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Winsor & Newton Liquin Olepasto 200 ml TubeSave Up to43%Off listAccelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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Winton Oil Color - Dioxazine Purple, 200ml TubeSave Up to34%Off listViolet Winton Oil Paints, The world's most popular oil color! One of the best values in oil color Winton Oil Paints represent one of the best values in oil color. For the price, these colors exhibit a good creamy consistency and provide permanent and remarkably light fast results. Recommended for mural artists and students. Synthetic pigments have been substituted for true pigments in traditionally more expensive colors, to keep the cost low. These colors are identified with the word Hue after the color name. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. Features:* Available in: 37ml tubes, 200ml tubes* Traditional range of oil color* Spectrum of 55 colours* Permanent and lightfast results* Recommended for mural artists and students* Synthetic pigments substituted for true pigments* Pigments are bright and offer gorgeous sheen* See More
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SoHo Watercolor Block 16"x20", 140 lb. (20 Sheets)Save Up to62%Off listWhite 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More
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Crescent #114 Watercolor Board Cold Press 16"x20" (Pack of 3)Save Up to40%Off listWhite Pre-mounted extra-thick heavyweight watercolor boards! Crescent Watercolor Art Boards provide the convenience of a board while eliminating the need to stretch paper. The acid-free board is warp-resistant and the heavyweight paper is made with 100% cotton rag. Uniform surface sizing and internal sizing help the paper withstand wet-on-wet techniques, reworking, and erasing. Now conveniently available in 3-pack traditional pad sizes, they are ready to use straight out of the pack! Key Features: * Pre-mounted boards * Easy portability * 100% rag, 140lb heavy weight boards * pH neutral * Mounted onto 100% acid-free, archival core board * 3-Pack Cold Press Watercolor Boards #114 * Perfect For: * Paint like watercolor, acrylics, and gouache * Light collages * Outdoor use Crescent's #5115 Watercolor Board with 100% Rag Surface and Rag Core: Crescent's best watercolor board features a 100% Rag hot press surface and rag core that is acid-free. Crescent's #5114 Watercolor Board with 100% Rag Surface and Rag Core: Crescent's best watercolor board features a 100% Rag cold press surface and rag core that is acid-free. Crescent's #114 extra-heavy weight Watercolor Board: features a 100% cotton rag surface that is cold press and beautifully captures wash, wet-on-wet, and dry-brush techniques. Extra heavyweight resists warping. In addition to watercolor, this board is the best surface for color pencil, graphite, mixed media, and collage. Crescent's #115 Watercolor Board: For watercolor artists that prefer a slightly smoother surface, Crescent's #115 Watercolor Board features a 100% cotton surface that is hot press and beautifully captures wash, wet-on-wet, and dry-brush techniques. Extra heavyweight resists warping. In addition to watercolor, also best for pen, marker, mixed media, and collage. See More
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New York Central Watercolor Paper 140 lb Hot Press - 16" x 20" (10 Pack)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet is 100% Cotton and has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. The 5x7", 9x12", 11x14", 16x20", and 22x30" watercolor sheets come in reusable zip-top packaging designed to keep your paper clean. New York Central® Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Available in rough, cold, and hot press * Bright white 140lb & 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Sizing preserves the luster and transparency of watercolors * Superior surface stability * Made on cylinder mould * Holds up to scrubbing and erasing * Sold in sheet packs of 10 * Convenient zippable packaging keeps your paper clean Perfect For: * Wet and dry media* Watercolor, gouache, ink, and fluid acrylic* Scrubbing and color lifting techniques* Professional watercolorists* All water media! See More
