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Spectrum Universal Primed Cotton Super Smooth 84" x 6 YardsSave Up to60%Off listWhite Exclusively milled and made for us with the highest quality universal acrylic priming! Available in 6 yard studio rolls and 30-yard commercial bulk rolls. Exclusively milled and made for us with the highest quality universal acrylic priming. Most are double-primed with two coats of rich, white, and acid-free priming. Super Smooth is triple primed and is for portrait work. All have only the finest imported pure cotton sheeting that has a uniform weave and even texture. If you know quality, then you will be amazed at the savings you enjoy with Spectrum. Comes in:* 8oz Super Smooth Portrait Cotton (11.8oz primed) - For portrait applications-Triple primed* 8oz Weight (9.6oz primed) - Classic weight for commercial stretched canvases-Double primed* 10oz Weight (12.1oz primed) - A good compromise between 8oz and 12oz primed-Double primed* 12oz Weight (14.5oz primed) - The finest filled cotton duck on the market-Double primed* 15oz Weight (17.4oz primed) - Super Heavy Weight. Great for walls, murals, super large canvases, and floor cloths - Double primed Details/Features:* Uniform weave, even texture* Finest Imported cotton sheeting* Milled with the highest quality universal acrylic priming* Rich white acid-free priming* Available in 6 or 30 yard rolls See More
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Fredrix Roll Canvas 123 Dixie Heavy 84" x 6 YardsSave Up to21%Off listWhite 122 Yankee Classic - 73" wide primed medium weight duck. Due to its strength, weave and tooth it is liked, especially by acrylic painters. 123 Dixie Heavy - 12 ounce duck with substantial texture and tooth. As a mural canvas, it is equal in strength to many lighter weight linens. 139 Tyron - A heavy weight cotton duck of excellent quality and strength. Special acrylic priming of extra flexibility and the appearance of an oil ground. 569 Dallas - Extra wide for mural and large work. Made of pure cotton duck with an even weave and medium texture. Extremely popular, sometimes overlooked for value. 574 Knickerbocker - Exceptionally fine weave and texture. Made of 100% cotton, acrylic primed. A delight for work that requires exact detail. 580 Universal - An acid free, medium weight cotton duck canvas with an even texture. Universally primed to accept oil colors, acrylics, alkyd paints, etc. 583 Alabama - A very popular economical chafer duck with a pronounced weave. Available in several lengths for maximum versatility. 70 Primed Cotton - Double primed finest quality pure cotton duck, primed for all media. Medium texture, good strength. Most popular canvas in all areas. See More
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Centurion Acrylic Primed Linen Roll, 84" x 6 YardsSave Up to74%Off listWhite All-Purpose Medium 11oz. Primed 100% Linen Canvas Rolls at an Affordable Price Centurion LX Acrylic Primed Linen has an even surface texture and a medium 11oz weight designed for acrylic painters. Each yard of Centurion Linen is primed with two coats of naturally absorbent acrylic gesso. Unlike cotton, linen has long fibers that resist deterioration for at least 5 centuries and as much as 2,000 years with proper care. Our woven linen has a lovely even texture that holds up better than machine-made cotton canvas. Perfect for all media, you can stretch the linen on stretcher bars or mount it to a wall. Centurion's large 30-yard roll is sensational for painting large-scale murals. The 11oz. double-primed acid-free linens are suitable for oils, acrylics, and alkyds. For Mural Paintings! Use our new 30-yard roll size to create large-scale murals. Key Features: * 11oz. double primed acid-free 100% linen canvas rolls * Medium, even surface texture * 1 coat of clear sealer, followed by 2 coats of acid-free acrylic primer * All-purpose surface, Archival and acid-free * Woven, non-mechanical surface with a smooth, even texture * Archival long-lasting quality * The long linen fibers resist deterioration Perfect For: * Ready to stretch * Oil, acrylic, and alkyd colors * All general painting techniques * Commissioned work * Ensuring that your work will last hundreds of years * Glazing and impasto techniques * Stretching on bars or mounting to a wall as a mural "I've been using Centurion linen canvas from Jerry's for several years now. I use both the acrylic and oil primed and get great results. The texture of the canvas also has a nice weave to it, and I can use glazing and impasto techniques on it. As an artist who makes his living painting, it's important to have the best tools I can. Centurion fits that bill." - Artman54. See More
