Bright at Jerry's Artarama

Escoda Finest Kolinsky Brush Series 2410 Round #5x0

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…are master quality brushes. Rounds feature a definitive point, Filberts feature a cat's tongue shape for the ultimate control in a flat stroke and Brights offer a crisp edge. If you demand the very best, then these the brushes are the only ones you should consider. All brushes feature long wood blue… These are master quality brushes. Rounds feature a definitive point, Filberts feature a cat's tongue shape for the ultimate control in a flat stroke and Brights offer a crisp edge. If you demand the very best, then these the brushes are the only ones you should consider. All brushes feature long wood blue lacquered handles with nickel plated brass ferules. See More

Old Holland Classic Pigment Schev. Rose Deep 40g

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Red Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More

Da Vinci Kolinsky Red Sable Series 1210 sz. 5/0 Medium Round Script

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…with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and the brights have a flawless chisel edge that resists splitting. Fat Filberts offer triple the thickness of other Sable brushes with a shorter hair length… Pure Kolinsky Grade Red Sable Brushes! Crafted from Kolinsky-grade pure Red Sable hair, these brushes hold a generous amount of color and impart a soft feel with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and the brights have a flawless chisel edge that resists splitting. Fat Filberts offer triple the thickness of other Sable brushes with a shorter hair length compared to standard filberts. Chock-full of hair, the extra full-body makes maneuvering thick-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Kolinsky Red Sable Oil Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule. Before leaving the brush workshop, each handmade brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Pure Kolinsky Red Sable hair * Long lacquered handle * Sustainable European wood * Nickel-plated seamless ferrule * Extra full-bodied brushes * Unsurpassed color-holding capacity * Made in Germany Perfect For: * Traditional or water-soluble oil * Linework and design * Artist's seeking kolinsky red sable * Students, teachers, professionals * Creating precise linear strokes * Maneuvering heavy paint with skill * Painting delicate glazes with ease See More

Escoda Reserva Kolinsky Tajmyr Sable Long Handle Brush 2420 Round #5/0

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The Finest Kolinsky Sable Luxury Brush - Pure Tajmyr Sable Male Hair! These exquisite Tajmyr Kolinsky Sable Brushes feature the full-bodied hair taken from male Siberian Tajmyr Sable, creating an oil painting brush like no other. Reserva (formerly known as Grafilo Kolinsky Long Handle) brushes… The Finest Kolinsky Sable Luxury Brush - Pure Tajmyr Sable Male Hair! These exquisite Tajmyr Kolinsky Sable Brushes feature the full-bodied hair taken from male Siberian Tajmyr Sable, creating an oil painting brush like no other. Reserva (formerly known as Grafilo Kolinsky Long Handle) brushes feature beautifully carved, perfectly balanced long wood handles for a superior painting experience. The natural spring and softness of Tajmyr Kolinsky is excellent for glazing and subtle detailing without imparting brush strokes. The sable bristle can hold a vast amount of thinned paint and glazing medium due to the superior brush fullness. Key Features:* Meticulously crafted from male Tajmyr Kolinsky Sable* Balanced Long handles* Beautifully carved wooden handles* Elegant, triple-crimped golden ferrules* Manufactured in Spain by skilled artisans Perfect For: * Oil Painting* Portrait Painters* Trompe l'oeil Painters* Glazing techniques, subtle details   Escoda Reserva Long Handle Kolinsky Brushes were formerly known as Escoda Grafilo Long Handle Kolinsky brushes. See More