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Winsor & Newton Professional Acrylic Buff Titanium 200 mlSave Up to40%Off listWhite Premium Grade Professional Acrylic Paints Made with the latest developments in resin technology These are our very finest acrylic paints - they're made with the latest developments in resin technology. Most acrylics darken as they dry, but our clever, translucent binder means that what you see is what you get. Winsor & Newton Professional Acrylic Paints are the first and only acrylic to offer the clearest resin no colour-shift, colour-matching is made much easier. We've also made sure these paints have a longer working time without compromising the famous acrylic fast-drying time. And, with 80 brilliant colours, you're spoiled for choice in sizes 60ml, 200ml tubes & 237ml jar of Titanium White. Each individual color In the Professional Acrylic line uses the maximum amount of pigment possible, without extenders to produce a brilliant paint with the broadest handling properties and outstanding color-mixing capabilities. Winsor & Newton Professional Acrylic Paints range represents a significant breakthrough in achieving colour brilliance and much, much more! The first and only acrylic to offer the clearest resin no colour-shift, colour-matching is made much easier. Key Features:* 80 brilliant colours* 200ml, 60ml tubes & 237ml jar of Titanium White & Sets* Revolutionary transparent binder* Unique binder that is translucent when wet and dries clear* Luxurious buttery consistency * Shorter, similar to oil color* Maximum amount of pigment* Excellent brush stroke retention* High permanence rating* Unsurpassed tinting strength* Extended working time (up to 20 minutes*)* Made with the latest developments in resin technology Perfect For:* Have a longer working time* Without compromising the famous acrylic fast-drying time* No colour-shift* Brilliant when dry as they are when wet* Strong colors with wonderful working properties* Extended working time (up to 20 minutes*)* The brightest ever range of Artists' Acrylic After extensive research and development, we are proud to present the brightest ever range of Artists' Acrylic. By combining our world beating colour making experience with the latest developments in resin technology we have taken 'brilliance' to a new level. And that's not all. Not only are our colours brilliant when wet but they remain as bright when dry—so what you see is what you get. Winsor & Newton Professional Acrylic Paints range represents a significant breakthrough in achieving colour brilliance and much, much more! The Professional Acrylic Set of 12 - Includes Azo Yellow Medium, Lemon Yellow, Mars Black, Naphthol Red Light, Olive Green, Permanent Alizarin Crimson, Phthalo Blue RS, Phthalo Green BS, Raw Umber, TitaniumWhite, Ultramarine Blue, and Yellow Ochre in 20ml tubes. See More
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Winsor & Newton Griffin Alkyd Fast-Drying Oil Color - Titanium White, 200ml TubeSave Up to40%Off listWhite Fast Drying Oil Colors Made with pigments and oil modified alkyd resin Griffin Alkyd is an oil color formulated from the same family of fast-drying resins that has been used by Winsor & Newton in producing Liquin and other mediums since the 1960’s. Each color reaches a touch-dry state in less than 24 hours, making them ideal for fast working while still offering the working and optical properties of oils. Their unique luminosity makes them perfectly suited for glazing, particularly when used in combination with Liquin. Compatible with conventional oils, Griffin Alkyd Oils have excellent flow properties and dry to a durable, semi-gloss hard film that will not yellow over time. Made with an alkyd resin binder that has been modified with a non-yellowing drying oil for optimum color retention, excellent durability, and rapid drying time. 48 oil colors is available in 37ml tubes. Titanium White is also available in 200ml tubes. Key Features:* 48 oil colors, available in 37ml tubes* Faster drying time than traditional oils* Dry to the touch in 18 to 24 hours* Genuine oil color* Can be thinned with traditional oil color solvents* Can usually be varnished in 30 days* No compromise on lightfastness, color strength, and selection* Speed of drying allows techniques such as impasto and glazing to be done in considerably less time* Classed as artists' quality because the grinding of pigments* Dries to a durable, semi-gloss hard film* Will not yellow over time Perfect For:* Fast working while still offering the working and optical properties of oils* Colors remain workable for 4-8 hours* Oil painting outdoors* Clean with mineral spirits* Non-yellowing drying oil for optimum color retention* Glazing, particularly when used in combination with Liquin * Because alkyd film is slightly less flexible and is faster drying than traditional oil color, application over oil or oilbar layers is not recommended. Alkyd is not intermixible with acrylics. Griffin Alkyd Fast Drying Drying Oil Color Alkyds are made from a naturally derived vegetable oil that is polymerized. The result is a resin-like product that, when mixed with a solvent, is very similar to traditional linseed oil. The colours remain workable for 4 to 8 hours and are touch dry in 18 to 24. Consistent drying times across the range removes the usual restrictions that come with conventional oils, making it easier to overpaint, regardless of the colour upon the surface. Artist Review Great Product! "I work on commissions all the time that sometimes require a short deadline. I feel much more confident in getting them done and out in time while using these oils. You can also mix them in with regular oil paint and usually that will speed up the drying times as well. Usually they are completely dry in 24 hours!" See More
