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Related Categories: Brushes Acrylic Bright | Brushes, Oil Acrylic | Iridescent Medium | Black Light Paint | Cadmium Yellow Medium Acrylic | Synthetic Bristle | Brushes For Oils | #18 Round
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Old Holland Classic Pigment Mars Orange Red 60gSave Up to25%Off listOrange Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Princeton Catalyst Polytip Bristle Short Handle Mottler #25Save Up to58%Off listStiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst… Stiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst Polytip Bristle Synthetic Short Handle Brushes are super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristles can be rendered useless when they are water-soaked. The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application. Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance. Catalyst Polytip Bristle brushes truly are tools that move paint. Key Features:* Stiff and responsive synthetic bristles* High paint load* Even application* Seamless ferrule Perfect For:* Medium to heavy bodied acrylics* Heavy gel mediums and oil color application* Unaltered results when soaked in water* Artists of any skill level See More
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Liquitex Professional Paint Markers Fine Set of 6 - Vibrant Colors, 2mmSave Up to16%Off listBright Tones Expand your painting possibilities with paint marker sets and nibs! New Professional Paint Markers from Liquitex put all the control in the hands of the artist! These artist-quality paint markers feature lightfast, highly pigmented acrylic in transparent barrels with precision nibs for the ultimate control — and sets and accessories make them even more convenient! Available in both Fine (2mm) and Wide (15mm) sizes, starter sets of 6 serve as the perfect introduction to these low-odor, water-based acrylic paint markers. Already a fan? Don't toss your markers just because you've worn out the nib: get a couple handy packs of replacement nibs for Fine or Wide markers and keep on painting! Perfect for artwork indoors or out, on virtually any surface, Liquitex Professional Paint Marker Sets and Accessories are guaranteed to expand your artistic horizons! Packaging may vary. Key Features:* Acrylic water-based paint markers* Sets of 6 markers in 2 different sizes* Fine (2mm) nib pack with 2 each of Chisel & Round tips* Wide (15mm) nib pack with 3 Flat Chisel tips Perfect For:* An introduction to acrylic paint markers* Longer use by replacing nibs* Intermixing with other Liquitex lines* Graffiti, street art & fine art alike! See More
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Yasutomo Silverpoint Drawing Tool, 2mmSave Up to40%Off listSilverpoint drawings tarnish over time creating warmer tones Silverpoint is the centuries-old drawing method of drawing with silver. Traces of silver are left behind on specially primed surfaces. These marks and lines tarnish over time, creating warmer tones. Yasutomo’s Silverpoint Drawing Tools… Silverpoint drawings tarnish over time creating warmer tones Silverpoint is the centuries-old drawing method of drawing with silver. Traces of silver are left behind on specially primed surfaces. These marks and lines tarnish over time, creating warmer tones. Yasutomo’s Silverpoint Drawing Tools come with elegant bamboo-shaped wooden handles. The 99% silver drawing tips are available in 1mm or 2mm widths. Each point is beveled and can be used to create different line thicknesses. Points can be unscrewed and replaced as needed. While silverpoint is usually done on gessoed surfaces, Yasutomo mineral paper is an excellent silverpoint substrate that requires no preparation! Simply use your silverpoint tool directly on the mineral paper to start drawing. Key Features: * Points available in 1mm or 2mm widths * Beveled for different stroke weights * Silver tips are 9mm (3/8″) long * 99% silver for an authentic silverpoint drawing experience * Marks tarnish beautifully over time * Black wooden handles fit comfortably in your hand * Unscrew point from handle to replace Perfect For: * Drawing highly detailed pieces * Artists of all skill levels * Drawing on Yasutomo mineral paper * Use on gesso-prepared paper, panels, or canvas * Creating fine lines and subtle shading * Cross hatching and line drawing See More
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PanPastel™ Artists' Pastels - Orange Tint, 9mlSave Up to19%Off listOrange Ultra Soft, Low Dust, Lightfast, Highly Pigmented Pastels packed in a unique pan format (cake-like) PanPastel Colors are professional artists’ quality soft pastel colors packed in a unique pan format (cake-like). PanPastel Colors Ultra Soft Artists' Painting Pastel Colors are artists' quality soft pastels uniquely packed in a pan format, so that the colors can be mixed and applied like paint, for new effects in pastels, and to make difficult pastel techniques easier! PanPastel Colors are the softest pastels in the world. Each color of PanPastels is loaded with the highest quality pigments; and is made using a unique manufacturing process requiring minimal binder and fillers, resulting in rich, ultra soft and low dust colors. PanPastel Colors are fully compatible with traditional pastel sticks, fixatives and surfaces; and with other artists' colors for mixed media work. 9 ml Pans contain approx. 35% more material than the average pastel stick. Versatile and easy to use PanPastel for a variety of techniques! See Videos for Techniques Key Features:* Great for pastel washes, backgrounds and under paintings* Use for dry-in-dry techniques - mix and blend like paint* Ultra thin "glazing" layers won't overfill the "tooth"* Control painterly effects, from intense to delicate pastel marks* Blend and apply dry color like fluid paint* Can be mixed and applied like paint Perfect For:* Painting & Drawing* Painting (with & without pastel sticks, pencils and other media* Drawing – for sketching & blocking-in drawings* Subtractive (reductive) techniques – tone paper with PanPastel then subtract drawing using an eraser* Underpaintings e.g. initial sketch for paintings* Backgrounds e.g. for colored pencils* Color studies prior to painting in other media e.g. oils* Use PanPastel to Enhance Watercolor Paintings Which surfaces should I use with PanPastel? An important characteristic of PanPastel Colors is that they work well on SO many different surfaces - from very low tooth to high tooth. E.g. from delicate surfaces through to toothy pastel (sand-paper) surfaces and everything in between…drawing papers, pastel papers, canvas, vellum, watercolor papers, print-making papers, cardstock, digital/ink-jet papers (matt) etc. Also, because they are not wet, PanPastel Colors don’t cause lightweight papers to “buckle”, and the Sofft sponge tools are gentle on delicate papers such as Japanese handmade papers. Each artist normally gravitates towards his or her own preferred surface. Don’t limit yourself – experiment! Some examples of how PanPastel looks on different surfaces are shown at our substrates page. Our gallery also shows the variety of surfaces being used by artists with PanPastel. See More
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