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PanPastel™ 8 Jar LidsSave Up to30%Off list…to painting in other media e.g. oils* Use PanPastel to Enhance Watercolor Paintings PanPastel Empty Trays - The perfect palettes and organizers for PanPastel Colors! empty trays hold pans securely. Each palette includes a cover and is stackable. Standard PanPastel Sets… Ultra Soft, Low Dust, Lightfast, Highly Pigmented Pastel Cakes! PanPastel Ultra Soft Pastels are professional artists’ quality soft pastel colors packed in a unique pan format (cake-like). PanPastels are fully compatible with traditional pastel sticks, fixatives and surfaces; and with other artists' colors for mixed media work. 9 ml Pans contain approx. 35% more material than the average pastel stick. PanPastels are loaded with the highest quality pigments; and is made using a unique manufacturing process requiring minimal binder and fillers, resulting in rich, ultra soft and low dust colors. PanPastel Colors are fully compatible with traditional pastel sticks, fixatives and surfaces; and with other artists' colors for mixed media work. 9 ml Pans contain approx. 35% more material than the average pastel stick. Versatile and easy to use PanPastel for a variety of techniques. Use for dry-in-dry techniques—mix and blend like paint! Key Features:* Great for pastel washes, backgrounds and under paintings* Use for dry-in-dry techniques—mix and blend like paint* Ultra thin "glazing" layers won't overfill the "tooth"* Control painterly effects—from intense to delicate pastel marks* Blend and apply dry color like fluid paint* Can be mixed and applied like paint Perfect For:* Painting & Drawing* Painting (with & without pastel sticks, pencils and other media* Drawing – for sketching & blocking-in drawings* Subtractive (reductive) techniques – tone paper with PanPastel then subtract drawing using an eraser* Underpaintings e.g. initial sketch for paintings* Backgrounds e.g. for colored pencils* Color studies prior to painting in other media e.g. oils* Use PanPastel to Enhance Watercolor Paintings PanPastel Empty Trays - The perfect palettes and organizers for PanPastel Colors! empty trays hold pans securely. Each palette includes a cover and is stackable. Standard PanPastel Sets - Includes PanPastels and a selection of Storage Jars, Sofft Covers, Sofft Mini Applicators and Sofft Sponge Bars. Sets of 7 with Palettes - Features pans of highly pigments soft pastels in themed colors. Includes palette and Sofft tools for blending. See More
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Marie's Master Quality Watercolor 9ml Rose Permanent CrimsonSave Up to80%Off listRed Lives up to professional standards at an economical price Marie’s Painting Material Factory has more than 100 years of experience making vivid watercolors. Their reputation for quality continues today and many great artists use Marie’s watercolors on their palette. Each tube of Masters Quality Watercolor contains the finest pigments balanced by a quality binder. Intensely pigmented and lightfast the paint performs flawlessly on paper. Marie’s uses old and new paint-making techniques to guarantee that Masters Watercolors meet the needs of professional artists. Now you can add the brilliance of Masters Finest Quality Watercolors to your art! Key Features: * Range of 55 brilliant colors in 9ml tubes * Available in sets of 12, 18, and 24 * Several single-pigment shades * Includes 4 metallic and 7 pearlescent colors * Finest pure pigments * Highest lightfastness ratings * Highly concentrated color * Stands nicely on watercolor paper * Perfect For: * Professional watercolorists * Beginning watercolors * Beautifully clean color mixing * Permanent, professional works of art * Free-flowing, vivid watercolor painting Master Quality Watercolor Set of 12: Includes White, Lemon Yellow, Cadmium Red (Hue), Alizarin Crimson, Sap Green, Viridian, Ultramarine, Prussian Blue, Yellow Ochre, Burnt Sienna, Burnt Umber, and Ivory Black. Master Quality Watercolor Set of 18: Includes White, Cadmium Yellow (Hue), Lemon Yellow, Cadmium Red (Hue), Alizarin Crimson, Permanent Rose, Emerald Green, Sap Green, Viridian, Brilliant Purple, Sky Blue, Ultramarine, Prussian Blue, Yellow Ocher, Burnt Sienna, Burnt Umber, Payne's Gray, and Ivory Black. Master Quality Watercolor Set of 24: Includes White, Lemon Yellow, Cadmium Yellow (Hue), Cadmium Orange (Hue), Cadmium Red (Hue), Alizarin Crimson, Permanent Rose, Crimson, Purple Red, Emerald Green, Sap Green, Viridian, Phthalo Green, Brilliant Purple, Sky Blue, Cobalt Blue, Ultramarine, Prussian