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Winsor & Newton Galeria Flow Acrylic - Ivory Black, 200mlSave Up to68%Off listBlack Wonderfully affordable, yet an impressive acrylic in vibrancy and quality! Winsor & Newton’s Galeria Acrylic line is wonderfully affordable, yet impressive in their vibrancy and quality. They possess a high level of pigment and some of the naturally transparent colors have been created in opaque versions for easy, clean color mixing. They have a smooth, free flowing texture is buttery enough for quick and easy coverage, but thick enough for brushstrokes to remain if desired. Perfect for students or classroom use, the large 200 ml tubes and 500 ml bottles are ideal for students or professional acrylic artists painting on a large scale, or even for background colors. The excellent brilliance of color in the line has a high permanence. The Galeria Acrylics line consists of 60 magnificent colors. Key Features:* High pigment levels* Even, satin finish* Affordable quality* Line of 60 colors* Large 200 ml tubes and 500 ml acrylic bottles Perfect For:* Students or professional acrylic artists* Artists preferring free flowing texture* Backgrounds and large scale works* Vibrant colors at affordable prices Winsor & Newton Galeria Acrylics - texture buttery enough for quick and easy coverage, but thick enough for brush marks to remain, should you want them See More
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Fluid Watercolor Paper Easy Block - 140 lb. Cold Press 16x20"Save Up to35%Off listEasy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since… Easy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are only glued on 2 sides (instead of the traditional 4) it's also remarkably simple to remove your painting from the block once finished by simply slipping a knife or letter opener around the glued sides. Made by slow milling in small batches, Fluid Easy-Block Watercolor Paper is remarkably strong and is available in an even, low tooth cold press finish or new super-smooth hot press. Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more! Available in multiple sizes ideal for any subject; 15 sheets per block, bound on two edges. Easy-Block Watercolor Paper Blocks are taped on just two sides, which makes it much easier to remove the top sheet without damaging the sheets below - thus the name: "Easy-blocks"! * Acid-free 15 sheets per block, bound on two edges* Archival, Acid-Free* CCP -Certified Permanent Paper* 140 lb. / 300 gsm* Highest Quality Alpha Cellulose* Also available in packs of 6 loose 22x30" sheets* Cold or hot pressed, soft white paper* Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more!* The glue along the two long edges will hold the sheet flat as you paint. See More
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Winsor & Newton Oil & Acrylic 108 lb 16x20 Pad 10-SheetsSave Up to41%Off listWhite Formulated to withstand thick, layered paint applications Winsor & Newton Oil And Acrylic Pads contain 10-sheets of fine-grain canvas textured paper ready for oil or acrylic paints. The textured paper is formulated to withstand thick, layered paint applications without any priming or preparation. Winsor & Newton designed the Oil and Acrylic paper with the right degree of absorbency while also preventing oil from sinking through the paper. The portable gum-bound pads are popular for sketching outdoors and in the studio. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * Canvas textured paper * 108lb, 230gsm Weight * Gummed binding * No need to prime paper * Paint will not soak through * Ideal absorbency for oil applications * Acid-free and resistant to aging Perfect For: * Oil, acrylic, and oil pastel * Thick paint applications * Sketching outdoors and in the studio * Rendering and high color luminosity * Practicing techniques with oils and acrylics * Artists who prefer using paper to canvas See More
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Winsor & Newton Professional Canvas Standard Depth (0.82") Stretched Canvas-16"x20" (Box of 5)Save Up to61%Off listWhite Create your next masterpiece with these with professionally prepped stretched cotton canvas! Born from a rich heritage of commitment to quality and innovation, Winsor & Newton Professional Canvas features cotton canvas primed with pigment rich Gesso and warp-resistant, kiln-dried, heavy duty solid pine stretcher bars. With its balanced absorbency and medium tooth, this acid-free, archival canvas is wonderfully responsive to every brushstroke, really allowed paint to adhere to the textured surface. Available in standard depth and gallery deep edge, each canvas has a little extra cloth with its tailored and uncut corners, and includes the new Winsor & Newton pro-stretcher. Each canvas includes the Pro-Stretcher, an innovative stretching device that's custom-made for Winsor & Newton. Strong and compact, it allows you to create an immaculate bespoke