Your Cart
SLI Search Template
Related Categories: 9x12 Panels | Black Light Paint | 18x18 | Cobalt Green | 48x48 Panel | Canvas Panels Panelli Telati | Permanent Alizarin Crimson | Wood Panels
There were no results that contained all of the words in your query. These results contain some of the words.
-
Strathmore Printed Designs for WatercoloringSave Up to33%Off listColor in the lines with watercolor! Strathmore's Designs For Watercoloring Pads feature pre-printed patterns to paint and color! The pads are made up of 140lb. Cold Press 5" x 7" paper sheets that feature pre-printed Zenspirations® designs by Joanne Fink. Joanne has designed eight individual… Color in the lines with watercolor! Strathmore's Designs For Watercoloring Pads feature pre-printed patterns to paint and color! The pads are made up of 140lb. Cold Press 5" x 7" paper sheets that feature pre-printed Zenspirations® designs by Joanne Fink. Joanne has designed eight individual pre-printed designs in the themes of flowers, nature, and abstraction. The pre-printed Zenspirations® illustrations allow you to savor the convenient calming experience of painting a simple composition. Your finished 5” x 7" watercolor painting can be framed or used as a postcard. Key Features: * Illustrations by Joanne Fink * 8 unique designs per pad * 140 lb cold press paper Perfect For: * Watercolor * Any age * Stress-free hobby See More
-
Strathmore Sequential Paper And BoardsSave Up to38%Off list…or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
-
Old World Luxury Italian Leather Bound Soft Cover Sketch BooksSave Up to40%Off list…acid-free cream colored paper* 112 pages each (except the 2.7x4.1” size, which contains 64 pages)* Available in 7 cover styles* Perfect For:* Writing notes and ideas* Journaling* Sketching on the go* High quality leather covers, these sketchbooks will serve as an heirloom for generations to enjoy Luxury leather bound sketch books – 4 sizes in 7 Styles Imported from Italy! These premium Old World leather bound soft cover sketchbooks are hand made in Italy. Styled after the books Renaissance masters used for writing down idea or sketching outdoors, these sketchbooks are without equal and represent the finest you can buy! They feature 120gsm paper for writing or sketching. With acid-free paper and quality leather covers, these sketch books will serve as an heirloom for generations to enjoy. Available in 4 sizes, the smallest of which has 64 pages while all other sizes have 112. There are 7 beautiful styles to choose from, including: the “Leonardo-style” plain leather book with flap (available in Dark Brown), a Red plain leather book and embossed cover books featuring intricate medieval, diamond, leaf and border designs--all available in Dark Brown (Diamond is also available in Red). Key Features: * Premium leather sketchbooks* Leather wrap tie* Available in 4 sizes: 2.7x4.1”, 3.5x5.1”, 4.7x6.5” and 5.7x8.3”* 120gsm acid-free cream colored paper* 112 pages each (except the 2.7x4.1” size, which contains 64 pages)* Available in 7 cover styles* Perfect For:* Writing notes and ideas* Journaling* Sketching on the go* High quality leather covers, these sketchbooks will serve as an heirloom for generations to enjoy See More
-
Gamblin 1980 Oil Colors & SetsSave Up to25%Off list…as well as Gamblin's solvent-free safflower oil. Contains: 6.5in x 12in pre-primed painting panel with 1.5in cradle depth, 37 ml (1.25 oz) tubes are included Cadmium Yellow Light, Yellow Ochre, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Phthalo Green, Ivory Black, and Titanium White A True Oil Color At A Real Value Gamblin's 1980 Oil Colors are made with pure pigments, the finest refined linseed oil and real value. This line of student grade oil paint offers artists true colors and a smooth application; instead of a homogenized texture or muddy color mixtures. Gamblin 1980 Oils Paint mixes fine pigments with marble dust (calcium carbonate) to extend the pigments easier and keeps the value of the artist grade pigment without the price tag of a professional quality paint. 48 colors in sizes of 37ml and 150ml tubes. Click Here -> Gamblin 1980 Oil Color Chart Key Features:* Available in 48 colors* 37ml and 150ml tubes* Formulated with pure pigments* Finest refined linseed oil* Made with marble dust (calcium carbonate)* Made in Portland Oregon* Perfect For:* Classrooms and workshops* Quality student grade paint* Made in USA brand* True color and texture* Experiencing colors that are true Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labeling. Introductory Set- This set of 1980 Oil Colors is intended to give beginning painters a thoughtfully constructed palette to support any style of painting and includes 8 popular colors as well as Gamblin's solvent-free safflower oil. Contains: 6.5in x 12in pre-primed painting panel with 1.5in cradle depth, 37 ml (1.25 oz) tubes are included Cadmium Yellow Light, Yellow Ochre, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Phthalo Green, Ivory Black, and Titanium White See More
-
Gamblin Neo-MegilpSave Up to25%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
-
