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Aitoh Sumi-E Sketch PadsSave Up to25%Off listitoh's Sumi-E Sketch Pads are made in Japan with traditional Oriental papers that are characterized by a soft feel and an absorbent quality. For this reason they are highly unique and offer an interesting surface for drawing with inks, charcoal, pastel and watercolor. The 9x12" and 18x24" pads are… itoh's Sumi-E Sketch Pads are made in Japan with traditional Oriental papers that are characterized by a soft feel and an absorbent quality. For this reason they are highly unique and offer an interesting surface for drawing with inks, charcoal, pastel and watercolor. The 9x12" and 18x24" pads are made with the very popular Washi paper. Each pad has 48 sheets that are attached by loose thread into the pad. A real treat for the artist. See More
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Creative Mark Glazing BrushesSave Up to47%Off list…pony hair. These glazing brushes are a must have in any artist’s brush arsenal! These supple brushes apply even, smooth glazes over canvas surfaces with minimal brush strokes when used with oil colors. The nickel-plated ferrules are well mounted to transparent, red-oxide stained… Glazing brushes are a must have in any artist’s brush arsenal Creative Mark Glazing Brushes are luxuriously soft, made of natural pony hair. These glazing brushes are a must have in any artist’s brush arsenal! These supple brushes apply even, smooth glazes over canvas surfaces with minimal brush strokes when used with oil colors. The nickel-plated ferrules are well mounted to transparent, red-oxide stained paddle-style handles that hold up well with solvent use. Creative Mark glazing brushes can also be used as wash brushes with watercolor or gouache, or thin glazes in acrylics, egg tempera or alkyds. Key Features:* Natural pony hair* Nickel-plated ferrules* Red-oxide stained paddle-style handles* Applying a varnish to paintings Perfect For:* For creating glazes with oil colors* For creating washes with watercolor or gouache* Smoothing varnish onto oil paintings* Base coating of backgrounds* Oils, watercolors, acrylics, gouache and gesso's.* For use with thin glazes of acrylics, egg tempera or alkyds See More
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Gamblin Oil Painting GroundSave Up to40%Off listMakes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Dream BoardsSave Up to50%Off listA Fun and Stress Reducing Way to Express Yourself Dream Boards® are the ultimate stress reducer. Perfect for Art Relaxation! These special boards much like The Buddha Board activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke. When the… A Fun and Stress Reducing Way to Express Yourself Dream Boards® are the ultimate stress reducer. Perfect for Art Relaxation! These special boards much like The Buddha Board activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke. When the water evaporates the image disappears and you are left with a clean slate for your next adventure in imagery. It doesn’t matter if you are stepping away from a computer, tablet, or phone in order to rest your eyes while working out the daily heaviness of the days stresses. You are now able to dream no matter what your art proficiency. For anyone who is brush-savvy, you can now play with ideas easily and quickly anywhere in your home, office or when you want to travel. Dreaming allows us to define our goals and to work out our demons. Now you can do this while you are conscious which will certainly make your dreams more positive and make you happier, ready to take on the world with renewed energy and enthusiasm! Special boards activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke! Comes with a higher quality better brush Key Features:* Available in various sizes, mini (5.31” x 5.79”) or large (9.45” x 11.81”)* Dream board, stand and brush - Just activate with water!* Made of high quality ABS plastic* Included brush is made to come to a fine point and hold lots of water* A higher quality better brush* Activated with water* Made of quality paper that will not bubble up or peel* Mounted to an ABS polymer board* Stands are made of high quality ABS plastic w/ brush holder slots* Brush is made to come to a fine point and hold lots of water* When the water evaporates the image disappear Perfect For:* Relaxation and stress reducer, art relaxation* Conveying thoughts and dreams onto paper* Ideas easily and quickly anywhere in your home, office or when you want to travel* Producing varying degrees of black across a middle tone grey background with each brush stroke* Perfect for practicing brush strokes* Art therapy and relaxation* No stress from your dream board as they are made of quality paper that will not bubble up or peel up mounted to an ABS polymer board. The stands are made of high quality ABS plastic w/ brush holder slots. Brush is made to come to a fine point and hold lots of water. See More
