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Related Categories: Linseed Oil | Refined Linseed Oil | Pva | Retouch Varnish | Fluid Medium | Wax | Galkyd | Gallon Paint
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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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World's Greatest White Acrylic Gesso Primer - 1 Gallon PailSave Up to56%Off listWhite Ultra-smooth, concentrated, ultra-white gesso for fine art in acrylics and oils! To produce a true masterpiece, begin at the base — with Jerry's World's Greatest Gesso! Our highly pigmented, bright white acrylic gesso has a thick, creamy consistency and smooth, even tooth, ideal for surface preparation. How to use: Add water until the concentrated gesso reaches your preferred consistency. Coat your canvas, panel, or board with steady, even strokes, and allow it to dry. Make sure to sand to the desired finish in between coats. For the best coverage, apply multiple thin, even coats in this manner, altering the brushstroke direction each time, and you'll achieve the perfect gessoed surface! Jerry's World's Greatest Gesso is the ideal choice for any artist, from student to professional. Our new 200ml Try Me Tube is perfect for anyone who wants to try out the gesso before buying it in a larger size. Key Features: * Bright white acrylic gesso primer * Thick, creamy consistency * Smooth, even-toothed finish * Available in 3 convenient sizes * Non-yellowing Perfect For: * A uniform painting surface * Artwork in acrylics, oils & alkyds * Beginner & professional artists * The basis of a masterpiece! Safety Tip: Always wear a mask when sanding gesso. See More
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Gamblin Ground & Gesso 5" BladeSave Up to40%Off listWhite Makes Gesso Application & Clean-up A Breeze Gamblin Ground and Gesso Blades get the job done right in a fraction of the time with less mess and no waste. You can use the blade to easily prime panels and canvases with acrylic gesso. The clean blade-edge promotes even application from edge-to-edge, even on the sides of your canvas or panel. The blades are an absolute joy to use. They save you time, help create a better surface, and dramatically reduce the environmental impact of preparing surfaces. On the back of the packaging, you will find a QR code that links to a video on how to use the blade and additional helpful tips on preparing substrates. Key Features: * Made of 100% recycled material * 4" and 5" blade available * Ergonomic design * Easy to clean * Made in USA Perfect For: * Ground and gesso application * Shaping gesso texture * Smooth edge-to-edge application * Making clean-up a breeze * A more sustainable option See More
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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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GOLDEN Acrylic Sandable Hard Gesso 16 ozSave Up to30%Off listWhite A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Daler-Rowney Gesso Primers 32 ozSave Up to34%Off listWhite Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More
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Lascaux Primer Liter JarSave Up to38%Off listWhite A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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PrIma Economy Acrylic Gesso White 1 gallon
Starting At: 49.83
White Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon jug. The gallon size has a built-in carrying handle and a stay-tight lid. The pint-size (473ml) comes in a flexible squeeze bottle container with a flip-top lid perfect for smaller projects. Key Features:* Pure Titanium White pigment* 100% polymer emulsion* Flexible film with fine tooth Perfect For:* For acrylic, oil, watercolor, gouache* Professional artists* Decorative and hobby use See More -
Holbein Artist Acrylic 2L White Gesso (LL) X-CoarseSave Up to35%Off listWhite Professional quality gesso at an affordable price With Holbein Acrylic Gesso, you can prime your canvas with a Black, Clear, or White gesso. If you prefer a colored ground, you can mix acrylic paint with the white or clear gesso to create a custom ground. Holbein Gesso has fool-proof sealing properties and provides the right amount of tooth for raw canvas. Their white gesso is available in smooth, medium, coarse, and extra coarse textures so you can further customize your surface. Holbein's space-saving poly bags are better for the environment because they use less plastic than standard rigid bottles and result in less post-consumer waste. It's easy to pour the acrylic gesso out of the spout, and the bags don't take up lots of space in the studio. Holbein gesso adheres well to most surfaces, including paper, cloth, canvas, wood, stone, and primed metal. Overpaint it with acrylics, oils, or pastels. Try Holbein's professional Gesso today! Key Features: * Acrylic