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Pebeo Setacolor Leather Paint Medium - Lightening Deglazer, 110mlSave Up to20%Off listVideos…Use Pebeo's matte satin or gloss varnish to protect the design and obtain the desired finish. Key Features: * Setacolor Auxiliaries * Opaque water-based acrylic mediums * Works with Setacolor Leather paints * Degreaser cleaner * Glue for attaching materials * Protective leather varnish Perfect For:… PREPARE - CREATE - PROTECT leather creations! Pebeo's Setacolor Leather Auxiliaries are perfect mediums for preparing, creating, and protecting leather designs. For best results, use the Setacolor primer-degreaser medium before painting for optimum adhesion. A 1:1 mixture of thinner and color should be created for airbrushing to obtain the optimal paint viscosity. Glue is an auxiliary for bonding pearls and beads to leather or polyester. Use Pebeo's matte satin or gloss varnish to protect the design and obtain the desired finish. Key Features: * Setacolor Auxiliaries * Opaque water-based acrylic mediums * Works with Setacolor Leather paints * Degreaser cleaner * Glue for attaching materials * Protective leather varnish Perfect For: * Customizing leather and imitation leather * Repairing discolored leather * Painting and airbrushing * Creating a satin, glossy, or matt-satin finish Setacolor Preparer-Degreaser*: This is an auxiliary product used to prepare and degrease the surface, remove the protective varnish that covers the leather, and degrease it for optimal paint adhesion. Use this degreaser before applying Setacolor Leather Paint. *This is a Hazardous product. Observe the precautions for use. Use only outdoors or in a well-ventilated area. Setacolor Lightening-Thinner Medium: For airbrushing, you should create a 1:1 mixture (thinner and color) to obtain an optimal viscosity for a smoother airbrush. This technique is highly recommended for customizing sneakers. The result is uniform (if you master the airbrush technique) and leaves no trace of paint. This auxiliary also lets you dilute, liquefy, and lighten Setacolor Leather colors when applied with a brush or airbrush without altering their properties (resistance, shine, etc.), unlike diluting with water. Setacolor Glue: Glue is an auxiliary for bonding cotton, leather, polyester, etc., with pearls, powders, or beads. You should only apply the glue to the necessary areas, and we recommend gluing directly without waiting for it to dry. It is crucial to remove any residues before the glue dries. Setacolor Masking Fluid: Masking Fluid is a peelable drawing gum perfect for defining paint-free areas on leather. Apply in a thick layer. Drying time varies depending on the thickness of the coating, but it should take approximately 30 minutes (Use a hair dryer to speed up drying). The bluish color helps to identify the masked areas and darkens when drying. You can apply it directly to the surface and then paint over it once the gum is dry. Alternatively, you can draw with the gum over an already applied color and cover the masking gum with another color to have a colored masked area instead of coloring the bare surface. Once dry, peel or rub the gum off with your fingers within a maximum of 15 days after application. Apply a thin layer of color to the dry masking gum to obtain clean lines after peeling or rubbing off. You can clean the brush with soapy water. Setacolor Matt-Satin and Gloss Varnishes: Protective varnishes must be applied to the work for optimal and long-lasting results. Available in 2 finishes: matt/satin or gloss. The varnish will help to seal the color perfectly, protecting your creation from rubbing, scratches, wear and tear, and water. They can be applied with a brush for an entirely uniform finish or with an airbrush without prior dilution for a shiny varnish and mixed 50:50 water and varnish for a matt-satin effect. The matt-satin varnish must be well mixed before use. It is recommended to wait 24 hours before varnishing. Tip: Mixing matt-satin and gloss varnishes can achieve the desired finish. Mix 3 parts gloss varnish to 1 part matt-satin varnish for a satin finish. See More -
New York Central Acrylic Mediums/Gesso, 2oz Sampler Set of 3Save Up to55%Off listVideos…heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish *… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. Learn More About New York Central See More
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Jo Sonja's Opal Dust Glitter Effects, 2ozSave Up to31%Off listVideos…wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More
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