surface, stretched exactly as you want it. This exclusive stretcher is easy to use and delivers precision tension. Key Features: * Professional Cotton Canvas * Pre-primed, the cotton canvas weighs 10.6 oz. Primed weight is 16.9 oz. * Weight 480gsm, Surface Cotton, Wood Type Heavy Duty Solid Pine * Primed with pigment rich Gesso primer * Warp-resistant, heavy duty solid pine stretcher bars * Acid-free, archival canvas with a medium tooth * Includes the Winsor & Newton pro-stretcher * Choose a Traditional or Deep Edge profile * Balanced absorbency and tooth prevents shrinking * Back stapled with folded uncut corners Perfect For: * Traditional Canvas with medium texture, ideal for use with oil and acrylic paints * Deep Edged Traditional Canvas with medium texture, ideal for use with oil and acrylic paint * Professional painters * Oils & acrylics * Fine art students * Mixed media projects Pro-Stretcher * Precision tension that you can control * Professional look for back of canvas * Strong, will not release * Easy to use, no fuss * Small and compact * Patent-pending technology The professionally constructed frames are crafted from heavy-duty, kiln-dried solid pine stretcher bars and rigorously tested for warp-resistance. See More
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Winsor & Newton Artisan Water Mixable Oil Color - Permanent Alizarin Crimson, 200ml TubeSave Up to40%Off listRed Who Says Oil and Water Don't Mix! Designed to look and work just like traditional oil paint Just because oil and water don't mix in your kitchen doesn't mean there aren't other methods to make them happy in each other's company. A most effective route is through the addition of a chemical emulsifier that has an attraction on one side of the molecule for water and, on the other, for oil. The result? A happy match made, if not in heaven, at least in the laboratory. Mix with Water - Artisan provides all the characteristics expected from conventional oil color: High pigment strength, a high proportion of single pigments, and variable opacity. The key difference is their ability to be mixed with water even though they are made with traditional oil binders. Chemical analysis has indicated that any added water fully leaves the paint film within a short time; no water remains "trapped" to weaken or loosen the color on the canvas. Drying Time- The water evaporates out of the paint film fairly rapidly leaving behind a conventional oil color that dries by oxidation, as normal. Adhesion and drying time have been shown to be comparable to conventional oil color. Research has also shown that the dried Artisan film is similar to a conventional oil film in solvent resistance, yet remains slightly softer than conventional colors, offering increased flexibility, which is a very good thing. Your canvas can flex with changes in temperature and humidity; a paint film that will go along with it will better resist cracking or lifting. Key Features: * 40 vibrant tones * Designed to look and work just like traditional oil paint * Thick, buttery consistency * All colors are touch dry in 2-12 days * Clean up is easy with just soap and water! * High pigment strength and variable opacity * Mix with water and avoid hazardous solvents * Made from modified linseed and safflower oils * Winsor & Newton Artisan Water Mixable Oil Colors - These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home. For Water Mixable Mediums Click here -> Winsor & Newton Artisan Water Mixable Oil Painting Mediums See More
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Winsor & Newton Artists' Oil - Flake White Hue, 200ml TubeSave Up to40%Off listWhite Generations of Experience to Make Oils Like Winsor & Newton Winsor & Newton Artists' Oil Paints are made from only the finest pigments. 80 single pigment colours for clean mixing. Rich, buttery consistency. Winsor & Newton carefully formulates each tone for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze. When milling oil color, each pigment must be treated as an individual, with every surface on each particle fully enveloped by fine oil—which is why Winsor & Newton researches, formulates, and mills each color individually. It is that perfect dispersion that translates into the signature "feel" and the luminous reflection that make fine oils so irresistible. Even more importantly, the dispersion determines stability in the tube and is a key player in the ultimate stability of the color on the surface. 99% of colors have a lightfast rating of AA or A providing permanence without compromising the choice of hue. The result is something that comes only with generations of experience and expertise in working with artists' color. 