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The Edge All Media Pro Cotton Canvas, 12"x18" - 11/16" DeepSave Up to85%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
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American Easel Wood Painting Panel 1-5/8" Deep 12x18"Save Up to35%Off listNatural Sturdy, cradled wood painting panels ideal for any artist! These new, all-wood painting panels from American Easel are the perfect surface for any painter or multimedia artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or encaustic grounds! Since the choice of priming is yours, so is the choice of media: use anything from watercolors, acrylics, and oils to egg tempera, encaustic, collage — even some sculptural effects on these strong and sturdy panels. With slightly beveled paintable cradle edges, a frame is not necessary. Just paint the edges and hang! The American Easel 1-5/8" Deep Painting Panels are available in a wide variety of rectangular and square sizes. Bring the tradition and versatility of wooden panels to your artwork with this new line from American Easel! Key Features: * Birch plywood on solid poplar 1-5/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as-is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Available in rectangular and square formats * Made in the USA! Perfect For: * Ideal for detailed works and heavier art requiring a durable substrate * Students, Teachers, Professionals * Mounting linen or canvas * Gallery presentations * Mounting sanded pastel or watercolor paper * Firm archival painting surface * Lightweight easy to hang * Acrylics, acryl gouache, pencil, collages See More
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Gamblin Gamvar Gloss Picture Varnish 8.5oz BottleSave Up to25%Off list…relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly… Gamvar Gloss Picture Varnish - The Perfect Picture Varnish You can confidently paint and varnish your paintings with Gamblin's conservation quality resin varnish for oil, acrylic and alkyd paints! Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamsol relaxes stiff oil paints and is the best solvent for cleaning brushes and palette knives because it is odorless and non-hazardous! When your oil painting is completely dry and paint is firm to the touch, preserve and protect it by brushing a thin layer of semi-gloss Gamvar on top. You will instantly notice that your colors have more depth and that Gamvar is virtually odorless! The easiest way to make your painting look better! Key Features: * Terrific for both oil and acrylic paintings * Saturates color and adds depth of color * Protects your painting * Unifies surface quality * Odorless and easily removable * Dries in 24 hours * No need to wait 6 months to varnish * Available in Gloss, Satin, & Matte Perfect For: * Varnishing oils, alkyds, and egg tempera * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation * Altering paint sheen * Use in the studio or school Gamvar Gloss: saturates colors in your painting and gives your work a unified and protective gloss surface. Gamvar Gloss is the original Gamvar formula. See More
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Strathmore 400 Series Drawing & Sketch Pads Medium 12" x 18" (24 Sheets)Save Up to56%Off listStrathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon,… Strathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more! 80 lb., spiral bound paper has 24 sheets per pad. 400 Series Sketch Pads - A general purpose sketch paper for classroom, experimentation, or perfecting technique with pen, pencil and a variety of other media. Rugged spiral wire binding makes it ideal for field use, and pages are perforated for easy removal. 60 lb paper. Media Applications: Smooth 80 lb - graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. 400 Series Heavyweight Drawing Pads - 100 lb., cream-colored paper is ideal for finished artworks and heavier sketch media, allowing for repeated erasing and reworking. Use with charcoal, pencil, colored pencil, sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed. 24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium. All of our Heavyweight Drawing products feature a medium surface with slightly more texture than our 80 lb. 400 Series Drawing pads. Surface is durable enough to stand up to repeated erasing and reworking. 400 Series Recycled Drawing Paper - This 80 lb., bright white paper is suitable for all dry media, pen and ink, and light washes. Contains over 50% recycled materials, and perforated for easy removal. Acid-free, heavy weight, durable, medium surface. Weight: 80 lb. 130 g/m2 Surface: Medium Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, and oil pastel. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. 400 Series Recycled Sketch Paper - Our most popular sketch pad! This 60 lb., general purpose sketch paper is great for experimentation and perfecting techniques. Contains 30% Post-Consumer Waste Fiber. Acid-free, medium weight, lightly textured. Weight: 60 lb. (25" x 38" x 500 sheets) 89 g/m2 Surface: Fine Tooth Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel See More
