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Pro Lite Artist Stretcher Bar Single Bar 20"Save Up to70%Off list…a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. For re-stretching a painting, the bead is on both sides; therefore, you can turn the frame around and staple into raw wood on the back if you ever need to re-stretch. Pro-Lite… Genuine Pine Wood Stretcher Bars, 3/4" Deep, 1.75" Wide Pro-Lite Bars measure 1-3/4" in width and are a genuine 3/4" deep, while most brand leaders are only 1-5/8" wide and 5/8" deep. This 1/8" difference creates a sturdier frame. Although some stretcher bars do not use consistent types of wood, (some are Pine, some are Poplar, and some could be Bass), Pro-Lite bars are always made of Pine, so you know you are getting consistent quality. The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. For re-stretching a painting, the bead is on both sides; therefore, you can turn the frame around and staple into raw wood on the back if you ever need to re-stretch. Pro-Lite Artist Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * Made From Genuine Pine Wood * 1-3/4" Wide and 3/4" Deep * Tongue and groove design * Beaded edge on both sides * Quickly assemble by interlocking two strips * Lightweight for shipping and storage * Minimum purchase of 12 bars of assorted sizes Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 50 × 50" Please note: A minimum purchase of 12 assorted bars is required. Special Bulk Pricing for Boxes of 25 or 50! See More
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Creative Mark Pro-Bar 1-1/2" Deep Heavy Duty Wood Stretcher Bars 20" (Box of 6)Save Up to76%Off list…for strength Perfect For: * Building heavy-duty frames at substantial savings * Artists who stretch canvas * Easy to use * Artists who paint large scale * Artists who demand quality * Gallery edge paintings that don’t require framing * Easier stretching with rounded back edges * Extra Heavy Duty White Pine Wood Stretcher Bars! 1.5” deep x 2” wide Only about 15% of artists use heavy-duty stretcher bars when building their canvases, due to the prohibitive cost of quality constructed bars in their price range. With this in mind, Creative Mark set about to provide sturdy kiln-dried White Pine stretchers to artists so that they can build heavy-duty frames at substantial savings. Creative Mark Pro-Bar, Heavy Duty Wood Stretcher Bars, are sturdy with a depth of 1-1/2” x 2” wide, providing maximum durability with tongue and groove corners for easy assembly. Bars are finger-jointed for strength, creating straight stretcher bars with incredible durability and warp-resistance. Stretcher profiles have a deep front beaded edge, to prevent any ghosting of the stretcher on the canvas when working. On the back, the edges are gently rounded, making it easier to stretch and staple the canvas while also creating a clean paintable style canvas edge. Creative Mark Pro-Bar, Heavy Duty Wood Stretcher Bars, are made of sturdy White Pine with a depth of 1-1/2” x 2” wide, providing maximum durability Heavy Duty Pro Bar Stretchers go up to a massive 96 in length, perfect for the painter who works large scale. You can use Heavy Duty Pro-Bar Cross Braces to brace larger works. The cross braces can be attached easily with flat head screws. Please note: A minimum purchase of 2 assorted boxes is required. Strips and Cross Braces may be assorted. Sold in boxes of 6. Key Features: * Genuine White Pine Wood, Kiln-Dried * 1.5” deep x 2” wide * Tongue and groove design, tight fitting corners * Beaded lip prevents ghosting impressions * 1/2” depth edges * Lightweight for shipping and storage * Bars are finger-jointed for strength Perfect For: * Building heavy-duty frames at substantial savings * Artists who stretch canvas * Easy to use * Artists who paint large scale * Artists who demand quality * Gallery edge paintings that don’t require framing * Easier stretching with rounded back edges * See More
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Gallery Pro Medium Duty Stretcher Bar-Single 20"Save Up to51%Off listFlush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two… Flush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried solid pine * Quickly assemble by interlocking two strips * All wood solid pine stretcher Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 72 × 72" See More