80 single pigment colours for clean mixing. Rich, buttery consistency Key Features:* Each color is researched, formulated, and milled individually* Buttery, vibrant and consistent* 130 Colors / 80 are single pigment colors * Optimum tinting strength when reduced with White* Perfect For:* Techniques from impasto to glazing* Cleanest, brightest colors with the best color mixtures * The Permanence and longevity of paintings* The most responsive feel beneath the brush and great versatility Combined with strength of color, single pigments provide a wide color range in themselves and offer cleaner, brighter mixtures with an infinite range of hues. This is particularly important for greens, violets, and oranges. There are 80 single pigment colors in the Artists' Oil Color range. Winsor & Newton Artists' Oils Shades of Grey: Charcoal Grey, Davy's Grey, Payne's Grey, Silver, and Pewter Winsor & Newton Artists' Oil Introductory Set of 10, 21ml Tubes: Winsor Yellow, Crimson Alizarin, Ultramarine Green Shade, Winsor Blue Red Shade (Phthalo), Winsor Green (Phthalo), Yellow Ochre, Indian Red, Burnt Umber, Ivory Black, Titanium White Are Winsor and Newton oil paints good? Yes! Winsor and Newton oil paints are formulated with the finest pigments for beautiful colours with excellent tinting strength; They are a great choice for amazing painting results at using higher quality oil paints for better results. Made in London, Winsor & Newton (also abbreviated W&N) is an English manufacturing company. See More
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Winsor & Newton Artisan Water-Mixable Oil Medium - Impasto Medium, 200ml BottleSave Up to40%Off list…alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More
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Arches Watercolor Block 16"x20", 140lb Hot Press, 20 SheetsSave Up to40%Off list…Aquarelle Watercolor Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade. Excellent for all types of watercolor painting, ink drawing, washes — and the ideal portable painting surface, perfect for plein aire artists! Arches Aquarelle Watercolor Paper Blocks… Convenient pre-stretched 100% cotton watercolor blocks Arches watercolor blocks are a favorite among artists for more than 500 years manufactured in the same French mill since 1492. Made from 100% cotton linters and both internally and externally gelatin sized, these blocks are durable acid-free, pH-neutral and air-dried paper. Arches Aquarelle watercolor blocks are one of the finest art papers in the world. You too can bring this historical, artist quality paper to your own works with these convenient, pre-stretched blocks! Glued on all four sides, eliminating the need to wet and stretch the paper before painting, as the glue prevents the sheet from curling and buckling during painting. Arches Aquarelle Watercolor Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade. Excellent for all types of watercolor painting, ink drawing, washes — and the ideal portable painting surface, perfect for plein aire artists! Arches Aquarelle Watercolor Paper Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade.* 140lb Blocks (300gsm, 20 sheets) - Available in Cold (medium texture), Hot (smooth texture) and Rough (high texture) Press surfaces. Each block contains 20 sheets glued on all four sides. * 300lb Blocks (640gsm, 10 sheets)Sizes: 9x12", 10x14" & 12x16" - These Cold Press (medium texture) blocks feature 10 sheets of heavyweight, 300lb Arches Natural White watercolor paper, glued on all four sides. Key Features:* 100% cotton watercolor paper* Both internally and externally gelatin sized* Durable acid-free, pH-neutral and air-dried paper* Glued on all four sides* Glue prevents the sheet from curling and buckling* 3 surface finishes: Cold Press, Hot Press & Rough* 2 paper weights: 140lb & 300lb * 20 sheets per block (140lb) / 10 sheets (300lb)* Natural White shade Perfect For:* Watercolor artists* Eliminating the need to wet and stretch the paper before painting* Watercolors, gouache, acrylics, and ink* Keeping paper perfectly flat* Not needing stretching, taping or clamping to stay flat* Painting right away without a lot of prep work* Drawing as it provides a sturdy support surface to work on* For traveling or spontaneous with watercolor creativity* Plein aire artists NOTE: Once a piece is finished, simply slip a craft knife or razor blade under the top sheet to lift it up and reveal a brand new sheet beneath. See More
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Arches Bright White 140lb Watercolor Paper, 16"x20" Cold Press (10 Sheets)Save Up to40%Off list…surface types and in 140lb & 300lb. The artists' choice for watercolor paper since 1492. Arches Bright White Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Bright White Cold… Bright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper pulp is brighter than natural white, each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted on, while still maintaining its beautiful surface quality and integrity. Arches bright white paper is available in all three popular paper surface types and in 140lb & 300lb. The artists' choice for watercolor paper since 1492. Arches Bright White Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Bright White Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Bright White Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* Bright white, mould-made* 100% long rag cotton* 140lb & 300lb* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Bright White 100% Cotton Watercolor Paper Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Global Arts Fluid 100 Watercolor Paper 140lb Hot Press Watercolor Block 16x20" (15 Sheets)Save Up to51%Off list100% cotton Watercolor Paper Sheets, Blocks & Pochettes Fluid 100 Watercolor Paper is made using traditional paper milling techniques used by the old European masters coupled with modern technology to create a fine watercolor paper that is 100% cotton. Fluid 100 Professional Watercolor Paper is… 100% cotton Watercolor Paper Sheets, Blocks & Pochettes Fluid 100 Watercolor Paper is made using traditional paper milling techniques used by the old European masters coupled with modern technology to create a fine watercolor paper that is 100% cotton. Fluid 100 Professional Watercolor Paper is natural white and is available in 140lb/300lb in both hot pressed and cold pressed surfaces and in sheets, blocks, rolls, and pochettes. Each sheet of paper, block, roll or pochette is strong with a subtle and pleasing surface texture that is acid-free and archival. Gelatin sizing gives the artist brilliant color and increased control that is perfect for use with both wet and dry media. Fluid 100 Professional Watercolor Paper Sheets, Blocks & Pochettes - Made by European Mill Masters who Combine Traditional Papermaking Techniques with Modern Technology! Each watercolor block has 10 or 15 sheets glued on two edges. Each watercolor pochette has 10 sheets. Key Features: * 100% cotton, natural white surface * Acid-free, archival quality * External gelatin sizing * Easy Blocks have 2 glued edges Perfect For: * Watercolor paints and watercolor pencils * Artists looking for a variety of paper formats * Practicing your watercolor painting See More
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Arches Natural White 140lb Watercolor Paper, 16"x20" Cold Press (10 Sheets)Save Up to40%Off list…enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists,… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Fredrix 16x20" Watercolor Canvas 11/16" Deep Box of 6Save Up to46%Off listWhite Special coating that performs similar to a cold pressed or rough watercolor paper Fredrix Watercolor Cotton Stretched Canvas is an authentic 100% woven cotton artist canvas with a special coating that performs similar to a cold pressed or rough watercolor paper, yet it provides a distinctive look that can only be achieved on canvas. This innovative 100% cotton artist canvas combines the texture of a natural, woven fabric with a specially formulated gesso designed for all water-based paints. Won't buckle or tear like paper Fredrix Watercolor Cotton Stretched Canvas will accept all watermedia and mixed media techniques. For example, transparent and opaque watercolors, acrylic and watercolor inks, fluid acrylics, and watercolor pencils. Fredrix Watercolor Canvas Board will also work with traditional acrylic paints in different viscosities. Key Features:* Stretched on standard bars with staple-free edges* Manufactured with acid-free materials* Guaranteed to be 100% Archival quality* Specially formulated gesso for water based paints* Kiln dried stretcher bars* Superb lifting ability for easy washes and corrections* Won't buckle or tear like paper* Perfect For:* Sturdiness compared to watercolor paper.* Watermedia and mixed media techniques* Transparent and opaque watercolors* Acrylic and watercolor inks* Fluid acrylics, and watercolor pencils* Traditional acrylic paints in different viscosities* Paint on all four edges and hang it with or without a frame Fredrix Watercolor Canvas Board will accept all watermedia and mixed media techniques. For example, transparent and opaque watercolors, acrylic and watercolor inks, fluid acrylics, and watercolor pencils. Fredrix Watercolor Cotton Stretched Canvas will also work with traditional acrylic paints in different viscosities. See More
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Daniel Smith Watercolor Stick Set of 24 + 16"x20" New York Central Watercolor Sheets 140lb, Cold Press (10 Sheets)Save Up to40%Off listAssorted Colors Superior Quality Watercolor Sticks are a Pan in Your Hand!! DANIEL SMITH Extra Fine Watercolor sticks are watercolors shaped into a convenient stick form, allowing you to draw and paint! With DANIEL SMITH Watercolor Sticks, pigments are key, made with pure pigment (no fillers or waxes) and gum arabic, so the paint releases easily with a wet brush. High quality, excellent lightfastness, and the vibrant broad color line of sticks offer unrivaled quality and versatility. The Watercolor Sticks are a "pan in your hand”; they are DANIEL SMITH Watercolor paint shaped into stick form, baked, wrapped in a label, and ready to draw and paint! DANIEL SMITH Watercolor Sticks offer the same superior intensity as our watercolor paints with the convenience and portability of half pans. Each watercolor paint stick is about 3 full pans. A terrific value! They are packed with pure pigment and produce vibrant, strong colors when wet. Or use the DANIEL SMITH Watercolor Sticks dry to build texture. All Watercolor Sticks are the same price regardless of what series (1. 