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Creative Inspirations Acrylic White GessoSave Up to50%Off list…Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and… Exceptional Value Gesso in both 500ml and 1.8L Jugs Creative Inspirations White Gesso is designed with the bulk user in mind, but does not sacrifice quality for quantity! Perfect for artists, venues, schools, instructors, and art leagues this smoothly applying white acrylic gesso bonds to the substrate well. Like more expensive primers, Creative Inspirations White Gesso sands easily between applications, to create the perfect desired texture for painting mediums. The 1.8L jug accepts any standard pump dispenser, making it ideal for multiple users to pump out the perfect amount of gesso for their priming needs. Creative Inspirations White Gesso is ideal for adding additional primer to dry, thinly primed student-grade or hobby quality canvases, to provide a smoother, better bonding surface for acrylic or oils. For priming raw canvas or heavier paper surfaces, three coats of primer are recommended to properly seal the material and give a consistent white surface texture for painting. Creative Inspirations White Gesso is the perfect priming foundation. It is an ideal primer for use with Art Journaling, due to its smooth application and clean white color. Key Features:* Smooth application* Clean white color* Value sizing for cost savings* Non-Toxic* Available in 500ml jar & 1.8L jug* Smooth applying white acrylic gesso * Sands easily between applications* Excellent coverage Perfect For:* Ideal for adding additional primer to dry* Classrooms, Universities, Art Leagues* Painting Party venues* Artists priming large canvases* Art Journaling* Better bonding surface for acrylic or oils* See More
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Strathmore 400 Series Oil Painting Paper Pads and SheetsSave Up to33%Off list…to canvases or boards for oil paints or oil pastels 400 Series Oil Painting Pads and Sheets - A convenient alternative to canvases or boards for oil paints or oil pastels. No gesso is required to prevent oil saturation, simply tear out a sheet and start painting! The linen surface mimics canvas… Perfect alternative to canvases or boards for oil paints or oil pastels 400 Series Oil Painting Pads and Sheets - A convenient alternative to canvases or boards for oil paints or oil pastels. No gesso is required to prevent oil saturation, simply tear out a sheet and start painting! The linen surface mimics canvas while providing texture to help blend and hold layers of paint in place. Intended for the creation of final art pieces. 10 Sheet Pads are glue bound and have flip-over covers. Available in 9x12", 12x12", and 18x24" pads, plus 10 sheet pack in 18x24". Key Features:* 215 lb. 350 gsm Weight* Acid-free, Linen Textured Surface* No gesso is required Perfect For:* Tearing out a sheet to start painting* Creation of final art pieces* Oil Paints and Oil Pastels See More
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Yupo Multimedia Watercolor Paper RollsSave Up to41%Off list…Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. Key Features:* Rolls: 60" x 10 yard roll & 30" x 10 yard roll* Yupo's popular medium 74lb white synthetic paper,… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. Key Features:* Rolls: 60" x 10 yard roll & 30" x 10 yard roll* Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces!* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers See More
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Williamsburg Lead Oil GroundSave Up to30%Off list…linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil GroundSave Up to30%Off list…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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GOLDEN Pastel GroundSave Up to30%Off listAcrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent GroundSave Up to30%Off list…porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key… Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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da Vinci Fit Synthetic Mottler BrushesSave Up to30%Off list…* Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas Very elastic synthetic Bristles Have A Long Lifespan! The da Vinci Fit Synthetic Mottler brushes are made of very elastic short synthetic fibers. The dark grey synthetic-bristle is excellent for spreading gesso or varnish. For controlled background applications of color use the mottler to maneuver heavy-bodied paints with ease. The Fit for school and hobby brush has a green matte paintbrush-style handle and a rust-proof ferrule. Each brush can hold an enormous amount of color because the resistant synthetic fibers of various widths, guarantee a high degree of absorbency as well as high elasticity. Each brush is handmade in Germany using only the finest synthetic bristle. Painstakingly constructed to ensure durability these brushes are excellent for mural painting and varnishing. Key Features: * Synthetic bristle * Interlocked for shape retention * Matt green handle * Rust-proof ferrule * Superior paint carrying capacity * Made in Germany Perfect For: * Acrylic paint * Varnish or gesso application * Students, amateurs, professionals * Fine control with heavy acrylics * Moving paint with ease on the canvas See More