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Grumbacher Acrylic Medium - Gel 531 Acrylic Transparentizer, 5ozSave Up to45%Off listAssorted Colors Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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Gamblin Galkyd Medium Lite No.2 8 oz BottleSave Up to25%Off list…traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin Artists' Oil Painting Mediums Neo-Megilp 8.5 ozSave Up to25%Off list…turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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GOLDEN Heavy Body Acrylics, Earthtones Set of 12, 5oz TubesSave Up to30%Off listEarth Tones Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints - Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Fluid Watercolor Paper Pad 140lb Cold Press 12" x 18"Save Up to35%Off listWhite Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
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Soho 3-Hole Pencil Sharpener, PinkSave Up to75%Off listRed Perfect For Sharpening On The Go! It’s a fact that no one likes drawing with a dull pencil. With the SoHo 3-Hole Pencil Sharpener, you can keep all your drawing tools sharp. The sharpener has three sharpening holes and an easy-to-clean shavings compartment. Each of the three holes serves a unique purpose. The largest hole sharpens the whole pencil, while the sharpeners on either side help create different point lengths. The brightly colored sharpeners are easy to locate in your bag or backpack, but if you prefer a more sophisticated look, black is also available. Make sure to keep one handy to sharpen graphite and colored pencils. Key Features: * Convenient 3-hole pencil sharpener * Available in 4 colors: Pink, Green, Turquoise, and Black * Quality blades deliver clean, accurate sharpening * Sharpen jumbo and regular-sized pencils to a fine point * Easy-to-clean pencil shavings compartment * Made of durable plastic * Measures 2-1/2" x 2" x 1-1/8" Perfect For: * Drafters, illustrators, and fine artists * Graphite, charcoal, colored pencils, and crayons * Sharpening pencils up to 10 mm thick * Short point, long point, and jumbo pencils * Achieving the perfect pencil point See More
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Soho Soft Cover Drawing Pad 12"x18", 92 lb. (24 Sheets)Save Up to55%Off listWhite The Perfect Paper for Sketching and Illustration SoHo drawing paper is available in two weights, standard and heavyweight. The standard 92 lb. paper has a uniform surface that is ideal for working with graphite, charcoal, and colored pencil. While the heavyweight 135 lb. paper can be used with wet and dry sketch media. Artist drawing papers typically weigh between 80 and 100 lbs. Our SoHo papers are much thicker, and the quality is noticeable. With a SoHo pad, you can rework areas, make corrections, and erase aggressively, knowing the paper will hold up. Both drawing papers are acid-free and have an even surface for precise marks and clean erasing. Key Features: * Drawing 92 lb. (150gsm): 24 sheets per wire-bound pad * Heavyweight 135 lb. (220gsm): 50 sheets per wire-bound pad * Acid-free dual-sided paper * Micro-perforated sheets * Available in multiple sizes Perfect For: * Quick studies and fine drawings * Capturing fine details * Finished illustrations * Repeated erasing and reworking * Spontaneous creativity * Travel SoHo Drawing Pads Wire-Bound Softcover - Acid-free drawing paper perfect for use with dry media such as pencil, pen & ink, charcoal, and more! 92 lb (150gsm), wire-bound with 24 sheets per pad. SoHo Heavyweight Drawing Pads Wire-Bound Hardcover - Acid-free drawing paper perfect for use with graphite, colored pencil, charcoal, pen & ink, marker, soft pastel, oil pastel, and light washes of wet media. 135 lb (220gsm), wire-bound with 50 sheets per pad. Whether you are an art student, a seasoned artist, or just enjoy sketching, these SoHo Drawing Pads are perfect for all dry mediums and styles! See More
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Bamboo Wood Frame - Natural 12" x 18" (Box of 4)Save Up to58%Off listNatural Eco-Friendly Frames Made of Sustainable Wood Ambiance Eco Frames are made of sustainably grown wood and feature a flat-front profile for an attractive minimalist look. Rubberwood is less brittle than hardwood, and bamboo is denser than hardwoods like ash and maple. Each frame comes with lightweight acrylic glazing, hardboard backing, and hardware. The break-resistant acrylic glazing is lighter than glass and is protected on both sides from scratches and smudges by a thin film that can be removed before use. It’s very easy to install flat artwork in these frames. Simple turn buttons on the backing board slide into slots on the inside edge of the frame, allowing you to swap out art quickly. Sizes 3x5" through 10x14" feature an easel back for tabletop display. All of the frames feature D-ring style loops attached to the backing board for hanging in either direction. Ambiance Eco Frames neatly define but never overwhelm your artwork. Pair your Eco Frame with an Ambiance mat (sold separately) for a professional look. Bamboo is available in a natural finish clear coat, and rubberwood is available in black. Key Features: * Made of sustainable bamboo (natural) or rubberwood (black) * Profile depth: 11/16", face width: 5/8" rabbet depth: 7/32" * Available in a variety of popular sizes * Solid construction and clean lines * Sustainably grown wood * Acid-free hardboard backing with turn buttons and d-rings * Lightweight, break-resistant acrylic