Blue, Yellow Ochre, Burnt Sienna, Burnt Umber, Raw Umber, Payne's Gray, and Ivory Black. See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to25%Off list…- Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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PanPastel™ Artists' Pastels - Orange Tint, 9mlSave Up to19%Off listOrange Ultra Soft, Low Dust, Lightfast, Highly Pigmented Pastels packed in a unique pan format (cake-like) PanPastel Colors are professional artists’ quality soft pastel colors packed in a unique pan format (cake-like). PanPastel Colors Ultra Soft Artists' Painting Pastel Colors are artists' quality soft pastels uniquely packed in a pan format, so that the colors can be mixed and applied like paint, for new effects in pastels, and to make difficult pastel techniques easier! PanPastel Colors are the softest pastels in the world. Each color of PanPastels is loaded with the highest quality pigments; and is made using a unique manufacturing process requiring minimal binder and fillers, resulting in rich, ultra soft and low dust colors. PanPastel Colors are fully compatible with traditional pastel sticks, fixatives and surfaces; and with other artists' colors for mixed media work. 9 ml Pans contain approx. 35% more material than the average pastel stick. Versatile and easy to use PanPastel for a variety of techniques! See Videos for Techniques Key Features:* Great for pastel washes, backgrounds and under paintings* Use for dry-in-dry techniques - mix and blend like paint* Ultra thin "glazing" layers won't overfill the "tooth"* Control painterly effects, from intense to delicate pastel marks* Blend and apply dry color like fluid paint* Can be mixed and applied like paint Perfect For:* Painting & Drawing* Painting (with & without pastel sticks, pencils and other media* Drawing – for sketching & blocking-in drawings* Subtractive (reductive) techniques – tone paper with PanPastel then subtract drawing using an eraser* Underpaintings e.g. initial sketch for paintings* Backgrounds e.g. for colored pencils* Color studies prior to painting in other media e.g. oils* Use PanPastel to Enhance Watercolor Paintings Which surfaces should I use with PanPastel? An important characteristic of PanPastel Colors is that they work well on SO many different surfaces - from very low tooth to high tooth. E.g. from delicate surfaces through to toothy pastel (sand-paper) surfaces and everything in between…drawing papers, pastel papers, canvas, vellum, watercolor papers, print-making papers, cardstock, digital/ink-jet papers (matt) etc. Also, because they are not wet, PanPastel Colors don’t cause lightweight papers to “buckle”, and the Sofft sponge tools are gentle on delicate papers such as Japanese handmade papers. Each artist normally gravitates towards his or her own preferred surface. Don’t limit yourself – experiment! Some examples of how PanPastel looks on different surfaces are shown at our substrates page. Our gallery also shows the variety of surfaces being used by artists with PanPastel. See More
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Grumbacher Pro Gloss Spray Varnish, 11oz CanSave Up to43%Off listVarnish sprays for both acrylic and oil paintings Find Grumbacher Professional Varnish Sprays for varnishing pictures and paintings. Great for a final varnish for both oil and acrylic paintings. Available in either Gloss or Matte, Grumbacher spray varnishes come in convenient spray cans to final… Varnish sprays for both acrylic and oil paintings Find Grumbacher Professional Varnish Sprays for varnishing pictures and paintings. Great for a final varnish for both oil and acrylic paintings. Available in either Gloss or Matte, Grumbacher spray varnishes come in convenient spray cans to final varnish your works of art! With all varnishes, make sure paintings are completely dry. Allow 3 to 5 days for acrylic works and 6 to 12 months for oils. Dry time may very and depends on thickness of paint application as well as environmental humidity * Picture & Painting Varnish Spray - is a non-yellowing, easily removable final varnish for both oil and acrylic paintings. When used on wet or semi-dry works, the use of spray varnishes may damage artwork; varnish may not be removable at this point. See More
