Your Cart
SLI Search Template
Related Categories: Acrylic Markers | Black Drawing Pens | Illustration Markers | Calligraphy Sets | Refillable Calligraphy Pens | Calligraphy Pen Sets | Charcoal Drawing Set | Richeson 9000
There were no results that contained all of the words in your query. These results contain some of the words.
-
The Edge All Media Pro Stretched Cotton Canvas, 40"x40" - 1-1/2" Deep (Box of 3)Save Up to92%Off listWhite Four Clean, Paintable Edges for Frameless Artwork Presentation! Superior Priming For The Best Overall Results! The greatest selection of sizes. Thus, giving the artist a reasonable cost solution for wherever their inspiration leads them. 78 sizes in al! Improving on one of the most beloved artist canvases isn’t easy, but Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Look for The Edge All Media Cotton Canvases in even deeper depths for an even more striking presentation! Key Features:* Available in: Singles or Boxes of 3* Squares, Value Packs of 9* 14oz primed weight* 8oz. raw weight before priming* 100% cotton canvas* Triple acrylic primed* Medium texture canvas* Deluxe stretched canvas* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materialsThe Edge All Media 1-1/2" Deep Cotton Stretched Canvas Perfect For:* Oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas THE EDGE 1-1/2" DEEP French Landscape - After looking at stores in Paris, the main difference in sizing were sizes that were more gentile, than a 1 to 2 ratio. 10x15", 10x25", 12x18", 18x30", 20x20", 30x48" and 48x72" represent the ratios of 1 to 1-1/2 but also a few that were slightly wider. Seascapes, in these the slightly wider sizes. Squares/Diamond - Geometrically squares allow for various single and multiple canvas compositions. There are fifteen sizes ranging from 4x4" to 60x60". Squares used with extra-long canvases allow for many geometric multiple canvas compositions, as well. Rectangles/Portrait/Landscape - The most popular of shapes are rectangles. These work well with abstract expressionism, landscape and especially portrait or representative artwork. The Edge offers a huge array, providing the most possible alternatives for you. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! Singles up to size 24x36in. Boxes of 3 All Sizes Value Packs: Small Square Cotton Canvas 1-1/2" Gallery 9 Packs See More
-
Gamblin Solvent-Free Fluid Oil Medium 4.2oz BottleSave Up to40%Off list…- Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
-
Winsor & Newton Oil Pastel Introduction Set of 15Save Up to40%Off listAssorted Colors Easy to apply and seamless to blend color As experts in color for nearly 200 years, all our materials are made to the highest standard using quality art pigments. Each pastel stick is carefully wrapped by hand in translucent paper and labeled. The wrapper protects your fingers, and you can easily peel it away when you need more color. Winsor & Newton Oil Pastels are highly pigmented and beautifully rich. These spectacular oil pastels allow you to explore expressive mark-making and layering. Due to their soft, creamy consistency, the oil pastels are easy to apply and seamless to blend. Winsor & Newton’s soft pastels come in sets of 15 and 30 chromatically balanced colors. Perfect for artists wanting to work with a flexible, expressive medium. Each pastel set comes in a convenient metal tin case that keeps the pastels clean and safe for use on the go. Our oil pastels are perfectly matched to use with Winsor & Newton pastel paper pads or canvases. We recommend using Winsor & Newton professional fixative spray to preserve and enjoy your work. Key Features: * Sets of 15 and 30 in a convenient metal case * Outstanding lightfastness * Smooth creamy texture * Intense concentrated pigments * A broad range of colors for landscape, portrait, and still life Perfect For: * Serious pastel artists and students * Application over dried acrylic work * Expressive mark-making * Creating subtle layers and blends of color * Blending with your fingers or a blending stump * Use with textured pastel paper * Winsor & Newton pastel paper pads or canvases See More
-
Sennelier Oil Pastels Cardboard Box Set Seascape (Set of 6)Save Up to45%Off listAssorted Colors The world's finest oil pastels, made with high-quality pigments The world's finest oil pastels were originally created in 1949 by Henri Sennelier for Pablo Picasso. Picasso, a frequent patron of Henri's art supply shop across from the Louvre, was looking for a vibrant colored pastel he could use to paint on anything, giving examples of wood, metals, paper, canvas, etc. Picasso enjoyed the immediacy of children's crayons and soft pastels but wanted to be able to use their freer, gestural qualities on all surfaces and wanted them to be professional quality and lightfast. Sennelier's first oil pastels have since been the hallmark and long-time standard of the medium. Creamy, lightfast, and vibrant, Sennelier Oil Pastels use the same high-quality pigments and high pigment loads as their other lines, combined with a pure, synthetic binding medium and mineral wax. As the binding medium does not oxidize, it will not jeopardize the artwork's film stability or surface. They are acid-free, so there is no need to prime any surface as a preventative barrier for protection against deterioration from acid. The neutral pH mineral wax provides a remarkably creamy texture that will never harden or yellow, thus providing excellent