Gamblin Cold Wax MediumsSave Up to25%Off list…Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
-
Strathmore Mixed Media PostcardsSave Up to25%Off list…is able to handle wet media applications. The front of the postcard is left blank for your art. The back is printed with traditional markings of a postcard so you can mail your piece and share your art. It's great for pen and ink, watercolor, gouache, acrylic, graphite, colored pencil, marker and… Who doesn't love getting real, handmade mail? Make someone's day by sending your personal art in a postcard! These new Mixed Media Postcards are made with heavyweight 184lb (300gsm) paper that has a vellum drawing finish and is able to handle wet media applications. The front of the postcard is left blank for your art. The back is printed with traditional markings of a postcard so you can mail your piece and share your art. It's great for pen and ink, watercolor, gouache, acrylic, graphite, colored pencil, marker and collage! Available in a standard 4"x6" postcard size with 15 sheets per pad. Key Features: * Heavyweight paper * Vellum drawing finish * Standard 4x6 postcard size Perfect For: * Sending your personal art * Pen and ink * Watercolor, gouache, acrylic * Graphite, colored pencil, marker & collage! See More
-
Gamblin Artist's Oil Paints & SetsSave Up to25%Off list…a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel *… Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
-
Gamblin Galkyd MediumsSave Up to25%Off list…simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
-
Gamblin Solvent-Free Gel, Fluid & Safflower Oil MediumsSave Up to25%Off list…from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
-
Gamblin PVA SizingSave Up to25%Off list…harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric… PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
-
Gamblin Fastmatte Alkyd Oil ColorsSave Up to25%Off list…surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an… Revolutionary matte alkyd oils perfect for under painting and more! Gamblin has developed FastMatte Alkyd Oil Colors specifically with the needs of the artist in mind. The alkyd resin binder lets Gamblin FastMatte colors dry quickly but thoroughly, allowing multiple layers to be built up without disturbing previous ones. It is the matte surface, however, that makes Gamblin FastMatte colors so revolutionary: when used as an underpainting layer, the matte surface of the alkyd colors provides a mild tooth similar to that of ground, ensuring the proper adhesion of further oil layers when following the fat over lean rule. FastMatte Alkyd Oil Colors do make a fabulous underpainting medium, but are also completely compatible with all artists' grade oil colors—should a more glossy surface be desired on a finished painting, a quick coat of Gamblin Gamvar Picture Varnish will both intensify the colors and unify sheen. Perfect for plein air painters who like to sketch in the field, for studio artists looking for an excellent under painting medium, or for anyone wanting an artists' grade alkyd paint with excellent working properties and a unique matte finish, Gamblin FastMatte Alkyd Oil Colors are the innovative new line ideal for any artist's needs! Key Features: * Quick-drying alkyd resin binder * Superior mixing capabilities * Allows for glazing and multi-tonal techniques * For pigment information click on the yellow circle technote icon * Perfect For: * Building layers without disturbing previous ones * Underpainting or Ground * Creating different effects * Plein air painters * Working in the field * Studio artists looking for matte oil * Discerning students & amateurs See More
-
Strathmore Blank Watercolor PostcardsSave Up to25%Off listStrathmore Watercolor Postcards Heavyweight textured postcards that are great for any wet media! Key Features:* Made of 100% cotton, acid-free* 140 lb. cold pressed 400 Series watercolor paper* Cards formatted on back for simple sending* Postcards/Pad = 15* 4" x 6"* Postcard - Tape Bound (4") Made… Strathmore Watercolor Postcards Heavyweight textured postcards that are great for any wet media! Key Features:* Made of 100% cotton, acid-free* 140 lb. cold pressed 400 Series watercolor paper* Cards formatted on back for simple sending* Postcards/Pad = 15* 4" x 6"* Postcard - Tape Bound (4") Made specifically to hold up to any wet media including watercolor, acrylic or gouache. These high quality cards are made from 140 lb. cold press watercolor paper. Weight: 140 lb. (22" x 30" x 500 sheets) 300 g/m2 Surface: Cold Press Postcards/Pad: 15 See More
-
Strathmore 300 Series Rough Newsprint PadsSave Up to33%Off list…newsprint paper that is perfect for practicing sketching or for preliminary drawings. These 50 or 100 sheet pads are great for classrooms and large scale drawings! Key Features:* Rough Surface* 32lb.* Heavier weight* Natural-toned newsprint* Tape Bound Perfect For:* Graphite pencil* Colored pencil*… Heavier weight natural-toned newsprint paper Strathmore 300 Series Newsprint pads are filled with an economical, neutral colored, 32 lb. rough newsprint paper that is perfect for practicing sketching or for preliminary drawings. These 50 or 100 sheet pads are great for classrooms and large scale drawings! Key Features:* Rough Surface* 32lb.* Heavier weight* Natural-toned newsprint* Tape Bound Perfect For:* Graphite pencil* Colored pencil* Charcoal* Sketching stick* Practicing sketching and drawing Weight: Rough - 32 lb. (24" x 36" x 500 sheets) 52 g/m2 Surface: Smooth / Rough Rough: graphite pencil, colored pencil, charcoal, sketching stick Paper Type: A heavier weight natural-toned newsprint for practicing sketching and drawing See More