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Creative Mark 20" Solid Pine Wood Stretcher Strips (Pack of 2)Save Up to76%Off list…precision cut, they are smoothly sanded and finished. They also feature a uniform beaded edge, so the canvas is slightly offset, to provide a good painting feel. Sold in pairs of 2 stretcher strips (bars), which are shrink-wrapped for shipping, to seal out moisture. The ends measure 1-5/8" wide by… Solid Pine Wood, Reliable Strength & Easy To Assemble! 3/4" deep by 1-5/8" Wide Creative Mark Stretcher Strips are made of solid, high-quality, kiln-dried, pine wood - Not particle board! These strips feature the traditional slotted and rounded corners, which offer easy assembly by interlocking two strips to form a canvas corner. With their carefully applied precision cut, they are smoothly sanded and finished. They also feature a uniform beaded edge, so the canvas is slightly offset, to provide a good painting feel. Sold in pairs of 2 stretcher strips (bars), which are shrink-wrapped for shipping, to seal out moisture. The ends measure 1-5/8" wide by 3/4" deep. These stretcher strips are the perfect solution for custom sized canvases! Key Features: * Crafted from solid pine wood! * Each strip is sanded to a smooth, professional finish * Slotted and rounded corners * Straightforward assembly * Sold in pairs * Also: Pack of 100 (50 pairs) and Pack of 40 (20 pairs) * Ends measure 1-5/8 x 3/4" Perfect For: * Stretching professional canvases * Creating custom sized canvases * Discerning artists * Students, teachers, classrooms, and studios! Artist Review and Testimonial These stretcher strips are more than adequate for my needs. Creative Mark strips are easy to join. Later we stretched a number of artworks. All standards of a professional presentation were met. If you're looking for quality as well as price be sure to order them in the convenient packages of two! See More
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Gallery Pro Cross Brace Single Brace - No Notch 20"Save Up to73%Off listCross Braces, Medium Duty! 1½" Deep By 1½" Wide Gallery Pro Medium Duty Cross Braces are available in three types: No-Notch, Type T and Type B. All types are 1½" × 1½" in profile. No-Notch - Cross Braces have NO dado-cut centers. All sizes of No-Notch can be used in brace… Cross Braces, Medium Duty! 1½" Deep By 1½" Wide Gallery Pro Medium Duty Cross Braces are available in three types: No-Notch, Type T and Type B. All types are 1½" × 1½" in profile. No-Notch - Cross Braces have NO dado-cut centers. All sizes of No-Notch can be used in brace applications that do not need to cross another brace. Intended for use on the short side of the stretcher bar frame. Available in sizes 8" to 23". Type T Cross Braces are notched on the Top side for use in T-Brace applications and are intended to be used along with a Type B Cross Brace. Available in sizes 24" to 72". Type B Cross Braces are notched on the Bottom side and are for use in T-Brace applications along with a Type T Cross Brace. Type B brace bars are also available in sizes 24" to 72". When preparing a T-Brace application, you must use one "Type T" brace bar and one "Type B" brace bar to line up their dado-cut centers. Extra savings is available when purchasing a single sized Box of 20. In addition you will need eight (8) wedges to tighten the canvas for each frame. Four (4) wood screws will be needed to secure cross braces. For your convenience plastic wedges and wood screws are sold in boxes of 100 (See Gallery Pro Plastic Wedges and Wood Screws link below). Key Features:* 1½" × 1½" profile bar* Tongue and groove design* Three types of Cross Braces available* Available in sizes up to 72" Perfect For:* Professional Artists* Custom stretching at home* Easy to use * Canvas up to 72" See More
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ProFile Cross Brace Box of 12 20"Save Up to84%Off listUnique Bracing System For Extra-Deep Stretcher Bars! These sturdy extra deep cross braces are designed for use with the Pro-File Extra Deep Stretcher Strips! Made from sturdy kiln-dried pine wood the cross braces create a robust and flush cross without requiring a dado cut. The bars do not have a… Unique Bracing System For Extra-Deep Stretcher Bars! These sturdy extra deep cross braces are designed for use with the Pro-File Extra Deep Stretcher Strips! Made from sturdy kiln-dried pine wood the cross braces create a robust and flush cross without requiring a dado cut. The bars do not have a notch in the center; as a result, they retain their integrity and are far less prone to snapping in the middle. The stretcher strips themselves are slotted at regular intervals, meaning that when braced, the braces lie securely and overlap naturally. As each strip is pre-slotted in the ideal location (with between one and six slots), all the math has already been done, and it's taken all the guesswork out of professional bracing! With the new Pro-File Extra Deep Stretcher Strips and Cross Braces System, it's easy to create a durable, warp-resistant, elegant canvas frame! Key Features: * Sturdy kiln-dried pine wood * For use with Pro-File Extra Deep Stretcher Bars * Braces measure 0.7" deep by 1.57" wide * No dado cut means stronger bars! * Stretchers are pre-slotted, so braces fit right in and overlap properly * Lengths ranging from 12" to 108" * Take the guesswork out of professional bracing! Perfect For: * Creating a canvas frame * Building large scale canvases * Custom sized work * Oil and acrylic painters * Taking the guesswork out of building a stretcher frame! Please note: A minimum purchase of 24 assorted individual cross braces or 2 assorted boxes is required. See More