adhesion to any support without ever fearing cracking. They may be thinned with spike lavender oil, turpentine, or mineral spirits to make washes or soften drawing strokes or blended with the Transparent Blending Medium stick for a wide array of effects. They are the ideal medium for artists on the go, as sets can be taken on airplanes without any restrictions since they contain no solvents or liquids like tubed paints. The traditional and La Grande sticks come in over 120 vibrant colors, including iridescent, metallic, and fluorescent colors. Sennelier's sets offer assorted colors dedicated to drawing landscapes, still lifes, and portraits, both in sturdy Cardboard and Wood Boxes, perfect for gift-giving or extensive travel. Sennelier Oil Pastels are available in both Standard (2 9/16" long x 3/8" diameter) and La Grande (5" long x 3/4" diameter) sizes. Sets can easily be replenished with individual pastels as you finish a stick! Key Features: * Cardboard box & Wood box sets * Compatible with all media * Can be applied to most surfaces such as paper, canvas, wood, or metal * Great for mixed media works * Highly pigmented, outstanding opacity and lightfastness * Draw on virtually any surface! * Unlike oil paint, substrates do not require priming * Soft, creamy application of color * Available in open stock of 120 vibrant colors (including iridescent, metallic, and fluorescent colors) Perfect For: * Sketching in color * Mixed Media Artists * Professional Artists * Plein Air - no need to lug brushes, solvents, palette, etc.! * Beautiful wood box sets make perfect gifts! See More
-
STAEDTLER Mars Lumograph Pencil Set of 12Save Up to17%Off list…for watercolour paintings, Lumograph watercolour graphite pencils are ideal. For artists seeking to develop expressive drawings, Lumograph charcoal pencils contain a high proportion of carbon and charcoal, resulting in the deepest blacks. Key Features: * Assorted drawing sets * Wide variety of… Harness the Best Features of Graphite and Charcoal With Lumograph! STAEDTLER's Lumograph pencils are the perfect tools for drawing and sketching. The high-quality graphite and charcoal materials help you create beautiful artworks. The super-bonded lead reduces breakage during use and while sharpening, ensuring you can keep working without interruption. If you're looking to create preliminary sketches for watercolour paintings, Lumograph watercolour graphite pencils are ideal. For artists seeking to develop expressive drawings, Lumograph charcoal pencils contain a high proportion of carbon and charcoal, resulting in the deepest blacks. Key Features: * Assorted drawing sets * Wide variety of grey tones * Super-bonded lead with high break-resistance * PEFC-certified wood from sustainably managed forests Perfect For: * Writing, drawing, and sketching * Cross-hatching and blending * Drawing on paper and matt drawing film * Classical watercolour painting and sketching Click on the item number to view the contents of each set. Please note: The alphanumeric description of each pencil denotes the lead's hardness. The higher the number, followed by a "B", the softer it is; the higher the number, followed by an "H", the harder it is. See More
-
Schmincke Soft Pastels Wood Box Set of 400 (Walnut Stained)Save Up to39%Off listAssorted Colors Silky-soft, handmade pastels. Highest possible concentration of pure fine ground pigments! Working with Schmincke’s extra-soft pastels is a real painting experience rather than a simple drawing experience. These multi-purpose handmade pastel stick contain the highest possible concentration of pure fine ground pigments and minimal binder content. As a result of the recipe and handmade formulation, Schmincke extra-fine pastels have an incredibly soft and velvety color application without any crumbling or breaking. The use of machinery is avoided during the manufacturing process, and sorting by hand is the only way Schmincke can guarantee quality, smoothness, and color consistency. All colors are highly lightfast and fade-resistant, and each set features a well-balanced selection of assorted colors for painting any subject! Key Features: * Pastels measure 2-1/2" long × 1/2" diameter * Handmade pastel sticks and sets of pastels * Soft as velvet application * Exceptionally vibrant colors * Highly concentrated artists’ pigments * Minimum binder content * Maximum lightfastness Perfect For: * Serious pastel artists * Use with textured and sanded pastel papers and boards * Sketching in color * Application over dried watercolor or acrylic * Travel: pastels do not fall under airline restrictions * As gifts for the artist who has everything Assorted Cardboard Box Set of 10: includes White, Permanent Yellow 2 Light, Orange Light, Permanent Red 1 Pale, Scarlet, Ultramarine Deep, May Green, Gold Ochre, Vandyke Brown, and Cold Grey. Landscape Cardboard Box Set of 15: includes White, Titanium Yellow, Ochre Light, Burnt Green Earth, Burnt Sienna, May Green, Olive Green 1, Leaf Green Deep, Greenish Grey 2, Neutral Grey, Cobalt Blue Hue, Bluish Violet, Reddish Violet Deep, Ultramarine Light, Cold Grey. Portrait Cardboard Box Set of 15: includes Gold Ochre, Flesh Ochre, Gold Ochre, Pozzuoli Earth, Pozzuoli Earth, Burnt Sienna, English Red, Vermilion, Rose Madder, Bluish Violet, Permanent Yellow 1 Lemon, Bohemian Green, Greenish Grey, Vandyke Brown, and Walnut Brown. Landscape Cardboard Box Set of 30: includes Neutral Grey, Sepia Brown, Pozzuoli