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Strathmore 400 Series Artagain Black Drawing PadsSave Up to33%Off listCreate Dramatic Effects And Drawings That Pop! Strathmore 400 Series Artagain Paper Pads allows you to produce unique, daring effects using light-colored media on coal black paper. Artagain is a 60lb (160 gsm) lightly-textured, acid-free, medium-surface drawing paper that contains 30% post-consumer… Create Dramatic Effects And Drawings That Pop! Strathmore 400 Series Artagain Paper Pads allows you to produce unique, daring effects using light-colored media on coal black paper. Artagain is a 60lb (160 gsm) lightly-textured, acid-free, medium-surface drawing paper that contains 30% post-consumer recycled fiber. You can use white charcoal, colored pencils, gel pens, metallic inks, pastels, and other light dry media to fabulous effect on this coal black paper. Key Features: * Coal black paper * 24-sheet pad * 60 lb (160 gsm) * 30% recycled fiber * Acid-free * Medium-surface * Lightly-textured * 3 pad sizes: 6"x9", 9"x12", 12"x18" Perfect For: * Creating unique, dramatic effects * Urban Sketchers * White charcoal and colored pencils * Soft pastels or oil pastels * Gel pens and metallic inks * Lightweight and portable * Value-conscious artists who demand quality See More
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Indigo Artpapers Handmade Watercolor WiropadsSave Up to17%Off list…maintain a deckle when detached. The cold-pressed 140 lb (300 GSM) handmade paper is acid-free, internally and externally sized, and is suitable for all types of media. The handmade paper is exceptionally tough and can withstand multiple washes, erasing, and scraping. Key Features: * Acid-free; Pad… Four Natural Deckle Edges! Each wiropad includes twenty-four sheets of premium handmade cold-pressed watercolor paper. The paper is handmade in India with 100% Cotton fibers to provide you with a watercolor paper that is exceptionally durable. The double wire binding and hardbound covers lay flat for easy painting. Each sheet of paper features a unique four-sided deckle edge design with an innovative perforation that allows the fourth edge to maintain a deckle when detached. The cold-pressed 140 lb (300 GSM) handmade paper is acid-free, internally and externally sized, and is suitable for all types of media. The handmade paper is exceptionally tough and can withstand multiple washes, erasing, and scraping. Key Features: * Acid-free; Pad of 24 sheets * Cold-pressed 140 lb (300 GSM) * Handmade by local craftspeople in India * Ivory-white 100% cotton rag paper * Traditional handmade paper technique * Four natural deckle edges! * Perforation allows removal of sheets * Natural perforation maintains the 4th deckle edge * Includes interleaf between each page to protect artwork * Sheets are both internally and externally sized * Lay flat for easy painting * No chlorine, bleaches or harmful chemicals are used * pH neutral water used during production * No artificial brighteners are used. Naturally white fibers. Perfect For: * Plein Air painting or drawing * Watercolor and gouache * Pencil, pen, and charcoal * Acrylic (apply gesso before painting) * Multiple washes, erasing, and scraping * Travel and studio work * Workshops and travel * Easy framing * Discerning students and amateurs * Graphite and other dry media See More
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New York Central® Colossus Varnish BrushesSave Up to63%Off list…triple-thick, making them the ultimate brush for laying down large areas of paint, either thin ink or heavy impasto, as well as varnishes and gels of all sorts. Very fine 0.15mm PBT tapered filament allows for the most versatile use from varnishing to impasto painting to large scale lettering. The… Stiffness Watercolors Acrylics Oils The ultimate brush for laying down large areas of color The Colossus Varnish Brushes are the best varnish brushes on the market that can do so much more! You can cover a larger area because the brush features an internal fluid reservoir that holds paint or varnish in addition to the brush tips, which retain a considerable amount of fluid. Besides, these brushes are triple-thick, making them the ultimate brush for laying down large areas of paint, either thin ink or heavy impasto, as well as varnishes and gels of all sorts. Very fine 0.15mm PBT tapered filament allows for the most versatile use from varnishing to impasto painting to large scale lettering. The fine synthetic bristles do not leave any traces or marks when varnishing, creating a seamlessly smooth