Posca Acrylic Paint Marker 0.7-1 mm X-Fine Tip Light Orange

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Orange Water-Soluble, Non-Toxic, and Lightfast Acrylic Paint Markers POSCA markers contain highly pigmented water-based acrylic paints. The paint is highly opaque, quick-drying, lightfast, and non-toxic. POSCA Paint Markers are blendable when wet and can be diluted with water to create a gradient effect on almost any surface. Thanks to its fast-drying time, you can layer colors on top of each other. The pen has a valve mechanism that allows for a tight paint seal. Before each use, you can shake the ball inside the barrel to prime the marker. Thanks to its fast-drying time, you can layer dark colors over light colors or even bright colors over dark colors. The ball inside the barrel of the POSCA markers ensures that when shaken, the paint is evenly mixed. The valve mechanism provides a tight paint seal that prevents the paint from drying out. After use, you can rinse the pen tips under water. Permanent on porous surfaces and erasable on most smooth non-porous materials, your creations can be protected with a fixative varnish. Use POSCA Paint Markers on a variety of surfaces, including wood, fabrics, glass, ceramic, plastic, metals, stones, papers, cardboard, and canvas. Key Features: * Water-soluble Paint Markers * Non-toxic, alcohol-free, lightfast acrylic * Valve mechanism provides tight paint seal * Ball in barrel primes marker * The medium tip is reversible * Quick-drying matte opaque colors * Stable pigments * Permanent on porous surfaces * Erasable on most non-porous materials * Perfect For: * Multiple art projects * Blending and layering colors * Creating infinite gradations of color * Use on a variety of different surfaces * Indoor and outdoor use * Bright compositions * Drawing smooth, consistent lines * Wood, fabrics, glass, ceramic, plastic * Metals, stones, papers, cardboard, and canvas   Glass, Plastic, and Metal: Clean the surface with a cloth and ensure it is dry before starting work. Make artwork permanent by applying two coats of water-based spray varnish. Hold the can about 30 cm from the surface and spray in slow circular movements. The varnish can be matte or gloss depending on the look you want. (Not suitable for food use) Fabric: Machine-wash the fabric you plan to draw on to remove any industrial coatings or dirt. To prepare natural or artificial leather, wipe with a damp sponge and leave to dry. Once your creation is finished and dry, you can iron it from the reverse side without using steam. Set the temperature of the iron to the material setting for the fabric you are ironing. You can place a sheet of tracing paper between the iron and the fabric for extra protection. If the fabric used is not suitable for ironing, you can fix your creation with a hairdryer. Hold it 30 cm from the surface and make small circular movements. Ceramic: With treated ceramics, fix your creation for non-food use using a water-based spray varnish, spraying from about 30 cm in small circular movements. With rough ceramics, fire your creation in the oven. Heat the ceramic in the oven slowly to 220°, then turn off the oven and allow it to cool completely before taking it out. Fix the paint on porcelain in the same way, but to a temperature of 160° and for no more than 45 minutes. To give your creation the longest possible life (for non-food use), you can apply a water-based varnish or adhesive varnish. Afterward, you can only hand wash the ceramic in cold water. See More

Silver Brush Silverwhite® Short Handle Brush Round #5/0

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Stiffness           Watercolors           Acrylics           Oils           Synthetic brushes that will take your art to… Stiffness           Watercolors           Acrylics           Oils           Synthetic brushes that will take your art to new heights! Dee Silver, the legendary brush designer, has created a whole new breed of synthetic bristle that imitates the most delicate natural hair at a fraction of the price. Silverwhite is the cause for vast celebration in the animal kingdom. These short-handled brushes contain blended lengths and thicknesses of filament hair that can work with all media types. The varied synthetic filament thicknesses hold color amazingly well! Thick enough to push heavy-bodied media around while still allowing for the sharpest edges in flats and fine needle points in rounds. Each brush is hand-tied with interlocked hair, glued, crimped, and inspected before shipment. Key Features: * Short handle synthetic brushes * Imitates delicate natural hair * Holds color amazingly well * Varying lengths and widths of filament hair * Sharp chisel edges and fine needlepoints * Hand-tied with interlocked hair * Inspected before shipment Perfect For: * Watercolors, acrylics, and gouache * Animal-friendly artists * Heavy-bodied acrylics * High color load & large washes * Superb control, response, and sharp edge * Controlled brushwork * Painting fine details See More

Escoda Reserva Tajmyr Kolinsky Watercolor Brush Series 1212 Round #5X0

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Finest Kolinsky watercolor brushes! Considered by many to be some of the most beautiful watercolor brushes in the world, the Escoda Reserva line of brushes is pure luxury. Handcrafted from the best Kolinsky hair sourced from Siberia and using only the hair from male sables, Escoda Reserva brushes… Finest Kolinsky watercolor brushes! Considered by many to be some of the most beautiful watercolor brushes in the world, the Escoda Reserva line of brushes is pure luxury. Handcrafted from the best Kolinsky hair sourced from Siberia and using only the hair from male sables, Escoda Reserva brushes have more snap and control. This select hair is regarded as the best for watercolor because it points so beautifully and carries a tremendous amount of color. Carefully formed and cured to "remember" their shape, Reserva brushes have a signature snap and an unrivaled resilience. The perfect line for any watercolorist looking for an outstanding brush with excellent shape and control! Key Features: * Handmade by master brush craftsmen * Short, balanced, wooden handles * Series 1214 brushes with travel handle fold for easy transport * Brushes retain their tip and snap Perfect For: * Watercolor painting * Traveling or plein air painting * Artists of all skill levels See More