Earth, Ochre Light, Ochre Light, Permanent Yellow 2 Light, Permanent Yellow 3 Deep, Gold Ochre, Flesh Ochre, Caput Mortuum Deep, Permanent Red 3 Deep, Deep Violet, Deep Violet, Ultramarine Light, Ultramarine Deep, Ultramarine Deep, Cobalt Blue Hue, Cobalt Turquoise, Bluish Green, Grey Blue 1, Olive Green 1, May Green, Olive Green 2, Mossy Green 2, Leaf Green Deep, Neutral Grey, Neutral Grey, Walnut Brown, Reddish Grey, and Cold Grey. Assorted Wood Box Set of 45: includes Permanent Yellow 1 Lemon, Permanent Yellow 2 Light, Permanent Yellow 3 Deep, Permanent Yellow 3 Deep, Orange Light, Orange Deep, Permanent Red 1 Pale, Vermilion, Scarlet, Permanent Red 3 Deep, Madder Lake, Madder Lake, Quinacridone Violet, Purple 1, Deep Violet, Ultramarine Deep, Prussian Blue, Ultramarine Deep, Cobalt Blue Hue, Cobalt Blue Hue, Cobalt Blue Hue, Bluish Green, Cold Green 1, Leaf Green Deep, Olive Green Deep, Olive Green 1, Leaf Green 2, May Green, May Green, May Green, White, Neutral Grey, Caput Mortuum Pale, Flesh Ochre, Ochre Light, Gold Ochre, Brown Ochre, Burnt Green Earth, English Red, Vandyke Brown, Vandyke Brown, Serious Black, Cold Grey, Grey Blue 1, and Cold Grey. Master Deluxe Wood Box Set of 400 The complete assortment includes 400 assorted colors classified in 80 rows with 5 colors each. The range also contains five additional pearl luster effect colors. An amazing treat for any serious pastel artist! All Deluxe wood box sets of Schmincke soft pastels Stained Walnut See More
-
Sennelier Extra Soft Pastel Wood Box Set of 100 - Landscape Colors, StandardSave Up to60%Off listLandscape Colors Sennelier Extra Soft Pastel Sets utilize a deep and rich history of color! In 1887, a huge supporter of the arts named Gustave Sennelier opened his artist’s supply store “Maison Sennelier” directly across from the Louvre in Paris, France. Sennelier was a talented chemist by trade, but through his love of art had a sharply honed eye for value and color. His extensive background researching and studying pigment origins led him to create his own personal pigment mixtures to sell directly to his customers (initially he sold his paints through existing manufacturers). His friendships with prominent artists of the day (whether already famous or yet undiscovered) and his fierce loyalty to them and their craft resulted in creating multiple mediums designed specifically for them. At the turn of the 20th century, Gustave dedicated three years of development to create an extra soft pastel for his friend and patron, artist Edgar Degas. His goal was to create a stick with the highest amount of pigment possible, adding only the transparent binder of gum arabic (a watercolor binder) and mineral fines to change the gradients of the colors (increasing amounts as the pastel stick lightens towards white). The use of the gum arabic creates a soft pastel that can also be wetted once on the substrate, and spread like a watercolor. With a total of 525 colors and the largest chromatic range offered in soft pastels, their vibrancy and brightness can attributed to not containing clays, like other brands. Pastel artists everywhere revere Sennelier especially for their mellow and deep dark tones compared to other makers, likely due to their higher pigment concentration with little filler. The cylindrical pastel mold used by Sennelier in the manufacturing process does not compress the pastel paste, instead merely forming the uniform shape (which now features a larger diameter stick than before for added strength, while maintaining the soft nature of the pastel). Sticks are dried naturally in the open air for 4 weeks for a uniform softness throughout the pastel. Using Sennelier Soft Pastels utilizes a deep and rich history of color, backed up by one of the most dedicated craftsman to color in history. Artists who relied on his and his son Gustave’s expertise and experience achieved fame through their artworks, like Paul Gaugin, Modigliani, Monet, Cezanne, Degas, Picasso, Chagall, Salvador Dali, and so many more. Give yourself the treat designed for the pastel master Degas himself, and choose Sennelier for the finest quality soft pastels available! Key Features: * Available in multiple sets for all budgets * Specially selected sets for landscape, portrait, or still life * Originally created by Sennelier for master pastellist Edgar Degas * Renowned for deep and dark colors due to high pigment load * Available in cardboard and wood box sets for travel Perfect For: * Serious Pastel Artists * Application over watercolor or acrylic * Use with textured and sanded pastel papers and boards * Traveling, does not fall under airline restrictions * As gifts for the artist who has everything * Half Sticks Measure 1 1/14” long x 5/8” diameter (unwrapped in a slightly larger, squared shape to prevent breakage) * Standard Sticks measure 2 ½” long x ½” diameter * Half Stick Black Wood Box Sets of 60 & 120 - these Sennelier best selling half stick soft pastels are now available in chic black wood boxes, perfect for gift giving. Opening the ebony box of these luminous colors inspires creation! * Plein Air Landscape Half Stick Set of 80 - Sennelier has a rich history of providing Plein Air painters like Cezanne with their pastels, giving him the ability to produce the vibrant, rich landscape works he is known for. This 80 color half stick Plein Air collection has been carefully selected for its’ simplicity and ability to mix a full spectrum of