-
Strathmore 300 Series Sketch PadsSave Up to33%Off list…that you can take anywhere for sketching or practicing? Then the 300 Series Sketch pad from Strathmore is just what you need! It's fine tooth paper can handle graphite, colored pencils, sketching sticks and even charcoal! With this paper, you won't miss out on the smooth, controlled movements… The Perfect Sketchpad to take Anywhere! Strathemore 300 Series Sketch Pads Want a lightweight sketchpad that you can take anywhere for sketching or practicing? Then the 300 Series Sketch pad from Strathmore is just what you need! It's fine tooth paper can handle graphite, colored pencils, sketching sticks and even charcoal! With this paper, you won't miss out on the smooth, controlled movements you need create any design. The pages can handle even your most rigorous movements! Like to draw outside? This sketchpad has a flip cover so you don't have to worry about the wind flipping pages and messing up your carefully detailed sketches. Each page is perfect for experimenting in the classroom, practicing techniques or just doing a quick study. If you want to remove your art from the pad, then just tear along the micro-perforated line and give one of your sketches as a gift or even frame it! A lightweight sketch paper with a fine tooth surface suited for classroom experimentation, practice of techniques, or quick studies with any dry media. Key Features:* 50 lb. 100 sheet 74 g/m2* Sturdy, durable, perforated pages* Wire or glue bound* A variety of sizes! Perfect For: * Any dry medium! * Outside sketching * Artistic experimentation and classroom use* Graphite pencil* Colored pencil* Charcoal* Sketching stick Sketch paper is intended for practicing, experimenting, and quick studies, while drawing paper is intended for finished artwork Weight: 50 lb. 100 sheet 74 g/m2 Surface: Fine Tooth Pad Features: Wire Bound Sheets are micro-perforated and are Actual Size when removed at the micro-perforation. Type: Lighter weight, Ligher tooth surface Note: Glue Bound Pads have flip-over covers. See More
-
Strathmore 300 Series 140lb. Watercolor Paper PadsSave Up to26%Off list…paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140… Economical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully to a variety of techniques. Each pad contains 12 sheets and is attached with spiral wire binding. Weight: 140 lb. 300 g/m2 Surface: Cold Press Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Type: Heavy weight student-grade paper Note:Watercolor, gouache, tempera or even acrylic See More
-
Gamblin Gamvar Satin VarnishSave Up to25%Off list…Gamsol Mineral Spirits * Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait… Enhance and protect your oil paint masterpieces with this professional quality satin finish picture varnish! Gamblin's Gamvar Satin Picture Varnish saturates the colors in your oil paintings and gives your work a unified, satin finish protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Satin is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This superior quality satin picture varnish dries to a lower gloss level compared to original Gamvar and enhances the depth of color in your paintings. The easiest way to make your painting look better! Key Features: * Provides a satin finish protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits * Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
-
Gamblin Gamvar Matte VarnishSave Up to25%Off list…with Gamsol Mineral Spirits* Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait… Enhance and protect your oil paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This professional quality matte picture varnish reduces surface sheen and enhances the depth of color in your paintings. Key Features: * Provides a matte protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits* Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
-
Gamblin Gamvar Varnish BrushSave Up to25%Off list…Satin, and Matte on oil and acrylic paintings. It’s the only varnish brush you’ll ever need! Key Features: * Synthetic animal-free bristles * Correct thickness and stiffness for varnish * Soft enough to contour to texture * Stiff enough to evenly and thinly varnish * Designed for Gamvar Varnishes *… Varnishing Is Trending, And It’s The #1 Topic Painters Contact Us About Successful varnishing requires three things: the right varnish, proper technique, and the right brush. The Gamvar Varnish Brush is the only varnish brush designed to work accurately with Gamblin Gamvar Varnishes. It has the correct thickness and stiffness — with synthetic bristles soft enough to contour to texture, yet stiff enough to evenly and thinly varnish a painting. The brush works with Gamvar Gloss, Satin, and Matte on oil and acrylic paintings. It’s the only varnish brush you’ll ever need! Key Features: * Synthetic animal-free bristles * Correct thickness and stiffness for varnish * Soft enough to contour to texture * Stiff enough to evenly and thinly varnish * Designed for Gamvar Varnishes * Designed by Gamblin * Made in Germany Perfect For: * Varnish application * Gamblin Gamvar Varnishes * Students, amateurs, professionals * Rough and irregular surfaces * Large scale works and murals * Artists of all skill levels See More