gesso dries to an ultra-matte finish * Thick, creamy, smooth consistency * Preparatory ground for raw canvas * Excellent sealing properties * Smooth, medium, coarse, and extra coarse texture * Environmentally friendly space-saving poly bags * Easy to pour spout * Made in Japan Perfect For: * Ground for acrylics, oils, or pastels * Most surfaces * Paper, cloth, canvas, wood, stone, and primed metal * Use as a painting texture medium * Creating a solid matte background * Adding texture to a painting * Impasto techniques Holbein White Gesso is available in the following textures: * Smooth (S): Smooth texture that is almost like an eggshell. * Medium (M): A regular matte surface. * Coarse (L): Fine sand texture. * Extra Coarse (LL): Rough sand texture. See More
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Daniel Smith Acrylic Gesso - White, 32 ozSave Up to40%Off listWhite Professional quality gesso for oil and acrylic painters Daniel Smith Acrylic Gesso allows you to create an archival, lightfast painting surface. Thick yet brush-able, it spreads smoothly, and a little goes a long way. Only two coats of the heavily pigmented gesso are needed to coat a canvas or panel. The professional-grade gesso is available in Titanium White, Transparent, or Iridescent Gold. Titanium White Gesso is opaque and made with the same pigment that Daniel Smith uses in its Original Oils. Transparent Gesso is excellent for mixed media work because it allows the color or pattern of your substrate to show through. Iridescent Gold Gesso is made with Mica and iron oxides. It has a gorgeous metallic sheen that gives transparent paints a golden glow. Imagine a painting with metallic gold in the background! Key Features: * Easy to open and close jar * Thick yet spreads smoothly, a little goes a long way * Quick-drying and self-leveling * Archival and lightfast * Professional acrylic emulsion is flexible and durable * Free of the oil acids that deteriorate cotton and linen * Cleans up easily with soap and water Perfect For: * Absorbent surfaces like canvas, paper, wood, or plaster * Painting with oils, alkyds, and acrylics * Creating a solid background * Professional artists * Providing a sealed, stabilized surface If desired, you can thin the gesso with a little bit of water (no more than 10%). It's important to clean your brushes and palette knives with soap and water immediately after use. Over time the heavy Mica particles in this ground will sink to the bottom of the container. Before application, you should mix the gesso with a palette knife to reincorporate the Mica back into the gesso. See More
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Liquitex Basics Acrylic Gesso, 250 mlSave Up to35%Off listWhite Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More
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Gamblin Etching Ink - Etching White, 1lb CanSave Up to15%Off listWhite Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More
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Gamblin Dry Pigment - Zinc Oxide, 304 GramsSave Up to40%Off listWhite 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
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New York Central Acrylic White Gesso, 32oz BottleSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Gamblin Fast Matte Alkyd Oil Colors - Titanium White, 37ml TubeSave Up to40%Off listWhite Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More
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Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off listWhite High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Winsor & Newton Artists Acrylic Mediums And Additives Clear Gesso 946 mlSave Up to40%Off listWhite Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More
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Liquitex Acrylic Gesso Surface Prep Clear Gesso 8 ozSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Da Vinci Pro Medium Textured Panel 16"x16", 1-5/8" DeepSave Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Pro Ultra Smooth Panel 6"x6", 3/4" Deep (Box of 12)Save Up to75%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Gamblin 1980 Oil Colors - Titanium Buff, 37ml TubeSave Up to40%Off listWhite A True Oil Color At A Real Value Gamblin's 1980 Oil Colors are made with pure pigments, the finest refined linseed oil and real value. This line of student grade oil paint offers artists true colors and a smooth application; instead of a homogenized texture or muddy color mixtures. Gamblin 1980 Oils Paint mixes fine pigments with marble dust (calcium carbonate) to extend the pigments easier and keeps the value of the artist grade pigment without the price tag of a professional quality paint. 