Ambiance Studio Wood Frame, White 8"x10" with Plexi Glazing (Box of 4)

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White High-Quality Wide Face Frames Ambiance Studio Wood Frames are perfect for framing papers, panels, posters, and certificates. These professional quality wood frames are finished with three coats of urethane, which is UV cured, two electrostatic coats, and a final UV cured finish. The finish is applied to the wood and hardened via a chemical reaction triggered by ultraviolet light. The UV process ensures a brilliant smooth finish that is more durable than other frame finishes on the market. Each frame comes with a sheet of optically clear glazing and rigid MDF backing board. D-ring hangers are already attached to the high-density backing board, so you don't need to worry about attaching hardware to the frame. Key Features: * Four coats of UV cured urethane * Two electrostatic urethane coats * 1-3/4" wide face and 3/4" depth * 3/8" rabbet depth * Optically clear glazing sheet * Rigid MDF backing board * D-ring hangers are attached to the backing board * Flexi tabs hold artwork in place * Superior finish in jet black or bright white * Perfect For: * For works on panels, fine art on paper * Certificates, posters, and graphics * An alternative to a professional frame * Quickly framing artwork * A crisp, modern framing option * Gallery presentations See More

da Vinci Micro-Nova Series 175 Golden Synthetic sz. 5x0 Angle

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The Ultimate miniature detail brush! da Vinci has a lovely range of short-handled NOVA brushes perfect for painting bold shapes and intricate details. Each NOVA brush contains a blend of 3 different diameters of synthetic fiber. These fibers work together to carry large amounts of paint and promote… The Ultimate miniature detail brush! da Vinci has a lovely range of short-handled NOVA brushes perfect for painting bold shapes and intricate details. Each NOVA brush contains a blend of 3 different diameters of synthetic fiber. These fibers work together to carry large amounts of paint and promote clean, even brush strokes. The high-quality, elastic brush fibers maintain their shape even after vigorous use and are easy to clean. da Vinci brushmakers take great pride in selecting only the finest synthetic hair for the brush's longevity and flexibility. Each brush is examined before leaving the workshop to ensure flawless quality. The family-owned company has designed quality brushes for three generations in Germany, and they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Finest golden synthetic fiber * Seamless nickel-plated brass ferrules * Elastic fibers maintain their shape * Short polished wood handles * Certified green manufacturing with sustainable wood sources * Handmade in Germany Perfect For: * Watercolor and acrylic * Fine detail work * Vigorous use * Miniature and micro painting * Watercolorists of all skill levels * Students, teachers, professionals * Finessing delicate patterns   The short-handle Micro-Nova series 170 and series 175 synthetic detail brushes are perfect for painting intricate details. The bristles are made of the finest golden synthetic fiber. The Series 175 brush head is bent by hand at an ideal angle for intricate details. All da Vinci Micro-Nova brushes hold a perfect point and are suitable for all types of miniature, tabletop, and micro painting. See More

New York Central Professional Watercolor Panels Stonehenge Aqua 140lb Cold Press 7/8" Panel 8x10"

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White Hand-mounted 100% Cotton Acid-Free Watercolor Paper Your favorite watercolor paper mounted to the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with your choice of paper! Choose from these 100% cotton watercolor papers: * New York Central Bright White: Hot Press, Cold Press or Rough * Arches Natural White: Hot Press, Cold Press or Rough * Arches Bright White: Hot Press, Cold Press or Rough * Fabriano Artistico Bright White: Hot Press, Cold Press, Soft Press or Rough * Stonehenge Aqua: Hot Press or Cold Press To choose your preferred paper brand see the buttons below Finished work can be framed under glass or sprayed with an acrylic polymer for frameless presentation. Golden polymer coatings are available in gloss, matte, or satin finishes and help protect your artwork. For a resin finish, we recommend Pebeo Glazing Resin. Hang Without A Frame For A Fresh Modern Look Key Features: * Birch wood panels * 7/8" or 1-5/8" profile * Archival waterproof adhesive * 140lb 100% cotton, acid-free papers and surfaces * Available in eight sizes from 6" x 8" - 18" x 24" * Warp-resistant birch with kiln-dried New Zealand pine cradles * Paper mounted by skilled artisans Perfect For: * Artists seeking a museum-quality, archival surface * Artists looking for a sturdy, non-buckling watercolor surface * Mixed Media applications * Frameless presentation * Permanent works of art   Please note: We carefully make each order by hand. As a result, it may take longer for your order to ship. See More

Awagami Editioning Papers Sampler Pack of 20, 8" x 10"

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Assorted Colors Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals   Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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