2, 3, 4) they are in the Watercolor tubes. For example, Sodalite Genuine is a series 4 in the Watercolor tubes in the Watercolor Stick collection, it is the same price as the rest of the Watercolor Sticks. DANIEL SMITH Extra Fine Watercolor Painting Sticks are a great way for painters to get back in touch with drawing or for artists who typically sketch to add painterly color. These Watercolor sticks are comfortable to hold, and the tip can be sharpened for a more precise drawing tip. When sharpening, be sure to save the shavings, those are pure DANIEL SMITH Watercolor! You can add water to the shavings and turn them into liquid paint in a small dish or container. The Watercolor Sticks are a "pan in your hand”, they are DANIEL SMITH Watercolor paint shaped into stick form, baked, wrapped in a label, and ready to draw and paint! For sketching, developing color values, and bold expressions, DANIEL SMITH Watercolor Sticks are a truly valuable addition to every artist's palette. Key Features:* 62 colors available / Set* Add painterly color* Hand-shaped sticks* Excellent lightfastness* Packed with rich pure pigment* No fillers or waxes* Each watercolor paint stick is about 3 full pans* Conveniently portable Perfect For:* Professional watercolorists* Use in plein air* Mixed media applications* Watercolorists of and level looking for an exceptional paint* Artists who typically sketch to add painterly color* Creating texture* Adding detail or line work* Artists who typically sketch* Adding painterly color quickly* Adding detail or line work* Manufactured in the United States Empty Plastic Case for Sticks - Protect your DANIEL SMITH Watercolor Sticks with this translucent plastic case. The case holds 5 sticks, but compartments can be separated into sets of 2 or 3. Please note that once broken apart, the compartments cannot be reattached. See More
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New York Central Professional Watercolor Panel, 140lb Hot Press, 16"x20" 7/8" ProfileSave Up to46%Off listWhite Hand-mounted 100% Cotton Acid-Free Watercolor Paper Your favorite watercolor paper mounted to the finest Birch wood panel with acid-free and waterproof adhesive. The mounted paper won't buckle or warp when wet because it's glued to the panel. New York Central Professional Watercolor Panels provide a fresh, modern way to present your artwork without a frame. Each panel is hand-mounted with your choice of paper! Choose from these 100% cotton watercolor papers: * New York Central Bright White: Hot Press, Cold Press or Rough * Arches Natural White: Hot Press, Cold Press or Rough * Arches Bright White: Hot Press, Cold Press or Rough * Fabriano Artistico Bright White: Hot Press, Cold Press, Soft Press or Rough * Stonehenge Aqua: Hot Press or Cold Press To choose your preferred paper brand see the buttons below Finished work can be framed under glass or sprayed with an acrylic polymer for frameless presentation. Golden polymer coatings are available in gloss, matte, or satin finishes and help protect your artwork. For a resin finish, we recommend Pebeo Glazing Resin. Hang Without A Frame For A Fresh Modern Look Key Features: * Birch wood panels * 7/8" or 1-5/8" profile * Archival waterproof adhesive * 140lb 100% cotton, acid-free papers and surfaces * Available in eight sizes from 6" x 8" - 18" x 24" * Warp-resistant birch with kiln-dried New Zealand pine cradles * Paper mounted by skilled artisans Perfect For: * Artists seeking a museum-quality, archival surface * Artists looking for a sturdy, non-buckling watercolor surface * Mixed Media applications * Frameless presentation * Permanent works of art Please note: We carefully make each order by hand. As a result, it may take longer for your order to ship. See More
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Sennelier Watercolor Binding Medium, 200ml JarSave Up to37%Off listSennelier Artist Dry Pigment Binding Mediums available in Egg Tempera binding medium & Watercolor binding medium Egg Tempera Binding Medium - Contains egg, gum arabic and vegetable oil. Provides a flexible consistency when mixed with with dry pigments. The paint film will be smooth, but will not… Sennelier Artist Dry Pigment Binding Mediums available in Egg Tempera binding medium & Watercolor binding medium Egg Tempera Binding Medium - Contains egg, gum arabic and vegetable oil. Provides a flexible consistency when mixed with with dry pigments. The paint film will be smooth, but will not be able to be reworked with water as with traditional egg tempera—but this allows you to build up layers easily. Thin with water. Watercolor Binding Medium - Contains gum arabic, honey, water and a preservative. When mixed with dry pigments, it provides a smooth, water-soluble paste with a viscous consistency. Mix with 5-10% water to increase fluidity, while maintaining brilliancy and transparency. It may also be used to thin pre-mixed paints. See More