48 colors in sizes of 37ml and 150ml tubes. Click Here -> Gamblin 1980 Oil Color Chart Key Features:* Available in 48 colors* 37ml and 150ml tubes* Formulated with pure pigments* Finest refined linseed oil* Made with marble dust (calcium carbonate)* Made in Portland Oregon* Perfect For:* Classrooms and workshops* Quality student grade paint* Made in USA brand* True color and texture* Experiencing colors that are true Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. Introductory Set- This set of 1980 Oil Colors is intended to give beginning painters a thoughtfully constructed palette to support any style of painting and includes 8 popular colors as well as Gamblin's solvent-free safflower oil. Contains: 6.5in x 12in pre-primed painting panel with 1.5in cradle depth, 37 ml (1.25 oz) tubes are included Cadmium Yellow Light, Yellow Ochre, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Phthalo Green, Ivory Black, and Titanium White See More
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Gamblin Artists Oil - Titanium Buff, 37ml TubeSave Up to40%Off listWhite Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Diego All-Media Acrylic Gesso Primed Linen Roll 124" x 10.94 YdSave Up to67%Off listWhite Perfect for archival large scale murals Imported From Italy Diego Linen Universally Primed Professional Canvas Rolls, aptly named for the famed Mexican fresco muralist and large scale canvas painter Diego Rivera. Diego Linen is a robust medium textured linen, oversized 124" roll with a full 10.84 yards of painting surface. Perfect for archival large scale murals or any sized painting, Diego Linen is universally primed for use with acrylics, oils, alkyds, and more. Diego's strong, beefy, all-purpose medium texture is ideal for most painting styles with its heavy 14oz primed weight (9.8oz unprimed). Key Features: * Luxury Linens! Made in Italy, Imported From Italy * Robust medium textured linen * 124" long roll with a 10.84 yd width (10 meters) * Universally primed * 14oz primed weight, 9.8oz unprimed * All-purpose medium texture * Sample piece: 18X41" * Made in Italy Perfect For: * Large scale murals * Robust medium textured linen * Archival canvas paintings of any size * Use with acrylics, oils, alkyds, and more See More
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Da Vinci Pro Resist-Grip Panel 4"x12", 3/4" DeepSave Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Bob Ross White Gesso 16oz (473ml) BottleSave Up to29%Off listWhite Non-toxic smooth, flexible, flat finish on artwork surfaces These top quality Bob Ross Gessos are non-toxic acrylic primers produce an excellent dry base coat with perfect tooth for the Bob Ross method of painting. White and Black gessos are packaged in convenient 16.9oz squeeze bottles with non clog tops. Once dry, this flat, acrylic liquid gesso gives you the perfect base for mastering the Bob Ross Wet-on-Wet Technique® Bob Ross Gesso contains pure pigments formulated in a 100% acrylic polymer emulsion which when dry produces a smooth, flexible, flat finish on artwork surfaces. It is ideal for the Bob Ross painting techniques with oil colors as well as other art media including acrylics, tempera, watercolors, ink, pencil, and more! Conforms to ASTM D4236. Key Features: * White, black or grey gesso * 16.9oz / 500ml squeeze bottles with non clog tops * Top quality non-toxic acrylic primers * Produces an excellent dry base coat * Perfect tooth for the Bob Ross method of painting * Pure pigments * Formulated in a 100% acrylic polymer emulsion * When dry produces a smooth, flexible, flat finish on artwork surfaces * Conforms to ASTM D4236 Perfect For: * Mastering the Bob Ross Wet-on-Wet Technique * Oil, acrylic, tempera, watercolors, ink, or pencil * Classrooms, Universities, Art Leagues * Artists priming large canvases * Painting Party venues * Art Journaling * Better bonding surface for acrylic or oils See More
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Pebeo Studio Green White Gesso (475ml)Save Up to25%Off listWhite Eco-Friendly Formula Generates 6 to 7 Times Less CO2 Pebeo makes its Studio Green Gessoes with an eco-friendly formula of recycled resins. As a result, they generate 6 to 7 times less CO2 than gesso made of petrochemical resins. The gessos are as strong, flexible, and durable as traditional acrylic grounds. You can use the Studio Green Gessoes on various surfaces, including canvas, wood, or paper. Key Features: * Quick-drying opaque gessos * Eco-friendly recycled resin formula * Provides a flexible, stable, matt surface * Generates 6 to 7 times less CO2 than traditional gesso * Jars made from recycled materials * Improves adhesion of acrylic and oil paints * Sand for a smooth surface Perfect For: * Acrylic and oil painters * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Studio Green White Gesso is an opaque gesso with good covering power. Studio Green White Gesso One Coat is formulated with a high concentration of Titanium White pigment to be very opaque. Only one coat of the ground is needed because it has superior covering power. Studio Green Black Gesso is an opaque gesso with good covering power. See More