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Krylon Acrylic Crystal Clear Spray Gloss, 11oz CanSave Up to55%Off list…varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear -… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear - This sturdy, clear finish does not yellow with age. Dries in minutes enhances and protects color with a moisture-resistant finish. Easy-Tack™ - Easy-Tack creates a smooth, flexible, temporary hold. Rearrange work until the perfect design is achieved. Easy-Tack never becomes permanent, yet will not lose its gentle grip! This acid-free spray is safe for photos, scrapbooks, and more! Excellent for stenciling or temporary placement since it leaves no residue. Gesso Spray - Spend more time artistically and less time preparing your surface! Easy, the one-step application requires no mixing—shake, point, and spray. Will not yellow, resists chipping, dries to the touch within 15 minutes, ready to work in 30 minutes. High Strength Spray Adhesive - This fast-acting adhesive has a variable volume controlled web spray pattern that offers high contact strength. Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while allowing for easy reworking. Kamar Varnish dries to a high gloss finish. Low Odor Clear Sprays This permanent, latex enamel spray is excellent for preservation, can be used indoors and cleans up easily with soap and water! Preserve It! - Protection is easy with Preserve It!® Digital photos, greeting cards, address labels, scrapbook materials, and more last twice as long once you add this layer of protection. Without it, moisture, fading, early aging, ink runs, and damage from smudges can ruin your most precious valuables. Satin Finish Spray - Clear, protective spray finish for all kinds of arts, crafts, and home décor projects. Permanent, protective gloss finish, non-yellowing, moisture-resistant. Spray Adhesive - This high-performance spray exhibits an extended open-tack time so projects can be easily adjusted before drying completely. This acid-free formula is safe for photos, scrapbook pages, and other lightweight memorabilia. Provides an even spray pattern, is non-wrinkling with no bleed through. Super Quick Grip Spray Adhesive - Adheres lightweight surfaces in seconds and dries secure and permanent. The adhesive creates a smooth, flexible, non-wrinkling bond. Fast tack, dries quickly; strong, permanent bond in seconds; smooth, non-wrinkling adhesion; acid-free. Triple-Thick Crystal Clear Glaze - This bright, clear acrylic coating gives a glass-like illusion of depth. Its glaze equals three coats of other clear aerosols — superior high-gloss coating with a shiny, durable finish. UV-Resistant Clear Coatings - This tough finish does not yellow with age and protects arts, crafts, and valuables from harmful light rays. Moisture- and chip-resistant, smudge-proof, and dries in minutes. Available in gloss or matte. Workable Fixatif - This re-workable spray eliminates smudging and wrinkling while protecting pencil, charcoals, pastels, chalk, tempera, Conte, crayon, watercolor, India ink, and more! Easy to erase, Acid-free, and archival safe. See More
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Paramount Cotton Canvas Roll, 84" x 6 Yards - 11oz Double Primed RollSave Up to70%Off listWhite All-Media Primed Cotton Canvas Rolls with Medium Tooth & Uniform Appearance! Paramount Cotton Canvas Rolls provide yards of quality canvas at an excellent value. Paramount uses only 100% pure unbleached cotton with an even surface texture and a heavy 11 oz weight. The acid-free primer has the right amount of tooth for building layers of paint and vigorous brushwork. Perfect for all media, you can stretch the canvas on stretcher bars or mount it to a wall. Paramount's new colossal 30-yard roll is sensational for painting large-scale murals. When stretched, the robust 11 oz canvas can take on heavy impasto brushwork with less sagging than other canvases. Use our new 30-yard roll size to create large-scale murals. Key Features: * Unbleached 100% cotton canvas * 11 oz primed weight * 7 oz unprimed weight * Double-primed with acid-free acrylic primer * Medium-tooth surface * It holds up great for painting thick Perfect For: * Oil, acrylic, and alkyd paints * Artists seeking quality professional canvas * Building up texture and vigorous working * Applying layers and layers of paint * Heavy impasto buildups with less sagging * Stretching on bars or mounting to a wall as a mural "I use this canvas all the time, and it's perfect for my large-scale paintings. And it comes with really large height ranges. Best pricing on unstretched primed canvas. When I cut my canvas pieces, I even save the scales to glue together to paint." – Jage See More