finish. The hair is purposely set at an angle allowing the user to hold the brush at a comfortable 45˚ angle. The high-quality filament, stainless steel ferrules, solid beech wood, and skilled craftsmanship contribute to a long brush life and are ultimately a great value! Key Features: * High-quality 0.15mm PBT tapered filament * Stainless steel ferrule * Solid beech wood handle * Brush tips retain a lot of paint * Handmade by skilled artisans in Germany * Huge paint reservoir within the brush * Excellent shape retention * Comfortable to hold at 45˚ angle * Perfect For: * Varnishing * Oil and acrylic paint of any viscosity * Fluid acrylic to heavy body * Thin ink or watercolor * Oversized calligraphy or lettering * Covering large areas * Heavy impasto techniques See More
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Fabriano 1264 Watercolor PadsSave Up to33%Off listPerfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made… Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Winsor & Newton Oil and Acrylic PadsSave Up to41%Off listFormulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation.… Formulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper. The portable gum-bound pads are popular for sketching outdoors and in the studio. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * Canvas textured paper * 108lb, 230gsm Weight * Gummed binding * No need to prime paper * Paint will not soak through * Ideal absorbency for oil applications * Acid-free and resistant to aging Perfect For: * Oil, acrylic, and oil pastel * Thick paint applications * Sketching outdoors and in the studio * Rendering and high color luminosity * Practicing techniques with oils and acrylics * Artists who prefer using paper to canvas See More
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Clairefontaine Paint'ON PadsSave Up to20%Off listMade right to inspire. Made tough to perform. PaintON® is an extra heavyweight art paper designed to support almost any medium. The sturdy 115 lb (250 gsm) paper is perfect for playing with pen & ink, gouache, pastels, acrylics, collage, and more! PaintON® sheets are double-sized to resist… Made right to inspire. Made tough to perform. PaintON® is an extra heavyweight art paper designed to support almost any medium. The sturdy 115 lb (250 gsm) paper is perfect for playing with pen & ink, gouache, pastels, acrylics, collage, and more! PaintON® sheets are double-sized to resist buckling, so you don't have to hold back. You can paint as many layers as you want because the paper has exceptional wet strength. A very light grain surface makes the paper ideal for precise drawing. The surface can even withstand repeated erasing without pilling. PaintON® pads are available in 4 neutral background tones: White, Natural, Grey, and Black. Colored paper pads are deep-dyed, so there are no annoying white cores to uncover. Key Features: * 100% cellulose paper with a very light grain * 20 Sheets per pad * Heavyweight 250 gsm paper – accepts layers of wet media without warping or buckling * Double-sized for exceptional wet strength * Pigments remain high on the surface for color vibrancy * "Drawing-friendly" surface withstands repeated erasing without pilling * Supports blending, layering, and lifting of color * Paper shades are deep-dyed – no white core * Acid-free, pH Neutral, archival quality * PEFC forest certified Perfect For: * Wet and dry mixed media * Pen & ink, gouache, and pastels * Light watercolor washes * Acrylics, collage, and more! * Oil pastels and pencil * Smooth applications of paint * Painting immediately, no extra priming necessary * Inking techniques without feathering or bleeding * Perfect for use en Plein air or indoors * Works in both dark and light media * Dimensional dramatic art See More
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Holbein Acrylic GessoSave Up to35%Off list…you can prime your canvas with a Black, Clear, or White gesso. If you prefer a colored ground, you can mix acrylic paint with the white or clear gesso to create a custom ground. Holbein Gesso has fool-proof sealing properties and provides the right amount of tooth for raw canvas. Their white gesso… Professional quality gesso at an affordable price With Holbein Acrylic Gesso, you can prime your canvas with a Black, Clear, or White gesso. If you prefer a colored ground, you can mix acrylic paint with the white or clear gesso to create a custom ground. Holbein Gesso has fool-proof sealing properties and provides the right amount of tooth for raw canvas. Their white gesso is available in smooth, medium, coarse, and extra coarse textures so you can further customize your surface. Holbein's space-saving poly bags are better for the environment because they use less plastic than standard rigid bottles and result in less post-consumer waste. It's easy to pour the acrylic gesso out of the spout, and the bags don't take up lots of space in the studio. Holbein gesso adheres well