-
Strathmore 300 Series Cotton Canvas PanelsSave Up to33%Off listCanvas Panels For All Skill Levels! Strathmore 300 Series Canvas Panels are ideal for practice and painting outside. A triple-primed, medium grain, traditional canvas texture covers each panel. You can paint with acrylic, oil, and water-mixable oils on the acrylic primed surface. They’re also sturdy… Canvas Panels For All Skill Levels! Strathmore 300 Series Canvas Panels are ideal for practice and painting outside. A triple-primed, medium grain, traditional canvas texture covers each panel. You can paint with acrylic, oil, and water-mixable oils on the acrylic primed surface. They’re also sturdy enough to take on heavy layers of paint, mixed media, and collage. They are also great for heavy applications of mixed media, collage and impasto. Key Features: * 100% cotton canvas * Triple-primed, 12oz primed weight * Medium grain texture * Acid free * Ready-to-use painting surface Perfect For: * All skill levels * Oils and acrylics * Water mixable oil paints * Mixed media, collage, and impasto * Painting outside and travel See More
-
Strathmore 300 & 400 Series Mixed Media PadsSave Up to40%Off list…Papers For Multiple Media! Strathmore has crafted a line of papers perfect for the demands of mixed-media applications that blend wet and dry media with collage elements! The spiral-bound 300 Series is great for sketches and quick studies. The tape-bound 400 Series pads are excellent for… High-Performance Papers For Multiple Media! Strathmore has crafted a line of papers perfect for the demands of mixed-media applications that blend wet and dry media with collage elements! The spiral-bound 300 Series is great for sketches and quick studies. The tape-bound 400 Series pads are excellent for illustrations or completed artwork. The 300 Series and 400 Series Mixed Media pads feature artist-grade papers that combine the characteristics of a watercolor paper with the finish of a drawing paper. Both series are ideal for works in graphite, colored pencil, charcoal, pastel, watercolor, marker, pen and ink, gouache, acrylic, collage, and almost any art media combination! Key Features:* Micro-perforated sheets* Made in the USA!* Acid-free white vellum* Medium texture surface* Travel or Plein air work Perfect For:* Creating unique, dramatic effects* Watercolor, marker, pen & inks* Gouache, acrylic, collage* Charcoal and colored pencils* Soft and oil pastels 300 Series Mixed Media Pads: These spiral-bound pads feature 40 sheets of medium weight 117 lb. (190gsm) true-size, micro-perforated sheets. Available in 3 popular sizes, this acid-free medium weight paper is great for sketches and practice pieces in both wet and dry media. For mixed media sketches, the practice of techniques and quick studies. Weight: 117 lb. 190 gsm Surface: Vellum 400 Series Mixed Media Pads: High-quality artists' paper in tape-bound pads of 15 sheets of heavyweight 184 lb. (300gsm) paper perfect for finished art. Acid-free, glue bound pads have flip-over covers and combine the characteristics of watercolor paper with the finish of a drawing sheet, creating the ultimate paper for combined mediums. For studies or finished art. Heavyweight paper. Weight: 184 lb. 300 gsm Surface: Vellum See More
-
Strathmore Illustration BoardsSave Up to38%Off list100% Cotton Illustration Board The highest quality illustration board available. 100% cotton fiber paper is mounted on both sides of the board to create a balanced tension that prevents warping. Regular surface has a slight tooth, high surface is plate smooth, 240-1 and 240-2, heavyweight, and… 100% Cotton Illustration Board The highest quality illustration board available. 100% cotton fiber paper is mounted on both sides of the board to create a balanced tension that prevents warping. Regular surface has a slight tooth, high surface is plate smooth, 240-1 and 240-2, heavyweight, and 240-3, lightweight. See More
-