landscape color, without carrying the extra weight of too many pastels in the field. Half sticks are great for making broad strokes, to cover larger areas more quickly. * Voyage Set of 10 - This Voyage pastel set features 10 professional quality half-stick soft pastels by Sennelier. Handmade since 1900 these extra-fine pastels have unparalleled softness and pigment intensity providing each stroke with brilliant color. Enclosed in a sturdy metal tin for protection, each set also includes 3 sheets of pastel card, a graphite pencil and a pastel brush. * Value Sets of 80 - Available in sets of 80 Assorted Colors and 80 Landscape Colors, these value sets also include a 10-Pack of UArt Pastel Paper and a Creative Mark 12x16" Mesh Zipper Bag! * Vintage Set of 12 - This unique limited edition set is the perfect way to celebrate Sennelier's 125th anniversary! Includes 12 soft pastels in the same original range as chosen by the company's founder, Gustave Sennelier, packaged in a vintage style cardboard box. A great gift for any artist! * Luxury Wood Box Set of 525 - This new Limited Edition Set celebrates Sennelier's 125th Anniversary of making the highest quality art mediums! Includes the entire range of standard stick Soft Pastels (one of each color), beautifully housed in a gorgeous convenient tiered box, featuring individual pastel drawers. An amazing gift set for serious artists! See More
-
Chartpak AD Marker - BlenderSave Up to50%Off listClear Transparent Juicy, Vibrant, Permanent Colors! The Chartpak AD® marker's unique Tri-Nib shape allows you to create fine, medium, or broad-line widths with the same marker. The nib doesn't starve or dry out with rapid or prolonged use. Vibrant xylene-based colors flow onto the paper with a brilliance generally associated with vibrant dyes. Chartpak AD® Marker ink is incredibly juicy and transparent, which allows for blending and mixing. Unique special effects are possible with the xylene-based ink that you cannot accomplish with alcohol markers. It's no wonder why many artists say, "There are markers, and then there are AD® Markers!" Key Features: * Xylene based ink * A vast range of juicy colors! * Permanent solvent-based ink * Tri-Nib: for thin, medium, thick, and fine point * Line Widths: 1mm, 3mm, 10mm, 1.5mm * Roll proof air-tight cap * Cap closely matches ink color * Made in the USA! * Perfect For: * Designers, illustrators, and artists * Fashion and conceptual illustration * Special effects * Creating gradients, blends, and mixes * Brilliant colored, transparent marker strokes * Crisp laydown * Many porous and non-porous substrates See More
-
Soft Pastel Introduction Set of 15Save Up to50%Off listAssorted Colors Create the subtlest of layers and blends with these rich pastels! As experts in color for nearly 200 years, all our materials are made to the highest standard using quality art pigments. Each pastel stick is carefully wrapped by hand in translucent paper and labeled. The wrapper protects your fingers, and you can easily peel it away when you need more color. Winsor & Newton pastels are renowned for their rich, velvety colors and bendability. The intense colors can be worked into rough surfaces and blended with your fingers or a blending stump. The smaller sets come in a convenient metal tin case that keeps them clean and safe for use on the go. Our soft pastels are perfectly matched to use with Winsor & Newton pastel paper pads or watercolor pads. We recommend using Winsor & Newton professional fixative spray to preserve and enjoy your work. Key Features: * Sets of 15 and 30 with convenient metal case * Wooden box set of 200 soft pastels * Outstanding lightfastness * Smooth, creamy, uniform texture * Intense concentrated pigments * A broad range of colors for landscape, portrait, and still life Perfect For: * Serious pastel artists and students * Application over watercolor or acrylic work * Creating subtle layers and blends of color * Blending with your fingers or a blending stump * Use with textured pastel papers and boards * Winsor & Newton pastel paper pads or watercolor pads See More
-
Mount Vision Soft Pastels Set of 25 - Flesh TonesSave Up to38%Off listPortrait Colors Beautiful, hand-made soft pastels! Mount Vision Handmade Soft Pastels consist of the highest quality pigments with the addition of chalk, talc, or clay and binders. Various combinations, depending on pigment, create different handling properties. The Mount Vision Pastel Company was founded in 2000, by artist Karl Kelly (a former paint maker for a small oil paint company). Handmade in small batches in Mount Vision, New York, the pastels possess a wonderfully soft and buttery feel. The pigment easily releases to the pastel surface with little resistance, allowing layers to build without becoming slick. Mount Vision Handmade Soft Pastels are consistently tested to achieve the best feel and color intensity for each pastel color. Mount Vision utilizes both traditional and synthetic pigments, which make great substitutes for traditional painting pigments that are health hazards to use in pastels (such as cadmiums, cobalts, etc.) Mount Vision's manufacturing process is simple and straightforward, creating a truly handmade product with great love and care by dedicated craftsmen. First, the pigments and chalks(or other binder) are weighed out on a scale, and then placed in an industrial sized mixing bowl. The mixture is fully mixed to the consistency of cookie dough, and then put through a sausage stuffer, where it is extruded onto wood boards. The boards are placed outside to dry the long pastel lines a little, to firm them slightly before handling. Once ready, the pastel lines are cut to size and then carefully rolled by hand to create a more uniform shape. The finished pastels are then placed on a drying rack to cure before hand labeling. Key Features:* Created from the finest traditional and synthetic pigments* Handmade by craftsmen in small batches in the U.S.