to most surfaces, including paper, cloth, canvas, wood, stone, and primed metal. Overpaint it with acrylics, oils, or pastels. Try Holbein's professional Gesso today! Key Features: * Acrylic gesso dries to an ultra-matte finish * Thick, creamy, smooth consistency * Preparatory ground for raw canvas * Excellent sealing properties * Smooth, medium, coarse, and extra coarse texture * Environmentally friendly space-saving poly bags * Easy to pour spout * Made in Japan Perfect For: * Ground for acrylics, oils, or pastels * Most surfaces * Paper, cloth, canvas, wood, stone, and primed metal * Use as a painting texture medium * Creating a solid matte background * Adding texture to a painting * Impasto techniques Holbein White Gesso is available in the following textures: * Smooth (S): Smooth texture that is almost like an eggshell. * Medium (M): A regular matte surface. * Coarse (L): Fine sand texture. * Extra Coarse (LL): Rough sand texture. See More
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New York Central® Acrylic GessoSave Up to55%Off list…gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New… Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Stonehenge Oil Paper & PadsSave Up to30%Off listIntroducing the new gold standard in oil paper: Stonehenge Oil With Stonehenge Oil Paper, you can paint anywhere in the world, and you don't have to prep the paper. That's right, Stonehenge Oil Paper is ready to use straight out of the pack! Stonehenge excels where other oil papers fall short. You… Introducing the new gold standard in oil paper: Stonehenge Oil With Stonehenge Oil Paper, you can paint anywhere in the world, and you don't have to prep the paper. That's right, Stonehenge Oil Paper is ready to use straight out of the pack! Stonehenge excels where other oil papers fall short. You can achieve smooth color gradations and build layers of texture without the threat of ghosting or bleed-through. The durable 100% cotton paper welcomes layers and layers of brushwork and retains every detail. Once the painting is complete, you can mount the paper under glass or on a wooden panel. Key Features: * 100% Cotton oil paper * Acid-free and pH neutral * 140lb (320gsm) weight * No deckled edges * Available in sheet packs, pads, or a roll * No gesso prep required * Mount under glass or without Perfect For: * Oil paint, oil pastel, and acrylic * Oil paint sticks * Colored pencil and graphite * Plein air painting * Layers and layers of brushwork * Smooth color gradations and transitions * Building layers of texture See More
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Fluid Watercolor Paper PadsSave Up to35%Off listQuality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill… Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
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SoHo Watercolor Blocks and PadsSave Up to54%Off list25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer… 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More
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Creative Mark Primer Bristle BrushesSave Up to48%Off list…with All Kinds of Media! We designed the Creative Mark Primer Brushes to hold a large amount of gesso so that you can prime vast areas cleanly and quickly. The natural white hog hair bristles have flagged ends that ensure smooth, even brush strokes. You can use Creative Mark Primer Brushes with all… Use for Priming with All Kinds of Media! We designed the Creative Mark Primer Brushes to hold a large amount of gesso so that you can prime vast areas cleanly and quickly. The natural white hog hair bristles have flagged ends that ensure smooth, even brush strokes. You can use Creative Mark Primer Brushes with all kinds of acrylic gessoes, oil primers, and pastel grounds. Bright nickel-plated ferrules are attached to the sky blue handles, and each handle has a hanging hole for easy drying or storage. The best gesso brushes for smooth clean strokes! Key Features:* Natural white hog hair bristles* Flagged hog bristle hair* Short flat handles* Nickel plated ferrules* Used with all primers* Hanging hole for easy drying or storage Perfect For:* Priming painting surfaces* Use with acrylic gesso, oil primer* Applying pastel grounds* Artists preparing supports* Basecoat applications* Gessoing and underpainting* Working big at a great value See More
