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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to40%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Schmincke Horadam Watercolor Color Card, 140 Color ChartSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Schmincke Horadam Aquarell watercolor paint line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Tubes: 5ml, 15ml and Sets * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Schmincke Mussini Oil Handmade Color ChartSave Up to30%Off listAssorted Colors Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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Winsor & Newton Professional Watercolor 109 Color Dot CardSave Up to45%Off listAssorted Colors Only the purest pigments for permanence and brilliance Winsor and Newton Watercolors were started back in 1835 by Artist Henry Newton and chemist William Winsor. Winsor and Newton Professional Watercolor Paints are still made by offering artists the most comprehensive balanced choice of pigments with the greatest possible lightfastness. Advances in pigment technology and production have improved the watercolor range. Each color within this wide range has been formulated so that artists can use the color palette that best suits their work. Besides, many of the watercolor recipes have not changed in over 180 years, proving they cannot be improved! Key Features: * Range of 108 colors * 79 Single pigment colors * 5ml, 14ml, and 37ml tubes * Carefully formulated and milled colors * Colors have a unique brilliance and clarity * The greatest possible permanence * Lightfast and permanent * Unrivaled transparency * Best pigment dispersion * Perfect For: * Professional Watercolorists * Painting breathtaking washes with ease * Beautifully clean color mixing * Permanent, professional works of art * Stands nicely on watercolor paper * Free flowing, vivid watercolor painting See More
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Canson Mi-Teintes Pastel Pad 9x12" - Earth TonesSave Up to33%Off listEarth Tones Beautiful, multi-hued pads of artists' pastel paper! These convenient pads feature color-themed selections of Canson Mi-Teintes Pastel Paper in assorted colors, earth tones, and gray tones. The paper is perfect for pastel paintings and tonal dry media drawings. Mi-Teintes paper is double-sided, acid-free, and lightfast. Pads are tape-bound with a chipboard backing and pastel paper in select theme colors. Mi-Teintes paper pads have a 65% rag content and a 98 lb. weight. Both sides of the sheet are gelatine sized making it very strong and allowing repeated reworking in a variety of media. The Mi-Teintes sheet has two distinct surface textures, one side smooth and the other grainy. Thus, the sheet is adaptable to an endless array of techniques. No matter what media you use, soft pastel, oil pastel, pencil, charcoal, colored pencil, watercolor, designers' colors, or acrylic, you'll find the Mi-Teintes sheets to be highly receptive and easy to work on. Key Features: * 65% cotton rag content * Gelatin sized * Acid-free, archival foundation for pastels and pencils * Lightfast colored sheets * Two distinct surface textures * One side smooth and the other grainy * 98 lb paper weight Perfect For: * Pastellists and colored pencil artists * Illustrators, designers, and fine arts * Use with charcoal, conte’ sticks, and oil pastels * Gelatin sizing accepts watercolor and gouaches * Use in mixed media Assorted Colors: Includes 24 sheets of Mi-Teintes Pastel Paper; 4 each of White, Champagne, Buff, Moonstone, Steel Gray, and Light Blue. Earth Tones: Includes 24 sheets of Mi-Teintes Pastel Paper; 4 each of Cream, Oyster, Hemp, Bisque, Sand, and Sepia. Gray Tones: Includes 24 sheets of Mi-Teintes Pastel Paper; 4 each of Pearl Gray, Pearl, Flannel, Steel Gray, Felt Gray, and Dark Gray. See More
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Winsor & Newton Pastel Paper 75 lb 9x12 Pad Earth Colors 24-SheetsSave Up to30%Off listEarth Tones Archival, High cotton content, pastel paper! You can create dynamic pastel and charcoal drawings on Winsor & Newton's Pastel Paper. Pads are available in two color pallets of six assorted earth or grey tint colors. The paper mill uses hydroelectric power to reduce greenhouse emissions and FSC certified pulp to protect forests. Winsor & Newton dyes the high cotton content pastel papers in a pulp bath to give each sheet the appropriate texture and strength for pastels. The neutrally sized paper has a grainy, rough surface that is ideal for dry pigment uptake. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * 75 lb, 160 gsm pastel paper * Neutrally sized, grainy, rough surface * Available in two assorted color pallets * 6 Earth colors: Bianco, Crema, Banana, Sahara, Tierra di Siena, and Caffe * 6 Grey colors * High cotton content paper * Free of acids and optical brighteners * Archival and resistant to aging * Lightfast paper colors * Hydroelectric power used to reduce greenhouse emissions * FSC certified pulp to protect forests Perfect For: * Pastellists * Sketching and drawing * Pastel, graphite, charcoal, and sanguine * Illustrators, designers, fine arts * Emphasizing shading and highlights * Dry drawing techniques * Dry pigment uptake * An endless array of techniques * Archival foundation for pastel and pencil See More
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New York Central Double-Primed Alumacomp Panel - Rose Earth - 9X12"Save Up to55%Off list…in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of… New York Central® brings premium gesso priming to AlumaComp Panels! Professionally Gessoed on our Famous AlumaComp (Aluminum) Panels - A High Quality Professional Panel for Oils & AcrylicsNew York Central® has taken the wildly popular AlumaComp brand artists aluminum panel and created a made-to-order gessoed surface for the fine artist who prefers primed panels! AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Featuring a professional quality, proprietary acid-free and archival acrylic gesso, New York Central® Gesso AlumaComp Panels are meticulously hand primed by our own in-house, skilled craftsmen in our custom framing department when the order is placed. White is available with double or quadruple priming, and Rose Earth and Neutral Grey are offered double primed. Double primed panels have a slightly textured, consistent surface, making them ideal for all types of media. Quadruple primed white gesso finished panels offers a smoother, whiter appearance, making them perfect for any media where a smoother surface is desired. Key Features: * The Professionals Panel for Oils & Acrylics * AlumaComp panel foundation * Lightweight for shipping & transport * Archival & dimensionally strong * Proprietary acid-free acrylic priming * Available in 3 primed gesso colors, 4 surfaces * White gesso primed available in: Double or Quadruple primed * Hand primed by our own in-house, skilled craftsmen * Toned grounds: Rose Earth & Neutral Grey * Two aluminum sides with a 1/8" polyethylene core Perfect For: * Oils, Acrylics, Alkyds * Accepts traditional drawing media * Mixed medial applications * Oil sticks & pastels of all types * Heavy textured mediums * Artists of all skill levels The Professionals Panel for Oils & Acrylics - New York Central® Gesso Panels provide a surface that is ideal for oils, alkyds, acrylics, and other media that quickly build up weight that would slack stretched canvas, and bend or warp tempered or canvas covered painting panels. Brittle media like Egg Tempera and Acrylic Gouache is ideally suited for these panels, as they are the stiffest panel offered in such a slim depth. Perfect for mixed media applications, collage works, and heavy coats of acrylic texturing mediums. The gessoed surface works wonderfully with drawing media and charcoals,oil painting sticks, oil pastels, and crayon. Rose Earth and Neutral Grey primed colors have been carefully formulated under the guidance of professional painters, designed to match traditional, classically colored grounds. Featuring complete color consistency from batch to batch, the tone can be depended on for easily seeing values when painting. Perfect for chiaroscuro techniques, landscapes, portraits, still life, and more. Please Note: The panels are made to order, so it may take longer to ship your panel. Please take this extra processing time into account when placing your order. Feel free to call customer service if you have any questions about timing! See More
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