* Pastels possess a soft, “buttery” feel in use* No hazardous pigments used Perfect For:* Serious Pastel Artists* Artists supporting U.S. Made manufacturers* Pastelists desiring softer pastels* Handmade pastel aficionados The beauty of Mount Vision’s color selection and color values is by other manufacturers that make a handmade product. Drawing on his extensive painting and printmaking background, Karl Kelly carefully designed the color palettes and selections to create every color imaginable a pastelist could imagine, from the palest color values to the most vibrant brights and darkest darks. Sold in both open stock individually and as sets. Health and Safety Statement from Mount Vision Pastel Company: If you have any Health and Safety questions please do not hesitate to Call 888 413-2009. Your health is our biggest concern. At Mount Vision Pastels we use no heavy metal pigments such as Cobalt or Cadmium. Because of the nature of pastels, i.e.. drawing directly with the pigment with very little binder, I question the use of these pigments. With the advances in the manufacture of synthetic pigments I feel that there are alternatives available for use that will serve the artist as well without the possible side effects. That said probably the biggest concern for pastelists is the pigment dust created by them. Whenever possible it is better to clean dust with a wet rag, sponge, or paper towel than to sweep it up (which causes more dust). Care should be taken if using a vacuum as often the pigment is finer than the bag and can blow through causing quite a dust storm. See More
-
Holbein Meltz Colored Pencil Blender Dual-Tip MarkerSave Up to20%Off list…fine lines * Drawing over watercolor, gouache, and acrylic color * Creating watercolor effects with Meltz blender * Blending, building layers, and gradations Several Different Sets To Choose From! Click on the item number to view the set specs Meltz Blender: Color blending is easy with… Take your art to the next level with Holbein Artists' Colored Pencils Holbein makes their Colored Pencils from premium pigments, waxes, fats, and oils. It's a joy to work with their Colored Pencils because the hybrid lead glides on paper like soft butter. You can blend, layer, and create beautiful color gradations easily. The vibrant, powerful colors make an impact no matter how you use them. The outer pencil barrels match the lead inside, so it's easy to find the color you need. Holbein's artist-quality colored pencils are ideal for professional artists and students. Key Features: * Oil and wax lead hybrid * Carefully selected high-grade pigments * Excellent lightfastness * Incredibly soft, buttery application * Vibrant color output * Barrel color accurately matches core color * 3.8 mm diameter lead * The 7.8 mm diameter wood casing is easy to hold * AP Certified, conforms to ASTM-D4236 Perfect For: * Colored pencil artists * Illustrators * Drawing smooth fine lines * Drawing over watercolor, gouache, and acrylic color * Creating watercolor effects with Meltz blender * Blending, building layers, and gradations Several Different Sets To Choose From! Click on the item number to view the set specs Meltz Blender: Color blending is easy with Holbein's water-based Meltz solution. A safe alternative to OMS, Meltz allows you to blend colors without the harmful fumes of solvent. Meltz is safe to use with all watercolor brushes. The solution comes in a 35 ml (1.2 oz) bottle with a flip-top cap. Dual Tip Blender Marker: Color blending is easy with Holbein's Meltz Blender Marker. Meltz is a convenient water-based blender that dissolves oil-based colored pencils and blurs them without the harmful fumes of solvent. Meltz is safe to use with all watercolor brushes and can be used to create watercolor-like effects. See More
-
Claessens Linen #166 Double Universal Primed Medium Texture Cut Piece, 41" x 18" ydSave Up to69%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
-
Gamblin Gamvar Gloss Picture Varnish 4.2oz BottleSave Up to40%Off listGamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays… Gamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly notice that your colors have more depth and that Gamvar is virtually odorless! The easiest way to make your painting look better! Key Features: * Terrific for both oil and acrylic paintings * Saturates color and adds depth of color * Protects your painting * Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation * Altering paint sheen * Use in the studio or school Gamvar Gloss: saturates colors in your painting and gives your work a unified and protective gloss surface. Gamvar Gloss is the original Gamvar formula. See More
-