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Jack Richeson 1/8" Toned Gesso Hardboard Canvas Panels - Umber, 11"x14"Save Up to12%Off listWhite Professional, tempered hardboard panels coated with high quality gesso! These premium panels from Jack Richeson are the ideal surface for any artist working in acrylics, alkyds or even caesin! Made from Richeson's superior grade hardboard with a solid fiber core, these tempered panels are extremely strong and warp-resistant. Premium Toned Gessoed Panels have been double-coated with a high quality toned gesso resulting in a beautifully even, lightly-toothed surface that bonds perfectly with the hardboard panel and will not separate. Whether you are working in acrylics, alkyds, traditional or water-soluble oil paints, Richeson's 1/8" deep Premium Gessoed Hardboard Panels are the perfect painting surface that is ready to paint! With beautifully beveled edges, these warp-resistant tempered panels are covered with a high-quality toned gesso and are produced with a double coat waterfall system for a perfect lightly toothy surface. Perfect for portraitists, they are a time and energy-saver, ideal for both pros and students. Perfect for use with oils, alkyds, acrylics, caseins, and other water-based paints. Key Features:* Mid-Tone Grey & Umber Wash Toned* Warp-resistant tempered high-density hardboard panel* Solid fiber core* Premium quality surface* Professional acrylic gesso surface* Evenly coated with toned professional gesso* Beautifully beveled edges* Tempered High Density Fiberboard* Made in the USA Perfect For:* Artists of all skill levels* Oils, alkyds, acrylic and casein* Creating fine details* Smooth applications of paint* Painting immediately, no extra priming necessary Mid-Tone Grey Toned - Gessoed 1/8" Hardboard / Umber Wash Toned Gessoed 1/8" Hardboard - See Listing Below See More
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New York Central Quadruple-Primed Alumacomp Panel - White - 4X6"Save Up to47%Off listWhite New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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Fabriano Artistico Watercolor Paper Roll 140lb Hot Press - 55" x 11 yd, Traditional WhiteSave Up to50%Off listWhite Four-Deckled Edge Watercolor Paper Rolls, Vegan Sized Fabriano's paper mill has been making fine art papers since 1264. Fabriano pioneered many processes common in paper making today, including paper sizing. Today's new vegan sizing allows for internal and external sizing without animal by-products. This sizing modification will please all watercolorists because of the control and lifting capabilities the new sizing gives. All four of the paper edges are deckled, perfect for artists who like to frame finished work. Fabriano Artistico's 100% cotton rag watercolor papers are mould-made. The moulded paper technique creates a more consistent paper surface that allows for even water absorption. As a result, the paper is more robust and can withstand scrubbing and erasing. Fabriano Artistico Pure Performance Watercolor Paper is revolutionary as it has incredible working qualities, beautiful surfaces and two distinct "whites" Key Features: * 100% cotton, no whiteners * Vegan sized paper * Chlorine and acid-free * Mould-made * Four deckled edges * External and internal sizing * No animal by-products used * Cold, Hot, or Rough Press * No optical bleaching Perfect For: * Artists that want the best * Professional Watercolorists * Printmakers * Charcoal & graphite drawing * All water media! This high-quality watercolor paper satisfies the requirements of all professional and amateur artists. Ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. It is also suitable for printmaking. Artistico is offered in Traditional and Extra White, and comes in Cold, Hot, and Rough Presses. Cold Press - (sometimes referred to as “Not Press") offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press - provides a smooth, flat, even surface; produced by being run through hot cylinders. Perfect for multimedia drawings and paintings with all water media. Rough Press - features a pronounced tooth and texture heavier than Cold Press. Rough press paper is created by placing wet paper sheets between textured blankets, air drying, or a combination of the two. Rough Press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. See More
