Your Cart
SLI Search Template
Related Categories: Black Light Paint | Mars Violet | Cobalt Green | Iridescent Medium | Permanent Alizarin Crimson | Cadmium Scarlet | Payne's Gray Acrylic | Pebeo Paint Markers
There were no results that contained all of the words in your query. These results contain some of the words.
-
Matisse Structure Acrylic 4 Liter Jar - Mars BlackSave Up to50%Off listBlack A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
-
Matisse Medium 11 Satin Varnish 4 LiterSave Up to50%Off list…impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell,… Protect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the protection they need, ensuring vibrancy of color and definition of detail for years to come! Satin Varnish - Polyurethane varnish for a satin finish on rigid surfaces. Poly-U-Gloss Varnish - Durable, quick-drying polyurethane varnish for rigid surfaces. * "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
-
Matisse Medium 18 Pre-Antiquing Medium 4 Litre PailSave Up to50%Off list…acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
-
New York Central Unprimed Linen, Y , 120" x 10yd Canvas BlanketSave Up to60%Off listBrown Museum Quality Unprimed Belgian Linen Canvas Blankets The excellent soil quality and moderate climate of the Belgian region is ideal for growing the linen flax plant. Local expertise, combined with centuries of flax spinning and weaving knowledge, guarantee the craftsmanship of New York Central® Unprimed Belgian Linen Blankets. Far more desirable than cotton, linen retains its natural oils, which preserves the material's inherent flexibility and strength. Additionally, this retention of natural oils gives linen the unique ability to resist mold and mildew, unlike cotton. Linen can be thinner and lighter than cotton while maintaining a higher weight load, increasing its durability under heavy-handed painters. Linen will not become slack over time, as cotton is prone to do. Our New York Central® Unprimed Belgian Linen is made from the absolute highest quality flax fibers and is a beautiful, pure product that maintains a natural weave. The perfect surface can be found for any painting with these unprimed blankets, with multiple textures from extra-fine to medium rough. New York Central® Unprimed Belgian Linen gives you the freedom to customize a custom canvas to your priming specifications, making it perfect for every type of painting genre and technique. Shipping Notice: These fine quality linens may take a bit longer to ship, they are custom cut for each order. The canvas is carefully and professionally handled by our in house specialists ensuring you get the best service and quality. Key Features: * Woven in Belgium * 100% linen flax * Available as folded blankets in 2.5 yards, 5 yards, and 10 yards * Made in a carbon-neutral facility * Flax is a highly sustainable, no-waste plant * Grown in the Belgium region between Caen and Amsterdam * Durable natural weave * Lint-free and non-allergenic * Resistant to mold and mildew, unlike cotton * Will not become slack over time * Unprimed, no sizings, glues, or primers * Each blanket has a natural flax color Perfect For: * Professional Painters of all types * Custom canvas stretching * Priming to suit your painting needs! * Oil, alkyd, or acrylic paint * Rich color absorption * Conservation Specialists * Portraits, landscapes, and more * Teachers and students * Aspiring students and amateurs * Hollow flax fiber absorbs paint very well * Provides a beautiful depth of color L Linen – 5.9 oz (200 gsm): Featuring an extra-fine, tightly woven texture with a smooth surface. Ideal for painting genres like portraits and Trompe-l' Å“il that require the smoothest surface for detailed works. Available in 85" width. M Linen – 6.49 oz (220 gsm): Features a fine, tightly woven texture ideal for most painting genres and general painting techniques. Available in 88" width. J Linen – 9.53 oz (323 gsm): Tightly woven featuring a medium-fine texture with a medium weight. Perfect for most painting genres and general painting techniques, with a good weight for larger-scale works. Available in 85" width Y Linen – 9 oz (305 gsm): Very tight weave with a medium texture and medium weight. Ideal for most painting techniques and perfect for large-scale and mural paintings. Available in 120" width. See More
-
Claessens Linen #026 Unprimed Rough Texture Roll, 161.4" x 10.9 ydSave Up to66%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
-
Museo Stretched Belgian Linen Canvas, Alu-Frame, 36" x 40", 1" Deep, 2 PackSave Up to40%Off listWhite Museum-Grade Aluminum Stretcher & Claessens Belgian Universal Primed Linen Claessens Belgian Stretched Linen Canvas With MUSEO Aluminum Bars - Professional Museum Grade Stretched Canvas MUSEO ALU Frame Professional museum-grade canvases feature the finest Claessens 11.64 oz. triple universal primed belgian linen stretched on MUSEO ALU Frame Stretcher Bars. Aluminum stretcher frame is non-corrosive, super strong, & lighter in weight than similar dimension wood bars. They will not warp, even in humid climates, & feature a warp & bend free guarantee! MUSEO ALU Frame stretched canvas features 1¾" wide aluminum insert attached to a high quality warp-resistant spruce wood and professionally stretched Classens 100% Belgian linen. The stretching is performed with enough overlap to re-stretch if ever desired. The total stretcher profile measures 1¾" high × 2.6" wide. Key Features:* Warp & Bend Free Guarantee!* Features professionally stretched Claessens universal acrylic primed belgian linen – perfect for acrylics, oils, alkyds, etc.* One of a kind...Museum-grade aluminum & spruce stretcher bars boast 1 3/4" gallery depth* Archival support, Claessens 100% Belgian linen* Used by museums and galleries worldwide* Provides maximum stability for canvas painters* 11.64 oz. triple-coated universal acid free primed linen* Lightweight yet strong aluminum frame greatly reduces artwork weight for large canvases* Disassembles easily to fit rolled canvas & stretchers in separate tubes for shipping* Reduces shipping costs to clients & galleries* Enhanced Features:* Warp and Bend Free* Museums and Galleries* Disassembled for transport* Stretcher frame is non-corrosive* More Dimensionally stable than wood * Easy to Adjust Tension* Good for artists creating large-format and/or heavy works* Hand-stretched around and back-stapled* No corner keys required* Disassemble & reassemble the stretcher frame in matter of minutes The lightweight aluminum stretcher bars weigh less than heavy-duty wood frames.The MUSEO frame is easily disassembled for transport, allowing the rolled canvas & stretchers to be shipped in separate tubes for a sizeable reduction in shipping costs. Corner connectors & crossbars are removed easily without harming the stretcher bars, using an Allen key. Disassembling & reassembling the stretcher frame takes a matter of only minutes. Included hardware: (see product images for even more details) Spanner: Used to tighten canvas. The Spanner is attached next to the corner connector. Simply loosen the corner connector & tighten by pushing it towards the corner & then tighten the corner connector (repeat this for all four sides). Allen Key: Required to disassemble and reassemble canvas frame, & also needed to tighten the Spanner. Hangers: Attach easily to the grooves of the aluminum section of the bars. Depending on the weight or size of the canvas, you will receive either the screw eyelets or the heavy duty hangers. Video: See videos in video tab to learn more about this amazing product! See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field