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Creative Mark Hake Brush SetsSave Up to75%Off listStiffness Watercolors Acrylics Oils Value-priced addition to any painter's arsenal! The construction and quality of Creative Mark Hake Brushes make them a lifesaver for wash and background work. The soft white Hake hair can pick up delicate colors and lay them down in a uniform, even… Stiffness Watercolors Acrylics Oils Value-priced addition to any painter's arsenal! The construction and quality of Creative Mark Hake Brushes make them a lifesaver for wash and background work. The soft white Hake hair can pick up delicate colors and lay them down in a uniform, even fashion. Goat hair is stitch-tied into the handle and securely attached to the brush. Most importantly, long Hake hair can hold a massive volume of color for magical results. The handle is un-lacquered to prevent chipping or cracking when soaking in water. These superb Hake brushes are also ideal for applying varnish without brush strokes. Key Features: * Basic set includes sizes 1", 1-1/2", and 2"* Large set includes sizes 1", 2", and 3"* Soft white goat hair* Hair is stitch-tied into the handle* Handle will not chip or crack when soaked in water Perfect For:* Watercolor, encaustic, and ceramics* Dry brush techniques* Soft blending* Clouds and water effects* Applying gesso, paste, or varnish* Leaving no brush strokes See More
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Lian Zhens Sparkle Rice PaperSave Up to39%Off listThis paper has micro mica sparkles that give a bit of luster to the art. Sheets are 66 x 131.5cm (approximately 26" x 52") in size. Paper has a nice off white tone. Sold rolled in packages of 5 sheets. This paper has micro mica sparkles that give a bit of luster to the art. Sheets are 66 x 131.5cm (approximately 26" x 52") in size. Paper has a nice off white tone. Sold rolled in packages of 5 sheets. See More
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Lian Quan Zhen Traditional Rice PaperSave Up to37%Off listAcid-free, Traditional rice paper Lian Quan Zhen Traditional Rice Paper (5 Sheets Rolled) 70x114cm* Acid-free* Traditional rice paper* 26 grams in weight* 70 × 114cm (approximately 27.5" × 45") in size.* It has a lovely off white color* Sold rolled in packages of 5 sheetsLian Quan Zhen… Acid-free, Traditional rice paper Lian Quan Zhen Traditional Rice Paper (5 Sheets Rolled) 70x114cm* Acid-free* Traditional rice paper* 26 grams in weight* 70 × 114cm (approximately 27.5" × 45") in size.* It has a lovely off white color* Sold rolled in packages of 5 sheetsLian Quan Zhen Lian Quan Zhen is a sought-after watercolor and Chinese painting artist and teacher in the US and abroad. He is one of the most popular authors of North Light Books. He started sketching and painting in his childhood and continue as hobby while practicing medicine as a family physician in Canton Province, China. After immigrating to the US in 1985, he obtained a Bachelor of Arts Degree from University of California at Berkeley in 1992 and a Master of Architecture Degree from MIT in 1996. He has many shows in the US, Hong Kong and China and developed an international following. His paintings hang in numerous institutional and private collections including the MIT Museum which has collected 14 of his paintings. See More
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FX Effects Spatcher BladesSave Up to70%Off list…with a brush has all sorts of drawbacks. Hair sheds, brushes hold various amounts of paint, so you end up with excess paint in some areas, and brushes are hard to clean. With Spatchers, you can put color on the surface directly and let the tool do the work of spreading it on canvas, board, or panel.… The Original Spatcher by Creative Mark. Apply, Spread, Scrape, Lift, Mix - Create The silicone Spatcher blade provides a smooth laydown of color or medium while still being robust enough to spread and manipulate the thickest paints and mediums. Each Spatcher features a nickel-plated brass ferrule that is glued into the paddle-style varnished wood handle. Two finishing nails secure the ferrule in place for years of carefree use. You can quickly clean the blade with soap and water or wipe clean with solvents. If acrylic paint dries on the blade, you can peel it right off. The tapered edge provides crisp and exact strokes and allows for many creative techniques. Available in 1", 2", and 3" widths. If you don’t have a tool like this in your studio, you need to buy one! Key Features: * High-quality silicone blade * Fine edge, tapered shape * Firm blade * Nickel-plated brass ferrules * Varnished wood paddle handles * Available in 1", 2", and 3" widths * Strong enough to push through thick paints * Easy to clean with soap and water or solvents * The blade will not absorb medium or paint Perfect For: * All viscosities of paint and medium * Applying, removing, scraping, and moving color * Oil, acrylic, modeling paste * Smooth laydown of color * Developing new and exciting effects * Spreading gesso or large areas of paint * Faux finishing effects There are endless applications for this tool, but the most common uses are: Applying paints, gesso, and mediums: Spreading paint with a brush has all sorts of drawbacks. Hair sheds, brushes hold various amounts of paint, so you end up with excess paint in some areas, and brushes are hard to clean. With Spatchers, you can put color on the surface directly and let the tool do the work of spreading it on canvas, board, or panel. If you like, you can soften any marks with a soft brush. Applying layers of colors in multiple ways: Here is where your creativity takes over. You can add colors with a basic spread of paint or use the edge to add linear shapes and layer color. If still wet, you can scrape into the bottom layer to create interesting effects. You can inversely take away by lifting paint off your substrate. For the application of modeling paste: Use the Spatcher as a trowel and then easily build up the impasto regions to your liking with the fine tip. In mixed media, apply 2D or 3D objects with various glues, polymer medium, or gel mediums. See More