Gamblin Etching InksSave Up to15%Off list…& Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks… Strong reliable inks for edition printing Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Because of their high pigment load, Gamblin Etching Inks are a much better value than lower priced etching inks which are full of extenders. Inks are available in 1 lb. (300 ml) cans. Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil Key Features: * Inks are available in 1 lb. (300 ml) cans * High pigment load * Reliable inks for edition printing * Excellent working properties * Incredible sensitivity to the printmaker’s marks * Only the finest quality Burnt Plate Oil and lightfast pigments are used * Handcrafted in small batches at Gamblin’s factory in Portland, Oregon Perfect For: * Edition printing * Deep rich blacks * Engravers * Mezzotints * Strong lines & Medium plate tones Gamblin Printmaking Inks are made with the same respect for traditional materials that have made Gamblin Artists Oil Colors the choice for many of Americas finest painters Printmakers can count on a high pigment load and rich saturated colors in their prints. Gamblin Inks print with unparalleled intensity and sensitivity to printmakers most finely detailed marks. See More
-
Strathmore 400 Series Drawing & Sketch PadsSave Up to56%Off list…of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers… Strathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more! 80 lb., spiral bound paper has 24 sheets per pad. 400 Series Sketch Pads - A general purpose sketch paper for classroom, experimentation, or perfecting technique with pen, pencil and a variety of other media. Rugged spiral wire binding makes it ideal for field use, and pages are perforated for easy removal. 60 lb paper. Media Applications: Smooth 80 lb - graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. 400 Series Heavyweight Drawing Pads - 100 lb., cream-colored paper is ideal for finished artworks and heavier sketch media, allowing for repeated erasing and reworking. Use with charcoal, pencil, colored pencil, sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed. 24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium. All of our Heavyweight Drawing products feature a medium surface with slightly more texture than our 80 lb. 400 Series Drawing pads. Surface is durable enough to stand up to repeated erasing and reworking. 400 Series Recycled Drawing Paper - This 80 lb., bright white paper is suitable for all dry media, pen and ink, and light washes. Contains over 50% recycled materials, and perforated for easy removal. Acid-free, heavy weight, durable, medium surface. Weight: 80 lb. 130 g/m2 Surface: Medium Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, and oil pastel. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. 400 Series Recycled Sketch Paper - Our most popular sketch pad! This 60 lb., general purpose sketch paper is great for experimentation and perfecting techniques. Contains 30% Post-Consumer Waste Fiber. Acid-free, medium weight, lightly textured. Weight: 60 lb. (25" x 38" x 500 sheets) 89 g/m2 Surface: Fine Tooth Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel See More
-
Strathmore Artist TilesSave Up to40%Off listExperience art through pattern drawing on Strathmore® Artist Tiles! Clear your mind and become more focused and relaxed. Enjoy the creative, approachable process of pattern drawing by combining repetitive marks, circles, lines, and forms to create small pieces of art. Strathmore makes it even easier… Experience art through pattern drawing on Strathmore® Artist Tiles! Clear your mind and become more focused and relaxed. Enjoy the creative, approachable process of pattern drawing by combining repetitive marks, circles, lines, and forms to create small pieces of art. Strathmore makes it even easier with affordable, pre-cut artist tiles in appropriate paper surfaces and sizes. Paper types are suitable for common techniques and media used in patterning and meditative art. Available in packs, glue bound and wire bound pads.* NEW! Strathmore Zentangle Gift Set- This gift set is the perfect way to learn how to doodle with Zentangle! Included are the Zentangle Basics Book, a Strathmore 400 Recycled Sketch Pad, Strathmore Artist Tiles, a Creative Mark Mesh Bag and Acurit Technical Drawing Pen Set.* 400 Series Toned Artist Tiles – The 80lb, medium surface Toned Artist Tiles accept calligraphy pens, lettering pens, gel ink pens, markers, technical pens, graphite and colored pencils. They are available in packs of 30 tiles in warm tan and cool gray. This paper is acid-free * 300 Series Bristol Vellum Artist Tiles – The 100lb, vellum surface Bristol Artist Tiles accept calligraphy pens, gel ink pens, marking pens, technical pens, graphite and colored pencils. They are available in glue-bound pads of 20 sheets and packs of 20 loose sheets. This paper is acid-free * 400 Series Black Artist Tiles – The 60lb, medium surface Black Artist Tiles accept gel ink pens and opaque pens. Their coal-black paper contains 30% post-consumer fiber. They are available in glue-bound pads of 30 sheets.* 400 Series Sketch Artist Tiles – The 60lb, fine-tooth-surface Sketch Artist Tiles accept drawing pens, gel ink pens, marking pens, and any dry media. Their heavy-weight, acid-free sketch paper contains 30% post-consume fiber. They are available in 70 sheet, wire-bound pads with a perforated edge. * 400 Series Watercolor Artist Tiles – The 400lb, cold press Watercolor Artist Tiles accept all wet media types, drawing pens, marking pens and technical pens. Their strong, acid-free surface allows for lifting and scraping applications, as well as fine and even washes. They are available in glue-bound pads of 10 sheets or packs of 10 loose sheets. See More