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Berlin Synthetic Long-Handle Acrylic Brush, Round Size #20Save Up to81%Off listStiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the… Stiffness Watercolors Acrylics Oils The Finest Brushes for Painting with Acrylic Colors in the World Or Your Money Back! Today there are hosts of synthetic brushes available, but there has never been an acrylic brush able to outperform natural hair, that is until now. The motivation for creating the Berlin Synthetic Long Handle Brush series were artists just like you! We set out to eliminate all of the drawbacks associated with synthetic acrylic brushes. Specifically: synthetic hair that did not hold color or perform with the control and precision of natural hair. With the help of our German brush manufacturer and customer input, we created the Berlin series. As a result of our research, all Berlin brushes are interlocked using a special heat treatment process that creates a bounce-back memory effect and produces a brush with great shape and resistance. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. The mix of filament hair is dependent on the size and shape of the brush. The synthetic filament hair is also treated and shaped so that each brush closely parallels natural hair in texture and tapers to create a very robust brush body with a soft feel at the tip. Each Berlin brush features a nickel-plated silver ferrule and a long Blue Turquoise handle made of wood from sustainable forests. The handles are dipped in a high-grade varnish four times, which helps to keep them in good condition if properly cleaned. Simply put, these brushes are a modern marvel that will allow you to translate your ideas through your hand and onto the canvas with unparalleled ease. There has never been an acrylic brush able to outperform natural hair, that is until now. Berlin brushes use a blend of four different filament diameter sizes between .1mm to .28mm. Ultimate precision and outperforms natural hair! Synthetic hair that will hold color and perform with the control and precision of natural hair. Simply put, these brushes are a modern marvel! Key Features: * Handmade in Germany * Mottlers, Flats, Brights, Filberts, Rounds & Sets * Interlocked bristles * Bounce back memory effect with great shape and resistance * A blend of four different filament diameters * Synthetic filament hair * Holds color & performs with the control & precision of natural hair * Closely parallels real hair in texture & shape * Long handles * Nickel-plated silver ferrules * Wood from sustainable forestry used * Handle dipped in a high-grade varnish four times * Acrylic Brush Set of 6 w/ Brush Easel Case * Acrylic Brush Set of 12 w/ Brush Easel Case Perfect For: * Acrylics, oils, or alkyds * Easel painting * Fine details * Precise lay down of color * Professionals and art enthusiasts * Students and teachers * Professional acrylic painters * Artists wanting the best experience Berlin Synthetic Long Handle Acrylic Brush Sets Berlin Long Handle Acrylic Brush Set of 6 With Brush Easel Case: Set includes: Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #24 Filbert, #2 Round, and Creative Mark Folding Long Handle Brush Easel Berlin Long Handle Acrylic Brush Set of 12 With Brush Easel Case: Set includes: Long Handle Size #2 Flat, #12 Flat, #2 Bright, #6 Bright, #12 Bright, #24 Bright, #2 Filbert, #6 Filbert, #16 Filbert, #24 Filbert, #2 Round, #12 Round and Creative Mark Folding Long Handle Brush Easel Berlin Acrylic Brush Script Liner Set of 3 Long Handle Series 9980: Set includes size #0, #2, and #6 Script Liner. Berlin Acrylic Brush Long Handle Script Liner Set of 3 (Box of 12): Set includes size #0 , #2 , and #6 Script Liner times twelve. Berlin Series 1018M General Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, and 2-inch Mottler. Berlin Series 1018M Large Painting Mottler Set: Set contains 1-inch Mottler, 1.5-inch Mottler, 2-inch Mottler, 3-inch Mottler, and 4-inch Mottler. Berlin Series 1018M The Works Mural Mottler Set: Set contains the 1-inch, 1.5-inch, 2-inch, 3-inch, 4-inch, 5-inch, and 6-inch Mottler. See More