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Yes! All Media 11oz Cotton Canvas Roll 84" x 6 YardsSave Up to70%Off listWhite The canvas that accepts any media! We do not know where art will lead you. You may want to start with watercolor and gouache, reworking or removing areas then finishing off with permanent acrylics. With Yes! You can! Yes! Mixed-Media Canvas accepts watercolors, oils, acrylics, casein, permanent markers, alkyds, shellac, acrylic-based inks, airbrush, egg tempera, or any other media of your choice. It uses only the finest closed weaved cotton that is triple-primed to a super smooth surface. A versatile canvas that will accept any paint, ink, or marker you have in your studio. Perfect for portrait artists and realistic technique artists. A unique twist to this canvas is that you can draw with a permanent marker and use the lines to form a resist for your watercolors without feathering or smudging. Similar to the resists used for silk painting, you can paint on top of the drawing. For traditional watercolor painting, the color sits on the surface, allowing for easy lifting, scratching, and reworking the painted surface and even layering for unique effects using opaque or transparent colors. This surface is fantastic with virtually any acrylic-based paint, from heavy-body acrylics to acrylic-based inks to airbrush colors. Key Features: * 11oz weight, 100% unbleached cotton * Portrait smooth, fine weave surface * Triple-primed with acid-free special wet media primer * Perfect For: * Accepts all media! * Watercolors, Water-based inks, Airbrush colors * Acrylics, Markers, Acrylic inks * Oil, Shellac, and Alkyds The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Gamblin Gamvar Gloss Picture Varnish 8.5oz BottleSave Up to25%Off listGamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays… Gamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly notice that your colors have more depth and that Gamvar is virtually odorless! The easiest way to make your painting look better! Key Features: * Terrific for both oil and acrylic paintings * Saturates color and adds depth of color * Protects your painting * Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation * Altering paint sheen * Use in the studio or school Gamvar Gloss: saturates colors in your painting and gives your work a unified and protective gloss surface. Gamvar Gloss is the original Gamvar formula. See More
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PanPastel™ Pearl Medium - Black (Coarse)Save Up to25%Off listBlack The world's first true pastel mediums! PanPastel Mediums are additives that can extend the techniques and finished effects and alter how your colors work. These mediums have all of the great characteristics of PanPastel colors including being incredibly mixable, erasable, low dust, and lightfast. Pearl Mediums can give paints a jewel-like quality and can create specialized tints. The colorless blender increase transparency in any PanPastel colors. The Mediums Set of 5 includes all 5 mediums, one large sponge, two small applicators, and a small handled applicator. Key Features: * Fine Pearl Mediums create subtle, soft pearl sheen * Coarse Pearl Mediums contain larger particles for shimmering sparkle * Colorless blender increases transparency and enhances color “flow" * Low Dust, lightfast, professional quality Perfect For: * Enhancing Pastel and Mixed Media Artworks * Pastel Artists of all Levels * Creating unusual effects * Use with PanPastels and Traditional Pastels See More
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Gamblin PVA Sizing 8.5oz, Artists' Oil Painting MediumSave Up to25%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Gamblin Gamvar Satin Varnish 8.5oz BottleSave Up to25%Off listClear Transparent Enhance and protect your oil paint masterpieces with this professional quality satin finish picture varnish! Gamblin's Gamvar Satin Picture Varnish saturates the colors in your oil paintings and gives your work a unified, satin finish protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Satin is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This superior quality satin picture varnish dries to a lower gloss level compared to original Gamvar and enhances the depth of color in your paintings. The easiest way to make your painting look better! Key Features: * Provides a satin finish protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits * Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