Prismacolor Verithin Colored Pencil Set of 24Save Up to38%Off list…Lettering and graphic design * Adult coloring books The set of 12 includes Canary Yellow, Orange, Poppy Red, Crimson Red, Violet, Peacock Blue, Indigo Blue, Grass Green, Peacock Green, Dark Brown, Black, and White. The set of 24 includes Lemon Yellow, Canary Yellow, Orange, Poppy Red,… Artist Quality Hard Thin Lead Pencils From the burgeoning artist to the seasoned pro, Prismacolor Premier Verithin Colored Pencils make an impact. These high-quality pencils make edges cleaner, outlines bolder, and lettering pristine. The pencils feature thin, ultra-hard cores that sharpen to a precise point, all while resisting crumbling and cracking. This blend of durability and precision makes Prismacolor Verithin pencils the artist’s choice for drawing fine details. Key Features: * Fine colored pencils * Leads resist breaking * Richly saturated, lightfast pigments * Can be sharpened to an ultra-fine point Perfect For: * Drawing fine details and edges * Lettering and graphic design * Adult coloring books The set of 12 includes Canary Yellow, Orange, Poppy Red, Crimson Red, Violet, Peacock Blue, Indigo Blue, Grass Green, Peacock Green, Dark Brown, Black, and White. The set of 24 includes Lemon Yellow, Canary Yellow, Orange, Poppy Red, Crimson Red, Magenta, Process Red, Light Peach, Dahlia Purple, Parma Violet, Violet, Ultramarine, Peacock Blue, Indigo Blue, Apple Green, Grass Green, Olive Green, Peacock Green, Terra Cotta, Tuscan Red, Dark Brown, Warm Grey 20%, White and Black. See More
-
Faber-Castell Pitt Graphite 4B Matt Black Pencil, Box of 12Save Up to24%Off listGrey Rich Matt black graphite finish for drawing without glare! As an artist, you want to show off your work in the best way possible, whether it's in a gallery or on the internet. Light exposure is a recurring challenge to graphite artists. In poor lighting conditions, reflections can enhance flaws and hide details. These distortions can also happen when photographing art. Frustrating glare is not an issue with Faber-Castell's Pitt Graphite Matt pencils. The new soft dark formula reduces light reflection with a rich matt finish. This means that details are not lost under reflection, and digitizing (photographing, scanning) is simple. With little or no light reflection, these matt pencils allow you to present your art in the best light. Like all Faber-Castell pencils, the lead is break-resistant and lightfast. The Pitt Graphite Matt pencils come in eight degrees of hardness: HB, 2B, 4B, 6B, 8B, 10B, 12B, and 14B. While graphite pencils usually have a glossy casing finish, these pencils have a matt lacquer. Key Features: * Soft dark graphite * Little or no light reflection on graphite * Rich matt finish * 8 Degrees of hardness * HB, 2B, 4B, 6B, 8B, 10B, 12B, and 14B * Break-resistant and lightfast lead * Matt lacquer coating so you won't get them confused * Made in Germany * Sustainably manufactured in a climate-neutral building * PEFC certified cedar wood from sustainably managed forests * Environmentally friendly pencil lacquer * Perfect For: * Sketching and fine art drawings * Photographing work without light reflection * Displaying drawings in a gallery without light reflection * Fine artists and illustrators * Drafting and design * Travel and classwork * Eco-conscious artists * Fine line and detail work See More
-
Gamblin Artists' Oil Painting Mediums Neo-Megilp 4.2 ozSave Up to40%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
-
Gamblin Gamvar Matte Varnish 4.2oz BottleSave Up to40%Off listClear Transparent Enhance and protect your oil paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This professional quality matte picture varnish reduces surface sheen and enhances the depth of color in your paintings. Key Features: * Provides a matte protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits* Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
-
Gamblin Galkyd Painting Medium, 4.2oz (125ml) BottleSave Up to40%Off list…a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
-
Gamblin Gamsol 4.2oz, Odorless Mineral SpiritsSave Up to40%Off list…this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar,… The safest solvent great for Thinning oil colors, Modifying painting mediums & Studio clean-up Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits - Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out and less than .005% remains. Primary Uses for Gamsol:* Thinning oil colors. A little goes a long way; stiff oil colors relax immediately when a little Gamsol is added. Be careful not to thin oil colors too much with solvent alone, this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.* Studio clean-up: brushes, palettes, palette knives, etc.* Odorless* Available in the following sizes: 4.2oz, 16.9oz, 33.8oz, 128oz* No solvent odors, only the wonderful smell of oil colors* Widely used in oil painting classrooms* Flash point: 62.2 °C / 144.0 °F (See SDS Sheet) How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out and less than .005% remains. Aromatic solvents are the most harmful types of petroleum solvents. The Gamsol SDS shows an Exposure Limit Value higher than most solvents available to artists. In addition, Gamsol’s flash point allows it to ship via air cargo as a non-hazardous material. All of these factors have led to Gamsol being used widely in oil painting classrooms; in those classes, there are no solvent odors, only the wonderful smell of oil colors Packaging may vary. See More
-
Gamblin Solvent-Free Fluid Oil Medium 4.2oz BottleSave Up to40%Off list…Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
-