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Creative Mark Heavy Duty Pro 20 "Cross Bars, Box of 6Save Up to74%Off listExtra Heavy Duty White Pine Wood Cross Braces! Only about 15% of artists use heavy-duty cross braces when building their canvases, due to the prohibitive cost of quality constructed bars in their price range. With this in mind, Creative Mark set about to provide sturdy kiln-dried White Pine… Extra Heavy Duty White Pine Wood Cross Braces! Only about 15% of artists use heavy-duty cross braces when building their canvases, due to the prohibitive cost of quality constructed bars in their price range. With this in mind, Creative Mark set about to provide sturdy kiln-dried White Pine crossbars to artists so that they can build heavy-duty frames at substantial savings. Creative Mark Pro-Bar Cross Braces are sturdy and provide maximum strength. These cross braces are not cut like regular braces; they have no notch in the center, meaning they retain their integrity and are far less prone to snapping in the middle. You can easily fit Heavy Duty Wood Pro-Bar Cross Braces into the back of your frame with flat head screws. Key Features: * Heavy-duty White Pine construction * Substantial savings * No notch in the center * Perfect For: * Artists who stretch canvases * Large scale canvases * Value-conscious artists who demand quality Please note: A minimum purchase of 2 assorted boxes is required. See More
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Gamblin Oil Painting Ground 32oz CanSave Up to25%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Gamblin Oil Painting Ground 32oz CanSave Up to48%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Williamsburg Stand Oil, 32oz BottleSave Up to30%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Cylo 32oz Paint Squeeze Bottle,Creative MarkSave Up to63%Off list…store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This unique design keeps your paint fresher longer while… First In, First Out BOTTLES! an ingenious way to store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first. Our CYLO® bottles are patterned after the regular F.I.F.O. bottles, but our specially designed seal protects acrylic paint from air that can cause drying issues. F.I.F.O. bottles! The specially designed seal protects acrylic paint from air that can cause drying issues. Unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first Key Features: * 20oz and 32oz sizes * Just pick up the bottle and squeeze to apply paint * Your acrylic paint is always ready to dispense * The bottle is filled from the top, squeezed out from other end * Non-drip silicone valve on the bottom * Unique design to keep paints fresher longer * No need to fiddle with caps * Perfect For: * Soft body viscosity water-based paint * Minimizing paint waste * Prolonged storage * Preventing paint from drying out * Storing custom color combinations * Classroom, home, and studio * Teachers and students * Restaurants and the food industry * No-hassle, everyday use See More
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GOLDEN Fluid Acrylics Quinacridone Nickel Azo Gold 32 ozSave Up to30%Off listYellow GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Paints Titanium White 32 ozSave Up to30%Off listWhite Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Gamblin Artists Oil - Flake White Replacement, 32oz CanSave Up to25%Off listWhite Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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GOLDEN Acrylic Gel Mediums High Solid Gloss 32ozSave Up to30%Off list…drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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Williamsburg Lead Oil Ground, 32oz CanSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil Ground, 32oz CanSave Up to30%Off list…recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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GOLDEN Gesso Pastel Ground 32 ozSave Up to30%Off list…Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent Ground White 32 ozSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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GOLDEN Gesso White 32 ozSave Up to30%Off listWhite A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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ProFile Extra Deep Stretcher Strip Single Bar 20" (1 Slot)Save Up to84%Off listGallery quality, super heavy duty stretcher bars perfect for larger paintings! 2.5" deep by 1.5" wide Pro-File 2.5" Deep Super-heavy duty stretcher bars are the ultimate museum quality choice for large scale paintings! Precision-cut from sturdy, kiln-dried pine wood, Pro-File Extra Deep Stretcher… Gallery quality, super heavy duty stretcher bars perfect for larger paintings! 