald, Hooker's Green, Cadmium Green Hue, Yellow Ochre, Burnt Sienna, Burnt Umber, Mars Black, Medium Cadmium Yellow, Lemon Cadmium Yellow, Light Ultramarine Blue, Dark Ultramarine Blue, Veronese Green, Payne's Grey, Cobalt Blue Hue, Raw Sienna, and Naples Yellow. Pebeo Studio Acrylic Ultimate Pouring Medium Discovery Set: Nancy Wood designed this set in collaboration with Pébéo. The set includes one bottle of 250ml Pouring Medium, and a smaller bottle of catalyst. 5 x 20ml tubes of Studio Acrylic, a palette knife, and one Master Class video. The 2-part medium allows artists and amateurs to master unique effects and a professional finish. With this set, you can discover the founding principles behind pouring. Pebeo Studio Acrylic 100ml Primary Set of 5 with Color Wheel: This set contains a Color Wheel and 5 x 100ml tubes of Titanium White, Primary Cyan, Primary Yellow, Primary Magenta, and Mars Black. Pebeo Studio Acrylic 20ml Dyna Set of 6: This set contains 6 x 20ml tubes in Titanium White, Iridescent Blue-Green, Iridescent Violet-Blue, Iridescent Green-Yellow, Iridescent Blue-Black, and Titanium White. Pebeo Studio Acrylic Coffret Collection Box Set: This set contains 12 tubes of Studio Acrylics 20 ml, 1 tube of Titanium White 100 ml, 1 tube of modeling paste 100 ml, 1 Black Acrylic Marker 4 mm, 2 brushes, 2 painting knives, 1 palette, and 3 canvas boards 22 x 16 cm. See More -
Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to20%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Da Vinci Top Acryl Series 5040 Synthetic 500mm (20in) MottlerSave Up to30%Off list…brushes* Unsurpassed water-holding capacity* Made in Germany Perfect For:* Watercolor or fluid acrylic paint* Varnish or gesso application* Glazing and layer application* Heavy washes for a watery effect* Travel and en Plein air painting* Students, teachers, professionals* Mural painters Excellent absorbency and a high degree of elasticity! Five different diameters of synthetic fiber make up the da Vinci Top Acryl Mottler brushes. Each da Vinci Top Acryl Mottler brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee a high degree of absorbency as well as high elasticity. The mottler shape is excellent for washes in watercolor and fluid acrylic. Mottlers are perfect for applying gesso or that final coat of varnish. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features:* Five diameters synthetic filament hair* Characteristics of natural hair* Black-red polished handles* Crisp brush edges* Vegan-friendly brushes* Unsurpassed water-holding capacity* Made in Germany Perfect For:* Watercolor or fluid acrylic paint* Varnish or gesso application* Glazing and layer application* Heavy washes for a watery effect* Travel and en Plein air painting* Students, teachers, professionals* Mural painters See More -
QoR Lift Aid™ Medium, 118mlSave Up to30%Off list…Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aid™, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More
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