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Gamblin Gamvar Matte Varnish 8.5oz BottleSave Up to25%Off listClear Transparent Enhance and protect your oil paint masterpieces with this matte finish picture varnish! Gamblin's Gamvar Matte Picture Varnish saturates the colors in your oil paintings and gives your work a unified, matte protective surface. Developed in collaboration with the National Gallery of Art, Gamvar Matte is practically odorless, goes on and remains water-clear and can be safely removed with Gamsol Mineral Spirits. This professional quality matte picture varnish reduces surface sheen and enhances the depth of color in your paintings. Key Features: * Provides a matte protective surface * Deepens color values of your paintings * Applies water clear and is practically odorless * Easily and safely removed with Gamsol Mineral Spirits* Terrific for both oil and acrylic paintings* Saturates color and adds depth of color* Protects your painting* Unifies surface quality* Odorless and easily removable* Dries in 24 hours* No need to wait 6 months to varnish Perfect For: * Protecting oil paintings * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
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Gamblin Galkyd Medium Lite No.2 8 oz BottleSave Up to25%Off list…a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to25%Off listWhen mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More
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Grafix Incredible White Mask Liquid Frisket, 8.5oz BottleSave Up to33%Off list…color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and… High Quality Liquid Frisket Watercolor Medium Grafix Liquid Frisket is a high-quality liquid frisket perfect for watercolor masking. It dries to a neutral cream color that shows through dry paint. The "Dipstick" was the original applicator brush that Grafix developed to apply Liquid Frisket. The Grafix "Incredible Nib" is an improved version with unique fiber tips that stay firm when wet for greater precision and control. You can use the "Incredible Nib" to apply Liquid Frisket, as well as watercolor, acrylic, tempera, silk, and fabric paints. Nibs are easy to clean with soap and water. Key Features: * Liquid frisket watercolor medium * Water-based suspension of latex * Dries to a neutral cream color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and parents * Use in the classroom 8.5 oz Jar - Incredible White Mask is the highest quality latex liquid frisket mask you can buy. It has a tough film that is easily removed (we recommend using a rubber cement pick-up). The off-white color eliminates staining and is easy to see, unlike colorless products. Kit No. 1 - Contains an 8.5 oz jar of White Mask, an Incredible Nib, Liquid Frisket Removing tool, and a pamphlet. Kit No. 2 - with Dipstick - Contains a 2 oz jar of White Mask and a single-sided "Dipstick" applicator. Kit No. 3 - Contains a 4.5 oz jar of White Mask and the original incredible nib. Please note Liquid Frisket contains ammonia. See More
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Gamblin Solvent-Free Fluid Oil Medium 8.5oz BottleSave Up to25%Off list…Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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Blair Glaze Supreme Super-Gloss 11oz Protective SpraySave Up to32%Off list…acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish. May even be removed for… Acid-Free Mounting Adhesive - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish. May even be removed for periodic cleaning! Digi-Finish - Digi-Finish coatings add UV durability to digital photographs, prints, and other paper creations by creating a clear moisture barrier. Both coatings are VOC and MIR compliant to meet the stringent regulatory requirements of both California and the Ozone Transport Commission. Acid-free and archival safe, these fastdrying, non-yellowing, permanent coatings conform to ASTM D-4236. 11 oz. cans. Glaze Supreme - Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish. Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte finish. Spray Var® Retouch Varnish - An acid-free Damar resin spray allowing you to obtain greater depth and definition in your oil painting. Spay Var Retouch is used for ground sizing, to isolate paint layers and to restore dried areas. It is intended for use with uncured paintings. Very Low Odor Spray Fix - Use this incredible product in the studio since it has no noticeable odor, is acid-free and imparts superb protection. Provides smudge proof protection for pencil, Conte Crayon, charcoal, soft pastel and chalk. It will stop bleeding between layers of gouache, watercolor and casein colors. Dries to a workable tooth and will not curl thin paper. All products in this category are considered Hazardous Materials: Cannot ship by Air/ Next Day Services. Ground only. See More