2.5" deep by 1.5" wide Pro-File 2.5" Deep Super-heavy duty stretcher bars are the ultimate museum quality choice for large scale paintings! Precision-cut from sturdy, kiln-dried pine wood, Pro-File Extra Deep Stretcher Bars are an impressive 2.5" deep by 1.5" wide, and feature a large 1/2" rounded offset lip to keep canvas away from the stretcher, preventing "ghost" impressions. The true advantage, however, is Pro-File's unique bracing system that allows cross braces to overlap without using an integrity-weakening dado cut, for the strongest, sturdiest frames! Each stretcher strip is slotted at 27" intervals on the front and back, meaning that cross braces slot right in and can cross over one another without needing to be cut. In addition, the slot location is specific to the stretcher bar size, being placed in the ideal spot for maximum durability, and taking the guesswork out of professional bracing! All corners are keyable, and stretcher strips are sold individually, or in boxes of 4. Create the largest canvases without worrying about their integrity: Pro-File Extra Deep Stretcher Bars are the strongest around! Make 2.5" Thick Canvases! Super-heavy duty stretcher bars are the ultimate museum quality choice Key Features: * Super strong, museum quality stretcher bars * Made from sturdy kiln-dried pine wood * Measure 2.5" deep by 1.5" wide, with 1/2" rounded offset lip * Feature a unique cross-bracing system! * Rounded offset lip to keep canvas away from the stretcher * Cross braces can overlap without a dado cut, that can reduce the integrity of the brace * Stretchers are pre-slotted to accept braces: one slot for sizes up to 27", 2 for sizes up to 56", 4 for sizes up to 82", and 6 slots for all other sizes * Take the guesswork out of professional bracing! * Pro-File Extra Deep Stretcher Bars are the strongest around * Stretchers are sold individually or in boxes of 4 strips Perfect For:* Building heavy-duty frames at substantial savings* The largest canvases without worrying about their integrity* Artists who stretch canvas* Easy to use* Artists who paint large scale* Artists who demand super strong, museum quality stretcher bar* Gallery edge paintings that don’t require framing* Easier stretching with rounded back edges* Please note: A minimum purchase of 24 assorted individual bars or 6 assorted boxes is required. See More
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Liquitex Professional Soft Body Acrylic 32oz Cadmium-Free Yellow MediumSave Up to56%Off listYellow Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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Golden Color Pouring Medium Matte 32ozSave Up to30%Off list…like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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GOLDEN GAC 900 Medium, 32oz BottleSave Up to30%Off list…as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More
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Golden Acrylic Additives Retarder 32 ozSave Up to30%Off list…the palette. Key Features: * Increase open time * Reduce the surface tension of acrylic emulsion * Improve the slickness and flow of paint * No acrylic binders * Use them in correct proportions * Click the yellow circle icon for product information Perfect For: * Acrylic painting * Minimizing paint… Reduce surface tension and increase paint flow Additives serve a similar function to mediums. The difference is that additives don't contain acrylic binders (like mediums do), so you must follow the label and use them in correct proportions. Most mediums can be added to the paint in any amount until you've achieved the desired effect, but additives can weaken the color and adhesion of the paint when overused. GOLDEN offers these two additives, which are a useful addition to any painters studio. Wetting Agent: Formerly known as Acrylic Flow Release - an additive used to reduce the surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is useful for achieving rich stains on a porous surface. Not for use by children. Retarder: an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. Key Features: * Increase open time * Reduce the surface tension of acrylic emulsion * Improve the slickness and flow of paint * No acrylic binders * Use them in correct proportions * Click the yellow circle icon for product information Perfect For: * Acrylic painting * Minimizing paint waste * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces The retarder does not contain binding agents. To ensure adhesion, the addition of Retarder should not exceed 15% (1:6)when mixed with colors or mediums. See More
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GOLDEN Acrylic Isolation Coat 32oz (Gloss)Save Up to30%Off list…the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. Golden Isolation Coat can be very beneficial to the preservation of a piece of artwork, but it is not for every painting. (Should not be used on oil paintings or any… Ready-To-Use Sealing Coat For Acrylic Paintings Golden Isolation Coat is a ready-to-use sealing coat for acrylic paintings and can be applied to acrylic paintings to unify and protect the surface between acrylic and varnish. Sealing with an isolation coat prior to varnishing ensures an even application of varnish and provides a layer of protection if/when the varnish is removed. Golden Isolation Coat is a permanent clear, non-removable