Gamblin Gamvar Satin Varnish 4.2oz BottleSave Up to40%Off listClear Transparent Enhance and protect your oil paint masterpieces with this professional quality satin finish picture varnish! Gamblin's Gamvar Satin Picture Varnish saturates the colors in your oil paintings and gives your work a unified, satin finish protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Satin is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This superior quality satin picture varnish dries to a lower gloss level compared to original Gamvar and enhances the depth of color in your paintings. The easiest way to make your painting look better! Key Features: * Provides a satin finish protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits * Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
-
Claessens Linen #15 Single Oil Primed Medium Texture Cut Piece, 18" x 41"Save Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
-
Claessens Linen #29 Single Oil Primed Rough Texture Cut Piece, 18" x 41"Save Up to66%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
-
Claessens Linen #12 Single Oil Primed Moderately Fine Texture Cut Piece, 18" x 41"Save Up to66%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
-
Claessens Linen #09 Unprimed Fine Texture Cut Piece 18" x 41"Save Up to66%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
-
Fredrix Dixie PRO Series Stretched Canvas 2-1/4" - 40"x40" (Box of 2)Save Up to46%Off listWhite Deep Stretched Artists’ Cotton Canvas — With Extra-Large Sizes! The PRO Series 12 oz Dixie Pre-Stretched Canvas is the professional choice for any artist! Using 12oz, universally acrylic primed 100% cotton duck canvas, Fredrix carefully stretches it onto kiln-dried, 2 1/4" extra deep stretcher bars for a durable, sturdy, yet elegant painting surface. Back stapled to allow for frameless presentation, Fredrix Deluxe PRO Series 12 oz Dixie Cotton Canvases have a 17.5oz primed weight and are the perfect surface for all your traditional and water mixable oil, acrylic, and alkyd masterpieces. Sizes offered up to an enormous 72"x72"! Key Features: * 100% cotton duck canvas * 12oz base cotton weight * 17.5oz primed canvas weight * Acid-free universal acrylic primer * 2 1/4" deep, kiln-dried stretchers * back stapled for clean edges * Extra deep boxes of 2 canvases * Perfect For: * acrylics, oils, alkyds * mixed media artists * frameless deep presentation * great value, 2 canvas pack * students, artists, instructors See More
-
Museo Stretched Belgian Linen Canvas, Alu-Frame, 40" x 40" , 1" Deep, 2 PackSave Up to40%Off listWhite Museum-Grade Aluminum Stretcher & Claessens Belgian Universal Primed Linen Claessens Belgian Stretched Linen Canvas With MUSEO Aluminum Bars - Professional Museum Grade Stretched Canvas MUSEO ALU Frame Professional museum-grade canvases feature the finest Claessens 11.64 oz. triple universal primed belgian linen stretched on MUSEO ALU Frame Stretcher Bars. Aluminum stretcher frame is non-corrosive, super strong, & lighter in weight than similar dimension wood bars. They will not warp, even in humid climates, & feature a warp & bend free guarantee! MUSEO ALU Frame stretched canvas features 1¾" wide aluminum insert attached to a high quality warp-resistant spruce wood and professionally stretched Classens 100% Belgian linen. The stretching is performed with enough overlap to re-stretch if ever desired. The total stretcher profile measures 1¾" high × 2.6" wide. Key Features:* Warp & Bend Free Guarantee!* Features professionally stretched Claessens universal acrylic primed belgian linen – perfect for acrylics, oils, alkyds, etc.* One of a kind...Museum-grade aluminum & spruce stretcher bars boast 1 3/4" gallery depth* Archival support, Claessens 100% Belgian linen* Used by museums and galleries worldwide* Provides maximum stability for canvas painters* 11.64 oz. triple-coated universal acid free primed linen* Lightweight yet strong aluminum frame greatly reduces artwork weight for large canvases* Disassembles easily to fit rolled canvas & stretchers in separate tubes for shipping* Reduces shipping costs to clients & galleries* Enhanced Features:* Warp and Bend Free* Museums and Galleries* Disassembled for transport* Stretcher frame is non-corrosive* More Dimensionally stable than wood * Easy to Adjust Tension* Good for artists creating large-format and/or heavy works* Hand-stretched around and back-stapled* No corner keys required* Disassemble & reassemble the stretcher frame in matter of minutes The lightweight aluminum stretcher bars weigh less than heavy-duty wood frames.The MUSEO frame is easily disassembled for transport, allowing the rolled canvas & stretchers to be shipped in separate tubes for a sizeable reduction in shipping costs. Corner connectors & crossbars are removed easily without harming the stretcher bars, using an Allen key. Disassembling & reassembling the stretcher frame takes a matter of only minutes. Included hardware: (see product images for even more details) Spanner: Used to tighten canvas. The Spanner is attached next to the corner connector. Simply loosen the corner connector & tighten by pushing it towards the corner & then tighten the corner connector (repeat this for all four sides). Allen Key: Required to disassemble and reassemble canvas frame, & also needed to tighten the Spanner. Hangers: Attach easily to the grooves of the aluminum section of the bars. Depending on the weight or size of the canvas, you will receive either the screw eyelets or the heavy duty hangers. Video: See videos in video tab to learn more about this amazing product! See More