-
Strathmore Visual Art JournalsSave Up to33%Off list…excellent for pencil, colored pencil and charcoal. Also good for pastel, marker, pen and ink, light mixed media and collage techniques. Acid free. Each journal has 42 sheets (84 pages).* Mixed Media 90lb. Vellum – (190 g/m2) Wirebound medium weight, This 100% cotton, medium-weight paper is great for… Tell your artistic story through mixed media and collage in Strathmore Visual Journals! Strathmore® Visual Journals deliver high-performing papers and heavy-duty features engineered to meet the intense demands of your creative process. The removable cover sheet reveals a subtle, hand-illustrated cover design. The wire binding allows the journal to lie flat and open up 360 degrees. So feel free to reflect, explore, create and mix it up any way you please. Their Visual Journals offer a range of high performance, heavyweight, acid free papers with heavy duty covers and thick wire binding — all designed to hold up to the challenges of multimedia journaling. All the journals lie flat and can open 360 degrees, giving you all possible angles of expression. With six different types of paper each in three different sizes, you are sure to find the perfect journal to tell your own artistic story!* Drawing 100lb. – (163 g/m2) Wirebound, Heavy-weight drawing paper is excellent for pencil, colored pencil and charcoal. Also good for pastel, marker, pen and ink, light mixed media and collage techniques. Acid free. Each journal has 42 sheets (84 pages).* Mixed Media 90lb. Vellum – (190 g/m2) Wirebound medium weight, This 100% cotton, medium-weight paper is great for wet and dry media including watercolor, acrylic, pen and ink, pencil, crayon, charcoal, marker and collage. It is acid free and proudly made in the USA. Each journal has 34 sheets (68 pages).* Bristol Vellum 100lb. – (260 g/m2) Wirebound Vellum finish is great for any dry media including pencil, charcoal and pastel. Also good for pen and ink, marker and collage. Acid free. Each journal has 24 sheets (48 pages).* Bristol Smooth 100lb. – (260 g/m2) Wirebound Smooth surface is excellent for traditional and specialty pen and ink techniques, marker and collage. Acid free. Each journal has 28 sheets (56 pages).* Watercolor 90lb Cold Press – (190 g/m2) Wirebound Medium-weight paper is great for watercolor, acrylic and collage. Also good for pen and ink, pencil and marker. Acid free. Each journal has 34 sheets (68 pages).* Watercolor 140lb Cold Press – (300 g/m2) Wirebound Heavy-weight Cold Press paper is excellent for watercolor and collage. Also good for acrylic, pen and ink, pencil and marker. Acid free. Each journal has 22 sheets (44 pages). See More
-
Strathmore Blank Announcement CardsSave Up to40%Off list…Cards! Blank Strathmore Cards are well suited for creating personalized announcements and thank you notes. The cards come in different paper textures, ideal for mixed media and detailed drawing techniques. You can use the blank cards to design a greeting for any occasion, from a birthday invitation… Create Personalized Announcements and Thank You Cards! Blank Strathmore Cards are well suited for creating personalized announcements and thank you notes. The cards come in different paper textures, ideal for mixed media and detailed drawing techniques. You can use the blank cards to design a greeting for any occasion, from a birthday invitation to general correspondence. All of the cards come with envelopes. Key Features: * 400 Series Bristol Cards * Creative Cards * Mixed Media Cards * Available in different sizes * Come with 80lb or 70lb envelopes Perfect For: * Drawing with pen & ink, mechanical pencils, and markers * Watercolor, acrylic, or gouache * Rubber stamps, collage, and more * Customized correspondence for any occasion! 400 Series Bristol Cards - These heavy-weight 2 ply cards are perfect for creating personalized announcements, invitations, and thank-you notes. The smooth surface is excellent for drawing with pen & ink, mechanical pencils, and markers. The accompanying envelopes have a beautiful deckle edge. Mixed Media - These heavy-weight 140 lb. cards have the characteristics of watercolor paper with a vellum drawing finish. They are ideal for watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, and collage. Acid-free. 80lb envelopes. Creative Cards - Whether you are an accomplished artist or a creative crafter, the distinctive texture and quality of Strathmore® Creative Cards are the perfect way to personalize your correspondence. Ideal for colored pencils, rubber stamps, die cuts, collage and more. Available with or without a colored deckle edge. 80lb paper cards and 70lb envelopes. See More
-