coating that physically separates (isolates) the acrylic paint surface from the removable varnish. The isolation coat serves two purposes: (1) Seals any absorbent areas in order to create an even surface on which to apply the varnish. (2) Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. Golden Isolation Coat can be very beneficial to the preservation of a piece of artwork, but it is not for every painting. (Should not be used on oil paintings or any painting done with water-soluble media.) Key Features:* Ready-to-use sealing coat for acrylic paintings* Protects against dirt and dust* Increasing flow and leveling* Permanent acrylic mediums* Seals surface absorbency to create an even surface* Allows for improved varnish application & easier removal* Permanent clear, non-removable coating* Allow to dry for 2-3 days before varnishing See More
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Golden Fluid Matte Medium, 32oz Jar (946ml)Save Up to30%Off list…Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Golden Gloss Medium Polymer 32 ozSave Up to30%Off list…is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More
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Golden Silkscreen Medium 32 ozSave Up to30%Off list…* Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic color, either heavy-body, matte or fluid acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen See More
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Golden Gloss Glazing Liquid, 32oz BottleSave Up to30%Off list…100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as… Slow-drying acrylic medium, create an incredible variety of color glazes GOLDEN Glazing Liquid (formerly called Acrylic Glazing Liquid)is a slow-drying acrylic medium originally designed for interior decorative finishes. Because it is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. * Available in: Satin and Gloss* 100% acrylic, water-based emulsion* Can be used for a wide variety of techniques* Fine Art Applications* Slow drying color glazes* Thinning medium for better brushability* Pre-glazing before paint application* Smoother wet-in-wet blending The slow drying formula provides sufficient working time for a wide variety of glaze & decorative finishes normally accomplished with oils. This allows for a wide variation of interior glazing applications such as Wood Grain, Marble, Trompe L’Oeil faux finishes and for the additive and subtractive method. It is also excellent for soft transitions and color blending in paintings. Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including: * Wood Graining* Marbling* Trompe L'Oeil* Additive and Subtractive Techniques* Glazing See More
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GOLDEN Airbrush Medium 32 oz BottleSave Up to30%Off list…but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback… GOLDEN'S Airbrush Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. See More
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GOLDEN Open Acrylic Mediums Gloss 32 ozSave Up to30%Off list…Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More
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New York Central Acrylic Gloss Medium, 32oz BottleSave Up to77%Off list…thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More
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Golden Matte Mediums Coarse MoldIng Paste 32 ozSave Up to30%Off list…They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More
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Creative Mark Muscle Long Handle Brush, Round #20Save Up to80%Off list…angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very rough such as brick * Painting outdoors * Murals Stiffness Watercolors Acrylics Oils Brushes that pack a punch! The Muscle Brushes are a line that stays true to their name. These brushes are perfect for painting large areas on a variety of surfaces. The very fine, high-quality synthetic filament allows the artist to work on smooth surfaces to very rough surfaces like brick with excellent shape retention. They come in a variety of shapes to accommodate many different painting styles. You can use the Muscle Brushes with anything from fluid acrylics to heavy impasto oils or acrylics. Key Features: * High-Quality 0.16mm PBT tapered filament * Nickel-plated ferrule * Long varnished beechwood handles * Handmade by skilled artisans in Germany * Excellent shape retention * Work on smooth surfaces to very rough surface * Available in 4 shapes: flat, angular, oval, and round * Perfect For: * Anything from fluid acrylics to heavy impasto oils or acrylics * Oil and acrylic paints as well as acrylic gouache and decorative paints * Covering large areas * Painting on all surfaces from smooth to very rough such as brick * Painting outdoors * Murals See More
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