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Artistico Watercolor Paper - 22"x30" Extra White, 140lb Rough (10-Pack)Save Up to50%Off listWhite Four-Deckled Edge Watercolor Papers, Vegan Sized Fabriano's paper mill has been making fine art papers since 1264. They have pioneered many paper-making processes over the centuries, including paper sizing. Today, Fabriano uses vegan sizing to internally and externally size its papers without animal-by products. This new sizing allows watercolorists to have more control when lifting color. Fabriano has also modernized and reduced the size of its watermark because your artwork should be the star. All of Fabriano Artistico's 100% cotton rag watercolor papers are mould-made. This paper technique creates a more consistent and even water absorption over the surface and makes the paper robust and durable enough to withstand scrubbing. Fabriano Artistico Watercolor Paper has incredible working qualities, a beautiful surface texture, and two distinct "whites." Key Features:* 100% cotton, no whiteners* Vegan sized paper* Chlorine and acid-free* Mould-made* Four deckled edges* External and internal sizing* No animal by-products used* Cold, Hot, Rough, Soft Presses* No optical bleaching* Smaller watermark Perfect For:* Artists that want the best* Professional Watercolorists* Printmakers* Charcoal & graphite drawing* Soft press ideal for beginners* All water media! This high-quality watercolor paper satisfies the requirements of all professional and amateur artists. It is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, drawing, and printmaking. Artistico is offered in Traditional and Extra White and comes in Cold, Hot, Rough, and Soft Presses. Cold Press - (sometimes referred to as "Not Press") Italian translation is Grana Fina. It offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press - Italian translation is Grana Satinata. Provides a smooth, flat, even surface; produced by being run through hot cylinders. Perfect for multimedia drawings and paintings with all water media. Rough Press - Italian translation is Grana Grossa. Features a pronounced tooth and texture heavier than Cold Press, created from placing wet paper sheets between textured blankets and air drying. The rough press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. Soft Press - Italian translation is Grana Dolce. A unique surface that only Fabriano makes. It is a press between Cold and Hot, providing just enough texture for grip, and is considered almost spongy in feel. As a result, it is a favorite among printmakers. It is the perfect surface for beginner watercolorists who have not quite mastered the effects of Cold Press (available in Extra White). See More
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Liquitex Deep Edge Recycled Canvas 8"x10" Box of 3Save Up to63%Off listWhite Canvas Made From 100% Recycled Plastic Bottles Liquitex Recycled Stretched Canvas is perfect for creating art sustainably! This superior-quality surface is crafted from 100% recycled plastic bottles and comes attached to FSC Certified pine wood. The stretched canvas is triple-primed with highly pigmented titanium dioxide gesso primer, providing an archival and medium-textured surface perfect for oils and acrylics. Liquitex Recycled Canvas is also available as an unprimed canvas roll. Plus, it is non-toxic and eco-friendly, so you can confidently create, knowing you're doing your part for the environment. Create with confidence while reducing your impact on the environment. Liquitex wants to do whatever it can to preserve the world for future generations of artists. That's why they've partnered with Waste2Wear – pioneers in solutions for innovative plastic recycling, using blockchain technology to deliver 100% traceable and sustainable textiles. As a part of their sustainability program, A Positive Mark, Liquitex is committed to promoting innovative sustainable solutions that preserve product quality and performance. Key Features: * Cloth made from 100% recycled plastic bottles * Archival, medium-texture canvas * 13.58oz unprimed roll * 20oz stretched canvases * Triple primed with titanium dioxide gesso * Back stapled canvas * Folded uncut tailored corners * FSC wood for stretcher bars & wood key Perfect For: * Use with both acrylics and oils * Professional artists * Creating art sustainably * Reducing your impact on the environment See More
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Sennelier Acrylic Medium Gel Binder 17ozSave Up to33%Off listWhite Premium quality acrylic mediums now available in a easy to use, easy to store pouches! Sennelier Acrylic Mediums pouches are a new addition to a 130 year legacy of combining the traditions of the old masters with the innovations of modern chemistry. These versatile, professional quality mediums can be used with abstract and Sennelier Artist Acrylics Mediums and are available in 120ml and 500ml pouches. * Gesso is a universal primer with great coverage for non-oil surfaces. It can be tinted by mixing with Sennelier Acrylics and is ideal for use with acrylic, oil & egg tempera paints. * Gloss Varnish enhances the luminosity, depth and adherence as a glossy medium and creates a glossy, UV protective film when applied with a dry brush. Permanent when dry, it can also improve the adhesion of paint. * Modeling Paste is a thick, white paste used to achieve textures and carved