Strathmore Blank Mixed Media Cards & EnvelopesSave Up to33%Off list…/ 300 g/m2* Envelopes: 80 lb. text / 118 g/m2* Acid-free * Attributes of a watercolor paper but with a vellum drawing finish* Surface: Vellum Perfect For:* Ideal for watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, and collage* Customized correspondence for any occasion! Versatile Mixed Media Greeting Cards Strathmore's popular 400 Series Mixed Media paper is available in greeting card form! These heavyweight 140 lb. cards offer the attributes of watercolor paper but with a vellum drawing paper finish. They are ideal for artwork in watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, pastel, marker, and collage. Of course, these artist-grade cards are acid-free, so your personalized cards can be treasured for years. Customize your holidays and letters in any artistic media with Mixed Media Greeting Cards from Strathmore! Key Features:* Cards: 140 lb. / 300 g/m2* Envelopes: 80 lb. text / 118 g/m2* Acid-free * Attributes of a watercolor paper but with a vellum drawing finish* Surface: Vellum Perfect For:* Ideal for watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, and collage* Customized correspondence for any occasion! See More
-
Strathmore Photo Mount & Photo Frame Cards w/ EnvelopesSave Up to40%Off list…cutout window of the frame card accommodates either a 3.5" x 5" or a 4" x 6" photo (3.125" x 4.625" opening). Double-stick adhesive tabs are included for easy mounting. Photo mount cards are available in plain or embossed with a decorative or classic design edge. Each card measures 5" x 6-7/8", and… Blank Photo Mount and Photo Frame Cards w/ Envelopes/h2> With Strathmore Photo Mount and Frame Mount Cards you can create a personalized greeting card by mounting photos, artwork, or pictures to these beautiful Strathmore cards. The tri-fold cutout window of the frame card accommodates either a 3.5" x 5" or a 4" x 6" photo (3.125" x 4.625" opening). Double-stick adhesive tabs are included for easy mounting. Photo mount cards are available in plain or embossed with a decorative or classic design edge. Each card measures 5" x 6-7/8", and the matching envelopes measure 5-1/4" x 7-1/4". Key Features: * Photo mount & frame cards measure 5" x 6-7/8" * Photo mount: Available plain or embossed * Photo frame: Cutout window 3.125" x 4.625" opening * Matching envelopes are included * Double-stick adhesive tabs included * Matching envelopes measure 5-1/4" x 7-1/4" * Cards weigh 80lb (216gsm) cover * Envelopes weigh 70lb (118gsm) text * Acid-free * Made in the USA Perfect For: * Creating personalized cards * Mount your photos, artwork, or pictures * Make your own invitations * Formal announcements * Holiday and birthday cards * Create greeting cards See More
-
Strathmore Blank Watercolor Greeting CardsSave Up to26%Off listWatercolor cards for any occasion! These high-quality cards are made from 140 lb. cold press watercolor paper. The heavy-weight paper has excellent surface strength and resists buckling. Ideal for watercolor, acrylic, or gouache. The blank cards can be used to design a greeting for any occasion,… Watercolor cards for any occasion! These high-quality cards are made from 140 lb. cold press watercolor paper. The heavy-weight paper has excellent surface strength and resists buckling. Ideal for watercolor, acrylic, or gouache. The blank cards can be used to design a greeting for any occasion, from birthdays, holidays, and invitations to general correspondence. All creative card packs include 70lb envelopes. Key Features: * 140lb cards, 70lb envelopes * Cold pressed watercolor surface * Card Sizes: 5" x 6.875" & 3.875" x 9" * Full Size Matching Envelopes: 5.25" x 7.25" & 9.5" x 4.125" * Packs of: 6, 10, 50, & 100 (includes Envelopes) * Cards Weigh: 140lb. / 300 g/m2 * Envelopes: 70lb. / 104 g/m2 * Surface: Cold Press Perfect For: * Watercolors, inks, gouaches * Acrylics, markers * Pen and ink * Colored pencils, rubber stamps * Die cuts, collage and more * Customized correspondence for any occasion! * Use with water brush pens * See More
-
Strathmore 300 Series Bristol PadsSave Up to26%Off list…Pads This economical acid-free 100lb sheets is available in two surfaces. The smooth finish is excellent for drawing with graphite, pen and ink and airbrush. Vellum finish is fantastic for all dry media including all types of chalks and leads, crayon, graphite, charcoal and pastel. These 20 sheet… 300 Series Bristol Pads This economical acid-free 100lb sheets is available in two surfaces. The smooth finish is excellent for drawing with graphite, pen and ink and airbrush. Vellum finish is fantastic for all dry media including all types of chalks and leads, crayon, graphite, charcoal and pastel. These 20 sheet pads are a favorite with practicing artists and students. Tape bound. Weight: 100 lb. 270 g/m2 Surface: Smooth / Vellum Media Applications: Smooth - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, mixed media, collage Vellum - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel, collage For finished artwork this high quality bristol weight board comes in two surfaces. Smooth is rated very good or mechanical drawing, marker, airbrush along with pen & ink. Vellum is rated Very Good or graphite pencil, colored pencil, charcoal, sketching stick, mixed media, airbrush and oil pastel. See More
-