-
The Edge All Media Pro Cotton Canvas 40"x40" - 2-1/2" Deep (Box of 3)Save Up to85%Off listWhite 2-1/2" Deep of Clean, Paintable Edges for a Gallery Style Presentation Superior Priming For The Best Overall Results! One of the most popular artist canvases, Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Top selling most popular feature, The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, This 2-1/2" deep Edge Canvas features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap the painting around the sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Key Features:* 14oz, triple primed* Raw canvas is 8oz before priming* 100% cotton canvas* 2-1/2 in. canvas depth* Individual or Boxes of 3* Beefy medium texture* Deluxe stretched canvas* Back spline stretched and stapled* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials* Perfect For:* Oils, Water mixable oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas* Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! See More
-
Winsor & Newton Professional Canvas Gallery Deep (1.65") Stretched Canvas-40"x40" (Box of 3)Save Up to61%Off listWhite Create your next masterpiece with these with professionally prepped stretched cotton canvas! Born from a rich heritage of commitment to quality and innovation, Winsor & Newton Professional Canvas features cotton canvas primed with pigment rich Gesso and warp-resistant, kiln-dried, heavy duty solid pine stretcher bars. With its balanced absorbency and medium tooth, this acid-free, archival canvas is wonderfully responsive to every brushstroke, really allowed paint to adhere to the textured surface. Available in standard depth and gallery deep edge, each canvas has a little extra cloth with its tailored and uncut corners, and includes the new Winsor & Newton pro-stretcher. Each canvas includes the Pro-Stretcher, an innovative stretching device that's custom-made for Winsor & Newton. Strong and compact, it allows you to create an immaculate bespoke surface, stretched exactly as you want it. This exclusive stretcher is easy to use and delivers precision tension. Key Features: * Professional Cotton Canvas * Pre-primed, the cotton canvas weighs 10.6 oz. Primed weight is 16.9 oz. * Weight 480gsm, Surface Cotton, Wood Type Heavy Duty Solid Pine * Primed with pigment rich Gesso primer * Warp-resistant, heavy duty solid pine stretcher bars * Acid-free, archival canvas with a medium tooth * Includes the Winsor & Newton pro-stretcher * Choose a Traditional or Deep Edge profile * Balanced absorbency and tooth prevents shrinking * Back stapled with folded uncut corners Perfect For: * Traditional Canvas with medium texture, ideal for use with oil and acrylic paints * Deep Edged Traditional Canvas with medium texture, ideal for use with oil and acrylic paint * Professional painters * Oils & acrylics * Fine art students * Mixed media projects Pro-Stretcher * Precision tension that you can control * Professional look for back of canvas * Strong, will not release * Easy to use, no fuss * Small and compact * Patent-pending technology The professionally constructed frames are crafted from heavy-duty, kiln-dried solid pine stretcher bars and rigorously tested for warp-resistance. See More
-
Paramount Pro Gallery Wrap, 40"x40" Stretched Canvas (Box of 3)Save Up to77%Off listWhite Simply The Best Professional Cotton Canvas On The Market! Our SUPER Heavyweight cotton canvases have a 100% guarantee. We guarantee the best quality canvas or your money back! Only the best heavyweight cotton canvas is stretched on Paramount gallery wrapped professional artist canvases. You can paint with confidence because we prime each Paramount canvas with a layer of sizing and three coats of acrylic gesso. It's the best commercial cotton canvas you can buy. Popular Paramount Professional Gallery Wrap Canvas has recently received an upgrade! Featuring the same medium-weave, triple-primed, acid-free, 100% cotton canvas as the original style, Paramount Professional canvas now boasts new 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. The best for Gallery-ready paintings! SUPER Heavyweight 100% cotton canvases. triple-primed, acid-free. 1-13/16" deep, solid pine stretcher bars with an innovative L-shaped design. Key Features: * Unbleached 100% cotton canvas * Super Heavyweight cotton canvas * 11oz unprimed / 15oz Primed on heavyweight cotton * 1-13/16" deep solid pine, L-shaped stretchers * Triple-primed, acid-free * Medium-tooth surface * Back-stapled * Heavy-duty canvas and bracing system * Perfect For: * Paintings in acrylics, oils & alkyds * Techniques from glazing to impasto * Art that needs stable support * Gallery-ready paintings * Professional use These newly redesigned stretcher bars are a vast improvement on many other lines, as not only does the increased depth add to the strength of the stretcher frame, the 1-13/16" wide face with an offset lip provides greater support to the canvas itself. Paramount Professional Gallery Wrap Stretched Canvas was designed for artists who require a heavy-duty canvas and bracing system made to professional standards. Paramount Professional Canvas is designed to take both thick and thin paint layering in acrylics, oils, and alkyds. For artists looking for a sturdy, superior grade stretched canvas, the newly redesigned Paramount Professional Canvas is the way to go! See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field