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Krylon Gallery Series UV Archival Varnish - Matte, 11oz CanSave Up to47%Off listFine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives and quality varnishes for acrylics, alkyds, and oil paintings. Each Krylon Gallery Spray provides the highest quality protection for all of your projects. Key Features: * Varnishes and fixatives * Archival, seals… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives and quality varnishes for acrylics, alkyds, and oil paintings. Each Krylon Gallery Spray provides the highest quality protection for all of your projects. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 11oz can size Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Fine Art Fixatif Protects your delicate dry media pieces from dusting, smudging, and fading while preserving all the color intensity of the unfinished piece. * Invisible protection for pastel, charcoal, graphite, and more * Will not dissolve whites and light colors like most fixatives * Preserves colors and intensity of dry media * Can be used as both a workable and a final fixative UV Archival Varnish Provides the ultimate in protection against harmful UV rays. * Provides the highest UV protection in artist quality coatings * Removable with mineral spirits or isopropyl alcohol * For acrylics, watercolors, oils, pastels, colored pencil, digital media & more * Durable, flexible, fast-drying, and non-yellowing See More
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Centurion Deluxe Oil Primed Linen 84" x 6 Yard RollSave Up to79%Off listWhite Remarkable oil primed linen at an affordable price. Oil paints look flat and uneven on absorbent acrylic primed surfaces. That's why it's essential for oil painters to work on oil-primed canvas. Centurion Deluxe Professional Oil Primed Linen Rolls are specifically designed for oil painters. Each yard of Centurion linen is coated in a non-absorbent oil primer that chemically bonds with the paint. The primer allows your paint to sit on top of the canvas and cure with the correct amount of refraction. Thinned oils and glazes do not fragment or separate on the highly receptive surface. Oils adhere better on Centurion OP canvas than any other oil-primed canvas on the market today! You can stretch the linen on stretcher bars or mount it to a wall. Centurion's new colossal 30-yard roll is sensational for painting large-scale murals. Use our new 30-yard roll size to create large-scale murals. Key Features: * Medium 11 oz. weight linen canvas * Non-absorbent, enhanced oil primer allows for brilliant results * Excellent color retention * Archival long-lasting quality * As the oils cure, they chemically bond to the canvas * Perfect For: * Oil painters * All general painting techniques * Commissioned work * Ensuring that your work will last hundreds of years * Stretching on bars or mounting to a wall as a mural See More
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Professional Unprimed Linen 581 Goliath Linen (11.2oz per yd) 84" x 6 YardsSave Up to77%Off listNatural The Absolute Finest Quality Linens Imported From Italy Belle Arti Unprimed Linen Rolls provide artists with the optimal painting surface and are the ideal foundation for your paintings! The unprimed linen canvas does not include any treatments, glues, sizings, or priming layers whatsoever. You have the freedom to treat, stretch, and prime a linen canvas to your specifications with Belle Arti Professional Unprimed Linen. Key Features: * 6 Yard Rolls * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Imported from Italy * 84" wide x 6 yard rolls Perfect For: * Professional painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more * Large scale paintings 549 Portrait Weave Linen, 5.8 oz per yd -This 198 gr/m2 weight linen has a superfine texture and extremely tight weave. It was developed for portrait work or for works where the smoothest surface is required. 596 Fine Weave Linen, 9.45oz per yd - This 320 gr/m2 weight linen has a fine texture, substantial feel and tight weave. It was developed for artists seeking minimal texture with supreme strength. Excellent for floral and landscape use. 548 Universal Weave Linen, 8.9oz per yd - This 302 gr/m2 weight linen has a medium texture and weave with a solid feel. It is available in both 82.5" and 122" wide formats and provides a traditional canvas grain that grips paint well without overstating the texture. Excellent for impressionistic techniques. 581 Goliath Weave Linen, 11.2oz per yd - This 380 gr/m2 weight linen has a large thread for a more robust texture but has a tight weave for extreme strength for super large canvases. It is available in both 82.5" and 122" wide formats. Excellent for all modern art and whenever a bold surface is needed. See More