Strathmore 400 Series Colored Pencil PadsSave Up to48%Off list…Series Colored Pencil Paper Pads! ! Colored Pencils Have Met Their Match! Strathmore 400 Colored Pencil Pads (Made in USA) is the perfect pad for colored pencils! These pads contain 100 lb, acid-free, white paper that contains a toothy, medium surface. Multiple layers of colored pencil, graphite,… Strathmore 400 Series Colored Pencil Paper Pads! ! Colored Pencils Have Met Their Match! Strathmore 400 Colored Pencil Pads (Made in USA) is the perfect pad for colored pencils! These pads contain 100 lb, acid-free, white paper that contains a toothy, medium surface. Multiple layers of colored pencil, graphite, charcoal or even sketching sticks can be applied because of the heavy weight combined with the vellum surface of the paper. Each pad is wirebound with sheets true to size when removed at the micro-perforation. Made in the USA! Key Features: * Wire bound, medium surface* Acid-free, white, 100 lb paper* Each pad comes with 30 sheets Perfect For: * Colored pencils, graphite, charcoal and sketching sticks* Multiple layers of colored pencil* Reworking and erasing Get The Full Set at Jerry's * Strathmore Colored Pencil Pad + Mesh Bag Set- This comprehensive set includes Strathmore 400 Colored Pencil Pad 9x12", Cezanne Colored Pencil Set of 24 (Assorted Colors), Creative Mark Mesh Bag 10x14", a Vanish 4-in-1 Eraser and KUM Magnesium Pencil Sharpener. See More
-
Strathmore 400 Series Marker PadsSave Up to33%Off list…and ink and mechanical pencil. The paper’s smooth surface allows markers to glide easily for even, consistent layering of color and blending. No drag to insure even strokes as well as not chewing up the nibs on your markers. These heavyweight sheets are bleed and tear resistant and acid-free—for… Create vibrant finished works with marker! Bleed Resistant! Proudly made in the USA, Strathmore 400 Series Marker Paper offers a quality surface for artists to create finished works of art with markers. This 50.5 lb / 190 g/m2 paper accepts alcohol-based, water-based and solvent-based markers, as well as pen and ink and mechanical pencil. The paper’s smooth surface allows markers to glide easily for even, consistent layering of color and blending. No drag to insure even strokes as well as not chewing up the nibs on your markers. These heavyweight sheets are bleed and tear resistant and acid-free—for vibrant, lasting works of art. 400 Series Marker Papers are extremely smooth. Slightly smoother than the Bristol paper. No drag when laying down, ensures even strokes, nice clean lines, a nice even marker wash without showing individual marker strokes. Key Features: * 50.5 lb. 190 g/m2 * Surface: Smooth / Heavyweight * Acid free, heavyweight papers * No optical brighteners, No Chemicals * Bleed and tear resistant * Accepts multiple layers of color and blending Perfect For: * Alcohol-based markers, water-based markers, solvent-based markers, pen & ink and mechanical pencil * Use with markers for a vibrant and crisp look * Creating finished works of art with markers * Create Multiple Layers / Bleed Resistant See More
-
Gamblin Gamvar Gloss VarnishSave Up to25%Off list…quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and… Gamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly notice that your colors have more depth and that Gamvar is virtually odorless! The easiest way to make your painting look better! Key Features: * Terrific for both oil and acrylic paintings * Saturates color and adds depth of color * Protects your painting * Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation * Altering paint sheen * Use in the studio or school Gamvar Gloss: saturates colors in your painting and gives your work a unified and protective gloss surface. Gamvar Gloss is the original Gamvar formula. See More
-
Gamblin Gamsol Odorless Mineral SpiritsSave Up to25%Off list…techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Primary Uses for Gamsol:* Thinning oil colors. A little goes… The safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits - Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Primary Uses for Gamsol:* Thinning oil colors. A little goes a long way; stiff oil colors relax immediately when a little Gamsol is added. Be careful not to thin oil colors too much with solvent alone, this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.* Studio clean-up: brushes, palettes, palette knives, etc.* Odorless* Available in the following sizes: 4.2 oz,16.9 oz, 33.8 oz, 128 oz* No solvent odors, only the wonderful smell of oil colors* Widely used in oil painting classrooms* Flash point: 62.2 °C / 144.0 °F (See SDS Sheet) How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Aromatic solvents are the most harmful types of petroleum solvents. The Gamsol SDS shows that it has an Exposure Limit Value higher than most solvents available to artists. In addition, Gamsol’s flash point allows it to ship via air cargo as a non-hazardous material. All of these factors have lead to Gamsol being used widely in oil painting classrooms; in those classes, there are no solvent odors, only the wonderful smell of oil colors See More
-
Gamblin Oil Painting GroundSave Up to25%Off list…calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field