effects. This water-soluble modeling paste can be tinted by mixing with Sennelier Acrylics and is water-resistant when dry. * Water Gloss Gel has a similar consistency to acrylics and improves transparency, depth, and vibrancy of colors. It is also a great adhesive for use in mixed media art work. * Acrylic Binding Gel Medium is ideal for use as a binder with pigments to customize paints and as an adhesive for mixed media techniques. It produces a smooth, permanent satin finish and can be used to seal slick and porous surfaces. Key Features: * Acrylic mediums come in convenient 120ml & 500ml pouches * Can be mixed with abstracts and Sennelier Artist Acrylics * Available in Gesso, Gloss Varnish & Modeling Paste mediums * Water Gloss Gel & Acrylic Binding Gel can also be used as adhesives Perfect For: * Studio & classroom use * A variety of surfaces * Mixed media artists * Mixing with acrylics for custom tints See More
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Caravaggio Canvas #508 / 15 oz. Extra Rough Texture 83x390"
Starting At: 174.10
White Caravaggio linen, cotton and polyester fabrics have been milled in Verese Italy for over 30 years. Caravaggio canvas is made from the highest quality materials to ensure the painting put upon it is of the highest archival quality. Caravaggio canvas is available in a variety of dimensions, textures and qualities. Artists can select Caravaggio canvas for a specific effect desired in a given painting such as extra smooth surface for portraiture, a bold texture for impasto, or an abrasive toothy surface to enhance adhesion for collage. Available in a selection of weights, dimensions, qualities & textures. All canvas is double primed using a universal primer that is suitable for oils and acrylics, with the exception of #511F, and #514F which are single primed with a clear acrylic coat, and new Raw (unprimed) rolls of #'s 509, 510, 512, and 514. #501 Canvas - 75% Cotton / 25% Polyester. #502 Canvas - 100% Cotton. #503 Canvas - 100% Cotton. #504 Canvas - 100% Polyester. #507 Canvas - 33% Cotton / 67% Polyester. #508 Canvas - 100% Jute. #509 Canvas - 100% Linen. #510 Canvas - 100% Linen. #511F Canvas - 100% Linen. #511 Canvas - 100% Linen. #512 Canvas - 100% Linen. #514F Canvas - 100% Linen. #514 Canvas - 100% Linen. #515 Canvas - 100% Cotton. #516 Canvas - 40% Cotton / 60% Linen. #528 Canvas - 100% Cotton. Please allow ADDITIONAL DELIVERY TIME for these items. For further information, call our Order Dept (800-827-8478). See More -
Fabriano Artistico Watercolor Block - 14"x20" Vegan Extra White, 140lb Hot Press (15 Sheets)Save Up to50%Off listWhite Master Quality Watercolor Papers That Will Stand The Test Of Time Fabriano Artistico Enhanced Watercolor Blocks now feature improved color lifting capabilities, increased surface resistance, and a vegan-friendly sizing! The paper is mold made of 100% cotton that is chlorine and acid-free, guaranteeing long conservation and stability over time. The paper is sized both internally and externally, making it ideally absorbent. Available in cold or hot press surfaces, the brilliant extra white paper is not bleached and is watermarked “FABRIANO+ARTISTICO” on the short side. Fabriano Artistico Enhanced Watercolor blocks are glued on all four sides and are high-quality watercolor papers to satisfy the demanding requirements of all professional artists. Made In Italy. The paper is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, and drawing. Key Features:* Extra White or Traditional White Paper Blocks* 100% cotton* 140lb / (300 gsm)* Chlorine-free, Acid-free* No bleach or optical brighteners* Mold-made in Italy* Watermarked* External and internal sizing* No animal by-products used in sizing* Guaranteeing long conservation and inalterability over time* Glued on all four sides* Perfect For:* Artists that want the best* Professional watercolorists* Watercolor, tempera, gouache* Acrylic, ink, charcoal, graphite, and drawing * Suitable for printmaking* All water media!* An endless array of techniques Fabriano Artistico uses cotton balls instead of stretched and beaten cotton fibers, as in other brands, for consistent and even water absorption across the surface. This construction also provides a more robust and durable surface that can take a lot of punishment, whether it be scrubbing, erasing, or any other standard watercolor technique. No animal by-products are used in the sizing. The internal and external sizing produces a more consistent, non-yellowing, non-smelling, more resilient non-scuffing surface with no blotchy spots. The paper also has an overall superior color-lifting response due to the sizing used. See More
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Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 LiterSave Up to30%Off listWhite Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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