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Ampersand Value Series Artist Panels - Primed Smooth FinishSave Up to40%Off list…mixed media, and collage. These panels are also the ideal choice for mounting flexible surfaces like canvas, paper, and prints. If you're looking for an economical alternative to traditional canvas painting surfaces, look no further than Ampersand Value Series Smooth Artist Panels! Key Features:*… Perfectly primed: ideal for all painting styles Ampersand Value Series Artist Panels have a primed smooth finish that is perfect for artists working with oils, acrylics, mixed media, and more! Made from Ampersand's signature 1/8" thick hardboard masonite, either flat or mounted to a 7/8" or 1-1/2" primed pine wood cradle, Smooth Artist Panels are archival, warp-resistant and are ready for immediate use. The plate-smooth surface consists of multiple layers of acrylic gesso, ready for painting and creating in acrylic or oil colors, alkyds, dry media, mixed media, and collage. These panels are also the ideal choice for mounting flexible surfaces like canvas, paper, and prints. If you're looking for an economical alternative to traditional canvas painting surfaces, look no further than Ampersand Value Series Smooth Artist Panels! Key Features:* Ready to use, pre-gessoed wood panel* Ultra-smooth, semi-absorbent, acid-free ground * A great base for mounting canvas, paper, photos, and giclees * 3/8” flat format has a ready to display hang slot on the back * Birch plywood cradle construction Perfect For:* Oil paints, inks, collage, acrylic, pouring, graphite pencils and more * Excellent surface for collage and mixed media* Mount canvas or paper for a more stable support* An unbeatable value! See More
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Ampersand Value Series Unprimed Artist PanelsSave Up to49%Off list…Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently… Smooth, absorbent, uncoated panel used with a variety of media The Ampersand value series artist wood panel is an unprimed basswood that is smooth, absorbent, uncoated panel that is free from plywood seams, knots, or troublesome raised fibers. Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently smoother with a tight wood grain and no raised fibers, making it easier to gesso and paint on. The strong 4mm premium basswood surface is perfect for priming and painting, encaustic, mixed media, collage, wood burning, and heavy paint applications. Ready to Customize - Ampersand Value Series Unprimed Wood Panels are ideal for artists that prefer a quality surface to seal and prime with a ground of their choice. Key Features:* 4mm Premium basswood surface* Stronger and better than birch* Smooth, absorbent, uncoated panel* 7/8" or 1-1/2" deep High-density, solid wood cradles* Super smooth; no excessive grain* Durable, stable & long-lasting* Sanded perfectly smooth* FREE of knots, seams and excess wood grain* Cradle is crafted from solid pine that can be finished with paint or stain Perfect For:* Priming with gesso, oil ground & more* Can be used with a variety of media* Artwork in virtually any media* An ultra-smooth surface ideal for detail work, yet sturdy enough to withstand thick layers* Support to protect your art and prevent warping* Encaustic, Wood burning* Once sealed and primed, the surface is perfect for mixed media, collage, and heavy paint applications like pouring Please Note: To ensure archival longevity, all unprimed wood panels should be sealed and primed before use. Learn more in this blog post on How to Seal and Prime Ampersand Wood Panels. See More
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Ampersand Museum Series Aquabord PanelsSave Up to36%Off listAcid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back… Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabord™ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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Yupo Multimedia Watercolor Paper & PadsSave Up to45%Off list…also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. It's a synthetic paper, machine-made in the USA of 100% polypropylene. What is YUPO Watercolor Paper? It is… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint, print or draw Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. It's a synthetic paper, machine-made in the USA of 100% polypropylene. What is YUPO Watercolor Paper? It is waterproof, stain resistant, extremely strong and durable non-absorbent substrate that dramatically changes the way you paint. Available in medium and heavy weight white varieties and now new translucent YUPO! Explore the versatility of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight Key Features:* Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers YUPO Medium Paper: 200 gsm / 74lb - Acid Free, Neutral pH, Smooth Surface- A true innovation in fine art substrates. This synthetic, tree-free paper is everlasting and non-absorbent. It resists buckling with wet media and can be wiped clean. Pigments will retain true clarity and brightness. A new way for techniques to flourish. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil, Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Heavy Paper: 390 gsm / 144lb - Acid Free, Neutral pH, Smooth Surface- A radically novel breed of paper. Tree-free, bright white and stainproof, it allows artists to create shapes, patterns and nuances that are impossible to achieve on conventional papers. Non-absorbent and slick, a revelation for artisans. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Translucent Paper: 153 gsm / 104lb - Acid Free, Neutral pH, Smooth Surface- With a translucent finish, these slick sheets are an excellent beginning point for a variety of mediums. Remaining true to all YUPO® revolutionary qualities, this substrate allows artists to rethink coloring from a fresh perspective. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor * Yupo 10-Packs - Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight. Sold in packs of 10 sheets.* Yupo Assorted Pack - Includes five 20 x 26" sheets of 74lb medium weight and five 20 x 26" sheets of 144lb heavy weight white Yupo brand paper.* Yupo Pads - Available in 2 sizes with white or translucent paper. 10 sheets per pad.* Yupo Rolls - A 60" x 10 yard roll & 30" x 10 yard roll of Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces! See More
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Pastelmat Pastel Sheets and BoardsSave Up to20%Off listA Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments… A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
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Berlin Mottler Brushes & Sets by Creative MarkSave Up to74%Off list…Perfect For:* All types of acrylic colors and inks* Thin, soft, and heavy-bodied acrylic paint* Varnish or gesso application* Students, beginners, professionals* Fine control with heavy acrylics* Moving paint with ease on the canvas* Large scale works and murals* Artists of all skill levels* Click… Stiffness Watercolors Acrylics Oils A brush that will change the way you think about synthetics! Berlin’s unique hair provides the feel of the very best bristle brushes combined with the superb handling of thin, soft, and heavy-bodied acrylic colors. They are a brush that will change the way you think about synthetic bristle hair. That is because they make using acrylic paints as easy to control as oil paint while providing a real feel of the paint and surface through each stroke. These mottlers are superbly fashioned tools, handcrafted in Germany by only the most experienced brush makers. With proper care, these mottlers may be relied upon for a very long time. We promise that you will not be able to find a better brush for large-scale, controlled painting. Artist Tested, Artist Approved! The Berlin Mottler is hands down the best large brush ever made for all types of acrylic colors and inks! Handmade in Germany by master brush makers. Key Features:* Handmade in Germany by master brush makers* Synthetic bristle* Superb handling of any paint viscosity* Releases color evenly through the stroke* Superior brush response and control* Flat paddle-style hardwood lacquered handles* Nickel-plated ferrules and stainless steel staple bonding prevent loose hair* Provides a true feeling of the substrate during each stroke* The tight bristle bundle reduces hair shedding* With proper care, these mottlers may be relied upon for years* Perfect For:* All types of acrylic colors and inks* Thin, soft, and heavy-bodied acrylic paint* Varnish or gesso application* Students, beginners, professionals* Fine control with heavy acrylics* Moving paint with ease on the canvas* Large scale works and murals* Artists of all skill levels* Click on the yellow technote icon to view brush size information See More
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Winsor & Newton Artists Acrylic Gesso PrimersSave Up to40%Off list…meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes… Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More
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GOLDEN GessoSave Up to30%Off listA variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate… A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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