glazing included * Simple to use backing holds your artwork in place * Sizes 3x5" through 10x14" have an easel back for tabletop display Perfect For: * Quickly swapping out artwork for a show * Framing sketches, prints, watercolors, and photographs * Hanging art vertically or horizontally on a wall * Tabletop display * Use with Ambiance mats (sold separately) * Artists that want to support the earth * An attractive minimalist look * Displaying your art * Giving your art as a gift Eco-Friendly sustainable wood: Rubberwood is considered a renewable source. The trees are mainly grown for the latex sap they produce, but once the tree reaches the end of its lifecycle and stops excreting sap, the wood is harvested for processing. New trees are planted to replace the trees that are harvested. Bamboo is also a remarkable green material because it prevents soil erosion, supplies biofuel, and provides a wholesome food source for wildlife. Bamboo produces more oxygen and can absorb more carbon dioxide compared to an equivalent tree mass. Additionally, it does not take very long to regrow a bamboo crop. Eco Frames are naturally better for the environment because they are made with sustainable wood that is responsibly harvested. See More
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Yasutomo Washi Sumi-E - 50 sheet Sketch Pad 12x18"Save Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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MCS Format Frame Black - Black, 12" x 18"Save Up to39%Off listBlack These Simple Functional Frames Make Framing Easy MCS Format Frames are made of plastic and have a sleek modern look that lets your artwork speak for itself. These frames have a clever front-loading design that is easy to use. To insert a drawing, pop out the glass sheet, insert your artwork, and pop the glass back in place. You can use the built-in keyhole hangers to hang the frame on the wall or insert the snap-in easel for tabletop display. MCS Format Frames are perfect for displaying diplomas, certificates, awards, photos, and drawings. Key Features: * Made of high-quality plastic * Thin minimalist 1/8" front * 5/8" deep profile * Backing board and glass included * Built-in keyhole hangers * Removable easel back for tabletop display * Instructions included Perfect For: * Quickly and easily framing artwork * Hanging vertically or horizontally * A contemporary wall display of photos * Photos and drawings * Displaying diplomas, certificates, and awards Please note: These frames are too shallow to accommodate a mat. See More
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Fabriano Studio Watercolor Pad - 12"x18", Cold Press 90lb (100 Sheets)Save Up to53%Off listNow Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting… Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting while guaranteeing optimal absorbance. The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and external sizing* 100% elemental chlorine free pulp* Exceptional value and quality* Available in different sizes and bindings* Perfect For:* Watercolorists* Drawing and sketching* Fine artists and students* Artists at all skill levels* Watercolor and gouache* Tempera, acrylic, ink* Charcoal and graphite See More
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The Edge All Media Pro Cotton Canvas 12"x18" - 1-1/2" Deep (Box of 3)Save Up to93%Off listWhite Four Clean, Paintable Edges for Frameless Artwork Presentation! Superior Priming For The Best Overall Results! The greatest selection of sizes. Thus, giving the artist a reasonable cost solution for wherever their inspiration leads them. 78 sizes in al! Improving on one of the most beloved artist canvases isn’t easy, but Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Look for The Edge All Media Cotton Canvases in even deeper depths for an even more striking presentation! Key Features:* Available in: Singles or Boxes of 3* Squares, Value Packs of 9* 14oz primed weight* 8oz. raw weight before priming* 100% cotton canvas* Triple acrylic primed* Medium texture canvas* Deluxe stretched canvas* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materialsThe Edge All Media 1-1/2" Deep Cotton Stretched Canvas Perfect For:* Oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas THE EDGE 1-1/2" DEEP French Landscape - After looking at stores in Paris, the main difference in sizing were sizes that were more gentile, than a 1 to 2 ratio. 10x15", 10x25", 12x18", 18x30", 20x20", 30x48" and 48x72" represent the ratios of 1 to 1-1/2 but also a few that were slightly wider. Seascapes, in these the slightly wider sizes. Squares/Diamond - Geometrically squares allow for various single and multiple canvas compositions. There are fifteen sizes ranging from 4x4" to 60x60". Squares used with extra-long canvases allow for many geometric multiple canvas compositions, as well. Rectangles/Portrait/Landscape - The most popular of shapes are rectangles. These work well with abstract expressionism, landscape and especially portrait or representative artwork. The Edge offers a huge array, providing the most possible alternatives for you. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! Singles up to size 24x36in. Boxes of 3 All Sizes Value Packs: Small Square Cotton Canvas 1-1/2" Gallery 9 Packs See More
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