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Ampersand Claybord Panel 1-1/2" Cradle - 16" x 20"Save Up to43%Off listWhite Claybord™ The Ultimate Multi-Media Panel Museum Series Claybord™ is made using 1/8” Hardbord panels, featuring Ampersand’s simply amazing kaolin clay ground formula. This ultra-smooth sanded, highly absorbent clay ground is similar in paintability to the clay gesso grounds used during the Renaissance and allows paint colors to remain true and brilliant! While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected. Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens, and painting tools. Claybord is also an excellent printing surface, and can also be used for image transfers. Key Features:* Acid-free, ultra-smooth, highly absorbent kaolin clay ground * Amazing with alcohol inks * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood* Archival, eco-friendly and fully made in the USA* Perfect For:* Ink, graphite, acrylic, gouache, collage, egg tempera, airbrush, scratchboard, and more.* Ideal for image transfers and as a printing surface* Additive and subtractive processes with any artists tools* Surface ideal for brittle media like egg tempera and caseins * 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. * 3/4" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. With Claybord, paints, and inks can be manipulated to vary tonal values, develop highlights, and correct mistakes. Various artist tools, such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers, can be used. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick, allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allow the use of abrasives like oil-free steel wool or sand paper to remove pigment without damaging the finish. Ampersand & Golden High Flow Acrylics Smooth Sampler Value Pack - Ampersand and Golden Artist Colors have teamed up to introduce artists to the amazing synergistic possibilities that exist with our smooth panels and Golden's High Flow acrylics. Includes: * 9x12" 3/4" Ampersand Claybord * 9x12" 7/8" Artist Panel Primed Smooth * 1 oz Golden High Flow Acrylic Color - Green Gold * 1 oz Golden High Flow Acrylic Color - Indigo Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Claybord is archival, eco-friendly, formaldehyde-free, and made by hand in the USA. See More
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Daniel Smith Watercolor Stick Set of 24 + 16"x20" New York Central Watercolor Sheets 140lb, Cold Press (10 Sheets)Save Up to77%Off listAssorted Colors Great Gift Sets For that special Artist There are many creative art sets at Jerry's for that talented and creative person in your life! Here are a few professionally curated sets that are sure to make someone smile and spread creative cheer. Each gift kit comes with all you see for one low price. To view the contents of the set you are interested in, please click on the white notepaper icon beside the set. Key Features: * Curated gift sets * Contain an assortment of art supplies Perfect For: * Gift giving * Spreading creative cheer * Artists and art teachers See More
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Yes! All Media Cotton Canvas Pad 16"x20", 10 SheetsSave Up to54%Off listWhite If It's Wet It Goes On Yes! A Canvas That Accepts Every Wet Media Lightweight and versatile for travel and outdoor painting in gouache, acrylic or watermixable oils. Taped to a board, the smooth, thin canvas has just enough texture to absorb paint and can be mounted later. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. A Canvas That Accepts Every Wet Media - Patented priming accepts all media Key Features:* Wet Media Canvas Pad (10 Sheets)* 11oz weight 100% unbleached cotton canvas* Patented priming accepts all media* Triple-primed with acid free special wet media primer* Portrait smooth fine weave surface* 10 sheet canvas pads can be used for inkjet printing* Perfect For:* watercolors, oils, acrylics, markers, shellac and acrylic-based inks, airbrush colors & alkyds* Heavy body to acrylic based inks to airbrush colors* You can easily draw on it* Paint on it with any media* Great for making color charts* Class projects and studies for large scale works The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors.Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Ampersand Museum Series Aquabord 2" Deep Cradle Panel 16" x 20"Save Up to42%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabord™ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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Sennelier Egg Tempera Binding Medium, 200ml JarSave Up to37%Off listAn Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you… An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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