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Senso Clear Primed Linen Canvas Roll, 84" x 6 YardsSave Up to64%Off listWhite Clear Primed Linen Canvas - one of the few you'll find that will inspire you! This 14oz professional linen canvas is one of the few you'll find that will inspire you. The canvas is made from a specially processed linen. The surface has a medium tooth with a good paint gripping texture. The clear primer shows off the superb neutral tones of the linen canvas, which can be used by any artist to create unique painting effects. The linen is clear acrylic primed and will take acrylic colors, oil colors, caseins, alkyds, egg tempera, and pastels. If you are a pastel artist, the Senso linen canvas rolls are an excellent alternative to sanded pastel paper and will enhance the value of your finished paintings. Key Features:* Medium tooth natural weave linen* Specially processed linen* Multi-media surface* 14 oz. weight* Special clear acrylic primer allows canvas surface to show through* Easy to stretch Perfect For:* Oil color, caseins, alkyds, egg tempera, acrylic, and pastel* Creating unique painting effects* Mixed media Senso linen canvas rolls have transparent sizing so you can work toward light and dark from the canvases middle color. The neutral color allows to sketch in both light and dark See More
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Paris Oil Primed Artists' Linen Canvas Roll 84" x 6 YardsSave Up to65%Off listWhite Rolls of the finest oil-primed linen canvas for hand-stretching! Luxurious Paris Oil Primed Artists' Linen is one of the finest painting supports available to discerning oil painters! Paris Linen has all the hand-crafted charm of traditional European-style canvas, and is meticulously inspected throughout its creation to ensure the final product is superior in every way. The 10.3 oz, medium-weight linen canvas is from the finest long-yarn linen fibers, hand-pumiced for a uniform finish before being sized with a traditional glue sizing. Three coats of archival, non-yellowing, non-absorbent oil primer are then applied and sanded between coats to ensure ideal adhesion. Oil colors will sit on the surface for luminous, refractive effects only available when used on the proper ground. Available in 6-yard rolls, Paris Oil Primed Artists' Linen Canvas Rolls are the perfect choice for professional oil painters who enjoy stretching their canvas to their exact specifications and desire quality above all! Key Features:* Finest 10.3 oz. weight long yarn linen canvas* Hand-pumiced for an even finish* One coat of traditional glue sizing* 3 coats of archival oil primer* Hand-sanded between coats for adhesion* Sold in 6 yard rolls Perfect For:* Custom canvas stretching* Archival works designed to last* Achieving a luminous, refractive effect in oils* Excellent adhesion of oils in thick or thin layers* Landscapes and larger works* The finest old world, European style See More
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Claessens Linen #09 Unprimed Fine Texture Roll, 84" x 6 ydSave Up to68%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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Unprimed Cotton Duck #10 Blanket (15 oz.) 84" x 6 Yards - Uniform TextureSave Up to79%Off listNatural Professional Cotton Duck Canvas At An Amazing Value! Are you tired of painting on small standard sized canvases and find it difficult or prohibitively expensive to work larger? Deluxe Unprimed Cotton Duck has the answer with their line of professional quality Cotton Duck canvas blankets— all at an affordable price! These deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers and are available in a range of ounce weights. These premium raw unprimed canvases are available in large blankets that you can stretch to your desired canvas size! Deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers Key Features:* Professional quality Cotton Duck canvas blankets* Unprimed canvas blankets* Crafted from only the highest quality cotton fibers* Available in large blankets that you can stretch to your desired canvas size* Great for muralist or large scale works* Can be gessoed and or to stretch your own canvas Unprimed Cotton Duck Canvas Blankets Details: * Unprimed Cotton Duck (#'s)* #8 (18oz. Unprimed)* #10 (15oz. Unprimed)* #12 (12oz. Unprimed)* These cotton ducks are durable, double filled and have a very uniform canvas surface* Single Fill - 7oz. unprimed weight economy cotton sheeting with a uniform medium texture.* Army Duck - 10 oz. unprimed weight smooth canvas that is very much liked for portrait and realism. See details below See More
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